The towering forward won the last of his 15 Test caps in November 2024
Wales forward Christ Tshiunza will reportedly join Sale Sharks when his contract with Exeter Chief expires at the end of the season, with the move throwing his international future into question.
It is unclear what this move will mean for Tshiunza’s Test career but, if he was offered a competitive deal by Cardiff, it could be an issue, with the 24-year-old having won only 15 caps for Wales since making his debut in 2021.
Under Welsh Rugby Union rules, a player with fewer than 25 caps that receives “a fair and reasonable offer” to play for a side in Wales and moves elsewhere will become ineligible to represent the national side. If the offer made is not deemed “reasonable”, however, it falls to the Rugby Management Board (RMB) and Professional Rugby Board (PRB) to consider the player’s eligibility.
Tshiunza won the last of his international caps against South Africa during the 2024 autumn internationals and has struggled with a injuries in recent times. He broke his foot while playing for Exeter on the opening weekend on the PREM season, ruling him out of Wales’ autumn campaign, while a further setback earlier this year made him unavailable for the Six Nations.
After nearly six months on the sidelines, he made his return to action off the bench in Exeter’s 66-14 mauling at the hands of Leicester Tigers in Sunday’s PREM Rugby Cup final.
Cardiff are believed to have eyed Tshiunza as a potential replacement for Ulster-bound forward Ben Donnell, but instead he is set to join fellow Wales internationals Nicky Smith, Tomas Francis and WillGriff John at Sale.
Advertisement
It comes after Exeter boss Rob Baxter admitted it would be tough to keep Tshiunza at Sandy Park beyond his deal, which expires at the end of the 2025/26 season.
“The tough one with Christ, really, I don’t mind saying, our EQP numbers are quite tight and making sure that we have that balance in the squad, because for us, it’s very, very important that we keep the funding for the EQP balance,” he explained.
“When you look at the make-up, particularly in our forwards, where our frontline players are, especially when you see guys like Bachuki Tchumbadze coming through, who obviously is non-EQP.
“We’ve signed Nika Abuladze, who is obviously non-EQP, to make our frontline forwards as strong as we have,” Baxter added. “At some stage, EQP becomes quite an important factor for us.
Advertisement
“And obviously, Zambo (Andrea Zambonin) is going well with Daf (Dafydd Jenkins) in the second row. Tom Hooper is going well in the back row. You know, we start to fill up our non-EQP quota pretty quickly.”
Walter Burke, 63, of Worthington Road, Lichfield was on his way to a morning job when he ploughed into 59-year-old Jasbir Singh on Birmingham’s city centre ring road
18:14, 16 Mar 2026Updated 18:14, 16 Mar 2026
A man who stumbled into the middle of the road while intoxicated was killed by a private hire driver, a court has heard.
Walter Burke was on his way to a morning job when he ploughed into 59-year-old Jasbir Singh on part of Birmingham’s city centre ring road, Birmingham Live reports.
He was not speeding or driving recklessly in his SEAT Toledo, the hearing was told, but visibility was good and other motorists had managed to avoid the pedestrian.
Advertisement
Ensure our latest headlines always appear at the top of your Google Search by making us a Preferred Source. Click here to activate or add us as your Preferred Source in your Google search settings.
In a dramatic courtroom moment a judge counted to five to demonstrate to the courtroom just how long he had to take evasive action.
Burke, 63, of Worthington Road, Lichfield was found guilty after trial of causing death by careless driving. However he was spared jail at Birmingham Crown Court on Thursday, March 12.
He was instead banned from driving for five years although he has already stopped driving voluntarily since the collision, which was said to have had a profound impact on him.
Advertisement
The incident dated back to October 21, 2023 when at just before 5.30am Mr Singh was walking on the A4540 Boulton Middleway.
Omar Majid, prosecuting, said the pedestrian was ‘intoxicated’ and that by way of comparison his alcohol blood level was twice the legal drink-drive limit, even though he was not behind the wheel himself.
He told the court the road was wet but there was ‘good visibility’ due to street lighting and the fact the road was ‘essentially straight’.
Mr Majid said two other drivers noticed Mr Singh as they approached the roundabout.
Advertisement
He added: “It was noticeable they had no difficulty taking evasive action, braking and moving into a different lane despite their visibility being much worse that it would have been for this defendant.”
CCTV captured what happened next as Burke, driving his SEAT, approached in lane two.
Mr Majid continued: “He drove straight ahead with Mr Singh in the same lane moving from lane three to lane two. While the defendant’s brake lights came on he didn’t slow down or take evasive action whatsoever.
“The only movements was after the collision, a flinch reaction to the collision moving into lane three. The defendant noticeably slowed down after the collision but didn’t stop.”
Advertisement
Burke left the ring road at the roundabout and parked on Hospital Lane nearby. Other drivers pulled up at the scene and alerted emergency services.
Burke later claimed he did not realise he had hit anyone and believed someone had thrown a brick at his windscreen. Mr Majid said he was doing 29 to 32mph at the time of the collision on the 30mph route.
Burke gave no comment in his police interview but claimed at trial he did not see Mr Singh at any point and could not explain why. Mr Majid conceded the victim ‘contributed’ to the incident by being in the road, adding he was ‘vulnerable’ due to his level of intoxication.
