Entertainment
10 Greatest Crowd-Pleasing Movie Endings of All Time
Who doesn’t love a happy ending? The kind that leaves you feeling lighter than air after a movie ends, and the credits begin to roll. They may not always be appropriate for every movie, but it’s par for the course when it comes to lighthearted entertainment. When a movie gives an audience everything they want and finishes with a crowd-pleasing ending, it’s about as pure an example of cinematic magic in effect.
Crowd-pleasing endings come in all shapes and sizes: they can encompass small moral victories or gigantic triumphs in the face of evil. They come in superhero blockbusters, animated classics, and romantic comedies — all that they really have in common is how they’ll leave you smiling and satisfied. These are the greatest crowd-pleasing movie endings of all time, standing the test of time because of the joy they bring.
‘Jaws’ (1975)
Peter Benchley’s novel Jaws ends with the shark succumbing to its wounds and dying alongside the obsessive shark hunter Quint in a manner similar to Moby Dick. Thematic similarities might work in a novel, but there’s simply no way that a slow death to the apex predator would have been even remotely satisfying for a film. Director Steven Spielberg decided on something far more explosive for his iconic adaptation. It’s completely implausible and illogical, as was once proven by Mythbusters, but it is incredibly crowd-pleasing.
With police chief Brody (Roy Scheider) left alone to face off against the great white shark that’s been terrorizing his sleepy New England resort town, he arms himself with a rifle and climbs atop the quickly sinking wreckage of Quint’s boat. He aims at the oxygen tank wedged in the shark’s mouth and, with a well-placed shot, turns it into a bloody chum. After a pause for applause as the remains of the shark sink to the bottom of the ocean, Brody swims off into the sunset with marine biologist Hooper (Richard Dreyfuss), who also gets to survive in the film, whereas his novel counterpart perished. Jaws is the original blockbuster with an ending that’s befitting that title.
‘Star Wars’ (1977)
Jaws walked (or swam) so Star Wars could run. If Spielberg’s horror classic started the blockbuster trend, George Lucas’ space opera codified it. With a narrative that pulls from adventure serials with a classic hero’s journey structure, it’s appropriate that the film ends triumphantly. It’s an emotionally satisfying ending that gives closure to the film while leaving the door open just a crack for future installments to follow. It’s a classic cliffhanger that doesn’t overtly telegraph itself, and more franchises should take notes on how to leave a dangling plot thread that can be satisfyingly followed through on.
After the climactic destruction of the Death Star, which leaves the Rebel Alliance victorious, the evil Empire wounded, and Darth Vader spinning out into the vast expanse of space, the film quickly wraps up with an award ceremony. The principal characters, minus one seriously overlooked Wookiee, get their due reward, and the future looks bright as the film ends and John Williams‘ soaring score takes over. Even if there had never been any sequels, and Vader’s fate was left forever unanswered, this ending would still be just as pleasing.
‘Iron Man’ (2008)
In its early days, the MCU included a remarkably consistent series of blockbusters that provided a solid decade of entertainment. That all started with the relatively small Iron Man, which ends with a defiant declaration that flew in the face of superhero cinema conventions. Secret identities were a staple of the genre, and moments of unmasking were always treated as major plot points with massive consequences. With Iron Man, Marvel decided to change all that in a very satisfying way.
Robert Downey Jr.’s iconic portrayal of Tony Stark is defined by his charisma, wit, and narcissism. He’s far from the tortured protagonists bearing the weight of their responsibilities like the contemporary portrayals of Spider-Man and Batman. Tony wants the glory and the admiration, and he won’t hide in the shadows. So when he takes the podium at a press conference to deliver what is expected to be a clever cover story, he defies expectations and proudly declares, “I am Iron Man,” sending chills down the spine of every comic book fan.
‘Back to the Future’ (1985)
What seemed like a setup for a sequel then, and most definitely would be now, was never intended as such in the final moments of Back to the Future. The film was written as a stand-alone story, and its denouement was never meant as anything more than a fun suggestion that the characters’ adventures would continue beyond the frame. Of course, sequels were eventually produced, and thankfully, that fun suggestion became the basis for a very fun follow-up, but even if it hadn’t, the ending would still be incredibly crowd-pleasing.
After returning home to 1985 after successfully rekindling his parents’ teenage romance, Marty McFly (Michael J. Fox) finds his home has exponentially improved. He’s all set to take his brand-new truck on a trip to the lake with his girlfriend when Doc Brown (Christopher Lloyd) returns with an impassioned plea to come with him to help save their future children. They all pile into the Delorean, and the iconic time-traveling car takes flight. It’s a wonderful coda for the sci-fi comedy that perfectly epitomizes its status as a feel-good classic.
‘Coco’ (2017)
Pixar knows its way around a great ending. Whether it’s The Incredibles masking up to do battle, Remy prepping for the dinner rush in Ratatouille, or Marlin finally letting go and sending Nemo off on his own, the studio can simultaneously tug at our heartstrings and give us goosebumps. Any number of their endings would be fitting to include here, but there’s something so perfect and emotionally satisfying about the ending to Coco.
