Entertainment
Forgotten War Movies That Have Aged Like Fine Wine
War movies age well when the tension still feels physical and the moral questions still feel sharp decades later. You can watch them today and the fear still reads on faces, the decisions still feel impossible, and the aftermath still follows you out of the room. The films I’ve reviewed below are the ones people don’t bring up enough anymore, usually because they aren’t loud greatest hits titles yet they play like they were made yesterday.
Every entry here earns its place through specifics: a courtroom that turns your stomach, a trench that feels like a trap, a tank crew making the wrong turn into hell, a friendship you already know is going to hurt, a mission that turns into survival-by-minute. These aren’t background watches. They pull you in and keep you there.
‘Breaker Morant’ (1980)
Breaker Morant throws you into a war story where the bullets barely matter compared to the words. Harry “Breaker” Morant (Edward Woodward) sits in a courtroom facing execution, and the movie makes you feel the pressure of men being judged by rules that shift depending on who needs protecting. Major J.F. Thomas (Jack Thompson) walks in as the defense and you can see him realizing, piece by piece, what kind of trial this really is. It’s tense in the way great legal thrillers are tense. Every objection, every witness, every line of testimony tightening the rope.
The hook stays emotional. Morant doesn’t play like a clean martyr. He plays like a soldier who did brutal things in a brutal situation and then got left holding the bag. You keep watching to see whether truth matters at all when politics has already decided the ending. The film makes you stick to the screen to this day. It makes you stare at the ugliest part of war: the paperwork and the scapegoats after the blood is spilled.
‘Cross of Iron’ (1977)
Cross of Iron drops you on the Eastern Front and refuses to romanticize a single inch of it. Rolf Steiner (James Coburn) leads exhausted infantrymen who look like they’ve been living in mud for years, and the film makes you feel how survival becomes the only belief system left. Then Stransky (Maximilian Schell) shows up with rank, ambition, and obsession with medals, and the conflict turns personal fast. It becomes about soldiers who want to live versus a man who wants a story told about him.
The movie captures contempt inside the same uniform. Steiner isn’t trying to be noble; he’s trying to get his men through another day with their bodies intact. You end up caring about tiny battlefield choices, where someone crouches, when someone moves, who covers who, because the movie makes those choices feel like the difference between breathing and not breathing. It’s nasty, direct, and still shocking in how honest it is.
‘The Beast’ (1988)
The Beast follows Daskal (Jason Patric) as part of a Soviet tank crew that gets lost in Afghanistan. The movie turns that mistake into a slow, grinding panic. The crew is filmed trying to navigate terrain that wants to eat them while people who know the land start hunting them. The movie makes war feel like a wrong turn you can’t undo. Taj (Steven Bauer) gives the story its moral heat and the local fighter watching these men with rage that comes from lived harm.
The tank becomes a moving prison. You feel the claustrophobia, the paranoia inside the crew, the way fear makes men crueler to each other. The film earns its power by keeping the violence close: a village encounter that stains the crew, a pursuit that never feels far away, a code of revenge that feels inevitable once the first wrong act happens. It’s one of those war movies that makes you sit there afterward thinking about how fast human beings justify what they’re doing.
‘Gallipoli’ (1981)
Gallipoli wins your heart before it breaks it. Archy Hamilton (Mark Lee) and Frank Dunne (Mel Gibson) start as young men with speed in their legs and confidence in their voices, and the early sections make their friendship feel simple and real — rivalry, jokes, pride, that belief that life is wide open. Then the war starts shaping every decision, and you can feel the boys becoming soldiers while still trying to stay boys.
The second half sits in your chest because the film makes the waiting unbearable. Orders move slowly. Messages get lost. The distance between command and the men who pay the price becomes obvious in every scene. You end up clinging to the friendship because it’s the one thing that still feels human in a place designed to grind humanity down.
‘Hamburger Hill’ (1987)
Hamburger Hill feels like being dropped into a fight that refuses to end. Sgt. Frantz (Dylan McDermott) leads men up Hill 937 again and again, and the movie makes repetition feel like torture. There’s mud, rain, screaming, bodies falling, then the order to climb again. The soldiers are trying to get through the next push without losing someone they just shared a cigarette with.
The film stays strong because it keeps the focus on the squad’s emotional weather. Fear shows up differently in each man: anger, jokes, silence, reckless bravado, numbness. The racial tension and class tension aren’t tossed in for flavor; they live in the way men speak to each other under stress, then fight beside each other anyway because the hill doesn’t care who you are. It leaves you with exhaustion, the same kind you see on their faces.
‘The Train’ (1964)
The Train is older than the rest of this list and still feels viciously watchable because it turns a mission into stubborn, sweaty problem-solving. Paul Labiche (Burt Lancaster) is resistance, rail man, and pragmatist, and you feel how hard he has to work to keep people alive while delaying a train loaded with stolen art. Colonel von Waldheim (Paul Scofield) plays another brutal type — the kind of man who treats human lives as acceptable losses for his cause.