A key consideration for determining Burke’s length of sentence was whether his actions amounted to a ‘momentary lapse of concentration’. A collision expert calculated Burke had a 7.6 second window to see Mr Singh.
Advertisement
Judge Peter Cooke said: “Let’s say five seconds. Just think about being at the wheel of a car doing 30mph and not paying attention for one…. two… three… four… five. Is that momentary?”
Joey Kwong, defending, contended it was. He said: “He is deeply distressed about the incident. He expresses remorse and repeatedly states he is sorry. He maintains the collision was an accident.
“He didn’t see the victim at the time. It stops short of accepting responsibility but he does demonstrate emotional acknowledgement of the harm caused. He has stopped driving since the incident despite it being his livelihood.”
Mr Kwong said Burke no longer left his house, ‘suffers in silence’ and was on sleeping medication as well as antidepressants. Judge Cooke, passing sentence, said there was ‘absolutely no excuse’ for his failure to see Mr Singh in the road.
Advertisement
He concluded the victim ‘created a hazard’ which meant other drivers, including Burke, had a duty to ‘take proper care’.
He said the case was nearly so serious that he would have to send Burke to jail to ‘mark the fact of a fatality’, but he ruled he could suspend imprisonment by ‘the narrowest of margins’.
The 2026 Academy Awards revealed a striking contradiction. Many of the winning films grapple with urgent contemporary issues, or difficult questions of historical memory. Yet their makers avoided following up on that political character in their acceptance speeches.
This paradox is revealing of the current political mood in Hollywood: filmmakers are willing to engage with politics in their work, but reluctant to raise their own voices.
It makes for a puzzling irony that contrasts with the attitude of, for instance, the music industry in the Grammy Awards. In a year of tariffs, Epstein files, US Immigration and Customs Enforcement (Ice) shootings and military interventions in Venezuela and Iran, the show’s host, comedian Conan O’Brien, kept the political references contained to harmless jokes.
Even some of the more political speeches, such as Michael B. Jordan’s mention of the Black actors that preceded him when accepting the best actor Oscar, kept to industry boundaries.
Michael B. Jordan’s acceptance speech mentioned the Black actors he felt pathed the way for him.
Only comedian Jimmy Kimmel, whose show Jimmy Kimmel Live! has become strongly critical of President Donald Trump, obliquely mentioned his looming presence when presenting the best feature documentary award.
Politics of the nominated films
This attitude is glaringly detached from what this year’s nominees communicate in their films.
Advertisement
Bugonia, directed by Yorgos Lanthimos, poked at conspiracy theories through its kidnapping plot. The constant ping-pong hustle of Marty Supreme returned to the foundational moment of US capitalism in the 1950s and pointed out that it was already rotten way before Reaganomics and Trump. The Secret Agent, meanwhile, set its thriller story against the historical memory of the dictatorship in Brazil.
The two main winners of the night were also the most political films. Joyfully disguised behind the vampire film conventions and musical performances of Sinners lies a condemnation of ongoing racism in the US. But the film also proposes blues music as an alternative way to experience the world and create loving and protective connections between its inhabitants.
In this sense, Delroy Lindo’s performance as ageing blues singer Delta Slim centres the political core of the film. His retelling of a friend’s murder by lynching is first a lament, then rhythm and finally blues.
Paul Thomas Anderson wins best director for One Battle After Another.
One Battle After Another recaptures the political spirit of 1970s US films such as The Three Days of the Condor (1975), Network (1976) and All the President’s Men (1976). These films reacted against the consequences of the Vietnam War and President Richard Nixon’s resignation in the 1970s. One Battle After Another brings to the present their activist attitude to oppose our contemporary political challenges.
The film’s chilling depiction of state violence against its own citizens connected with the events in Minneapolis and showed how relevant cinema can be when aimed at those in power. But the film had to speak for itself: its director, writer and producer, Paul Thomas Anderson, carefully avoided any direct mention of Trump, Ice or Minneapolis in his three acceptance speeches (for best adapted screenplay, director and film). And Sean Penn, whose political activism as a friend of Hugo Chávez or in favour of Ukraine has often made Hollywood uncomfortable, chose not to attend the ceremony.
Advertisement
Why nominees stayed silent
The reasons for the lack of politics at the awards may be found in the current industrial climate in the US. In September 2025, the Federal Communications Commission took Jimmy Kimmel Live! off the air for a few days, and continues to threaten to do it again. The industry chatter also believes Trump to be responsible for CBS’ decision to not renew The Late Show with Stephen Colbert, another critical outlet.
The possible acquisition, meanwhile, of Warner Bros. by Paramount, presided over by Trump’s ally David Ellison, follows Amazon’s purchase of MGM and Disney buying Twentieth Century Fox. The industrial landscape is concentrating in a handful of technological tycoons. They may may not take kindly to political activism when funding future projects.
One Battle After Another takes the award for best film at the 2026 Oscars. Chris Torres/EPA
The only political voice that was pointedly raised in the Oscars this year belonged to Spanish actor Javier Bardem.
Bardem appeared on stage to present the best international picture award sporting a lapel that said: “No a la Guerra” – no to war. He had worn the same lapel over 20 years ago when the Spanish Film Academy Awards in 2003 became a loud and clear indictment to Spain’s involvement in the Iraq war.
Advertisement
Bardem left a clear message as he introduced the award: “No to war and Free Palestine.” While films such as this year’s extraordinary intake can and do speak for themselves, the gravity of the moment requires that those who make them join with their own voices.
