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‘One Battle After Another’ Is the 2026 Best Picture Winner at the Academy Awards

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For months, One Battle After Another looked like the movie to beat. It had the reviews, the momentum, the pedigree, and the kind of across-the-board support that usually signals a Best Picture winner before envelopes are even opened, and now it is official.

One Battle After Another has won Best Picture at the 2026 Academy Awards, giving Paul Thomas Anderson the night’s biggest prize and closing out one of the strongest awards runs of the season. Written and directed by Anderson, the film stars Leonardo DiCaprio as a former political radical and single father, with a cast that also includes Regina Hall, Sean Penn, Teyana Taylor, Benicio del Toro, and Chase Infiniti.

The film entered the ceremony with 13 Oscar nominations, making it the second-most-nominated movie of the year, behind only Sinners. It was widely seen as one of the top contenders all season long, with major outlets and prediction-market coverage all pointing to it as a major frontrunner heading into Oscar night. By the time the Oscars arrived, the movie had already solidified itself as a consensus prestige heavyweight, with outlets repeatedly describing the Best Picture race as essentially a showdown between Anderson’s film and Sinners.

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Collider Exclusive · Oscar Best Picture Quiz
Which Oscar Best Picture
Is Your Perfect Movie?

Parasite · Everything Everywhere · Oppenheimer · Birdman · No Country

Five Oscar Best Picture winners. Five completely different visions of what cinema can be — and what it can do to you. One of them is the film that was made for the way your mind works. Ten questions will figure out which one.

🪜Parasite

🌀Everything Everywhere

☢️Oppenheimer

Advertisement

🐦Birdman

🪙No Country for Old Men

Advertisement

01

What kind of film experience do you actually want?
The best movies don’t just entertain — they leave something behind.





Advertisement

02

Which idea grabs you most in a film?
Great films are driven by a central obsession. What’s yours?





Advertisement

03

How do you like your story told?
Form is content. The way a story is shaped changes what it means.





Advertisement

04

What makes a truly great antagonist?
The opposition defines the protagonist. What kind of opposition fascinates you?





Advertisement

05

What do you want from a film’s ending?
The final note is the one that lingers. What do you want it to sound like?





Advertisement

06

Which setting pulls you in most?
Where a film takes place shapes everything — mood, stakes, what’s even possible.





Advertisement

07

What cinematic craft impresses you most?
Every great film has a signature — a technical or artistic element that makes it unmistakable.





Advertisement

08

What kind of main character do you root for?
The protagonist is the lens. Who you choose to follow says something about you.





Advertisement

09

How do you feel about a film that takes its time?
Pace is a choice. Some films sprint; others let tension accumulate slowly, deliberately.





Advertisement

10

What do you want to feel walking out of the cinema?
The best films leave a mark. What kind of mark do you want?





Advertisement

The Academy Has Decided
Your Perfect Film Is…

Your answers have pointed to one Oscar Best Picture winner above all others. This is the film that was made for the way your mind works.

Advertisement

Parasite

You are drawn to films that operate on multiple levels simultaneously — that begin in one genre and quietly, brilliantly migrate into another. Bong Joon-ho’s Parasite is a film about class, desire, and the architecture of inequality that manages to be darkly funny, deeply suspenseful, and genuinely shocking across a single extraordinary running time. Your instinct is for cinema that hides its true intentions until the moment it’s ready to reveal them. Parasite is exactly that — a film that rewards close attention and punishes assumptions, right up to its devastating final image.

Advertisement

Everything Everywhere All at Once

You want it all — and this film gives you all of it. The Daniels’ Everything Everywhere All at Once is one of the most maximalist films ever made: action comedy, multiverse sci-fi, family drama, existential crisis, and a genuinely earned emotional core that sneaks up on you amid the chaos. You are someone who responds to ambition, who doesn’t want cinema to choose between being entertaining and being meaningful. This film refuses that choice entirely. It is overwhelming by design, and its overwhelming nature is precisely the point — because the feeling of being crushed by infinite possibility is exactly what it’s about.