The suspense in The Train comes from practical obstacles: switches, engines, schedules, sabotage that needs timing, the risk of a single mistake turning into a firing squad. You watch Labiche make choices that cost people he cares about, and the film never lets you pretend those costs are clean. It’s the kind of war movie that makes you respect competence while also forcing you to feel what competence costs in war.
‘A Bridge Too Far’ (1977)
A Bridge Too Far earns its place on this list purely because of its scale and heartbreak. Not to mention that it feels extremely personal. The film follows Maj. Gen. Roy Urquhart (Sean Connery) who lands with his men and immediately feels the plan’s cracks widening — distance, radio failure, time slipping. Then there’s the main man, Lt. Col. John Frost (Anthony Hopkins) who holds the Arnhem bridge with a kind of calm resolve that makes every scene with him tighten your throat. The movie makes you understand the goal, then makes you watch how many things have to go right for that goal to happen.
You keep watching with a growing sense of dread because the film never hides the friction between ambition and reality. Soldiers fight like hell, messengers run, commanders argue, and the road keeps choking everything. It feels like watching hope get outpaced by logistics and luck. All those faces and small decisions that couldn’t save them stay in your memory.
‘Come and See’ (1985)
There are war films that show destruction, and then there is Come and See, which feels like watching innocence be erased in front of you. The movie begins and Flyora (Aleksei Kravchenko) begins as a boy drawn toward war by the kind of excitement only a child could still believe in, and the cruelty of the film lies in how completely it tears that belief apart. By the time the nightmare has fully closed around him, his face carries the kind of exhaustion that should never belong to someone so young. Glasha (Olga Mironova) matters so deeply to the story because every moment beside her feels like a fading connection to warmth, fear, and human tenderness before all of it is swallowed by horror.
What makes the film overwhelming is the way it presents atrocity without distance. Burned villages, collaborators, humiliation, murder — none of it is framed to thrill or impress. Everything lands with a sickening plainness, as if the world itself has accepted the unbearable. That is why the film feels so punishing. It traps you inside endurance, inside witness, inside a reality where survival itself stops feeling like mercy. And with time, Come and See has only grown to feel harsher, clearer, and more essential, because it refuses every lie that cinema so often tells about war.
‘The Long Good Friday’ (1980)
The Long Good Friday belongs on a list like this because it understands war as something that can move through a city in tailored suits, exploding cars, broken deals, and silent panic. It follows Harold Shand (Bob Hoskins). He begins the film with the swagger of a man who believes power is already his, and what follows is the slow terror of watching that certainty collapse from one blow to the next. Every explosion, every failed arrangement, every new threat tightens the pressure around him until the performance of control starts to look almost desperate. There’s also Victoria (Helen Mirren) who gives the film an added sharpness because her composure makes it clear she sees the shape of the danger long before Harold is willing to face it.
The brilliance of the film, though, is in its escalation. Harold keeps answering chaos with force, intimidation, and brutality, as if sheer will can drag the world back into place, but every move only reveals how little command he really has. Bob Hoskins makes that unraveling unforgettable because he never lets Harold become small; the panic lives inside the character’s personality, inside the fury, inside the dawning realization that the old rules no longer protect him. By the final car sequence, the film reaches something close to pure cinema: a man cornered inside his own understanding, with nowhere left to run and no illusion left to hide behind.
‘Paths of Glory’ (1957)
Paths of Glory takes the top spot because almost no film has ever expressed moral fury with such precision and control and yet nobody remembers it. The courtroom scenes are where the film cuts deepest. The film follows, Col. Dax (Kirk Douglas) who tries to defend men who have already been condemned by leaders more interested in preserving authority than confronting truth. He moves through the story with conviction, intelligence, and decency. There are also Gen. Mireau (George Macready) and Gen. Broulard (Adolphe Menjou), who is super chilling.
The film never needs to exaggerate them; their comfort, vanity, and polished certainty make everything around them feel even more rotten. Against the mud, terror, and broken bodies of the battlefield, their world feels not just detached, but obscene. The injustice, therefore, feels organized and procedural in Path of Glory. It is delivered with the confidence of men who know the system was built to protect them. That is what makes it so infuriating. The movie is devastating precisely because it reminds you what war tries to crush in the first place.
Paths of Glory
- Release Date
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December 25, 1957
- Runtime
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88 Minutes
- Director
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Stanley Kubrick
- Writers
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Stanley Kubrick, Calder Willingham, Jim Thompson, Humphrey Cobb
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Heated Rivalry stars Hudson Williams and François Arnaud have released a joint statement condemning “racist” and “homophobic” comments from fans of the HBO Max show.
“Don’t call yourself a fan if you share racist / homophobic / biphobic / misogynistic / ageist/ ableist / parasocial/ bigoted comments of any kind,” Williams, 25, and Arnaud, 40, posted via their Instagram Stories on Monday, March 9. “None of us need your hateful ‘love.’”