Bardem’s dissonant appeal reveals where Hollywood’s politics currently lie. They are caught between making committed films and a fear of what the country’s politics will bring.
The White House’s political director recently encouraged party lawmakers during a retreat at the Republican president’s golf club in Florida to focus on immigration enforcement against criminals, a pivot from the mass deportation agenda he ran on. House Speaker Mike Johnson said the aggressive operations have created a “hiccup” for the party, which is now embarking on a “course correction.”
Yet all indications are that Trump’s mass deportation operation is not stalling out but intensifying, with billions of dollars being spent to hire Immigration and Customs Enforcement officers, build warehouse detention sites and meet the administration’s goal of rounding up and removing some 1 million immigrants from the U.S. this year.
“We are at an interesting moment where it has been an inflection point — the public has finally seen what mass detention and mass deportation mean,” said Sarah Mehta, who tracks the issue at the American Civil Liberties Union.
Advertisement
“This is not an agency that’s slowing down,” she said. “They’re really going forward with some of the cruelest policies.”
White House spokeswoman Abigail Jackson said the president’s policies have sent immigrants out of the U.S., either through forced deportations or on their own, and sealed up the U.S.-Mexico border.
“Nobody is changing the administration’s immigration enforcement agenda,” she said.
Senators ready to grill Trump’s DHS nominee over deportations
At the same time, those who believe Trump won the White House with his mass deportation agenda are disappointed the administration did not achieve its goals last year and insist he must do better.
“There has been a lot of talk in Congress and now in the White House about kind of backing away from President Trump’s, candidate Trump’s, mass deportation promise,” said Rosemary Jenks, co-founder of the Immigration Accountability Project, which argues for deportations.
“We believe that now is an opportunity,” she said. “We’ve got to get the deportation numbers up.”
Advertisement
A nation of immigrants no longer?
The debate is playing out as the United States, celebrating its 250th year, squares its founding as a nation of immigrants with images of masked federal agents breaking car windows and detaining people suspected of being in the U.S. without proper legal standing.
The Congress, controlled by Republicans, provided some $170 billion in last year’s tax cuts bill to fuel the effort, more than tripling the budget of ICE.
GOP Sen. Eric Schmitt of Missouri, in a fiery speech, fought back against the Democrats’ proposed restraints. “This question about deporting illegal immigrants was on the ballot. President Trump was not bashful,” he said. “And the American people supported the idea that we are going to deport people.”
Yet there are signs of cracks in the Trump coalition. Some Republicans prefer what one called a more humane approach and are sharing their views with Mullin.
Advertisement
Sen. Ron Johnson, R-Wis., considered a stalwart against illegal immigration, said in his state it’s immigrants who milk most of the dairy cows, and he’s heard from restaurant groups that rely on immigrants to fill jobs.
“Can we just turn back the clock and have these all these people who came in here illegally, just be back home?” he asked.
“In terms of actually implementing that, it’s a lot tougher — particularly, in fact, when you realize a lot of these people, most of them, came here to seek opportunity, wanting freedom,” he said. “They’re working, supporting their family, contributing to organizations and community.”
Mass deportation group wants more
The Mass Deportation Coalition, a group of conservative organizations including the Heritage Foundation and Erik Prince, founder of the security firm Blackwater, was formed recently to keep the administration on track.
Advertisement
It calls last year’s focus on removing violent criminal immigrants “phase one” and says “phase two” should focus this year on deporting immigrants beyond those with violent criminal histories.
Mark Morgan, who served as acting head of ICE and Customs and Border Protection during Trump’s first term and is part of the coalition, said that doesn’t mean roving patrols through Home Depot parking lots. It’s about strategic enforcement focused on immigrants at worksites, those who have overstayed visas and who a judge has already ordered removed, he said.
But they’re facing opposition from within the Republican Party, Morgan said, particularly from those who want to narrow deportation to mainly criminals and from business groups that want to ease up on worksite enforcement.
“The Republicans that are saying that their definition of targeted enforcement is only criminal, they’re wrong. They’re on the wrong side of this,” he said.
Advertisement
“That’s why you see some of the base that’s really becoming apoplectic because they’re like, ‘Wait a minute. You’re talking about only removing criminals now?’ That’s not what you promised,’” Morgan said.
What’s coming next
The deportation advocates as well as those working to protect the rights of immigrants see that the Trump administration’s best chance at reaching its goals is creating an environment so unwelcoming for immigrants that they just leave — what’s often called self-deportation.
Mehta, at the ACLU, expects the administration will step up efforts to end temporary permissions that allow immigrants to remain in the U.S. — particularly refugees and asylum-seekers — while their cases are making their way through the system. She called it a “deliberate attempt to make people undocumented — to take away lawful status — and then to be able to enforce against them.”
Sen. Alex Padilla, D-Calif., said he fears more nonviolent immigrants will be rounded up to fill the new warehouses being equipped as the Trump administration tries to reach its deportation goals.
Advertisement
That’s unacceptable, he said, and among “the key questions that Senator Mullin will have to answer at his confirmation hearing.”
The company, which manages approximately 340 sites nationwide, has struggled with declining occupancy and mounting losses since the Covid-19 pandemic.
PwC has been appointed as administrator for the business.
