Entertainment
Ranking The 25 Best Space Movies Of All-Time
By Joshua Tyler
| Published
When most people think science fiction, they first think of outer space. But space movies are hard to make, and most SF filmmakers instead opt for something easier and more budget-friendly, like time travel or robots.
When a creator takes a risk and gets space sci-fi right, they become a legend. It’s why names like Kubrick, Lucas, Cameron, and Scott will live on long after the men who made them famous are gone.
I’ve spent my entire life watching, reading, and writing about space science fiction. That lifetime of love and obsession is paying off, for all of you, right now in one perfect, as unbiased as possible, ranking of space movies.
For the purposes of this list, I’m defining space movies as any movie that is not primarily set on Earth. So, for example, even though Avatar is largely set on one alien planet and very little of it takes place in outer space, it’s eligible for this list. Will Avatar make the cut? Stick around and find out.
Full power to engines, these are the best space movies of all time.
25. 2010: The Year We Make Contact (1984)
2001: A Space Odyssey is one of the most groundbreaking movies of all time. How do you follow that up? If you’re MGM, you wait 16 years and then release a sequel that’s the exact opposite.
That sequel is 2010: The Year We Make Contact, and while the script was written by Arthur C. Clark, the sci-fi master behind the books, Stanley Kubrick, the auteur who made 2001, wanted nothing to do with it. So 2010 leans hard into over-explaining its plot as a way to compensate for the vague approach of 2001. That hampers what is otherwise a fascinating story of exploration and mystery against the backdrop of worsening political tensions between the USA and USSR.
The cast is one of the best ever assembled, with Roy Schneider and John Lithgow hitchhiking with a crew of Russians led by Helen Mirren. The production design leans into the gritty 80s space aesthetic, and while it’s not as impressive as 2001’s look, it establishes its own distinct style while also revisiting Hal 9000 and the abandoned Discovery.
24. Pitch Black (2000)
Director David Twohy’s little indie movie about a transport ship crashed on an alien planet is probably best remembered now as the thing that launched the career of Vin Diesel. With all due respect to the Fast and Furious movies, Pitch Black is so much better than anything Diesel has done since.
Diesel’s character anchors it, but a one-of-a-kind premise involving hordes of killer aliens that emerge when it’s dark. And oh by the way, the planet is headed for a total eclipse. Pitch Black is a wild ride and a ton of fun, effective both as horror and sci-fi all at once. And that’s something few other movies can pull off.
23. Star Trek: First Contact (1996)
There’s no denying that Star Trek: First Contact is heavily inspired by the movie Alien, but if it’s a ripoff, it’s a really good one. Many have tried to copy what Ridley did with his space-horror movie, but none have done it better than First Contact.
Captain Picard and the Enterprise must chase his old foes The Borg back in time to prevent them from changing Earth’s history. Along the way, they meet the inventor of Warp drive, a drunken weirdo living in the woods of Montana, and engage in a life-or-death struggle as the Borg terrorize and murder everyone aboard their ship.
22. Event Horizon (1997)
Event Horizon recently topped our list of the most extremely graphic space movies, and it earned that spot. In addition to being super gory and crazy scary, it’s also just a really good space movie.
It begins when the crew of a search-and-rescue vessel finds a missing ship adrift in space. Her name is the Event Horizon, and her mission was to test humanity’s first faster-than-light drive.
The interior of the ship is the stuff of nightmares. What they find inside the Event Horizon will make them question everything. And in the end, it all goes straight to hell… literally.
21. The Martian (2015)
The Martian, based on an acclaimed novel by Andy Weir, strands astronaut Mark Watney on Mars after a storm forces his crew to bail out without him.
NASA thinks he’s dead, but he wakes up and immediately starts solving problems using math, swearing, and improvised plumbing. He grows potatoes in Martian dirt, hacks a way to talk to Earth, and turns survival into an engineering marathon.
Meanwhile, NASA scrambles to mount a rescue that won’t get anyone else killed. The movie becomes a tribute to stubbornness and human ingenuity: one man refusing to let Mars make him a casualty.
20. The Fifth Element (1997)
In The Fifth Element, Parisian writer/director Luc Besson took us into the future and beyond, following the story of a girl wrapped in white straps and destiny.
Like some brilliant Blade Runner meets Galaxy Quest mashup, the movie starts with Bruce Willis as a futuristic flying taxi driver embroiled in some mystery surrounding a priest and a half-naked girl. Before long, he’s launched into space alongside squeaky-voiced Chris Tucker, fighting alien bounty hunters and protecting the girl, Leeloo (Milla Jovovich), as she’s drawn inexorably to her destiny.
The special effects are glitzy and eye-popping, and the movie was a career-maker for Jovovich and Tucker. And Luc Besson, if he knows anything, it’s how to shoot action.
19. The Last Starfighter (1984)
In the 80s, it seemed like video games were only a step or two away from reality, giving birth to movies like Tron and, in this case, The Last Starfighter. A video game-addicted teen beats his local coin-op, only to discover the machine is actually a recruitment program for an alien defense force. Whisked up into the stars and teamed up with an alien pilot named Grig (Dan O’Herlihy), he’s the galaxy’s last hope to save us all from a malevolent invading force.
The film’s special effects are dated, but the plot is universal, hero stuff, and that’s the kind of thing space operas do better than almost anything else. It’s all the little details that make this one so special: Beta Alex, the earthly robot replacement for our hero, the strange background of Grig’s family, and most of all, Robert Preston as the enigmatic Centauri.
Ok, The Last Starfighter is not perfect. That whole Death Blossom thing is kind of a copout. But even that seems pretty cool in the moment.