After jerking the tears from our eyes as Miguel (Anthony Gonzalez) helps Mamá Coco (Ana Ofelia MurguÍa) remember through the power of their family’s music, the film cuts to one year later to warm our hearts. Music has been brought back into Miguel’s family, and they celebrate and remember their dearly departed family members, now including Mamá Coco, who is reunited with her long-lost father in the afterlife. It’s a beautiful ending that fills the frame with color, music and love.
‘The Lion King’ (1994)
Before Pixar became part of the House of Mouse, Disney had already perfected the crowd-pleasing happy ending in their long list of animated classics. Pick any one of their princess films, and you’re guaranteed to feel better by the end of it. However, if there’s one Disney classic that stands out, it’s the 1994 classic The Lion King, with its full-circle ending.
The iconic animated film is predicated on the circle of life. It makes that literal as it ends its story where it began, with the young cub Simba growing to become the king after reclaiming his throne. As any ’90s parent who got dragged to theaters for multiple viewings of the film can attest, it’s hard not to get a little choked up as the music swells and the chorus sings. The Lion King is a crowning achievement for Disney, and it more than earns its crowd-pleasing ending.
‘When Harry Met Sally…’ (1989)
Romantic movies are basically designed to have crowd-pleasing endings, since they almost all inevitably lead to their protagonists getting together. While there’s a certain satisfaction in those bittersweet endings in movies like Casablanca, nothing beats the joy of true love winning; case in point, Rob Reiner’s ultimate crowd pleaser, When Harry Met Sally… Loud declarations of love may be a cliché of the genre, but there’s no doubting their effectiveness, and few films do it better than this one.
After years of chance encounters, missed opportunities and genuine connections, the two titular characters spend New Year’s Eve separated, any potential relationship seemingly dead in the water. That’s when Harry (Billy Crystal) decides to show up at a party and tell Sally (Meg Ryan) exactly how he feels. Romantic comedy endings are the ultimate source of optimism, conveniently ending at an emotional apex before reality can intrude, but there’s something so comforting and satisfying about them regardless. When Harry Met Sally… is a classic of the genre and does that ending better than any other.
‘Rocky’ (1976)
Edging out the feel-good vibes of romantic endings is the energizing triumph that comes from a gritty sports drama. Everyone loves to watch a scrappy underdog snatch victory from the jaws of defeat, which makes it all the more surprising that the most crowd-pleasing sports ending is one where the underdog technically loses. Rocky ends with the titular boxer being defeated by Apollo Creed in a split decision. It’s a moral victory for the character, made all the more potent by how it mirrored the hard-fought battle that it took for Sylvester Stallone to get the movie made.
Rocky Balboa (Stallone) is a small-time boxer in Philadelphia who gets a shot at glory when heavyweight champion Creed (Carl Weathers) selects him as his next opponent. The journey to the ring is filled with all the tropes that would become staples of the franchise, and the fight itself is a brutalizing effort between two men refusing to go down. The result itself is immaterial as Rocky proves he can go the distance with the champ and reconciles with his love, Adrian (Talia Shire), in an ending that had crowds cheering on and off the screen.
‘It’s a Wonderful Life’ (1946)
It’s the ultimate crowd-pleasing ending. Frank Capra’s It’s a Wonderful Life has become such a totemic film in pop culture that most people will know its final moments without ever having watched another frame of it. Forget that the plot never shows the villain facing justice or receiving any comeuppance; it’s enough to know that his bitter, lonely existence will never match that of the protagonist. Capra’s career is filled with common man heroes and the strength of communities, and It’s a Wonderful Life is the purest example of both.
George Bailey (James Stewart) is a small-town guy with big dreams. He’s made plans to get out and see the world, but those plans are consistently put on hold as George selflessly puts the needs of others over his own. When he reaches his breaking point over a stolen sum of money that will destroy his savings and loan, he considers ending his life before an angel named Clarence (Henry Travers) intervenes. George is shown the effect he’s had on his town and the people in it, and then the generosity of those in his life as they come together to raise the money for George. He’s saved, and Clarence gets his wings in this wonderful ending.
‘The Shawshank Redemption’ (1994)
Frank Darabont’s directorial debut, The Shawshank Redemption, which he adapted from a Stephen King novella, is predicated on hope and redemption. Its story of incarcerated men is certainly not without some of the ugliness inherent to prison films, but its journey ultimately arrives at one of the most satisfying and euphoric endings of any film ever made. It’s what helped the film earn multiple Oscar nominations as well as ensure its enduring cinematic legacy.
After serving almost two decades in Shawshank, wrongly convicted prisoner Andy Dufresne (Tim Robbins) enacts his methodical escape plan, crawling his way to freedom with a bank account filled with the warden’s illicit money. The next year, when his best friend Red (Morgan Freeman) is paroled and finds himself struggling after years of institutionalization, he finds a letter from Andy telling him to visit him in Zihuatenejo. The two reunite in one of the most jubilant displays of salvation ever committed to film. The most hardened of hearts will find it difficult not to soften during The Shawshank Redemption’s all-time greatest crowd-pleasing ending.