Their statement concluded, “We all respect and support and love each other and are on the same side. If you can’t accept that gtfoh.”
Williams later offered some context on the statement — which was also shared by their Heated Rivalry costar Robbie G.K. — in a now-deleted exchange with a fan via Threads on Monday. The fan suggested that Williams had received “severe racial abuse, primarily from François and Connor fans” and claimed that his “no one from the production team and his white costars could defend [Williams] without him needing to cosign.”
“It was François’s idea [to release the statement] and I helped write,” Williams responded to the fan. “I don’t scroll comments so I did not see the hate. I was vibing watching figure skating highlights.”
Us Weekly has reached out to Williams and Arnaud’s representatives for comment. (Williams plays Japanese-Canadian hockey star Shane Hollander on Heated Rivalry while Arnaud portrays American player Scott Hunter.)
Heated Rivalry’s fanbase has ignited intense debate around the hockey drama since it premiered on Crave and HBO Max late last year.
Williams told Wonderland in January that he was surprised by the number of “disrespectful” people within the Heated Rivalry fandom.
“I didn’t think there would be as many disrespectful people as there are. And vice versa, I didn’t think there would be as many respectful people as there are,” he explained. “I thought everyone would just be screaming, nice, or kind of like, ‘Oh my God.’ But there are people who are like, ‘No, let’s be respectful to him and his private life. Let’s not share these photos. When we approach him on the street, let’s be mindful of appropriate times.’ I’m seeing those comments, and that’s cool.”
Williams went on, “Then there are disrespectful people who are just like, ‘F*** that guy.’ And I’m like, holy s***. Why are people hating on me? There’s also all this fake news about me. And I’m like, ‘How do I already have fake news?’”
Francois Arnaud, Hudson Williams in “Heated Rivalry.” Courtesy HBO Max / Courtesy Everett Collection
Arnaud has also been a target for backlash within the Heated Rivalry community. He briefly unfollowed some of his castmates and series creator Jacob Tierney via Instagram in January amid the backlash but soon refollowed them all.
The actor told The Toronto Star in January that a majority of his interactions with Heated Rivalry had been positive.
“In general, fans have been incredibly positive and respectful. For the ones that aren’t, I think it’s a lot of younger fans who don’t really understand the difference between reality and fiction,” he suggested. “I honestly wish they would just rewatch the show, because it doesn’t seem like they got its message. Pay attention more closely. Did we watch the same show?”
Heated Rivalry season 1 — which is based on author Rachel Reid’s Game Changers novels — is available to stream via Crave in Canada and HBO Max in the U.S. A second season is in the works.
An expert has weighed in on Brad Pitt‘s youthful appearance and whether he may have undergone cosmetic surgery.
Famous surgeon, Dr. Terry Dubrow, suggested that the actor has likely had some work done, but noted that it appears unique because it lacks the typical telltale signs associated with such procedures.
The doctor also shared that Brad Pitt’s young appearance doesn’t look unusual due to the actor’s “feminine” facial features.
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The Expert Claims Brad Pitt Doesn’t Look Like He Has Had Plastic Surgery
Despite being in his early sixties, Brad Pitt continues to look far younger than his age, an appearance that has long baffled fans.
Now, a medical expert, Dr. Terry Dubrow, has weighed in on the actor’s youthful look during a recent appearance on “misSpelling,” a podcast hosted by Tori Spelling.
Dubrow, who has never treated Pitt, suggested that the F1 star may have undergone some form of cosmetic procedure. However, he noted that whatever the actor might have done does not appear to carry the typical signs associated with plastic surgery.
“The one who’s sort of gotten away with it – and I don’t know what he’s done – but the one who sort of hasn’t aged at all, and it doesn’t look like plastic surgery, is Brad Pitt,” the 67-year-old plastic surgeon told his host.
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“Brad Pitt really looks good,” Dubrow continued, per Page Six. “And I don’t know if he’s had a facelift, but we know he has.”
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Dr. Dubrow Shares His Theory Behind The Actor’s Younger Look, Links It To His ‘Feminine Beauty’
According to Dubrow, whatever Pitt must have done doesn’t make him “weird looking,” and he went on to share a theory to explain how it was likely achieved.
“I just mean, why does Brad Pitt at 60, with no wrinkles and no laxity in his face, why does that look OK, whereas another male at 60 or 65 with no wrinkles and no laxity, why do they look weird?” the medical expert self-inquired.
“Because Brad Pitt’s looks are based on feminine beauty,” he noted. “If you look at him in ‘Legends of the Fall,’ he’s hotter than any other female in the movie. He’s prettier.”
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The Surgeon Says Being A ‘Feminine-Looking Guy’ Is Essential To Have ‘Full Plastic Surgery’ At 60
Dubrow then emphasized that this is unique to Pitt and other individuals with more feminine facial features, adding that those without such genetics would be wrong to opt for what he described as “feminizing plastic surgery.”