Advertisement

Oppenheimer

You are drawn to cinema on a grand scale — films that understand history not as a backdrop but as a force, and that place their characters inside that force and watch what happens. Christopher Nolan’s Oppenheimer is a film about the terrifying gap between what we can do and what we should do, told with the full weight of one of the most consequential moments in human history behind it. You want your films to feel important without feeling self-important — to earn their ambition through sheer craft and the gravity of their subject. Oppenheimer does exactly that. It is enormous, complicated, and refuses easy comfort.

Advertisement

Birdman

You are drawn to films that foreground their own construction — that make the how of the filmmaking part of the what it’s about. Alejandro González Iñárritu’s Birdman, shot to appear as a single continuous take, is cinema examining itself through the cracked mirror of a fading actor’s ego. You respond to formal daring, to the feeling that a film is doing something that probably shouldn’t be possible. Michael Keaton’s performance and Emmanuel Lubezki’s restless camera create something genuinely unlike anything else — a film that is simultaneously about creativity, relevance, self-destruction, and the impossibility of ever truly knowing if your work means anything at all.

Advertisement

No Country for Old Men

You are drawn to cinema that trusts silence, that refuses to explain itself, and that treats dread as a form of meaning. The Coen Brothers’ No Country for Old Men is a film about the arrival of a new kind of evil — implacable, arbitrary, and utterly indifferent to the moral frameworks we use to make sense of the world. It is one of the most formally controlled films ever made, and its controlled restraint is what makes it so terrifying. You want your films to haunt you, not comfort you. You are not interested in resolution if resolution would be dishonest. No Country for Old Men is honest in a way that most cinema never dares to be.

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Strap on Your Hockey Masks; It’s Friday the 13th — The Collider Movie Quiz!

Because today is Friday the 13th, let’s march our way through the iconic slasher franchise. Ch-ch-ch-ch. Ha-ha-ha-ha.

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How Good Is ‘One Battle After Another’?

Collider’s review stated that One Battle After Another finds Paul Thomas Anderson working on his largest canvas yet — and proving that even at blockbuster scale, his filmmaking instincts remain as sharp as ever. Known for ambitious, character-driven films like Boogie Nights, Magnolia, There Will Be Blood, and Licorice Pizza, Anderson has spent decades refining a style that blends humor, emotional depth, and sweeping storytelling. With this sprawling new project, loosely inspired by Thomas Pynchon’s novel Vineland, he delivers something unexpected: a politically charged action film that still feels unmistakably like a Paul Thomas Anderson movie, as Ross Bonaime opined.

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“Anderson has executed an unbelievably rare feat: a big-budget studio action film that maintains his specific tone and style, with a film that feels essential to our troubled modern times. One Battle After Another is the type of film that only comes along a few times a generation, a masterfully crafted work that speaks to our present as a defining work of what it was like to live in our present era. Anderson does that with humor, tension, fear, and care, in a film that’s both one of the director’s and 2025’s best.”

One Battle After Another is streaming now on HBO Max. Stay tuned for more updates.


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Release Date
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September 26, 2025

Runtime

162 minutes

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Director

Paul Thomas Anderson

Writers
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Paul Thomas Anderson, Thomas Pynchon

Producers

Adam Somner, Paul Thomas Anderson, Sara Murphy

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Taylor Gets Message From 2 Bachelorettes Who Missed Reunion

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While nearly all of the past Bachelorettes reunited ahead of Taylor Frankie Paul’s season 22, a few leading ladies were noticeably missing — and still showed their support with a sweet virtual message.

“There are some people who couldn’t be here, so I have something to show you,” Trista Sutter explained to Taylor in The Bachelorette: Before the First Rose, which aired on Sunday, March 15, before playing clips from her phone.

“Hi Taylor, it’s Jillian Harris here. I’m so happy for you,” season 5 lead Jillian Harris said. “Here’s some advice. I didn’t shave my legs on the very first date and we ended up having a pool party and I ended up on Jason Mesnick’s shoulders with hairy legs, so shave your legs and embrace the moment. Good luck, and I’m sending you tons of love from Canada.”