Despite the move, all NCP car parks will continue to operate as normal, and staff will remain employed while administrators assess the company’s options.
Advertisement
The firm’s financial difficulties stem from a significant post-pandemic drop in demand for parking, which has failed to rebound to pre-Covid levels.
This downturn has been particularly acute in city centre and commuter locations, attributed to shifts in commuting and consumer driving patterns, which have affected car park occupancy.
NCP also cited challenges posed by the high costs associated with long-term inflexible leases on sites that have become unprofitable.
Advertisement
NCP, which is one of the UK’s biggest operators with around 340 car parks nationwide, appointed administrators at PwC (PA)
Some or all of NCP may be put up for sale as one of the options to secure its future.
Administrators said NCP will be assessing the viability of each location, and some sites may need to be closed as a result.
Zelf Hussain, joint administrator and partner for PwC, said: “NCP has faced a challenging trading environment over several years, with changing consumer behaviours impacting volumes, and a high fixed cost base leading to trading losses.
“Our priority on appointment is to ensure continuity of service while we undertake a detailed review of the business.
Advertisement
“All sites are open, staff remain in post, and trading continues as normal.
“We will be engaging with landlords, employees and other stakeholders as we explore all options, including the potential sale of all or part of the business, to secure the best possible outcome for creditors.”
NCP also cited challenges posed by the high costs associated with long-term inflexible leases on sites that have become unprofitable (Getty/iStock)
NCP was founded in London in 1931 and is owned by the Japanese firm Park24.
Advertisement
It operates about 340 car parks across the UK, including in major towns and city centres, airports, hospitals and train stations.
Prices differ at each site, but some central London locations can cost up to £60 for 24 hours of parking.
Latest accounts filed at Companies House show that it made a pre-tax loss of £28.2m in the year to 30 September 2023 and was £22.5m in the red the previous year.
Wales and Lions legend Graham Price gives his thoughts on the result and performance against Italy
17:48, 16 Mar 2026
Advertisement
This was a game that Wales needed to win in order to maintain our level of progress. The response to all the recent adversities mattered most.
Over the past few seasons, Welsh rugby has been through much turbulence because of coaching changes, young players being blooded earlier than expected, and a squad learning how to carry the weight of the red jersey again.
Against Italy, what we saw was a side beginning to understand exactly what that responsibility means.
Italy arrived with genuine confidence. Anyone who has watched them progress over the past couple of championships knows they are no longer the easy fixture they once were. Their attacking structure is sharp, their backs play with ambition and their forwards no longer take a backward step.
Advertisement
For significant periods of this match, they asked serious questions of Wales.
But the difference, and it was a crucial one, lay in how Wales answered those questions. We have had a reputation for being slow starters, even during the times of our greatest success, but the Welsh pack set the tone early. There was a clear intent at the breakdown, where the contest was aggressive throughout. Wales targeted the Italian ball carriers, slowing possession and forcing the visitors to play from less comfortable positions.
It was not always pretty, but international rugby quite often isn’t when the stakes are high.
Advertisement
The scrum in particular offered encouragement. In recent years it has frequently been an area of concern, but on Saturday it provided the platform Wales needed. Stability up front allowed the half-backs to manage territory and apply pressure in the right areas of the field.
And pressure, as every forward knows, eventually produces mistakes.
What pleased Welsh supporters most was the composure when opportunities appeared. Too often in the past Wales have built pressure only to squander it through impatience or indiscipline.
The attack was not over ambitious, but it was effective. Direct carrying through the midfield created space wider out, and when the moment came Wales were ready to strike.
Advertisement
Yet there was also a sense throughout that Wales had another gear if they needed it.
Again, defensively, the organisation was impressive.
One of the most encouraging aspects from a Welsh viewpoint was the contribution of the younger players. Welsh rugby has spent the last couple of years talking about transition, about building the next generation of internationals. Ellis Mee, Ben Carter, Eddie James, Dan Edwards and Alex Mann man have now arrived. Matches like this show why that process matters.
Advertisement
You could see the hunger in the way they chased kicks, fought for turnovers and carried into contact. International rugby is a brutal examination, and these players have had to learn what it demands quickly.
Of course, there are still areas Wales will want to sharpen up. We had difficulties in the lineout and there were phases where our attack became a little predictable. Against stronger opposition those details can become costly.
The key difference was composure. When chances appeared in the opposition 22, Wales were clinical enough to convert pressure into points.
That ability and the calmness to finish opportunities under pressure often separates winning teams from nearly teams.
Advertisement
But progress in Test rugby is rarely perfect.
What matters is the direction of travel. On this evidence Wales are moving in the right way. That is what we have achieved in this year’s tournament.
Get the latest Wales Rugby merch at Kitbag
This article contains affiliate links, we will receive a commission on any sales we generate from it. Learn more
The Six Nations is running from February 5 to March 14 and Wales Rugby fans can get the latest jerseys, hoodies and more at Kitbag.
Momentum in rugby is a funny thing, sometimes it begins with a single tackle or carry and suddenly the whole perspective of the match can change.
I believe that moment came when Aaron Wainwright scored his first try, or rather the manner in which he scored it so soon after the kick off. No one was going to stop him.
But, perhaps the most telling moment came late in the game when Italy mounted one final surge. The Welsh defence was stretched and momentum briefly swung towards the visitors.