“But if you’re a different kind of handsome, that’s not based on a feminine look, and you have feminizing plastic surgery, it’s super weird,” Dubrow continued.
“You have to be a feminine-looking guy to have full plastic surgery when you’re in your 60s, late 50s, early 70s, to not look weird,” he further remarked. “There ya go.”
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Brad Pitt’s Sobriety Also Linked To His Youthful Look
For her part, Spelling claimed that Pitt’s face improved after he quit drinking and began making lifestyle changes.
Pitt first spoke about the decision in a candid interview with GQ Style months after Angelina Jolie filed for divorce from him.
“I’m really, really happy to be done with all of that. I mean, I stopped everything except boozing when I started my family. But even this last year, you know — things I wasn’t dealing with. I was boozing too much. It’s just become a problem,” Pitt said in 2017.
He added, “And I’m really happy it’s been half a year now, which is bittersweet, but I’ve got my feelings in my fingertips again. I think that’s part of the human challenge: You either deny them all of your life or you answer them and evolve.”
At the time, the actor also revealed that he opts for “Cranberry juice and fizzy water” when he needs a drink.
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Brad Pitt Was Spotted In Greece With His Girlfriend, Ines De Ramon
Following his split from Jolie, Pitt is now in a relationship with Ines de Ramon, whom he was first spotted with at a concert in 2022.
The bond between the two has blossomed since then, with de Ramon reportedly becoming a pillar of support for Pitt as he navigated the fallout from his legal feud with Jolie.
They have been spotted together in public several times, most recently on the Greek island of Hydra, per People Magazine.
Pitt is said to be filming his next project at the location, and despite his busy schedule, he still finds time to spend quality moments with de Ramon.
Timothée Chalamet first took aim at ballet and opera years before he suggested both were dying artforms in a recent interview.
“I was like, no woe is me thing, but whether you’re working on movies or acting, or pursuing your thing, I started to get the sense that [movies were], like, opera or ballet or something. It’s kind of like a dying artform or something,” Chalamet, 30, said in a 2019 TikTok clip that resurfaced in the wake of his latest comments.
Chalamet made those statements during a promotional screening for his 2019 movie The King. The four-time Oscar nominee cited the cultural conversation around his hit movies Call Me By Your Name and Lady Bird as proof that cinema wasn’t fading away.
TikTok user @thealienstookover explained in the caption that they reuploaded the footage to show that Chalamet has a history of denigrating opera and ballet.
Timothée Chalamet takes pride in his work on the film Marty Supreme, but his latest comments about his performance have left fans divided. “This is probably my best performance, you know, and it’s been, like, seven, eight years that I feel like I’ve been handing in really, really committed, top-of-the-line performances,” Chalamet, 29, said in […]
“I took this video October 1st 2019,” they wrote. “I was excited to see this film and we got a surprise appearance of him in our theater. With his recent comments about ballet and opera I wanted to check on my video. I thought I remembered him saying something different. Unfortunately I was confused and he’s been thinking like this for years. Such a disappointment.”
In February, Chalamet ignited debate by seemingly dismissing ballet and opera during an interview with Matthew McConaughey for Variety.
“Some people want to be entertained quickly. I’m really right in the middle,” the Marty Supreme actor admitted. “Because I admire people and I’ve done it myself on a talk show, [saying], ‘Hey, we gotta keep movie theaters alive. We gotta keep this genre alive.”
He added, “Another part of me feels like, if people want to see it, like Barbie, like Oppenheimer, they’re going to go see it and go out of their way to be loud and proud about it. I don’t want to be working in ballet or opera where it’s like, ‘Hey, keep this thing alive, even though no one cares about this anymore.’”
Chalamet seemingly realized the shade he’d thrown because he quickly offered “all respect to the ballet and opera people out there.”
“Damn, I just took shots for no reason,” he joked.
Timothée Chalamet in March 2026. Amy Sussman/Getty Images
His latest comments have proven to be particularly eyebrow-raising for some because Chalamet’s mother, Nicole Flender, is a former Broadway dancer.
It did not take long for some of the world’s most renowned ballets and operas to respond to Chalamet. The Metropolitan Opera shared clips via Instagram showcasing the skilled craftwork that goes into the creation of every high-level opera performance.
Quoting Chalamet, the Met Opera replied on Thursday, March 5, “All respect to the opera (and ballet) people out there. This one’s for you, @tchalamet.”
“He’s gonna be singing a different tune when the live arts are all that’s left after AI takes over. Oh wait. He’s above singing a tune,” Tony winner Laura Benati quipped in the Met Opera’s comments section.
The Los Angeles Opera took a different approach by encouraging Chalamet to come see a performance of Akhnaten during its residency in the city. Meanwhile, the Royal Ballet in the U.K. posted a tribute to its dancers.
“Every night at the Royal Opera House, thousands of people gather for ballet and opera. For the music. For the storytelling. For the sheer magic of live performance,” they wrote on Friday, March 6. “If you’d like to reconsider, @tchalamet, our doors are open. ✨#TheRoyalBallet #TheRoyalOpera #RoyalBalletAndOpera.”