Trista began laughing as Taylor put her hand over her face and smiled. “Hi Taylor, it’s Jenn. I’m so sorry I couldn’t be there today with you,” season 21’s Jenn Tran said, while the Eiffel Tower was visible in the background of her video. “I’m so excited for you. In those moments where I was really pushed past my limits, that was when I discovered some of the most beautiful things about myself. And trust your heart, as cliche as that sounds.”

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Related: 18 Out of 24 Bachelorettes to Reunite on ABC Special — Who’s Missing?

Taylor Frankie Paul will kick off her Bachelorette journey with a slew of former leads in her corner. Eighteen of the popular reality dating show’s alums will reunite on The Bachelorette: Before the First Rose, airing on ABC and Hulu on Sunday, March 15, one week before Taylor’s season 22 premiere. “It was crazy,” Joan […]

Trista and 17 former leads — Meredith Phillips, DeAnna Pappas, Ali Fedotowsky-Manno, Ashley Hebert-Rosenbaum, Emily Maynard-Johnson, Desiree Siegfried, Andi Dorfman-Hart, Kaitlyn Bristowe, JoJo Fletcher, Rachel Lindsay, Becca Kufrin, Hannah Brown-Woolard, Tayshia Adams, Katie Thurston, Rachel Recchia, Charity Lawson and Golden Bachelorette Joan Vassos — surprised Taylor in the Bachelor Mansion the night of her first rose ceremony.

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The group fittingly showed up in matching red, monogrammed sweat sets, which Kaitlyn explained it is because they know “Taylor likes her sweatpants.”

“I’m so excited to welcome her into the sisterhood of The Bachelorette,” Trista said in a confessional. “I’m here with Kaitlyn, Rachel and Ashley and DeAnna and Desiree. Joan is here. We’ve got almost all of us.”

Jen Schefft (season 3), Clare Crawley (season 16), Michelle Young (season 18) and Gabby Windey (season 19) were seemingly absent. Ahead of the reunion, Clare explained why she decided to skip returning to the iconic mansion.

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Related: Trista Sutter, Kaitlyn Bristowe, and More Former Bachelorettes Reunite

Former Bachelorettes Trista Sutter, Kaitlyn Bristowe, Rachel Lindsay and more have reunited for a fun get together. The reality stars, who each found fame as the leading ladies on their respective Bachelorette seasons, appeared in each other’s social media accounts on Thursday, November 20. Trista, who led the inaugural season of The Bachelorette when it […]

“I was super sick. The producers asked me to come, and I thought about it since it would be nice to see all the ladies,” Clare said in a February Instagram Story, explaining that she changed her mind after allegedly being told “to rehash things from six years ago.” She added, “Hard pass.”

Joan, meanwhile, exclusively told Us Weekly in December 2024 that the reunion was “crazy.”

“It was like, ‘Oh my God.’ I feel like I know them, like, I’ve watched all their seasons, but never met so many of them in person. I’m hopeful for Taylor. She is a genuinely nice human who is unapologetically herself,” Joan said, noting that most of the Bachelorettes are part of a group chat together. “It centers around life events, like, somebody’s pregnant, somebody’s getting married, ‘Happy Thanksgiving’ — just what you send to your close friends. You have this group of people that have done this weird thing that you’ve done. It’s a unique group.”

The Bachelorette season 22 premieres on ABC Sunday, March 22, at 8 p.m. ET and streams the next day on Hulu.

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Who Got Bleeped at the 2026 Oscars — And What They Said

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Multiple award winners got bleeped while giving their acceptance speeches at the 2026 Oscars.

The first censored moment of the night came when costume designer Kate Hawley let out a curse word while thanking her family after winning for her work on Frankenstein.

“And my family, who’ve put up with a lot of s*** over the years,” Hawley said while getting bleeped during the live moment.

Later in the evening, Mike Hill also swore while accepting Best Makeup and Hairstyling for Frankenstein.

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Keep scrolling to see who was bleeped during the Oscars:

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Kate Hawley

Kate Hawley won for Best Costume Design for Frankenstein. Her speech began with a touching tribute to her team.

“On behalf of myself and the amazing team that I work with — the artisans, the alchemists, the dream weavers — we’re so grateful to The Academy for recognizing our craft,” she said before expressing her gratitude for director Guillermo del Toro. “Thank you for the vision and for taking us on your journey. It’s been a great privilege to be part of it. All our nominations are your nominations. We share this with you.”