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By Chris Snellgrove
| Published
After a controversial purchase by Amazon for a cool billion dollars, it’s fair to say the James Bond franchise is as healthy as it has ever been. But nearly four decades ago, the failure of a single film nearly did what villains like Blofeld and Goldfinger had always failed to do: kill 007, once and for all. That movie was Licence to Kill (1989), and after it became the least profitable film in Bond history, producers put the popular film series on hold until they could develop a movie that would leave general audiences both shaken and stirred.
However, Licence to Kill is an excellent Bond film, and this Timothy Dalton classic only seemed overly serious compared to the goofiness of the Roger Moore movies; these days, Dalton’s more serious Bond fits right in with the more grounded and violent world of the Daniel Craig 007 movies. The truth is that Licence to Kill has been in need of a critical reevaluation for almost 40 years, and that reevaluation starts right now. All you have to do is grab your remote (just don’t grab the exploding one!) and stream this misunderstood spy classic on Netflix.
Some Serious Bond-age
The premise of Licence to Kill is that after James Bond’s friend Felix Leiter (a CIA agent and longtime girlfriend) is tortured and his new wife is killed, 007 becomes obsessed with getting revenge on the attackers. This interferes with his job as a secret agent, and when his boss objects, Bond resigns from MI6 to become a rogue agent. Now, without his titular licence to kill or the resources of his government, Bond must engage in a globe-trotting mission of vengeance, one where a single mistake could easily cost him his life.
The cast of Licence to Kill has some familiar Bond faces in it, including Desmond Llewelyn as Q, 007’s faithful tech guru. Similarly, Robert Brown reprises his familiar role as M, and Caroline Bliss returns to once again play Moneypenny alongside Dalton’s Bond. Most surprisingly, David Hedison returns to play Felix Leiter for the first time in 16 years; he previously played the plucky CIA agent in Live and Let Die.
A Cast Full Of Surprises
There are some other pleasant surprises in the cast (including Benicio del Toro in a minor role), but the real highlight here is Timothy Dalton, who gives his James Bond more of the brooding intensity found in the original books by Ian Fleming. He spends more time cracking heads than cracking jokes, and he takes very clear pleasure in doling out pain to some of the worst people in the planet. In this way, Dalton is a very interesting precursor to Daniel Craig, whose era as Bond was famous for its more grim and gritty portrayal of 007.
License to Kill ended up earning $156.1 million against a budget of $32 million, which may seem like a solid profit on paper. However, after accounting for inflation, this was actually the least successful Bond movie ever made, one that featured strong competition from various box office bangers like Batman, Ghostbusters II, and Indiana Jones and the Last Crusade, the latter featuring original 007 actor Sean Connery. Because of this, producers took a break from making new Bond films for a few years before reinvigorating the franchise with GoldenEye (which starred Pierce Brosnan as a more affable secret agent) in 1995.
Shaken, Stirred, And Bleeding
When Licence to Kill came out, reviewers found it as enjoyable as a ride in an Aston Martin. On Rotten Tomatoes, it has a 79 percent rating, with critics praising Timothy Dalton’s Bond as more intense than any incarnation of the character we had seen before. While noting that his intensity and the film’s much darker tone may not be everyone’s cup of tea (or martini), the critics also praised this Bond film for a variety of chase and fight scenes that reliably keep you on the edge of your seat.
As the critics hinted at, how much you enjoy Licence to Kill will largely depend on what you want out of a James Bond film. Sean Connery originally transformed Bond’s more dour literary character into a lighthearted secret agent who was more interested in cracking dry jokes and bedding beauties than dispensing violence. By contrast, Dalton’s Bond is on a mission of righteous rage, and this permeates the mostly grim tone of an action film as unforgiving as it is unrelenting.
I’m also a big fan of the Ian Fleming Bond novels, and until Casino Royale came along, Licence to Kill was the only film in the franchise to capture the spirit of those books. In Fleming’s novels, 007 is not a flamboyant secret agent; rather, he is a cold and calculating government killer who can get surprisingly emotional when something bad happens to someone he cares about. In this sense, Dalton’s Bond is very book accurate, as he’s willing to forsake his entire career and risk multiple international incidents in order to avenge his friend.
The Darker Side Of 007
Personally, I’ve always found the darker tone of License to Kill part of its charm: it’s unlike any of the 007 films before Daniel Craig began playing Bond, and it’s actually better than most films in the Craig era. Plus, I found Roger Moore far too goofy as Bond, so I appreciated the seriousness of Dalton as a kind of course correction for the franchise. He wasn’t what ‘80s audiences wanted to see on the big screen, but now that Craig made the idea of a very serious Bond popular again, more and more fans of the franchise have rediscovered the joys of Dalton’s stone-cold killer version of 007 in Licence to Kill.
Licence to Kill nearly destroyed one of the most beloved movie franchises of all time, but beneath its bad reputation hides one of the best James Bond movies ever made. To discover what happens when Bond ditches the license but never stops killing, all you have to do is stream this blockbuster spy thriller on Netflix. You might not be all that shaken or stirred, but trust me: you’ll be seriously entertained from beginning to end!