18. Thor: Ragnarok (2017)
I know what you’re thinking: Isn’t this a superhero movie? Sure, technically, Thor: Ragnarok is one of Marvel’s superhero movies. All the Thor solo movies contain some element of taking place in a fantasy version of outer space, though, and this one is not only the best Thor movie, it’s the spaciest.
Where the other Thor movies are largely confined to one planet besides Earth, Thor: Ragnarok is a Galaxy-hopping tale. It sees both Thor and Hulk leaping through space on a wild and incredibly funny adventure.
17. Passengers (2016)
In Passengers, Chris Pratt plays a mechanic who wakes up 90 years too early on the spaceship Avalon. He’s alone.
After a year, he stumbles across the sleeping pod of Aurora Lane, played by Jennifer Lawrence. He contemplates suicide, and he resists the temptation to wake her for months, until one day he snaps, and he wakes her up. So now Aurora’s stuck on a gigantic, empty ship with no one to spend time with, except the guy who ruined her life, only she has no idea what he’s done.
The ship on which it happens is a triumph of set design, and the story is risky, complex, and thought-provoking in the best traditions of great sci-fi. Passengers deserves more credit.
16. Starship Troopers (1997)
In theory, Starship Troopers is based on the brilliant Robert A. Heinlein book of the same name, but in practice, you’ll enjoy Paul Verhoeven’s film a lot more if you ignore the fact that Heinlein’s novel exists. Veerhoven’s vision of this world is completely different from Heinlein’s, and even if it’s not quite as good, it’s still really, really good.
Starship Troopers follows a group of soldiers in a far-off future where humanity is at war with a vicious group of alien insectoids. Violent and completely messed up at every turn, Veerhoven was trying to make a complex social commentary. Along the way, he ended up with a viciously R-rated, completely crazed, and a little ridiculous, in a good way, space-faring war movie.
15. Guardians of the Galaxy (2014)
It’d be easy to dismiss the Guardians films as just another entry in the Marvel universe, but since they don’t take place on Earth, they’re more of a galaxy-spanning adventure. The movie follows Peter Quill, a human boy taken into space by aliens and raised there. He’s grown up to become a space-faring Indiana Jones-style character, and this first Guardians movie follows his adventures to save the galaxy and build a family with his crew.
The banter between the film’s characters carries the story, and the movie’s stunning visual effects turn its fantasy version of outer space into a feast for the eyes. Guardians of the Galaxy, even more than its also good sequel, is the most absolute fun you’ll have with any movie on this list.
14. Dune (2020)
There have been many attempts to turn Frank Herbert’s classic Dune novels into a movie. It wasn’t until 2021 that filmmaker Denis Villeneuve got it right.
His movies capture the essence of Frank Herbert’s novels and distill them into a stunning, creative, visual feast unlike anything else seen on screen. He does it with virtually no dialogue. A necessity when adapting a book in which much of the narrative is propelled by characters’ thoughts.
There’s a sequel, which is really part two of the same story, and so I’m lumping both of them together as one entry.
13. Stargate (1994)
Stargate is now best known as a multi-media science fiction franchise, but the movie that started it all was always great, original science fiction.
Humans uncover an ancient piece of alien tech buried in Egypt that, when activated, opens a gateway to another world. Kurt Russell leads a team of explorers through that Stargate and discovers an alien planet where humans are kept as slave laborers in service of an alien masquerading as an ancient Egyptian God.
Worst of all, now that they’re through the stargate, they have no way of getting back, unless they can crack the code to gate travel and defeat an alien god in a flying pyramid.
12. Aliens (1986)
Directed by James Cameron, Aliens takes the terrifying premise of Alien and amps it up into a full-on space marine action movie. The ensemble cast, led by Sigourney Weaver, Michael Biehn, and Bill Paxton, is brilliant, and the Xenomorphs are both more plentiful and much bigger.
It’s this movie that cemented Ripley as a total badass, and that proved the concept of Alien could be an entire universe, not just a one-off horror film.
11. Star Trek III: The Search For Spock (1984)
Unfairly maligned in its time for being the middle in one of the all-time great movie trilogies, The Search for Spock has aged like fine Romulan Ale. It gets better with every viewing.
The first half is a perfect heist movie, with Kirk and the crew plotting to steal their own ship. Starfleet’s finest officer goes against them to save his friend, and our space friends are all on board. Watch Shatner’s reaction to the death of Kirk’s son if you’re looking for proof of his acting talent.
The death of the Enterprise is incredible and wrenching; it fits perfectly into the movie’s theme of life, death, and rebirth. McCoy sums it up best as the crew stands there on the surface of a dying planet, watching the hulk of the Enterprise blaze a trail of fire across the sky.
There, McCoy tells Kirk it was, “What you had to do, what you always do. Turned death into a fighting chance to live.”
10. 2001: A Space Odyssey (1968)
In 2001: A Space Odyssey, Stanley Kubrick invented the modern space sci-fi genre. Based on Arthur C. Clarke’s work, it starts with apes learning murder from a black monolith and ends with an astronaut drifting into a psychedelic extradimensional waiting room designed by something that absolutely isn’t human.
The plot is minimal, relying on imagery, geometry, silence, and the uncomfortable suggestion that humanity only advances when something smarter shoves us forward.
Its special effects haven’t aged at all, but the movie’s pacing has, which means it may not be as enjoyable to watch for modern audiences as it once was. If this were a list of the most important space movies, I’d have it higher, but being the best must be about more than that, so 2001 sits comfortably right here.