Advertisement
In years gone by that might have been the point where doubts crept in and we started to lose our composure and discipline.
Instead, Wales held firm. The tackles were made, the ball was turned over, and the pressure released with a clearing kick that brought a roar from the stands that brought the house down.
It was the reaction that resulted from the appreciation of a team rediscovering its resilience.
Advertisement
Anyone who has experienced a full Principality Stadium during the Six Nations knows it becomes more than just a venue. It’s more like a force of nature.
When Wales began to string phases together and push Italy back, the noise lifted the team to another level.
This performance did not solve every challenge facing Welsh rugby. What this match demonstrated, however, is that the core values of the game in Wales – commitment, pride in wearing the national jersey, and a determination not to yield under pressure – remain intact.
Those are values that have long been associated with Welsh rugby, and it has often been highlighted how crucial they are to the national identity of the game.
Advertisement
Rugby in Wales has always been about more than results. It is about identity, the belief that when players pull on the red jersey they represent communities, history and expectation in equal measure.
In the long run, that foundation is what victories are built upon.
Welsh rugby has faced a period of uncertainty in recent years, and every performance has been judged against that backdrop.
Of course, there’s still work to be done. The attack, the set pieces and discipline will always be talking points. Against stronger sides later in the year, Wales will need to show even more progress.
Advertisement
But rugby seasons are rarely about perfection. They’re about building momentum, learning lessons and finding belief.
This victory over Italy felt like a step in that direction.
For Wales, the important thing wasn’t simply that they won it was how they grew into the contest, handled adversity and showed the kind of grit that supporters expect.
If that spirit continues through the rest of the year, Welsh fans might allow themselves a little optimism.
Advertisement
And in Welsh rugby, optimism can be a powerful thing indeed.
With Chelsea enjoying so much success after signing star players through secret payments, did they get off lightly?
If the club had not been so co-operative they faced a much tougher financial penalty and potentially a points deduction.
The starting point was the aggravating factors – length of time of the wrongdoing, the size of payments, that they were made with the knowledge of senior figures and the seriousness of the breaches.
The Premier League Board concluded Chelsea should be fined of £20m with a transfer ban for two complete and consecutive windows.
Advertisement
But there were mitigating factors to take into account.
BlueCo, which bought Chelsea out of Abramovich’s ownership, self-reported the breaches once it had looked through the club’s books.
Added to that, BlueCo made voluntary disclosures and showed “exceptional co-operation”.
This saw the fine halved to £10m and the two-window transfer ban suspended.
Advertisement
The suspension will be activated if they commit a similar breach in the next two years.
The Board also reserved the right to be able to trigger the suspension at any time in the future if the club makes intentionally untrue declarations.
Chelsea were, however, ordered to pay an unpaid transfer levy of £771,288 in connection to Willian and Eto’o. They were banned from signing academy players for nine months, too.
Importantly, there was no breach of profit and sustainability rules.
Advertisement
When the payments were added to Chelsea‘s accounts they were not in excess of the £105m, three-season spending limit.
If they had been then the prospect of a points deduction would have been real.
Donald Trump has claimed it was “terrible” of Keir Starmer not to get involved with the US attacks on Iran in his strongest criticism of the prime minister yet.
The US president said he was “very surprised” when Britain refused America’s requests to “send ships over” to the Middle East.
“You’re our oldest ally,” the president said at a press conference while speaking about the UK. “We spent a lot of money on Nato, and all of these things to protect you, we were protecting them, we are working with them to protect Ukraine – that’s thousands of miles away, separated by a vast ocean.
“We don’t have to do that, but we did it – well, Biden did it,” he said.
Advertisement
But he insisted the US did not need to help with that war.
“I think it’s terrible,” Trump continued. “No, I was very surprised. I told him. We requested two aircraft carriers which they had. And he didn’t want to do it.
“Then right after the war essentially ended, meaning they were obliterated, he said, ‘I would like to send the aircraft carriers’.
“I said, ‘I don’t need them after the war was ended and won. I need them before the war’.
Advertisement
“I was very upset with – not upset, I was not happy – with the UK. I think they will be involved, yeah, maybe.
“But they should be involved enthusiastically! We’ve been protecting these countries for years.”
He added: “Putin fears us. He doesn’t fear Nato. There’s no fear of Europe whatsoever.”
Downing Street has been approached for comment.
Advertisement
Trump has been fuming over Starmer’s reluctance to join the US in its offensive against Iran for weeks.
The UK rejected US requests to use British military bases to launch preemptive strikes against Iran shortly before America and Israel struck Tehran.
A day later, Starmer gave Trump permission to use the sites for “limited and defensive” attacks.
The president has repeatedly insisted the PM is trying to join a war after it has already been “won” – even though hostilities continue.
Advertisement
On Saturday, Trump also requested international partners sent warships to the Strait of Hormuz to stop Iranian efforts to close the major waterway.
Starmer has resisted such calls, telling reporters today that the UK “will not be drawn into the wider war”.
🚨 BREAKING: Donald Trump says it was “terrible” of Keir Starmer to not get involved in the Iran war
“We requested two aircraft carriers which they had and he didn’t really want to do it… I was not happy… they should be involved enthusiastically” pic.twitter.com/syVfSuAleV
Tickets for the upcoming Champions League final in Budapest will remain at last year’s prices, Uefa announced on Monday, as part of a more fan-centric approach that stands in stark contrast to the ticketing controversies surrounding the World Cup.