Chelsea Handler is not a fan of how Timothée Chalamet handled his Marty Supreme press tour. “He seemed pretty serious about winning and getting acknowledged for his great acting,” the comedian, 50, said of Chalamet, 30, during an appearance on the Tuesday, January 14, episode of Amanda Hirsch’s “Not Skinny But Not Fat” podcast. Ahead of […]
Oscar winner Jamie Lee Curtis, Dancing With The Stars pro Sharna Burgess and popstar Doja Cat have also shown support for the opera and ballet communities in the wake of the controversy.
“Opera is 400 years old. Ballet is 500 years old,” Doja Cat, 30, clapped back via TikTok on Sunday, March 8. “Somebody named Timothée Chalamet — big guy, by the way — had the nerve to say on camera that nobody cares about it.”
The “Agora Hills” rapper went on, “I’m sure you can walk into an opera theater right now, seats will be filled out, and nobody’s saying a word as the performance is going because everybody has that much respect for it. There is an etiquette around opera. There is etiquette around ballet. It’s amazing. It’s an amazing theater medium. It’s f***ing beautiful.”
Chalamet has not responded to the backlash.
Entertainment
Doja Cat calls out Timothée Chalamet over controversial opera and ballet comments: 'People give a f—'
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The Oscar nominee has gone viral for stating that “no one cares” anymore about the two art forms.
Entertainment
’90 Day Fiancé’ Star Eric Rosenbrook Hires Private Medical Examiner, Slams ‘Non-Accidental’ Baby Death Ruling
’90 Day Fiancé’ Eric Rosenbrook
Hires Private Medical Examiner …
Rejects ‘Non-Accidental’ Findings
Published
Eric Rosenbrook is pushing back hard on the official findings in his baby daughter’s death … and TMZ has learned he and Leida Margaretha have hired their own private medical examiner to challenge the autopsy.
The “90 Day Fiancé” star tells TMZ … he doesn’t agree with the ruling that labeled Alisa‘s death “non-accidental,” and says their independently retained, private ME believes the original autopsy was poorly performed.
Eric tells us their own expert found certain key steps were not completed and says the report failed to properly determine or clearly state the age of a fracture referenced in the investigation. According to Eric, their private ME believes one injury may have occurred during childbirth — possibly during Alisa’s C-section roughly five weeks before her death.
He also tells us a rib fracture cited in the report could have happened during CPR efforts, noting ribs can break during resuscitation attempts.
Eric tells TMZ he and Leida — who he says he’s still married to — went head-to-head with the Adams County Health and Human Services Department over its assessment. He claims the sheriff’s department has not found Leida at fault and says they asked authorities months ago to review additional information, but he alleges HHS wasn’t interested in what they had to say.
Eric didn’t mince words when it comes to CPS either, telling TMZ the agency is “the definition of fascism,” adding, “As far as CPS goes, they’re a hammer and every parent is a nail.”
The Wisconsin report notes no criminal charges have been filed in connection with the baby’s death, and the investigation remains ongoing. Leida previously denied any wrongdoing tied to her newborn daughter’s death months after she and Eric’s daughter was taken off life support in July 2025.
As for whether they’ll try for another child, he says they haven’t made that decision yet.
Jasmine Crockett’s Senate Run
Failed Campaign Spent $200K on Texts, Security, Fancy Dinner
Published
Democratic Texas Representative Jasmine Crockett’s failed Senate campaign expenses included $200K on text messages to potential voters and tens of thousands of dollars on consultants — while her opponent James Talarico outspent her like crazy on advertising … TMZ has learned.
Per campaign records, the Congresswoman listed $8,577,757.47 in receipts … with $3,682,885.41 in individual contributions … from December 2025 to February 2025.
During the same time period, Jasmine’s campaign spent $5,092,872.38 on expenses … and $17,297.87 on contribution refunds.
According to records, Jasmine spent more than $275K to a company called True Blue Digital for advertising … over $200K on text message services, $40K on consultants, $20K on website services, $6,000 on media production, $10,000 on printing, $1,200 on catering, $1,800 on security services, and $528 at a fancy Texas restaurant, Winsome Prime.
The Texas politician — who lost last week’s primary to Talarico — ended the campaign with $3,484,885.09 in cash on hand.
In comparison, James pulled in over $20,683,458.89 in receipts and spent $15,848,257.94 on expenses. Talarico’s expenses included $1 million on digital fundraising.
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It’s no surprise to see Jennifer Garner wearing a look we love. What was unexpected, though, was her outfit’s striking resemblance to another fashion icon we adore, Kylie Kelce. Garner was spotted on the set of the forthcoming movie “One Attempt Remaining,” in a chambray button-down, which she layered over a white top and paired with white pants and a canvas tote.