Hawley also gave “a big shout-out to our fantastic cast” before thanking her family.

“And my family, who’ve put up with a lot of s*** over the years …” she said, getting bleeped before concluding, “I’m so, so grateful, and thank you very much for recognizing our craft.”

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Mike Hill

Everyone Who Got Bleeped at the 2026 Oscars
Kevin Winter/Getty Images

Mike Hill won for Best Makeup and Hairstyling alongside Jordan Samuel and Cliona Fuery for Frankenstein. Before giving his speech, Hill struggled to get his glasses out of his suit pocket, leading him to swear and get bleeped. After recovering from the moment, Hill spoke from the heart.

“It’s such an honor to be here. Thank you so much,” Hill said. “While we were making this film, we had the sense we were part of something very special, and tonight really confirms that, so thanks.”

Gwendolyn Yates Whittle

Everyone Who Got Bleeped at the 2026 Oscars
Kevin Winter/Getty Images

Gwendolyn Yates Whittle was one of the winners for Best Sound for F1. She appeared on stage alongside colleagues Gareth John, Al Nelson, Gary A. Rizzo and Juan Peralta. When it was Whittle’s time to speak, she seemingly cursed while attempting to recite from memory. After getting bleeped, she apologized and read from her prepared statement instead.

“Sorry. I’m sorry! Our gratitude goes to our partners, our parents, our children, our grandchildren. Movies are made for you,” she read. “Go see the blockbusters, go see the independents. Be inspired, go with friends, get a fresh point of view.”

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Paul Thomas Anderson Wins Best Director for ‘One Battle After Another’ at 2026 Academy Awards

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While everyone has been trying to pinpoint who will win Best Lead Actor and Actress at the 2026 Academy Awards, some fans have been more focused on the race for Best Director. The award itself is rich in history, and there have been some incredible wins in recent years, such as Christopher Nolan finally winning for his work on Oppenheimer. He could even be in line for another nomination and maybe another win for his work directing The Odyssey this summer. There have been some shocking wins and losses in the Best Director category over the years, including John Madden winning for Shakespeare in Love in 1999, in a year when many felt Steven Spielberg should have claimed gold for Saving Private Ryan. Even Kathryn Bigelow winning for The Hurt Locker came as a surprise, especially considering that James Cameron’s Avatar came out the same year.

This year’s roster of talent competing for Best Director is as strong as it’s ever been, with Ryan Coogler earning his first nomination for his work directing the critically acclaimed vampire horror hit, Sinners. Previous winner of the award, Chloé Zhao, has also been recognized for her work directing Hamnet, the historical epic starring Paul Mescal and Jessie Buckley. Josh Safdie has earned his first nomination for directing Marty Supreme, the Timothée Chalamet-starring ping pong biopic brought to the big screen by A24. Paul Thomas Anderson has earned his fourth Best Directing Oscar for helming One Battle After Another, and Joachim Trier has been recognized for directing Sentimental Value. The Academy decided to give the award to Paul Thomas Anderson for directing One Battle After Another, which surprisingly marks the legendary filmmaker’s first-ever Academy Award for Best Director, and his second Oscar ever after winning Best Adapted Screenplay earlier in the night.

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Collider Exclusive · Oscar Best Picture Quiz
Which Oscar Best Picture
Is Your Perfect Movie?

Parasite · Everything Everywhere · Oppenheimer · Birdman · No Country

Five Oscar Best Picture winners. Five completely different visions of what cinema can be — and what it can do to you. One of them is the film that was made for the way your mind works. Ten questions will figure out which one.

🪜Parasite

🌀Everything Everywhere

☢️Oppenheimer

Advertisement

🐦Birdman

🪙No Country for Old Men

Advertisement

01

What kind of film experience do you actually want?
The best movies don’t just entertain — they leave something behind.





Advertisement

02

Which idea grabs you most in a film?
Great films are driven by a central obsession. What’s yours?





Advertisement

03

How do you like your story told?
Form is content. The way a story is shaped changes what it means.