9. WALL-E (2008)
WALL-E isn’t Pixar’s best movie, but with all due respect to Titan A.E., it’s the only animated movie outside of anime to get space opera right. It starts in a garbage heap, the humblest of beginnings, and ends up in a massive journey to bring mankind back home from the stars.
It’s incredible that a story this big centers entirely around a tiny robot who can’t even talk. WALL-E doesn’t need words to connect with the audience, and the story of a little robot who refuses to give up is a universal way to connect with anyone.
I’ve never found WALL-E’s vision of the future in which all people ride around in floaty chairs getting fat as terrifying as it’s supposed to be. It seems relaxing. Maybe WALL-E should have left humanity out there, hanging around in space. Making them get up may not have been the right move. The ship’s captain sure doesn’t seem to be having much fun.
8. Dark City (1998)
Putting Dark City on this list at all is an automatic spoiler, but if you haven’t seen it, click away and go watch now. Dark City has to be on here.
Dark City is the ultimate in sci-fi noir. It’s a mystery, sort of, and the story of a man without a memory looking for clues to explain what’s happened to him.
It takes place in a city where it’s always night, and strange beings with psychokinetic powers stalk the streets between slinky music sets performed by peak Jennifer Connelly. It’s not until the end that our main character, John Murdock, learns he’s actually in outer space, and once he discovers the truth sets to work on re-creating a world he only thinks he remembers.
7. Star Trek VI: The Undiscovered Country (1991)
As an allegory for the Cold War, The Undiscovered Country felt edgy and topical, being released shortly after the fall of the Berlin Wall in 1991. Today, it’s only a great story well told, with elements of relevance woven in as beloved characters grapple with their own personal prejudice in the face of a new world.
Star Trek VI follows Captain Kirk and the crew of the Enterprise on their last mission before retirement, tasked with leading hated rivals to a peace conference. There’s a murder, a mystery to solve it, and a race against the clock to engage an enemy starship with a secret weapon before it can destroy the last, best hope for peace.
6. Apollo 13 (1995)
If you believe in the moon landing, then Apollo 13 is meticulously based on the true story of what happened to the Apollo 13 astronauts as they tried to orbit the moon. If you think the landing was faked, then Apollo 13 is a great piece of fiction. Either way, it belongs high on this list of movies set off planet.
Directed by Ron Howard and starring Tom Hanks, Kevin Bacon, and Bill Paxton, the film recounts the harrowing story of NASA’s third planned lunar landing, as it turned into a desperate survival mission after an oxygen tank explosion crippled the spacecraft.
Every malfunction, every improvised solution, from repurposing CO₂ scrubbers to calculating burn times manually, builds in tension. Apollo 13 proves that you don’t need aliens or lasers, just math, duct tape, and calm under pressure to make space terrifyingly compelling
5. Serenity (2005)
It’s amazing that this movie managed to get made at all and that it’s also really good, which makes Serenity an achievement of an entirely different level. Based on the canceled television series Firefly, the movie works by creating an entire world to play around in and populating it with fantastically well-drawn and performed characters.
Writer/director Joss Whedon’s sharp, witty banter quickly develops a sort of group personality for them, and best of all, he does it in the midst of the action. There’s no mood-killing stop-down for a moment of character development. Han kissed Leia for the first time in the middle of trying not to get blown up, not while taking a break to ride a cow, and that’s the sort of perfect character development you’ll see in Serenity. We get to know these people intimately while on the run, as it should be in anything resembling a good adventure movie.
Serenity’s so good, consistently, through and through, that picking out any one great moment seems impossible. Is it Chiwetel Ejiofor as one of the best villains on screen since Khan, that’s worth remembering most? Are you in love with Mal Reynolds (who isn’t)? Wash’s heart-wrenching death scene? It’s all perfect. Re-watch Serenity right now. I aim to misbehave.
4. Interstellar (2014)
Writer/director Christopher Nolan’s Interstellar is not a perfect movie, but it’s so ambitious you can forgive its minor missteps. The movie takes place in a near future where Earth has been blighted, and man needs to escape the planet. Efforts to construct a ship that could take us somewhere else are underway, but first, we need a place to go. Interstellar follows the crew sent to find our new home.
What they find along the way is both more and less than they expected. Wrapped around the event horizon of a black hole, it’ll test the very limits of human endurance and nature.
Capped by epic performances, incredible cinematography, and one of the best scores of all time, Interstellar is a work of art. There’s nothing else quite like it, and I hope you saw it on the big screen. Because, like all grand space stories, that’s where it thrives most.
3. Alien (1979)
I’d always preferred James Cameron’s sequel Aliens to Ridley Scott’s original movie… until I finally saw Alien in an actual movie theater, during the movie’s re-release a few years ago. Wow. The inky depths of space don’t feel as big or as terrifying stuck at home on your couch.
Most of the film takes place aboard a starship, with a group of humans struggling to survive while being stalked by an alien creature of malevolence beyond their comprehension. More than the sheer scare factor of it, Scott creates an entire universe in his film, one which ended up being so much fun to run around in that we’re still making movies set it in now. None of those subsequent movies captures the deep, dark of space the way Scott’s did.
What’s more terrifying than being stuck in space with a creature bent on your destruction? A creature bent on your destruction through creative pro-creation:
2. Star Wars: Original Trilogy (1977 – 1983)
Look up the definition of what a space opera is, and you’ll see the original Star Wars trilogy. All three original movies, of course, belong on this list. Everyone has their own way of ranking them. Personally, I’d single out Return of the Jedi as my favorite, Ewoks and all. Most people seem to lean towards Empire. It doesn’t matter.
Star Wars has to be here because it’s Star Wars. Modern space operas wouldn’t exist without it. That doesn’t, however, mean it has to be number one.