Meanwhile, Kylie Kelce recently wore a nearly identical, light denim shirt on her Not Gonna Lie with Kylie Kelce podcast. Both stars styled their tops effortlessly, and while we don’t know the exact brand either wore, we did uncover a nearly identical match on Amazon for just $38. If that’s not a sign to scoop up this spring-perfect shirt look, we don’t know what is!
Get the Hersuitful Denim Shirt for $38 at Amazon! Please note, prices are accurate as of the publishing date but are subject to change.
Made from a blend of cotton and polyester, this Amazon find has a chest pocket, just like Kelce’s pick, and the same sky-blue chambray hue as Garner’s top. It would look great buttoned closed or draped open, and over white jeans or black leggings like both A-listers. Either way, it’s a casual-yet-sophisticated layer that makes for the perfect, go-with-everything spring outfit.
Few celebrities embody “quiet luxury meets real life” quite like Jennifer Garner. Whether she’s enjoying a morning walk, running errands or sipping coffee, she makes casual dressing look timeless and effortless. She recently shared a photo wearing a cozy cardigan that nailed the coastal-meets-comfy aesthetic. Lucky for Us, we tracked down this $30 sweater on […]
It’s also an Amazon favorite, with an average 4.4-star rating, including from loads of five-star fans. One shopper raved over how easy it is to style, and vouched it holds up well to multiple wears and laundry cycles: “It looks adorable layered over a wide ribbed tank and pairs well with leggings or trousers. I appreciate the cotton content. It washes up fairly soft, and the thickness is just right,” they wrote.
Other shoppers praised its comfortable, true-to-size fit. “This denim shirt has that perfect casual look I was going for. It’s soft, not stiff like some jean shirts, and the fit is just right, not too tight, not too baggy. I’ve worn it with leggings, over dresses, and even tied it around my waist. It’s become a staple in my closet because it just works with everything,” another customer said.
Easy to style and a dream to wear, this look is timeless, versatile and celeb-approved. Spring, here we come!
Get the Hersuitful Denim Shirt for $38 at Amazon! Please note, prices are accurate as of the publishing date but are subject to change.
If there’s an it‑girl I can totally relate to, it’s Kylie Kelce. Not only is the mom‑mogul down to earth, but her go-to style also has this effortless vibe that’s both practical and fun, especially when it comes to spring wardrobe essentials. Kelce recently hosted her brother-in-law, Travis Kelce, on her Not Gonna Lie with […]
Former “Real Housewives of Atlanta” star Kandi Burruss recently opened up about a music dispute that ultimately worked in her favor. Speaking on the “Question Everything” podcast, the former girl group member detailed how she and bandmate Tiny Harris turned lemons into lemonade.
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Kandi Burruss Recalls Making ‘All The Money’ Following A Feud With Music Group Sporty Thievz
Remember ‘No Pigeons’ by Sporty Thievz? The response track to TLC’s “No Scrubs”
Kandi says she and Tiny ate up all the publishing from that hit as well because they didn’t ask or try to have it cleared
🎥: https://t.co/FcxqZ7LEY1 pic.twitter.com/jMFjjeZTFV
— Block Topickz (formerly Glock Topickz) (@BlockTopickz) March 9, 2026
In addition to being a notable reality TV personality, Burruss is also a talented songwriter, most known for her work with Ed Sheeran, Destiny’s Child, NSYNC, and TLC.
Burruss’s work on TLC’s “No Scrubs” earned the mother of three a No. 1 record and worldwide fame. But the notoriety also came with some unexpected challenges when the song later became the center of a legal battle over its melody.
Burruss revealed during the podcast interview that other musicians often want to sample songs she’s written for different artists. However, they must go through the proper channels to secure the rights.
That didn’t happen with the rap group Sporty Thievz, who used the melody and concept from “No Scrubs” to make their parody single, “No Pigeons.”
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Kandi Burrus Clapped Back At Sporty Thievz, Securing A Massive Win
“I had a situation years ago,” Burruss said on the show, adding that the group didn’t ask for permission and she and her co-writer, Tiny Harris, “got all the money from it.”
Burruss said Sporty Thievz failed to “clear” the track before releasing it, and because it was essentially a carbon copy of the original, she and Harris were able to take legal action.
Burruss isn’t holding any grudges, though. She explained how “thankful” she was for Sporty Thievz’s work, adding that it “gave me another No. 1 and another check.”
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Kandi Burruss Calls Sampling A ‘Blessing’ During Interview With Shannon Sharpe
This isn’t the first time Burruss has opened up about her work being sampled by other artists.
During an interview with NFL alum Shannon Sharpe, Burruss said it’s a “blessing” whenever other performers want to use her work.
She then discussed her business dealings with popular singer Ed Sheeran, who used a sample of “No Scrubs” in his global track “Shape of You.”
According to Burruss, before Sheeran released the single, his team connected with her to work out the percentages for him using the music.
After going back and forth, Burruss said she didn’t hear anything else from Sheeran’s team, so she believed they were moving in another direction.