Prime Video and Netflix don’t often let premium shows go free, which is why this move lands like an industry tell: the feel-good travel series that’s spent eight seasons as an easy comfort watch is preparing to widen the funnel beyond the paywall.
As per a new report, this is a strategic partnership between Phil Rosenthal’s Lucky Bastards banner and Banijay Americas/Banijay Rights, explicitly aimed at expanding the brand “across the digital ecosystem.” The plan isn’t just to dump episodes online; it’s to build a hub: a dedicated Phil Rosenthal World presence, plus a slate of short-form content built around the show, with additional exploration into AVOD/FAST distribution. In other words, the show’s future isn’t “leaving streaming,” it’s becoming a multi-platform franchise with YouTube as the center of gravity.
The title is Somebody Feed Phil and it’s designed for shareability, big smiles, low-stress storytelling, and the simple thesis that food is a shortcut to community. But its distribution has still lived inside subscription logic. New episodes will now be made available non-exclusively on the Phil Rosenthal World YouTube channel in 2027, while the last eight seasons willremain available on Netflix. Rosenthal framed the philosophy plainly, saying he loved that Everybody Loves Raymond (the beloved sitcom that Rosenthal himself created) was “free to watch everywhere,” and that YouTube lets the show’s message of “family, friendship, food, travel and laughs” reach the most people. It’s a rare reverse-migration though. Premium TV choosing mass free access? Exactly why this news is bigger than a platform switch.
An Actor Awards Round-Up — The Collider TV Quiz!
Thespians honored their own last Sunday. Just how many of the night’s big winners can you name in today’s round-up?
Why This YouTube Move Is Bigger Than You May Think
The real value in this deal isn’t just that Somebody Feed Phil will be free — it’s that Rosenthal is turning a Netflix show into a platform-driven franchise. Under the Banijay partnership, YouTube becomes the central hub, which means the series can live in multiple formats at once: full episodes for traditional viewing, plus short-form spinouts designed for discovery, sharing, and algorithmic reach. That’s a meaningful strategic reversal: Netflix usually acquires YouTube-native hits; here, a premium Netflix brand is deliberately expanding outward. And these guys might just become the flagbearer for other similar shows to follow suit.
It also opens the door to AVOD/FAST expansion, free, ad-supported distribution that could keep the show circulating even when subscribers churn, while the existing eight seasons stay on Netflix as the “deep library” for binge completion.
Somebody Feed Phil is available to watch on Netflix, and new episodes will be released on YouTube in 2027. Stay tuned to Collider for more updates.
Mother is officially mothering. After years of fan casting, endless tweets, and a frankly unbeatable amount of collective internet manifesting, Kathryn Hahn has now confirmed that she’s playing Mother Gothel in Disney’s live-action Tangled. Earlier reports had Hahn merely “in talks,” but that has now shifted, with her casting effectively confirmed through her own social media update.
Development on Tangled quietly picked back up late last year, and at one stage Scarlett Johansson was being eyed for the role of Gothel. That version never came together, though, and once Johansson moved on to the upcoming reboot of The Exorcist, fans immediately started pushing Hahn as the obvious replacement. Back in January, the trade reports only had her in negotiations. Now, that dream casting has become the real thing. Sometimes the most obvious casting is the best one.
Disney has already locked in its two leads, with Teagan Croft set to play Rapunzel and Milo Manheim playing Flynn Rider. Behind the camera, Michael Gracey remains attached to direct, with Jennifer Kaytin Robinson writing the script. The project is being produced by Kristin Burr under Burr! Productions, with Lucy Kitada serving as executive producer.
Is ‘Tangled’ Worth Watching?
The original animated film, released in 2010, grossed nearly $592 million worldwide and earned an Oscar nomination for Best Original Song with “I See the Light,” featuring music by Alan Menken and lyrics by Glenn Slater. Collider’s review added:
“In the end, Tangled makes for a tasty smoothie that utilizes freshly picked ideas from Greno and Howard, while the classic storyline of discovery and adventure provide the usual vanilla standbys. There are exciting twists and turns when the film works, and the few pitfalls in the clashing tones of the characters aren’t enough to keep the ball from rolling. While Disney may not have the dominating foothold on animated films like they used to, if they continue to make films with this much heart and fun there is no doubt they can remain viable in this increasingly competitive genre.”
Tangled is streaming on Disney+. Stay tuned for more on the upcoming live-action adaptation.
- Release Date
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November 24, 2010
- Runtime
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100 minutes
- Writers
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Dan Fogelman
- Franchise(s)
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Disney
A shocking new legal battle has brought private stories about Lauren Sanchez into the public eye.
A former friend has filed a lawsuit containing bold allegations about the media personality’s past interests and professional conduct.
She alleges that Sánchez once had the hots for former President Bill Clinton amid claims that the journalist also stole some of her ideas for her 2024 book, “The Fly Who Flew to Space.”
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Lauren Sanchez Was Allegedly Once Attracted To Bill Clinton
According to a federal lawsuit filed in California by yoga instructor Alanna Zabel, Sánchez once harbored an intense romantic interest in former Clinton.