Advertisement

04

What makes a truly great antagonist?
The opposition defines the protagonist. What kind of opposition fascinates you?





Advertisement

05

What do you want from a film’s ending?
The final note is the one that lingers. What do you want it to sound like?





Advertisement

06

Which setting pulls you in most?
Where a film takes place shapes everything — mood, stakes, what’s even possible.





Advertisement

07

What cinematic craft impresses you most?
Every great film has a signature — a technical or artistic element that makes it unmistakable.





Advertisement

08

What kind of main character do you root for?
The protagonist is the lens. Who you choose to follow says something about you.





Advertisement

09

How do you feel about a film that takes its time?
Pace is a choice. Some films sprint; others let tension accumulate slowly, deliberately.





Advertisement

10

What do you want to feel walking out of the cinema?
The best films leave a mark. What kind of mark do you want?





Advertisement

The Academy Has Decided
Your Perfect Film Is…

Your answers have pointed to one Oscar Best Picture winner above all others. This is the film that was made for the way your mind works.

Advertisement

Parasite

You are drawn to films that operate on multiple levels simultaneously — that begin in one genre and quietly, brilliantly migrate into another. Bong Joon-ho’s Parasite is a film about class, desire, and the architecture of inequality that manages to be darkly funny, deeply suspenseful, and genuinely shocking across a single extraordinary running time. Your instinct is for cinema that hides its true intentions until the moment it’s ready to reveal them. Parasite is exactly that — a film that rewards close attention and punishes assumptions, right up to its devastating final image.

Advertisement

Everything Everywhere All at Once

You want it all — and this film gives you all of it. The Daniels’ Everything Everywhere All at Once is one of the most maximalist films ever made: action comedy, multiverse sci-fi, family drama, existential crisis, and a genuinely earned emotional core that sneaks up on you amid the chaos. You are someone who responds to ambition, who doesn’t want cinema to choose between being entertaining and being meaningful. This film refuses that choice entirely. It is overwhelming by design, and its overwhelming nature is precisely the point — because the feeling of being crushed by infinite possibility is exactly what it’s about.

Advertisement

Oppenheimer

You are drawn to cinema on a grand scale — films that understand history not as a backdrop but as a force, and that place their characters inside that force and watch what happens. Christopher Nolan’s Oppenheimer is a film about the terrifying gap between what we can do and what we should do, told with the full weight of one of the most consequential moments in human history behind it. You want your films to feel important without feeling self-important — to earn their ambition through sheer craft and the gravity of their subject. Oppenheimer does exactly that. It is enormous, complicated, and refuses easy comfort.

Advertisement

Birdman

You are drawn to films that foreground their own construction — that make the how of the filmmaking part of the what it’s about. Alejandro González Iñárritu’s Birdman, shot to appear as a single continuous take, is cinema examining itself through the cracked mirror of a fading actor’s ego. You respond to formal daring, to the feeling that a film is doing something that probably shouldn’t be possible. Michael Keaton’s performance and Emmanuel Lubezki’s restless camera create something genuinely unlike anything else — a film that is simultaneously about creativity, relevance, self-destruction, and the impossibility of ever truly knowing if your work means anything at all.

Advertisement

No Country for Old Men

You are drawn to cinema that trusts silence, that refuses to explain itself, and that treats dread as a form of meaning. The Coen Brothers’ No Country for Old Men is a film about the arrival of a new kind of evil — implacable, arbitrary, and utterly indifferent to the moral frameworks we use to make sense of the world. It is one of the most formally controlled films ever made, and its controlled restraint is what makes it so terrifying. You want your films to haunt you, not comfort you. You are not interested in resolution if resolution would be dishonest. No Country for Old Men is honest in a way that most cinema never dares to be.

Advertisement

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From Harvey Dent to the President: The Films of Aaron Eckhart — The Collider Movie Quiz!

Aaron Eckhart has played a wide array of roles in his 30+ year career. How many of these movies do you know?

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Who Will Be Nominated for Best Director in 2027?