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“Then the song came out, it was on the radio, and people were doing their ‘No Scrubs’ and ‘Shape of You’ mashups online,” she said. “And we were like, ‘Oh, OK. Well, then we need to have a conversation about what the splits are about to be.’”
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Burruss Is Still Supporting ‘Real Housewives Of Atlanta’ After Leaving The Show In 2024
According to a previous report from The Blast, during her appearance on the “Question Everything” podcast, Burruss discussed her decision to continue supporting “The Real Housewives of Atlanta” after leaving the iconic reality series.
“I think it’s important to continue to support the franchise even though I’m not there because I was there for 14 seasons, and I want them to be successful,” she said. “I want ‘Real Housewives of Atlanta’ to continue on another 15 years.”
Indeed, Burruss spent 14 years on the Bravo series, first joining the cast in 2009 before exiting in 2024. During her run on the network, Burruss starred in numerous spinoffs, including “Kandi’s Ski Trip,” “Kandi’s Wedding,” “Xscape and SWV: The Queens of R&B,” and “Kandi & The Gang.”
While announcing her exit, Burruss explained why she was leaving the show in her rearview after 14 years.
“It’s been 14 seasons, and they allowed us to sit around for a little too long, but during that time I had started working on a lot of other things, and I got some nice big projects coming soon, so I’m super excited about those things,” Burruss said at the time of her departure.
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Burruss Is Going Through A Divorce
Even more change came after leaving “RHOA.” Following her appearance at BravoCon 2025, Burruss told the Bravoverse that she had filed for divorce from her husband of 11 years, Todd Tucker.
“I’m stepping into a new chapter pouring into my work, my family, and my own growth. I’m grateful to everyone who supported us throughout the years, and I ask for privacy, grace, and understanding as we navigate this transition with our family,” she said.
Tom Ellis has made the move from Tell Me Lies to the FBI spinoff CIA — and he already has ideas about which of his costars should join him.
“They’re all so good,” Ellis, 47, exclusively told Us Weekly about his former Tell Me Lies scene partners. “But I think because of this season and the way this season is going, I’m really excited about the work that Spencer [House] is doing as Wrigley.”
Ellis continued: “He’s so brilliant. I’d welcome him onto any set that I was working on because he’s got so much to give.”
The actor credited his wife Meaghan Oppenheimer‘s hit Hulu series for preparing him for CIA.
“Tell Me Lies was practice for CIA. Tell Me Lies is basically what Colin does all the time,” Ellis quipped to Us. “It’s really weird going from a character on Lucifer who prided himself on never lying to now playing someone who basically exclusively deals in lying. Because of what Colin does and because of how long he’s done it for, his sense of what reality is is probably a bit warped by now.”
Ellis was thrilled by the challenging character work, adding, “He chooses and hand picks what he tells people about himself. Sometimes you realize that that changes and you think about how reliable is this? How reliable is this source? But it’s always about self preservation. For the CIA, they can’t let anyone into their inner circle and so that’s why it becomes a bit of a stumbling block for [Nick Gehlfuss’] Bill.”
FBI debuted on CBS in 2019 and follows the agents of the Federal Bureau of Investigation in New York City. The network followed that up with FBI: Most Wanted, which aired from 2020 to 2025, about the work of the Federal Bureau of Investigation’s Fugitive Task Force. There was also the FBI: International spinoff about the International Fly Team that ran for four seasons before concluding in 2025.
In April 2025, CBS gave CIA a straight-to-series order starring Ellis and Gehlfuss. According to the official synopsis, CIA centers on “two unlikely partners — a fast-talking, rule-breaking loose cannon CIA case officer and a by-the-book, seasoned and smart FBI agent who believes in the rule of law.”
“If these two people are going to get paired up to work together, there has to be an element of trust. How can you trust someone who isn’t always telling you the truth and is quite often bare faced lying to you?” Ellis teased. “But as the season goes on, Bill starts to realize why Colin is this way and the type of work that he does and why it’s important that he doesn’t let people in.”
Ellis went on to compare CIA to its predecessor FBI.
“The FBI deals in crimes that have already happened predominantly and the CIA try to stop the crime from happening in the first place,” Ellis exclusively told Us. “FBI is a very public present arm of the law enforcement. They’re the poster boy of U.S. law enforcement. And the CIA is very much in the shadows — and doesn’t want to be on any poster. It doesn’t want people to see who they are and they operate in a very sort of voyeuristic manner.”
CIA airs on CBS Mondays at 10 p.m. ET.
Pop star Britney Spears doesn’t seem to want to reunite with her father, Jamie Spears, who ran her conservatorship for 12 years. In her memoir, “The Woman In Me,” the “Toxic” singer shared an exhaustive list of reasons as to why she never got along with her father. However, following her DUI arrest, it seems that her family members are encouraging her to make amends.
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Britney Spears Is ‘On Edge’ Over The Thought Of Reuniting With Her Father
On March 9, approximately a week after her DUI arrest, a Los Angeles associate who has regular contact with her friend group and her family, exclusively told Page Six that she is “antagonized” and “on edge” over the thought of inviting her father back into her life.