The European football governing body has outlined strict conditions for its resale platform, mandating that tickets must be sold at face value with no fees levied on the seller.
This policy directly challenges Fifa’s resale platform for World Cup tickets in the United States, which has been criticised for allowing unlimited resale prices and imposing a 15 per cent fee on both buyers and sellers, leading some to label it “official scalping.”
For supporters of the two competing clubs, thousands of the lowest-priced tickets, set at €70 (£60), will be available for the third consecutive year.
Advertisement
Tickets for disabled spectators are also priced at €70, with a complimentary ticket provided for a companion. Uefa confirmed that each finalist club will receive 17,200 tickets out of the 61,400 available for the 30 May match at Puskas Arena.
Fans have hit out at Fifa over ticket prices for the World Cup (Reuters)
An additional 4,600 tickets are being offered through a global lottery via Uefa’s website.
Successful applicants will be required to register their mobile phones, which must then be used to access the stadium on match day, as tickets will be non-transferable. Access to purchase resale tickets will be exclusively granted to fans who were unsuccessful in the initial lottery.
Advertisement
Higher category seats, which saw a price increase for last year’s final in Munich, will also maintain their current rates for Budapest, set at €180 (£156), €650 (£562), and €950 (£821).
Over 22,000 tickets are reserved by Uefa for broadcasters, sponsors, national football federations, and other guests.
Uefa’s ticketing policies for its club finals and major tournaments are developed in consultation with Football Supporters Europe, a recognised fans’ group, a practice not adopted by Fifa for World Cup pricing.
Fifa did respond to widespread criticism in December by making a limited number of $60 seats available for each of the 104 matches across the US, Canada and Mexico, to be distributed by national federations to loyal fans.
But the Prime Minister, who has so far resisted the US president’s demands, said: “We’re working with all of our allies, including our European partners, to bring together a viable collective plan that can restore freedom of navigation in the region as quickly as possible and ease the economic impacts.”
Guinness: still a thing. The once-forgotten pint, the pint of old men with watery eyes and gambling stubs, continues to be the UK’s number one beer.
Why the ongoing popularity? Marketing, for one; it works. Diageo, who own Guinness, have poured millions into advertising the brand — not just at the rugby but getting it in the right pubs, putting it in the right hands of the right influencers, upping the merchadise and so on. The Guinness Open Gate Brewery in Covent Garden can be seen, in certain lights, as a huge, £73m advert posing as a microbrewery.
The second reason is that the drink itself. It is straightforward, a drink without sharp edges. It offers nothing that will offend, but has its own distinct flavour — and there lies the key to mass market success. It’s the Dairy Milk of beers, and that’s not a bad place to be.
The drink has entered our consciousness in other ways. Last year’s Netflix drama House of Guinness, which is set for an upcoming second season, is testament to that. The show, from Peaky Blinders creator Steven Knight, charts the lives of Ireland’s most famous family during the 1800s, about 100 years after the brewery was founded (in 1759).
Advertisement
It’s been a welcome evolution in the Guinness story arc. All will remember the earlier stages of the hype, when TikTok was infected with influencers “splitting the G” (sod off) and pervily praising “the dome”. Those who thought the hype was due to settle down were wrong.
One of the many myths of Guinness is that not every pint is poured equal. It’s probably nearer the truth to say that there are pints of Guinness — mostly all the same — and bad pints of Guinness, which stand out. These are down to dirty lines, or beer that’s sat too long in its keg, or to someone just not paying attention. But a pint poured in one, into the wrong glass? After it’s settled, it’ll likely taste the same, though it may be less enjoyable, or that the texture of the head won’t be up to much.
But it’s true too that a perfect pint, a pint that’s just right, requires a little care and an experienced hand. You’ve probably heard this, either from your boyfriend or his mate, but there’s a little pub science in it, something to do with the nitrogen, pressure, temperature, the cleanliness (or not) of the lines. The storage of the barrels counts. And then there’s all the theatre of pouring, the 45 degree angle, the famous pause, the chance to let it settle. Does it all matter? No factor on its own, but definitely altogether — no-one argues about where to find the best pint of Heineken, after all.
While a reported 40 per cent of the world’s Guinness is brewed on the African continent, almost every drop the UK drinks comes from St James’s Gate in Dublin (the exceptions are a handful of beers in the Covent Garden brewery), which can turn out some three million pints a day (not always enough). And while the stuff across the sea will always have a better reputation than what we’ve got here — and there is a difference, all to do with the pumps and the pressure and the gas — London certainly holds up its end, especially if you know what to look for.
Advertisement
It would be remiss not to mention Murphy’s and Beamish, two other Irish stouts of repute. Murphy’s is all over London and Beamish is starting to make its way over, too.
shot from google maps, stoke newington pub The Auld Shillelagh
Stoke Newington might be a bit of a trek from anywhere that’s not Stoke Newington, but the Auld Shillelagh is a convincing enough reason to visit. Young for a pub – born 1991 – the place is an old soul. Curled into a tight corner and tiny from the outside, inside it opens up, though the space is kept cosy with old photos and newspaper clippings, as well as the odd sports trophy. Owned by Roscommon brothers Aonghus and Tomas Leydon, and run day-to-day by Tomas and wife Iwona, the Guinness really is quite perfect, rich as anything. Its reputation runs not just through London, but across the Irish sea, where the press there cite it as London’s best pint of the black stuff (although pole position is sometimes granted to the Coach & Horses, below). Accordingly, everyone from Shane McGowan to Brendan Gleeson has swung by, though there are countless stories of Irishmen in town heading up to test the stuff against their exacting standards. There’s always another round here.