Zabel claims that after Sánchez met Clinton in 2009, she became so fixated on him that Zabel began calling her “Monica” in reference to Monica Lewinsky.
The lawsuit alleges that Sánchez, who was married to Patrick Whitesell at the time, actually enjoyed the cheeky nickname and described the former president as “sexy and mesmerizing.”
According to Page Six, Zabel noted that Sánchez was determined to secure an interview with him, which eventually happened on the show “Extra” in 2010, where viewers noted their flirty rapport.
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Besides the personal bombshell revelations, the core of the lawsuit involves a claim of professional theft. Zabel alleges that Sánchez’s 2024 children’s book, “The Fly Who Flew to Space,” plagiarized key elements from her book, “Dharma Kitty Goes to Mars,” published a year earlier.
The two women reportedly discussed a book idea years ago based on a fly Sánchez saw on a helicopter windshield.
While Zabel is seeking damages for copyright infringement, Sánchez’s legal team has dismissed the claims as “frivolous,” arguing the only similarity is that both stories involve a trip to space.
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Lauren Sanchez Opened Up About A Shocking Diagnosis
The shocking revelations in Zabel’s lawsuit against Sánchez came days after the journalist opened up about being diagnosed with dyslexia.
During a recent appearance on the Today show to promote her new book, “The Fly Who Flew Under The Sea,” the 56-year-old became visibly emotional while discussing her lifelong struggle with dyslexia.
Sánchez revealed that she didn’t discover the learning difference until she was 19, having spent years in school feeling “dumb” and hiding her inability to spell. It wasn’t until a community college instructor encouraged her to get tested that she realized her brain simply worked differently.
This validation transformed her perspective on academics and gave her the confidence to eventually pursue a career in journalism and writing, per The Blast.
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The Philanthropist Almost Suffered An Embarrassing Fall
Weeks before opening up about her condition, Sánchez found herself under the spotlight once again after an unexpectedly viral moment.
In late January 2026, the Emmy-winning journalist almost took a tumble during the Christian Dior Haute Couture Spring/Summer 2026 show.
Dressed in a pale blue skirt and matching jacket accented with a dramatic fur collar, she was walking into the venue hand-in-hand with Bezos when her pointed-toe pump caught on a doorway ledge.
As she was waving to the gathered photographers, the 56-year-old briefly lost her footing, causing a stumble that was captured from multiple angles.
Despite the slip, she recovered almost instantly and continued into the building alongside her husband, appearing entirely unfazed by the minor accident, The Blast reported.
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The footage of the stumble quickly circulated online, leading to a mix of supportive and critical comments from fans.
While some social media users defended her by pointing out that everyone trips occasionally, others focused on Bezos’s reaction, with some criticizing him for seemingly pulling her along rather than offering a steadying hand.
Jeff Bezos And Lauren Sanchez Received Even More Criticism For Their Appearance At A Party
While Sánchez was heavily scrutinized for her near stumble, it wasn’t the first time she found herself under the spotlight for seemingly mundane things.
Late last year, Bezos and Sánchez were seen at an oceanfront beach club, watching a high-energy bottle service display. The spectacle included staff shaking large bottles of champagne and bikini-clad women parading through the venue with sparklers, with one even being escorted in on a motorcycle.
Online critics were quick to roast the duo, with several users arguing that such a display was unbecoming of their age.
“Unpopular opinion. But there does come a point when you’re too old for this,” one person wrote, per The Blast.
“I wish taste and money were correlated,” another added.
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The Couple Is Set To Play Major Roles In The Upcoming Met Gala
While their vacation antics drew heavy criticism, the power couple has simultaneously reached a new peak of social influence within the Hollywood elite. Bezos and Lauren are officially cementing their status by taking on important roles at the upcoming Met Gala.
The Blast confirmed that they are serving as major sponsors for the event as well as honorary co-chairs for fashion’s biggest night.
The announcement of their leadership roles coincided with the reveal of the 2026 dress code, “Fashion Is Art.” During an appearance on the “Today” show, Sánchez expressed her deep honor at being hand-selected by Wintour for the position.
She shared her excitement for the theme, noting that she considers designers to be true artists and is eager to see how guests interpret the creative prompt on the red carpet.
NLE Choppa has sparked mixed reactions after apologizing to Chrisean Rock for his disheartening words about Chrisean Jr.
RELATED: Internet Users Are FLOODING Blueface’s Comments After He Claimed That Chrisean Rock’s Late Ex Ronny Is Chrisean Jr.’s Biological Dad
NLE Choppa Apologizes To Chrisean Rock For His Disheartening Words About Chrisean Jr.
On the evening of Monday, March 9, NLE Choppa took to his Instagram Story to share that he would be going live that evening, streaming via Twitch. Subsequently, footage captured by Instagram user @livebitez shared a portion of his stream — specifically, the moment when he addressed Chrisean Rock, stating, “You know, I genuinely apologize for what I said about your beautiful baby boy.”