1. Star Trek II: The Wrath of Khan (1982)
Not just the greatest space movie ever produced, but also the greatest submarine movie ever made, Wrath of Khan substitutes the dark of space for the watery deep in telling the tale of two ship commanders locked in a battle to the death.
In Khan Noonien Singh, actor Ricardo Montalbán creates one of the greatest villains ever to appear on the screen. His presence echoes throughout every movie that’s followed. Even now, you’ll hear filmmakers talk about wanting to make the villain of their new movie equal to Montalbán’s. But Khan has no equal.
With or without him, Wrath of Khan would deserve its place at the top of this list, with gripping performances from everyone in the cast and one of the most wrenching, unforgettable deaths in movie history. The words “I have been, and always shall be, your friend” still echo in my head, and that moment at the end of the film when Kirk starts to fall apart at Spock’s funeral as he pronounces him “human” is utterly heartbreaking.
For decades now, Star Trek has defined what it is to be a space franchise, leaving its mark on our culture in a way unmatched by almost anything else.
Hey, why’d you leave off my favorite space movie?
If you’ve stuck with this list til the end, congratulations, you win a tribble.
If I could change anything about this list, I’d put Galaxy Quest on it. But the copyright gods demonetize our videos whenever we show Galaxy Quest footage, so I left it off.
If I were adding one more entry, it’d probably be Total Recall. Or maybe Forbidden Planet.
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Entertainment
The Impressive $80M Sci-Fi Horror That Made 4x Its Budget Is Now Dominating HBO Max’s Top 10
Streaming success often reveals which films have lasting impact, and Alien: Romulus is proving its staying power on HBO Max. After generating more than four times its $80 million budget at the box office, the film has surged back into the spotlight, driven by sustained audience engagement rather than novelty. That continued momentum reflects a clear understanding of what has defined the Alien franchise for over four decades.
Directed by Fede Álvarez, Romulus does not attempt to overhaul the series or reshape its identity. It operates with a firm grasp of the mechanics that have always made these films effective. The tension is deliberate, the environments are controlled, and the narrative remains focused on survival within systems that treat human life as expendable. Romulus is a film that recognizes what works and commits to executing those elements with precision. Its continued success stems from that discipline, reinforcing the idea that Alien: Romulus continues to thrive because it understands and applies the franchise’s core mechanics on every level.
‘Romulus’ Understands How to Build and Sustain Tension
Tension in Romulus is built through containment and spatial awareness, both of which are handled with careful direction. Álvarez establishes each environment with clarity before allowing it to become restrictive, ensuring that the audience has an understanding of the space before it turns hostile. This approach creates a sense of control that gradually gives way to pressure as movement becomes limited and options begin to disappear. Escalation in Romulus follows a direct chain of cause and effect. Every decision produces consequences that shape the next sequence, which allows the narrative to build without interruption. Álvarez maintains that progression without relying on resets or pauses, keeping the film locked into a steady rise in intensity. That control ensures the tension remains consistent rather than suffering from the fluctuation between peaks and lulls.
The structure places Romulus in direct alignment with Alien and Aliens, both of which rely on clear geography and deliberate escalation to sustain pressure. Álvarez draws from that foundation while maintaining a focused approach to pacing and progression, with the result being a film that feels cohesive from beginning to end. Cailee Spaeny anchors that structure with a performance rooted in survival. Her reactions remain consistently grounded in the reality of the situation, which reinforces the film’s commitment to immediacy. The performance echoes the stability associated with Sigourney Weaver in early Alien entries, giving the film a human center that supports its tension. Because of that alignment between direction and performance, the film sustains pressure without losing clarity.
Why ‘Romulus’ Is Working So Well On Streaming
Romulus’ presence in HBO Max’s Top 10 indicates strong reengagement to audiences who are responding to its structure and pacing. Streaming environments reward films that maintain forward momentum, and Romulus is built to sustain that movement. Álvarez structures the narrative so that each sequence advances the story while increasing stakes, which keeps viewers engaged from start to finish. That momentum plays into exactly how audiences watch films on streaming platforms. Once Romulus begins to tighten its focus, it continues to move forward without distraction. This makes it easy to commit to the film and difficult to step away from before it reaches its conclusion. The pacing supports completion, which contributes to its visibility and continued performance.
Thematically, the film remains aligned with the core ideas of Alien, which continue to resonate and culminate into one of the most successful sci-fi franchises of all time. Corporate exploitation and disregard for human life are central to the narrative, shaping both the conflict and the stakes. Modern audiences continue to connect with these themes, arguably more so than ever, particularly within science fiction and survival horror. Álvarez integrates these ideas into the structure of the film, ensuring they are present in both the narrative and the tension it creates. That combination of momentum, thematic focus, and controlled direction positions Romulus as a strong fit for streaming.
‘Romulus’ Is A Disciplined Entry That Strengthens The Franchise
Romulus reinforces the Alien franchise by maintaining continuity with its established tone and visual language. Álvarez draws on the foundation set by Ridley Scott, particularly in the use of industrial design and controlled visual composition. These elements connect the film to the broader series while supporting its own narrative identity. The film includes recognizable elements that longtime fans will identify, but it does not depend on nostalgia alone to carry the experience. Álvarez maintains cohesion across tone, tension, theme, and structure, ensuring that each element supports the others. This level of consistency allows Romulus to function as a complete entry within the franchise while reinforcing its core identity.