Good for: Guinness, Murphy’s
Though one or two American accents can be heard barking in the one room bar, this devoutly old-fashioned boozer has managed, despite sitting at the east mouth to Covent Garden, to avoid a life as a tourist hell-hole. Guinness lovers will be drawn in from the bragging signs outside, that boast of being the best Guinness in London, as per the Irish Post. Inside, the walls are a ragtag of old newspaper clippings and pictures, and old-fashioned mirrors, while staff are friendly, chatting to their regulars, and service is quick. it serves as a reminder of why Freehouses can be so good. Pints here really are something special — they’re beautiful, actually, and entirely unrushed; the team is dedicated to giving it time to rest before topping it up for the proper head. The Murphy’s is given the exact same treatment, and may, in fact, be even better. A must.
Blythe Hill Tavern
Between Catford and Forest Hill is the Blythe Hill Tavern, a glorious Victorian local but also a pub worth travelling to. Inside, it is a traditional corner spot with a roaring fire, circular tables, low stalls and dark blue banquettes, as well as a solid pint of Guinness. Overseeing the place is Con Riordan, who moved to London from Limerick in 1974 to run the place. And so no wonder the Guinness is good. Enjoy a pint or two next to live music and top sourdough pizzas from Van Dough, a visiting food van that parks just outside.
Advertisement
Good for: Guinness, Murphy’s
Helen Abraham Photography
“Purveyors of craic” is an amusing tagline for a place — not least because said out loud by uncultured British drinker it leaves some room for misunderstanding. Still, that’s about the only criticism of this Nunhead freehouse there is. Skehan’s earned a prestigiously high spot in our most recent list of top 50 pubs for good reason: it roars with music six nights out of seven, and there are quiz nights, karaoke, and writers’ meet-ups. It’s no surprise its following is so loyal: this is somewhere working for its crowd, who love them for it. And of course you can’t be a truly good pub without good Guinness, and often there’s Murphy’s too.
Clare Menary
Here it is. The pub that is always busy. It only opened late in 2023 and yet it is already famous across the UK and Ireland, not least because co-owner Oisín Rogers and his exceptional team put so much effort into ensuring the Guinness is golden. There are many reasons as to why it’s such a clean and crisp pint. One of the foremost is down to the amount The Devonshire gets through, which is a lot. But much credence must also go to Ross Culligan and Sam Donohoe, bar manager and assistant bar manager respectively and who moved from Dublin stalwart Kehoes for the gig — there are no better pourers in London today.
Flickr/Ewan Munro
This Irish pub in Wandsworth — absolutely not the posh side — is an ideal location to enjoy a Guinness or two. It has been for some time a classic south London bolthole, one filled with live music, sports, and warm hospitality. There’s a lovely little garden out the back as well, so if the weather is fine, there are few better locales. Guinness can vary a bit here but is usually on point. Anyway, it is as much about the setting as the drink.
Advertisement
Simon Brown
The Audley opened at the tail end of 2022 and has already become a Mayfair attraction in part down to its decent Guinness. The quality can, from time-to-time, dip when the place is particularly busy, but mostly the pub has settled in and found its pace. It is a beautiful room and hums nicely throughout the day; the best time to come is early afternoon, for a pint and a whisky, or maybe a Calvados. Or, if you’re sticking to beers but don’t fancy a stout, one of the Sambrooks beers. Something about it — probably that ceiling mural — lends the Audley a sense of occasion.
Sheephaven
An unassuming spot in Camden, this locals’ favourite is one of those pubs with a regular Guinness tap alongside one of those extra-cold ones built for unknowing Brits. The bar staff here tend to ask if there’s a preference. Only a fool wouldn’t go for the regular. The classic pints here are reliably creamy and always have that all-important dome. Sat in one of the booths, it’s the sort of place one could spend hours and hours in. Do. And when quiet, the team will bring the Guinness to the table, which is an old school move but always a lovely one. A cracking pub.
Homeboy
A gleaming den of utter joy. A neighbourhood bar executed with disarming charm, Homeboy comes from top Irish bartender Aaron Wall, who has stuck to a premise that should be fool proof — good drinks, fair prices — but which seems to befuddle so many others. Wall is dry, game for a laugh and an expert at all drinks, but knows his pints too. Wall and his (presumably long-suffering) Guinness rep spent a long old time fiddling with the taps for the right pressure, playing with the pipes to stop the beer coming out shiveringly cold, and is exacting about when the lines get cleaned. One for cocktails and Irish whiskey after the pints are done.
The Cow via Instagram
There are around 10 pubs now serving Beamish in London. One of the best is the Cow in Notting Hill, long heralded for its good Guinness but more recently celebrated for the Cork stout too. Take either or both and enjoy your pint(s) — usually plural here, let’s be honest — with oysters, possibly a pie, more than likely a conversation with a celebrity, minor royal and a resident snake. This is a joyous pub, raucous and ever-busy, and so the lines stay true and regular, which is very important indeed.