Furthermore, NLE explained that his remarks weren’t right and he can’t believe he allowed his emotions to get the best of him. Additionally, NLE noted that he sees Rock’s efforts to be a good mother and “be on the right path.” Ultimately, he shared that he feels his actions tested her and she “passed” with flying colors.
Social Media Shares Mixed Reactions To His Apology To Chrisean Rock
Social media users shared mixed reactions to NLE Choppa’s apology to Chrisean Rock in TSR’s comment section.
Instagram user @igotthejems_ wrote, “If you speak about my child don’t ever think you safe with me”
While Instagram user @nogunzone added, “Real men apologize‼️ Even though you should have never said it, you’re taking accountability as a Man and you’re apologizing. I respect it 💯💪🏿”
Instagram user @ver0nicalynn wrote, “Omg people are so obsessed with this baby just leave him alone😢”
While Instagram user @paulinesweets_ added, “That background music … boy 😭”
Instagram user @_thats.brookes.alexandria_ wrote, “I know he must permanently sit in front of a mirror, he’s always reflecting but you know what….thats an amazing characteristic. Self correction is rare”
While Instagram user @ree_sittinpretty added, “You can’t come back from certain things… 🤷🏾♀️”
Instagram user @therealoraja wrote, “Ahhhh sybau , it’s no mistake talking about babies”
While Instagram user @bri.nchez added, “he’s been regretting those words ever since he said them. He truly feels apologetic, he knows that was wrong…and he still hasn’t forgiven himself for it . I hope she accepts his apology 🙏🏽”
Instagram user @laughingbeauty523 wrote, “I like NLE Choppa but he does the most”
While Instagram user @kashh_para added, “Should’ve never said it as a man, kids suppose to be off limits but some 🥷 was raised different💯”
Instagram user @lola.pistola wrote, “Accountability 👏”
While Instagram user @tinytattedtaurus added, “Damn y’all don’t stop .. cool apology, but damn let her breathe”
Instagram user @__mochahontas___ wrote, “Idk why it’s giving performative smh shouldn’t of said it in the first place tbh 🤷🏾♀️”
While Instagram user @yesimmagic added, “I just hate how everyone keep bothering her right before her big moment. Apologize in private. Why do everything have to be “A THING”. I’m sick of it😩”
More On NLE Choppa’s Disheartening Words About Chrisean Jr.
As The Shade Room previously reported, last month, NLE Choppa was beefing with the mothers of his children when Blueface entered the mix and challenged the rapper to “squabble up.”
In turn, NLE responded by saying that his sons could get in the ring with Blueface’s sons. Additionally, he appeared to specifically speak on Chrisean Jr., saying that he appears to not be able to “hold” his “head up.”
Click here to watch the clips NLE shared.
Ultimately, the internet was extremely disappointed in his remarks.
As of Tuesday, March 10, Chrisean Rock hasn’t reacted to NLE’s initial remarks or apology. Instead, she’s only taken to social media to show her son love.
RELATED: NLE Choppa Stuns Fans After Seemingly Sharing Disheartening Words About Chrisean Jr. In Response To Blueface Telling Him To “Squabble Up” (VIDEOS)
What Do You Think Roomies?
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Zendaya wears what appears to be a wedding band in first appearance since Tom Holland marriage news
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Zendaya arrived at Paris Fashion Week wearing bridal white amid news she and her “Spider-Man” costar privately tied the knot.
By Robert Scucci
| Published
The best part about dystopian sci-fi flicks from the 80s is living past the date where everything should have already collapsed and wondering how far off we are from actually experiencing what’s depicted. 1988’s Cherry 2000, set in the year 2017, is one of those films, and it’s an interesting watch because it explores themes that are relevant today, even though society hasn’t quite caught up with its fiction. We’re getting close, though. Technology has replaced intimacy, and our relationships with our devices in the present day result in the kind of isolation you see whenever you look up in public and watch people hanging out while simultaneously talking to the people they’d rather be with on their phones.
What hasn’t happened yet, but probably will sooner or later, is the common use of sex robots seen in Cherry 2000. Intimacy with a human counterpart is forbidden, but if you want to bump uglies with a clanker that looks like a Stepford Wife, you’re free to go to town so long as it’s in the privacy of your own home.
A Flood Of Endorphins And Detergent
The titular robot in Cherry 2000 (portrayed by Pamela Gidley) is the perfect partner for Sam Treadwell (David Andrews). She cooks him dinner and listens to him talk about his day. She’s also really into pouncing on her flesh partner at the worst possible moment, like when the dishwasher is overflowing. This sudsy, floor-bound rendezvous causes her to short-circuit, devastating Sam.
Though Sam is able to salvage Cherry’s memories, her body is kaput, meaning he has to venture out to the dangerous Zone 7. Legend has it that Zone 7 has a gynoid warehouse housing every make and model you could ever dream of, programmed to be your lifelong partner. Desperate to seek out a viable and identical replacement for Cherry, Sam hires a tracker named Edith Johnson (Melanie Griffith), who clearly longs for the old days. She drives a vintage, modified Mustang and has no qualms telling Sam he should just find a human partner instead of getting down and dirty with a robot.