It’s too early to know who will be nominated for Best Director in 2027, but there are a few favorites who are likely to be recognized. Early word is that Phil Lord and Christopher Miller will earn a nomination for their work directing Project Hail Mary, and Steven Spielberg could easily earn a nod for his return to sci-fi with Disclosure Day. Denis Villeneuve will also likely be recognized for directing the third Dune movie later this year. Other potential nominees will become clearer throughout the year as more films are released.

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Stay tuned to Collider for more updates and coverage of the 2026 Oscars.


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April 18, 2025

Runtime

138 minutes

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Director

Ryan Coogler

Writers
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Producers

Sev Ohanian, Zinzi Coogler, Ryan Coogler

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“Devil Wears Prada” inspiration Anna Wintour playfully shades Anne Hathaway on Oscars stage: 'Thank you, Emily'

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Wintour and Hathaway took the Oscars stage to present Best Costume Design and Best Makeup and Hairstyling.

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Renate Reinsve Avoids Dress Malfunction at 2026 Oscars

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Sentimental Value star Renate Reinsve appeared to narrowly avoid a wardrobe malfunction while on stage at the 2026 Oscars.

Reinsve, 38, joined the cast of Sentimental Value on stage after they won the award for Best International Feature Film at the 98th Academy Awards on Sunday, March 15. While listening to director Joachim Trier give his acceptance speech, the actress could be seen holding the front and back of her dress, seemingly to prevent it from falling down due to someone else stepping on the gown’s train.

Reinsve could then be seen giggling as she adjusted her dress while walking off the stage.

Reinsve wore a red custom Louis Vuitton asymmetrical strapless dress with a slit all the way up to her right hip and a long train on the left. She paired the gown with matching Giuseppe Zanotti heels and a silver bracelet. The ensemble was styled by Karla Welch.

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Related: Oscars 2026 Winners List: Who Won Academy Awards at This Year’s Ceremony?

The 2026 Oscars brought out major players in the film industry for an unforgettable night. Conan O’Brien hosted the 98th Academy Awards on Sunday, March 15, at the Dolby Theatre at Hollywood & Highland Center in Los Angeles. (O’Brien played a role in one of the films recognized by the Academy this year, Mary Bronstein’s […]

“Hang in it the Louvre 🌹,” Welch captioned a photo of Reinsve’s bare legs as stylists strapped up her shoes.

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Reinsve stars in Sentimental Value, a Norwegian drama, as Nora, who reunites with estranged father Gustav (Stellan Skarsgård) alongside her sister, Agnes (Inga Ibsdotter Lilleaas). Elle Fanning also stars in the movie as a famous actress hired to play the lead in Gustav’s new film.

In addition to Best International Feature Film, Sentimental Value was nominated for Best Directing, Best Picture, Best Actress in a Leading Role, Best Actor in a Supporting Role, Best Actress in a Supporting Role, Best Writing (Original Screenplay) and Best Film Editing.

GettyImages-2266320534-98th-academy-awards-2026-oscars-sentimental-value
Patrick T. Fallon / AFP

 

“This film is about a very dysfunctional family, and it’s the opposite of what I felt with this beautiful group behind me,” Trier, 52, said in his acceptance speech on Sunday. “I think I’ve made films to feel at home with people, and I’ve really felt at home with the crew. There’s 1,072 people in these credits, and I love them all and I share this with them. The cast behind me, I’ve never been so proud. Thanks for wanting to work with me.”

oscars red carpet 98th Academy Awards Oscars 2026


Related: 2026 Oscars Red Carpet Arrivals: Stars Bring Their Fashion A-Game

The 2026 Oscars red carpet was as glamorous as ever. Thank You! You have successfully subscribed. Subscribe to newsletters Enter your email Please enter a valid email. Subscribe By signing up, I agree to the Terms and Privacy Policy and to receive emails from Us Weekly Deal of the Day Taylor Swift’s Exact Kendra Scott […]

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The filmmaker continued, “Because I’m in this category, I feel I represent global filmmakers, and in a moment like this, I just wanna recognize the wonderful films we were nominated together with. Important, beautiful films that reflect our present crisis and the crisis of the past. And I want to end by paraphrasing the wonderful American writer James Baldwin, who makes us remember that all adults are responsible for all children, and let’s not vote for politicians who don’t take this seriously into account.”