That identity remains rooted in survival, confinement, and the consequences of unchecked systems. Romulus adheres to those principles with discipline, which strengthens its position within the series. It contributes to the franchise by reinforcing what defines it at a foundational level, rather than expanding beyond those boundaries. Its durability is evident in its continued relevance beyond its theatrical release. The film continues to hold up under sustained audience attention, which positions it as a stable and effective entry to the wider Alien universe.
The ongoing success of Alien: Romulus can be traced to discipline, control, and clarity. Every aspect of the film reflects a commitment to executing the core mechanics that define the franchise. That consistency carries through from its theatrical performance to its current presence on HBO Max, and its streaming success is not incidental to simply being on a new platform. Its success is a direct result of a film that maintains focus, builds tension with precision, and engages with themes that remain relevant to modern audiences. Alien: Romulus lands because it treats the foundation of its franchise as something to execute, not reinterpret. Romulus proves the franchise never needed reinvention, just creatives who understand it.
- Release Date
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August 16, 2024
- Runtime
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119 Minutes
- Director
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Fede Alvarez
- Writers
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Fede Alvarez, Rodo Sayagues, Dan O’Bannon, Ronald Shusett
Sister Wives’ Paedon Brown has shared a heartbreaking tribute to his late brother Garrison Brown.
Posting via his Instagram Stories on Friday, April 10, Paedon, 27, shared a throwback photo of himself with his sibling to mark what would have been Garrison’s 28th birthday.
“I miss you everyday,” he wrote over the post, which featured Josh Garrel’s song “Farther Along.”
Paedon chose to highlight some of the song’s poignant lyrics over the image.
The Sister Wives siblings are continuing to pay tribute to Garrison Brown following his death. Garrison’s sister Maddie Brown was the first to break her silence after his death. “Our hearts [are] broken and we are now swallowed with the love now left behind for this beautiful brother,” she wrote. Garrison’s parents, Janelle and Kody […]
“Farther along we’ll know all about it,” the lyrics read. “Farther along we’ll understand why. So cheer up my brothers. Live in the sunshine.”
In a second Instagram Story post which featured another photo of Garrison, Paedon wrote, “I’m going to kick your butt when I see you. Happy birthday brother.”
Garrison died by suicide in March 2024. He was 25.
Garrison’s father Kody Brown confirmed the tragic news at the time via a joint Instagram statement with his estranged wife Janelle Brown.
“Janelle and I are deeply saddened to announce the loss of our beautiful boy Robert Garrison Brown,” the statement read. “He was a bright spot in the lives of all who knew him. Our loss will leave such a big hole in our lives, that it takes our breath away. We ask that you please respect our privacy and join us in honoring his memory.”
Police arrived at Garrison’s home in Flagstaff, Arizona, on the morning of March 5, 2024, after receiving a report of a death, Us Weekly confirmed at the time. The officers discovered him dead at the scene. The police said that foul play was not suspected, and the incident was being investigated as an apparent suicide.
Law enforcement also told Us at the time that Garrison’s brother, Gabriel, found Garrison’s body.
Janelle opened up about the heartbreaking moment she found out about Garrison’s death in a May 2025 episode of Sister Wives.
Courtesy of Janelle Brown/Instagram Janelle Brown is remembering her late son Garrison Brown six months after his death. “Six months ago today you went away. You come up in my photo memories almost every day. Sometimes it doesn’t seem like you’re gone,” Janelle, 55, captioned a photo of herself and Garrison via Instagram on Thursday, […]
“Gabriel had found him,” Janelle recalled in the episode. “He’s like, ‘Mom, he’s gone.’ I mean, ‘What do you mean?’ He said, ‘He’s dead. He killed himself.’”
Janelle described how the shock of the news made it hard to recall the details of what happened next.
“I don’t remember the next few minutes but I got in the car and drove,” she shared.
Kody and Janelle, who split in 2022, share six children including Garrison. The pair are also the parents of Logan, 31, Maddie, 29, Hunter, 28, Gabriel, 23, and Savanah, 20.
Paedon, meanwhile, is the only biological son of Kody and Christine Brown.
If you or someone you know is struggling or in crisis, help is available. Call or text 988 or chat at 988lifeline.org.
Every month, thousands upon thousands of viewers are surely discovering Taylor Sheridan‘s back catalog after checking out one of his blockbuster Paramount+ shows. Sheridan has established himself as one of the leading television writer-producers of his generation, with titles such as Yellowstone, Mayor of Kingstown, Landman, and more recently The Madison. Each of those shows was created at Paramount. He’s now looking at a new creative partnership with NBCUniversal, having severed ties with his current home. Before he hit the stratosphere with Yellowstone, however, Sheridan was an acclaimed writer who conceived a modern trilogy of neo-Westerns.
The trilogy began with Sicario, directed by Denis Villeneuve. The movie remains a cult classic, having grossed approximately $85 million worldwide and received near-unanimous praise. Sheridan also wrote a sequel to Sicario, although he doesn’t count it as part of the spiritually connected trilogy. The second installment, instead, was Hell or High Water, directed by David Mackenzie and starring Jeff Bridges, Chris Pine, Gil Birmingham, and Ben Foster. The movie earned Sheridan an Oscar nomination in the Best Original Screenplay category. It remains his highest-rated work, with a 97% score on Rotten Tomatoes. The third installment of the trilogy is a movie that Sheridan considers to be his directorial debut.