The insider revealed that Jamie “doesn’t want to remain disconnected from his daughter” any longer and wants “the chance to be able to talk with her and find some middle ground.” However, the Princess of Pop is apparently not ready to do so, even though her sons have had regular contact with their grandfather.
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Britney Spears’ Sons Are Encouraging Her To Make Amends To Be A ‘United Family’
Britney shared two sons, Sean Preston, 20, and Jayden James, 19, with her ex-husband, Kevin Federline. The source said that her two boys are optimistic that Britney and her father will be able to make amends so that they can be a “united family.”
“Even the boys have gotten back into their grandad’s life after some tough times,” the insider revealed. “They would welcome a united family despite all the years of drama.”
However, the insider went on to say that Britney “is antagonized by the subject” of her father and would prefer not to discuss him at all.
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Britney Reportedly Feels ‘Long-Term Hatred’ Towards Her Father
“There is long-term hatred and loathing that may never be overcome,” the source shared. “Jamie puts Britney on edge, and her moods get deeply dark around the prospect of him being in her life … despite efforts by people in her life for some reunion.” They went on to say:
“That has increased in recent months with the boys being around more. There is a direct correlation between that stress and Britney turning to alcohol to numb that pain. Sadly, she will always view her father as a villain because of how she felt trapped and controlled within the conservatorship.”
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“She hated having to adhere to regular doctor visits, therapy sessions, and medication plans. That is understandable for someone who is dealing with a bipolar condition,” the source added. “Obviously, a father overseeing the principle of that process is a tricky situation — not least emotionally — but her condition needed some medical supervision.”
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Jamie Spears Is Reportedly ‘Deeply Hurt’ By Their Estrangement
![Britney's father, Jamie Spears arrives at the UCLA hospital to see his daughter Britney, he is clearly distressedSPEARS HOSPITALISEDBRITNEY SPEARS has been taken by ambulance from her Los Angeles mansion and admitted to the city's UCLA hospital. The star's ambulance was surrounded by a convoy of police cars as it left her Beverly Hills home, after a major incident which saw the property surrounded by emergency services. Police, paramedics and U.S. rangers were seen entering the star's luxury compound and opening the property's fire gates late on Wednesday (30Jan08) night. Spear's mother Lynne, who is in L.A. visiting her elder daughter, was seen entering the house, followed by the star's father Jamie, who was seen crying as he arrived at the property. As the pop star was whisked away to hospital, Lynne Spears was seen following the ambulance in a car with her daughter's paparazzo boyfriend Adnan Ghalib. Spears was admitted to UCLA at around 1.30am on Thursday (31Jan08) morning, with her longtime companion/manager Sam Lutfi seen leaving the facility a short time later. The star will be held at the hospital on a metal health order, according to TMZ.com. The 26-year-old was previously admitted to L.A.'s Cedars-Sinai Medical Center earlier this month (03Jan08) after a three-hour stand-off with police, and was held for two days on a '5150 hold' order, meaning medics have reason to believe she is a danger to herself or others. (LR/WN&WNWCZM/TN)Beverly Hills, California - 31.01.08Credit: (Mandatory): WENN Newscom/(Mega Agency TagID: wennphotos786290.jpg) [Photo via Mega Agency]](https://theblast.prod.media.wordpress.mattersmedia.io/brand-img/123/0x0/2023/10/06114929/Jamie-Spears-1-scaled.jpg?)
Another source connected to the family told the publication that Jamie is “deeply hurt at how his daughter refuses to consider ever speaking to him again,” especially considering that he has “suffered with health severely in recent years.”
“He held out hope when his life seemed in a perilous state that his daughter would visit him,” the source said, acknowledging, “but that never happened.”
Although Jamie has often been villainized by the media, a family friend told the publication that “Jamie only ever wanted to keep his daughter alive, and also financially solvent, in that order.”
“Jamie has consistently told those around him that he remains proud that he did ’save Britney’s life,’ no matter how the public may feel,” the family friend added.
Britney Is Reportedly ‘Terrified’ At The Thought Of Another Conservatorship
Even though she was freed from her court-ordered conservatorship in November 2021, the source said that Britney “seems terrified” that Jamie will “somehow regain the conservatorship, which obviously is a very challenging legal task and something Jamie doesn’t have the energy to consider.”
As The Blast previously reported, Britney compared her father to a “cult leader” in her memoir, “The Woman In Me.” In addition to the “exhausting run” of shows during her Las Vegas Residency, Britney alleged that her father failed to give her ample time to rest and strictly controlled her diet. She claimed that he only allowed her to eat chicken and vegetables, and even called her “fat” on multiple occasions.
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“Two years is a long time to not be able to eat what you want, especially when it’s your body and your work and your soul making the money that everyone’s living off of,” she wrote. “Two years of asking for French fries and being told no. I found it so degrading.”
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