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Misty Copeland performs in “Sinners ”musical“ ”number at Oscars amid Timothée Chalamet ballet drama

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The ballerina joined Miles Caton and fellow ‘Sinners’ cast members onstage for a performance of “I Lied to You” from the Oscar-nominated film.

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Oscars' first new category winner in over 25 years playfully jabs Paul Thomas Anderson: 'I have one before you'

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The first award for Best Casting comes amid the Academy’s initiatives to diversify its voting ranks and competitive brackets.

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Sean Penn is a no-show at Oscars as he wins third Academy Award, Kieran Culkin makes playful jab

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The “One Battle After Another” star previously won Oscars for “Mystic River” and “Milk.”

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2026 Oscars Nods to Ballet, Opera After Timothee Chalamet Diss

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After Timothée Chalamet took aim at the ballet and opera communities, that was pretty much all the 2026 Oscar attendees could speak about.

“Security is extremely tight tonight,” host Conan O’Brien opened his Sunday, March 15, monologue. “I’m told there’s concerns about a tax from both the opera and ballet communities.”

Chalamet, nominated for leading actor for his role in Marty Supreme, recently proclaimed that he wasn’t interested in either art form.

“Some people want to be entertained quickly. I’m really right in the middle because I admire people [saying], ‘Hey, we gotta keep movie theaters alive. We gotta keep this genre alive,’” Chalamet told Variety in February. “I don’t want to be working in ballet or opera where it’s like, ‘Hey, keep this thing alive, even though no one cares about this anymore.”

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Chalamet, whose grandmother and mother are retired ballerinas, quickly walked back his comments and gave “all respect to the ballet and opera people out there.”

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“Damn, I just took shots for no reason,” the actor quipped.

Chalamet didn’t further address the controversy in the lead-up to the Oscars or at the ceremony itself.

Keep scrolling for a guide to all the ballet and opera mentions at the 2026 Academy Awards:

Conan O’Brien’s Monologue

Oscars host Conan O’Brien couldn’t resist adding in a joke about Timothée Chalamet’s comments in his monologue.

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“Security is extremely tight tonight. I just got to mention that,” O’Brien said. “I’m told there’s concerns about a tax from both the opera and ballet communities.”

O’Brien paused as the camera panned over to Chalamet, who coyly laughed off the reference.

“They’re just mad you left out jazz,” O’Brien added.

A Ballet Pioneer

Misty-Copeland-Oscars-inline-GettyImages-2266299086
Patrick T. Fallon / AFP

During the Sinners musical tribute, the cast was accompanied by Misty Copeland for its rendition of “I Lied To You.” (Copeland was the first Black principal at the American Ballet Theatre before her retirement in 2025.)

“That’s definitely how it seems, but it was not at all,” Copeland told Vogue ahead of Sunday’s performance, denying her performance was a rebuttal to Timothée Chalamet. “I had agreed to do this before any of this stuff was happening and had blown up the way that it has.”

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Ballet and Opera Can Change the World

The Best Live Action Short Film was awarded to The Singers and Two People Exchanging Saliva. During the latter’s acceptance speech, Alexandre Singh touched on the two art forms.

“We believe that art can change people’s souls,” Singh said in his speech. “Maybe it takes 10 years time but we can change society through art, through creativity [and] through theater and ballet … and also cinema.”

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Kevin O’Leary Is Still All-In on Timothee Chalamet

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Timothee Chalamet.
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On the red carpet, Shark Tank star Kevin O’Leary speculated that Timothée Chalamet’s comment wouldn’t have an impact on his chances at winning an Oscar.

“I just put 1,000 bucks on [betting app] Kalshi walking in here that he’s gonna win,” O’Leary told Variety. “Because I know the voting stopped long before that controversy happened. He’s a really great guy, his mother’s really nice. The kid is a great kid. He took a bum rap on that. By the way, he gave a lot of promo to opera houses and ballet.”

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Conan O'Brien makes jabs at Donald Trump, American pedophiles at 2026 Oscars

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The two-time host isn’t holding back tonight.

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