The Movie Taylor Sheridan Considers His Directorial Debut Has Been Blocked for Some Netflix Users
He once made a low-budget horror movie that he has mostly disowned. Instead, he has stressed that his first film as director was Wind River, starring Marvel Cinematic Universe alums Elizabeth Olsen and Jeremy Renner. The movie followed two investigators looking into crimes against Indigenous peoples; it’s an idea that Sheridan revisited in 1923, one of his Yellowstone prequels. Released in 2017, Wind River holds a “Certified Fresh” 87% score on Rotten Tomatoes, with praise going to Sheridan’s direction and the film’s tone. It grossed approximately $45 million worldwide against a reported budget of $11 million. However, not everyone who wants to check it out will be able to do so this month, as Netflix has made it inaccessible to folks subscribed to its ad-supported tier. What’s On Netflix reports that 59 titles have been blocked this month, mainly because Netflix isn’t allowed to monetize those titles with ads. Sheridan followed Wind River up with the Angelina Jolie-led neo-Western Those Who Wish Me Dead, which debuted day-and-date on HBO Max and in theaters. Stay tuned to Collider for more updates.
- Release Date
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August 18, 2017
- Runtime
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107 minutes
- Producers
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Basil Iwanyk, Matthew George, Peter Berg, Elizabeth A. Bell, Wayne L. Rogers
Entertainment
‘John Wick’ Meets ‘The Last of Us’ in Anya Taylor-Joy’s 10/10 Sci-Fi Thriller Taking Over the World
Anya Taylor-Joy has become one of the brightest stars in the world over the last few years after her career got rolling 10 years ago with ritualistic, spooky hits like The Witch and Morgan. More recently, she headlined the ambitious sci-fi reboot, Furiosa: A Mad Max Saga, the prequel film that co-stars long-time Marvel veteran Chris Hemsworth. She earned widespread critical acclaim in 2020 for her award-worthy performance in the Netflix original miniseries, The Queen’s Gambit, which helped develop the modern streaming era as it’s known today. Taylor-Joy is also confirmed to step into a much larger role in the third and final Dune movie in Denis Villeneuve’s sci-fi trilogy later this year, on December 18. The film also stars Timothée Chalamet and Zendaya.
In a world where box office success is analyzed so heavily, it can be easy to overlook some of the best movies that are released straight to streaming. For Anya Taylor-Joy, one of her most successful hits of the last few years came with The Gorge, the Apple TV original dystopian sci-fi film that co-stars Miles Teller (Top Gun: Maverick). The Gorge is streaming exclusively on Apple TV around the world, and although it’s now been a year since it was released, it’s still one of the top five most popular movies for the streamer. Scott Derrickson (Doctor Strange) directed The Gorge with a script from Zach Dean. The film is the perfect mash-up of John Wick and The Last of Us, sure to scratch the itch for those looking for both great action sequences and a dark dystopian world.
What Is ‘The Gorge’ About?
The official synopsis for The Gorge reads as follows:
“Two highly trained operatives (Miles Teller and Anya Taylor-Joy) grow close from a distance after being sent to guard opposite sides of a mysterious gorge. When an evil below emerges, they must work together to survive what lies within.”
In addition to Teller and Taylor-Joy, who star as Levi and Drasa in The Gorge, the film also features Sigourney Weaver as Bartholomew, Sope Dirisu as J.D., William Houston as Erikas, Kobna Holdbrook-Smith as a Black Ops Commander, James Marlow as Bradford Shaw, Julianne Kurokawa as an Airman, and Ruta Gedmintas as a WWII scientist.
Check out The Gorge on Apple TV around the world, and stay tuned to Collider for more streaming updates and more coverage of Anya Taylor-Joy’s future projects.
- Release Date
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February 28, 2025
- Runtime
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127 Minutes
- Director
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Scott Derrickson
- Writers
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Zach Dean
- Producers
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Gregory Goodman, C. Robert Cargill, Dana Goldberg, David Ellison, Don Granger, Miles Teller, Sherryl Clark, Adam Kolbrenner
Katseye hit the stage without Manon Bannerman at the 2026 Coachella Valley Music and Arts Festival.
Five members of the girl group — Daniela Avanzini, Lara Raj, Megan Skiendiel, Sophia Laforteza and Yoonchae Jeung — performed during the first day of the Indio, California, festival on Friday, April 10. Manon, 23, was noticeably missing from Katseye’s Coachella debut amid her ongoing hiatus from the band.
Katseye opened their show with a performance of their new single “Pinky Up” before entertaining the crowd with “Debut” and “Touch.”
HUNTR/X vocalists EJAE, Audrey Nuna and Rei Ami joined the girl group on stage for a surprise performance of “Golden” from the KPop Demon Hunters soundtrack.
Manon’s Coachella absence comes nearly two months after Katseye announced her plan to take a break from the group.
There are only three things that are certain in life: death, taxes and celebrities coupling up at the annual Coachella Valley Music and Arts Festival. Since the ever-growing multi-weekend event was cofounded in 1999, A-list couples such as Adam Levine and Behati Prinsloo, Katy Perry and Orlando Bloom, and Rande Gerber and Cindy Crawford have […]
“After open and thoughtful conversations together, we are sharing that Manon will be taking a temporary hiatus from group activities to focus on her health and wellbeing,” read a February statement from the band shared via the social media platform Weverse. “We fully support this decision.”
The group assured fans at the time that the remaining Katseye members would carry on with their responsibilities despite Manon’s absence.
“Katseye remains committed to showing up for one another and for the fans who mean everything to us. The group will continue scheduled activities during this time, and we look forward to being together again when the time is right,” the statement continued. “Thank you to our Eyekons for your continued love, patience and understanding.”
Manon also spoke out in an individual statement at the time.
“Hi friends,” she wrote via Weverse. “I want you to hear this from me, I’m healthy, I’m OK and I’m taking care of myself. Thank u for checking in! Sometimes things unfold in ways we don’t fully control, but I’m trusting the bigger picture. Thank you for standing by me. I love you endlessly and can’t wait to see you again.”