With the help of the legendary yet elusive tracker Six-Fingered Jake (Ben Johnson), Sam and Edith breach the compound, but form a romantic bond along the way during their misadventures. Edith pines for Sam, who pines for the idea of a woman designed specifically for him, resulting in exactly the kind of sexual tension you’d expect. Sam becomes hot and bothered watching Edith competently navigate the wasteland and starts to wonder if this is what’s been missing from his life all along.
A Low-Budget Adventure Through The Wasteland
Cherry 2000, despite its meager $10 million budget, has surprisingly solid production values. Though it’s obvious Cherry is an actress during the scenes where she’s walking, talking, and interacting with her surroundings, the Zone 7 sequences are effective. Think of the clothing carousel you see at the dry cleaners and apply that same principle to a bunch of deactivated robot babes waiting to be charged up so they can pounce on their new owner as soon as they run their software updates.
Edith is a total badass, whether she’s flooring it in her Mustang or piloting a small plane. Actually, Melanie Griffith steals every single scene she’s in because the looks of disgust and bewilderment on her face while dealing with Sam are palpable. Here we have an end-of-days babe wearing flattering wasteland garb and never losing control of the situation. And how is she using her talent? Helping some schmuck named Sam track down a new sex robot that resembles the only “person” he’s ever loved: his old sex robot.
Cherry 2000 is schlocky and campy, but its charm comes from playing everything completely straight. Its premise is ridiculous but oddly prescient. Our protagonist finds companionship by isolating himself, when the solution to all of his problems is standing right in front of him, rocking a machine gun and looking for a real relationship. It just takes a while for Sam to see this, because he’d rather be alone with his device.
As of this writing, Cherry 2000 is streaming on Tubi.
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Do your jeans need an upgrade? When spring begins, you want to stay stylish without sacrificing comfort — but long, baggier winter denim just doesn’t hit the mark. Instead, slip on a pair of cropped jeans. The elevated denim style has a universally flattering shape and length, and it’s even been worn by stars like Taylor Swift and Gigi Hadid.
Cropped jeans include shortened hems that fully show off your shoes, making them ideal for warmer weather and light layering. Plus, elements like natural and high-rise waistlines and flared legs let the style comfortably fit your body and enhance your figure. We did the heavy lifting for you, finding pairs from classic blue denim to styles with fun patterns, embroidery and more, starting as low as $14. We recommend wearing them with suede booties or a bold pair of sandals for effortless springtime style.
Elevated, Cropped Denim Ideal for Warmer Weather
1. High Rise: If you’re bringing cropped jeans into your wardrobe, this straight-leg style (under $20!) is worth adding to your cart. The stretchy, high-waisted pair sits perfectly at your natural waistline, while its subtly distressed hems add an elevated, cool, effortless finish.
2. Cuffing Season: These cute jeans from Sofia Vergara’s Walmart line feature an instantly flattering high-waisted shape. The cropped style’s wide cuffed legs look effortless while staying comfortable and light, too!
3. Major Savings: Cropped jeans look especially stylish in an indigo wash, like this straight-legged pair that’s elevated with utilitarian stitching. Plus, the style’s a major steal at just $14.
4. Buttoned Up: These high-waisted, cropped jeans cut a flattering silhouette while staying versatile with classic blue shades. Round silver buttons bring the pair a contemporary finish.
5. Boho Blooms: A little detail can go a long way, like the white floral embroidery on these cropped jeans! The dark denim and light blossoms make a chic pair that’s perfect for spring.
While most jeans get a bad rep for rigid fabric and constricting movement, that doesn’t mean you have to write them off. Instead of ditching denim once and for all, check out Walmart’s secret denim section. Filled with styles ranging from timeless Levi’s jeans to Sofia by Sofia Vergara bottoms, these denim pants offer a comfy […]
6. Grungy Glam: These cropped jeans include distressed patches along their legs for an edgy dash of rock n’ roll style. Style yours with a leather or denim jacket for a punky feel.
7. Sleek Fit: These Good American jeans feature a stretchy, skinny fit that hugs all of your curves. The denim style’s gap-proof waistband is also super flattering and practical.
8. Geometric Edge: We love the vertical front seams on these dark blue jeans. The geometric lines create a leg-lengthening effect while remaining minimalist and chic.
9. Garden-Worthy: This cropped style is covered in a vintage floral print that’s nostalgic and bohemian. The pattern brings extra flair to the jeans’ classic, beloved straight-legged silhouette.
10. Distressed Denim: Pack a punch with these high-rise, wide-leg jeans from Abercrombie & Fitch. They get an instant cool-girl edge from distressed hems.
11. Groovy Stretch: These dark blue jeans from Quince feature a slim fit with added stretch, ensuring a flattering fit. Lightly flared hems finish the versatile pair with a stylish ‘70s touch.
12. Seeing Spots: Take a walk on the wild side with these cheetah-printed cropped jeans. The pair’s high-waisted silhouette, lightly flared legs and all-over stretch instantly accentuate your figure—plus, its spotted pattern makes an eye-catching statement.