Advertisement
Gibney’s / Daffodil Mulligan
Good for: Guinness, Beamish, Gibney’s Stout
Down beneath the fun food of Richard Corrigan’s Daffodil Mulligan is the bar space, Gibney’s. Named for famed Irish landlord Tony Gibney and for a long time run by his son, Cormac — he who figures he poured his pulled his first pint around 11 — the bar is warm and happy; walking in is like coming over an old photo of a good time. Cormac has headed to New York but the bar is in very safe hands with a first-rate team, smart enough that they introduced Beamish to London (no surprise, it is often sold out within a couple of days). Brass taps shine at the counter where the Guinness toucan perches. They pour slowly here, carefully, taking care of the pint; it comes out silky. They’ve a dangerous amount of Irish whiskey to drink with it.
The grand exterior of this fine old Irish pub in Rupert Street is unmissable, but it’s inside where the place really comes alive. Go through the Covent Garden boozer’s doors and you’ll find a wonderfully ornate interior, a fantastic atmosphere and an agreeable pint. The pub quite rightly prides itself on the quality of its beers and when the pub comes alive on match days there are few better to enjoy a few pints in W1.
Stock image
Erik Jacobson/Unsplash
Alongside the Fullback, this boozer down on Seven Sisters Road helps to make Finsbury Park something of a Guinness goldmine, says @shitlondonguinness’s Ian Ryan, the all-knowing fanatic based nearby. In fact, the Twelve Pins muscled any of the local competition out of Ryan’s top five, and while it might not be the cosiest of places — and its proximity to the Emirates Stadium means it gets packed out whenever Arsenal are playing at home — there is something self-effacing about the place, which ticks over as a local boozer that’s quietly nailed the art of a Guinness. Just be aware that there have been sightings of the stuff in John Smith’s glasses, which was almost enough to get it booted off this list.
Advertisement
The Black Horse
The Black Horse is a relatively bonkers British boozer. The first iteration of a pub on the site dates back to the 1680s, when it was a traditional coaching inn, and it was for centuries owned and operated by long-standing East London families. Today, it is a lively spot, with rock music, darts, rugby, and regulars who are often up for a shot or two. As for the Guinness, it does the job. Take the time to visit.
The Black Horse, 40 Leman Street, E1 8EU, 020 7488 1406
The management at the Lord Nelson choose to serve Murphy’s over Guinness, even if stocks of the latter are abundant. Sadly, we can’t print why, but never mind all that. Know above all else that this Southwark boozer is a tremendous place for a pint, a mad place of floral arrangements, colour and song, old fashioned service and a lively beer garden. Is it, perhaps, a little chaotic? Sure, but why not. Murphy’s is poured expertly and comes thick and fast here, ideal for washing down a menu of fish finger sandwiches, wild boar burgers and falafel. It’s also named after Lord Nelson, so that’s another point in its favour. Absolute hero.
Good for: Guinness, Murphy’s
Advertisement
Ewan Munro/WikiMedia Commons
Long before the Guinness shortages, this place was serving Murphy’s. Why? Because it’s a family-owned place, and they like to do things properly. It’s a pub with beautiful etched windows and a bare floor worn down by the regulars who have come and gone daily since it opened. There’s sport, but the telly is usually muted: you come here to chat, to socialise. And to drink pints, which are always reliably good.
28 Camberwell Church Street, SE5 8QU, 020 7703 3188
Good for: Murphy’s, Guinness
Alamy Stock Photo
Is this Marylebone’s best pub? Almost certainly. Why people must call these proper boozers “old man’s pubs” is beyond us, but this is one of those: velvet-capped bar stools, wood panelling everywhere, quiz nights, live music. It is one of London’s perfect pubs, nothing to change. And here, beside the Guinness, is Murphy’s. They don’t make a song or dance of it, but it is a fine pint nevertheless.
Advertisement
Two pints of Murphy’s at Nancy Spain’s
Courtesy
Nancy Spains appears to be a direct product of London’s much-reported Guinness boom. Or at least the city’s clear penchant for stout. There’s no Guinness here at this Irish pub; instead, Murphy’s, given the founders hail from Cork. It’s a busy, gloomy Shoreditch boozer, one with high tables, loud music and plenty of young bankers earning their stripes. Early success has led to a second branch set to open in the City. Murphy’s or Guinness, London cannot get enough.
ELLIOTT MORGAN
Mannions has made headlines — including the front page of The London Standard — for the way it has drawn the Gen Z fashion set. And, undoubtedly, it is one of London’s most fashionable pubs, even if at the same time it’s nothing more than a proper Norf Landan boozer. Will the models and DJs and all the rest probably come and eventually go? Perhaps, probably. But Mannions will remain, with its pool table and old Irish posters, and its regulars who’ve been coming since the Seventies. And, of course, for its Guinness.
Grove House Tavern
The group who own this place also own The Railway in Streatham, the Clock House Tavern, the Earl of Derby and others. A full list can be found here. All are excellent and at most, Murphy’s is readily available. Though they differ from each other, what binds them is a sense of comfort and community. So why choose the Grove House in particular? Because the food, coming from Mondo Sando, is a cut above. Mondo Sando are also behind Cafe Mondo, which the Standard gave five stars to, and which also serves Murphy’s. And excellent, tiny martinis.
You must be logged in to post a comment Login