Earlier this month, Manon shared an update with fans amid her ongoing hiatus from Katseye.
“Thank you so much for all the love and support you’ve been sending my way. I’m really grateful for the patience and kindness everyone has shown during this time,” she noted via Weverse. “[Katseye’s management] HxG and I are having positive conversations, and I feel supported. I’m happy, and I’m healthy. I’ll share more soon. Thank you for always being there for me.”
Manon raised eyebrows when she removed “Katseye” from her Instagram bio. Days later, a source exclusively told Us Weekly on Monday, April 6, that she does not plan to return to the group.
Going their own way. For some musical artists, they needed to leave their former bands to explore opportunities as a solo act. Zayn Malik did just that in 2015. He left his longtime One Direction bandmates Harry Styles, Niall Horan, Louis Tomlinson and Liam Payne to embark upon a solo music career, dropping his debut […]
In a Nylon cover story published on Tuesday, April 7, Manon admitted the band deals with disagreements at times. (The outlet noted her interview took place before she announced her hiatus from Katseye.)
“There’s six of us, so obviously not everyone’s always going to be on the same page about everything,” she said. “But I think we all are at, or have been learning and are finally coming to, a point where for the group’s sake, you give and you take. You pick your battles.”
Manon added that the bandmates “have to lean on each other” to cope with stardom.
“But we also have supportive friends and supportive family,” she explained. “It’s something that keeps you humble and grounded. And then just having a good therapist.”
Entertainment
When does “Michael” come out? All about the Michael Jackson biopic (and its controversies)
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Jaafar Jackson, Michael’s nephew, leads the cast alongside Colman Domingo and Miles Teller.
Actor Harrison Ford has been in the entertainment industry for decades. Best known for his roles in “Indiana Jones and “Star Wars,” the 83-year-old actor has been best known for his movie roles until recently. Over the past several years, he has starred alongside Helen Mirren in the “Yellowstone” spin-off “1923” and opposite Jason Segel in “Shrinking,” where he plays a psychiatrist diagnosed with Parkinson’s disease. Following the season 3 finale, Ford reflected on his start in Hollywood and the current state of the entertainment industry.
Harrison Ford Reflects On The ‘Fulfilling’ Nature Of Filming ‘Shrinking’
Following the season 3 finale, which sees his character retire and move to Connecticut, Ford opened up on the “serious sh-t” the show covers in an interview with The Hollywood Reporter’s Awards Chatter podcast.
Throughout the season, Ford shared several scenes with Michael J. Fox, who was diagnosed with Parkinson’s disease in 1991. “Here I am now, playing a guy with Parkinson’s, and I’m sitting next to Michael J. Fox,” Ford said. “This is serious sh-t, man. This is not insignificant for me.”
“I find it really fulfilling doing what I do, and I enjoy it as much as I ever, ever could possibly have imagined,” he continued. However, he admitted that he “never thought” that he would be filming a TV show, let alone a comedy.
Harrison Ford Reveals What Makes His Job ‘Fun’
Even though he never expected to be starring in a comedy series, he did say that the work is “fun” for him.
“You work faster, and that’s fun for me,” he explained. “I like getting there, getting the work done and going home. I love the challenge. I love the danger, if you will, of the work that I’m able to do. And I like the company.”
He went on to explain that he “always wanted to be a character actor,” adding, “I had never thought that I would be a leading man … I got to play leading parts because the films I was in had success, and that success carried me along.”
Ford Is ‘Concerned’ About The Future Of Hollywood
Even though he has been in many successful blockbusters, Ford admitted that he is “terribly concerned” about the future of the entertainment industry.
“I came up at a period of time when the movie business was at its zenith, when the movie business captured the zeitgeist of a culture, and there was a transference, a cross-feeding, and the culture captured the zeitgeist of the movies,” he explained. “There is no zeitgeist anymore.”
“We’ve been disassociated. We’ve been purposefully disaggregated into serviceable political economic units,” he continued. “There is an empty center that needs to be filled, to bring the culture back together, to bring the culture and the movie business back together, for the movie business to be useful in the consciousness of an audience, a culture, a community.”
Harrison Ford’s Depression Launched His Acting Career
Before he became a household name, Ford recalled living in a single room in college and rarely venturing out. “I would get up out of my single bed, go to a phone, order a pizza, go back and lay down in bed until the pizza came,” he recalled. “I would eat the pizza, throw the wrappers in the corner, go back to sleep.”
Things changed when he took a class called “Drama” without reading the full description. He was interested in analyzing plays, but he didn’t realize he also had to act in them. Although it was a “surprise,” he realized that he actually “found [his] place” through the class.
“I’d never done anything like that,” Ford admitted. “And I was surprised that the people that I had considered to be fellow geeks and misfits were, in fact, some of the most interesting people I knew. They were doing something that I hadn’t really understood, and they were telling stories about life, and some of them were exceptional in their capacity to understand human behavior. And so I think I simply found my place amongst storytellers. It really changed my world, changed my life.”
Ford Is ‘Really Good’ At Improv, Says ‘Shrinking’ Costar
In a June 2023 interview with The Hollywood Reporter, costar Jason Segel revealed that his “Shrinking” costar is actually “really, really good” at improv.
“With Harrison Ford, there was a moment when I saw him register and was like, ‘Oh, we’re doing this now.’ And he was good at it. He’s really, really good at it,” Segel said. “There was a whole potato run, where I end up eating these potatoes. [He said] ‘Do whatever you want with them. Boil them, bake them.’ That was a riff that came out of his mouth. He is really smart, he’s really funny and he really understands acting.”