13. Classic Jeans: You can’t beat a pair of effortless and simple cropped jeans from Levi’s! The style’s smooth texture and figure-hugging fit are soft and flattering, making them perfect for all-day wear.
14. Flattering Lines: The forward seams on these cropped jeans are angled to create a curve-enhancing effect. We also love the pair’s light blue color, which is perfect for spring!
15. Fun Flares: This cropped J.Crew denim features a stretchy silhouette that enhances your natural figure. Its kickout flared hems are slimming and flattering, while patch pockets add a whimsically bohemian accent.
16. Stylish Studs: For a subtle edge, slip on cropped jeans with metal stud accents. This double-layered style features small, rounded studs on its hems, complete with fraying for a fashion-forward finish.
17. Chic Shades: These two-tone cropped jeans are instantly elevated with two-toned paneling in charcoal and black shades. The pair’s dark colors are utterly versatile, while its contrasting sides are effortlessly cool and fashion-forward.
If you’re tired of staring into a sea of basic blue jeans, it’s time to give your closet a well-deserved refresh! Lately, we’ve been gravitating toward bolder denim styles — brighter washes, fun patterns, and statement‑making cuts that bring creativity and character back into everyday dressing. . . without veering into cheesy territory, of course. […]
If there’s one thing that Saturday Night Live knows how to do, it’s make an iconic moment. For over 50 years, the NBC comedy institution has welcomed hundreds of actors, comedians, and musicians to take the Studio 8H stage as hosts, musical guests, or fun cameos. Just this season, we’ve already seen Heated Rivalry breakout Connor Storrie make his hosting debut, Cher perform as a musical guest, and Oscar nominee Teyana Taylor take the stage. But the most recent episode, hosted by Ryan Gosling, was historic because the musical guest, Gorillaz, wasn’t a new act using the platform to catapult itself into viewers’ playlists. They’re actually an iconic band that finally made their debut. The twist? They are the first virtual band to ever headline SNL.
Gorillaz Surprised Everyone With Their Song Choices on ‘SNL’
Leading up to Gosling’s fourth time hosting the sketch comedy series, the virtual band had been featured in the typical promos, plus one featuring Gosling and their hit, “Clint Eastwood.” The promo saw Gosling hilariously believe he was joining the Five-Timers Club, only to be proven incorrect by Mikey Day. Long-time fans of the band might have believed that it would be the sole appearance of their massive hit, but Gorillaz surprised all by using their opening slot to play “Clint Eastwood,” a song they released in 2001. The inclusion of the 25-year-old song was meant to thank the supporters who had been by their side since day one.
‘Saturday Night Live UK’ Could Be The 1 Exact Thing That British Comedy Has Been Missing
Will this bold move pay off, or will it be met with the cold shoulder?
The high-concept band, which has been around since 1998, was originally created by Jamie Hewlett and Blur frontman Damon Albarn. But for the longest time, we only knew them by their virtual counterparts, 2-D, Murdoc Niccals, Russel Hobbs, and Noodle. Every album cover, every music video, everything we knew about Gorillaz was through those characters, and that’s what made them unique. Now that the virtual and non-virtual members are united as one, it was the perfect time for Gorillaz to remind the world why they are one of the most musically unique bands in history. Promoting their new album, The Mountain, the band performed “The Moon Cave” in the second song slot. With the hype largely surrounding the virtual band’s presence, history was also made for Albarn, as it was his SNL debut. Shockingly, Blur, the second biggest ’90s Britpop band behind Oasis, never appeared as musical guests on the series.
‘Saturday Night Live’ Has Featured Many Monumental Musical Moments
During the 50 years SNL has been on the air, it’s played host to many monumental musical moments. Perhaps you watched when Sinéad O’Connor tore up a photo of the Pope in 1992. Maybe it was back in 1977, when Elvis Costello abruptly switched songs into their forbidden track, leading to a long-term ban. Then there was the scandal in 2004 when Ashlee Simpson was caught lip-syncing.
Gorillaz’s appearance doesn’t come with controversy, but it joins the lineup of historic moments that will always be remembered. Just as Nirvana brought grunge to a mainstream audience and Funk 4 + 1 provided the first-ever hip-hop performance, the cultural significance of music on SNL continues to shape what we listen to.
Saturday Night Live airs Saturdays at 11:30pm EST on NBC. All episodes are available to stream on Peacock.
- Release Date
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October 11, 1975
- Showrunner
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Lorne Michaels
- Directors
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Dave Wilson, Don Roy King, Liz Patrick, Andy Warhol, Linda Lee Cadwell, Matthew Meshekoff, Paul Miller, Robert Altman, Robert Smigel
- Writers
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Will Forte, Bill Hader, Tina Fey, Kristen Wiig, Chris Parnell, Asa Taccone, John Lutz, Tom Schiller, Simon Rich, Michael Patrick O’Brien, Nicki Minaj, Herbert Sargent, Matt Piedmont, John Solomon, Chris Kelly, Alan Zweibel, Kent Sublette, Ari Katcher, Marika Sawyer, Sarah Schnedier, Scott Jung, Justin Franks, Jerrod Bettis, Rhiannon Bryan
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These films are all Apple Originals.
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