“There’s a reason he’s Harrison Ford,” he added.
All three seasons of “Shrinking” are available on Apple TV+. The show has been renewed for a fourth season, with the main cast set to return.
Among the modern masterpieces are rare gems that transcend the title of great and achieve flawless status, such as The Godfather. These are the films where every gear in the machine, the pacing, the choreography, the stakes, and the character arcs work in total harmony. From the moment the first frame hits the screen until the final credits roll, there isn’t a single wasted second.
Out of all the genres in cinema, action is by far the furthest-reaching spectacle. Action-packed drama and daring stunts combine to create a riveting experience of fights and thrills that define the genre. While many films have revolutionized the industry, only a handful can claim to be airtight from beginning to end. This list highlights ten action movies that are practically perfect, based on their narrative structure, visual storytelling, and the sheer adrenaline they provide without ever losing their footing.
10
‘The Dark Knight’ (2008)
Many fans claim that the superhero genre has gone downhill, but it is true that there hasn’t been a better film in this genre than The Dark Knight. Batman (Christian Bale) now faces his toughest challenge yet with the Joker (Heath Ledger) trying to prove his psychotic philosophy. This race against time pits the two against each other, leaving Batman with an impossible choice.
From the opening bank heist to the flipping of the semi-truck, the action feels heavy and tangible. Christopher Nolan eschews heavy CGI in favor of practical stunts, giving the film a gritty realism that has taken over the superhero genre. With frantic pacing that moves from one crisis to the next, The Dark Knight never loses sight of its complex themes among the chaos, but that is exactly why it is an intellectually stimulating, adrenaline-pumping action masterpiece.
9
‘John Wick: Chapter 4’ (2023)
Most flawless movies are groundbreaking classics, but some modern hits also prove to be perfect, including John Wick: Chapter 4. The titular character has his final battle against the High Table, hoping to get out of the industry for good. Moving from city to city, John (Keanu Reeves) will face challenges unlike anything he has faced before.
The original John Wick is more influential, but there is no denying that John Wick: Chapter 4 is the most riveting. Redefining the genre with its gun-fu and return to tactile combat, this movie uses gorgeous set pieces and innovative fight scenes to create an exhilarating experience that has a stranglehold on the viewers’ entertainment from start to finish. John Wick: Chapter 4 is a breathless epic that concludes in poetic fashion.
8
‘Raiders of the Lost Ark’ (1981)
Steven Spielberg and George Lucas are two of the most legendary creators in the industry, and they teamed up to create the ultimate tribute to 1930s adventure serials. Raiders of the Lost Ark introduces Indiana Jones (Harrison Ford), a globe-trotting archaeologist racing against Nazis to recover the biblical Ark of the Covenant.
Indiana Jones is one of the greatest adventure franchises, and this film is its magnum opus. The film is a series of escalating challenges, each one more creative than the last. Whether it’s the opening boulder escape or the truck chase, the action is always driven by wit and desperation. Raiders of the Lost Ark never wastes time or effort, simply creating a flawless template for action-adventure movies.
7
‘The Raid 2’ (2014)
Some of the greatest action movies are foreign productions, and while the first Raid was a masterclass in minimalist action, its sequel, The Raid 2, is an ambitious crime saga that expands the world without losing the visceral impact. Rama (Iko Uwais) goes undercover in a ruthless crime syndicate to root out corruption, resulting in plenty more blood-pumping fights and drama.
The film features some of the most complex and brutal choreography ever captured on film, including a muddy prison-yard riot and a climactic kitchen fight that is widely considered one of the best 1-on-1 duels in history. The cinematography is absolutely stunning, synchronizing movement to create an exhaustive feel in the best way possible, making The Raid 2 a must-watch action movie.
6
‘Mad Max: Fury Road’ (2015)
Three decades after the previous films, George Miller returns to the wasteland with what many consider the greatest action film of the 21st century. Mad Max: Fury Road follows the titular character played by Tom Hardy, as he reluctantly becomes entangled with Furiosa (Charlize Theron), a rebel leader fleeing a tyrannical cult leader with his five wives in tow. What follows is essentially a two-hour-long chase sequence across a scorched desert.
What makes Mad Max: Fury Road flawless is its commitment to visual storytelling, as Miller strips away any unnecessary exposition. The film is a masterclass in pacing; even when the vehicles stop moving, the tension never dips. With its heavy reliance on practical stunts, vibrant color palette, and a percussion-heavy score that beats like a heart, Mad Max: Fury Road is a relentless, beautiful, and perfectly tuned engine of a movie.
5
‘Terminator 2: Judgment Day’ (1991)
Sequels often struggle to live up to the original, but James Cameron’s Terminator 2: Judgment Day didn’t just meet expectations, it obliterated them. Eleven years after the original film, a new Terminator, also played by Arnold Schwarzenegger, is sent back in time, but this time his mission is to protect a young John Connor (Edward Furlong) from the liquid-metal T-1000 (Robert Patrick).
Terminator 2: Judgment Day is a perfect loop of emotion and action, balancing groundbreaking CGI with stunning visual effects. Featuring some of the greatest scenes in action movies, including the hallway shootout at the mall and the final showdown in the steel mill, the stakes are constantly escalating. There isn’t a single scene that doesn’t serve the plot or the characters, making Terminator 2: Judgment Day the definitive, perfect blockbuster and standout action sensation.
4
‘Aliens’ (1986)
Right after one James Cameron action masterpiece is another action-packed sequel that defines its franchise. Aliens takes place 57 years after the first, spending that time in cryosleep. Ellen Ripley (Sigourney Weaver) returns to the planetoid LV-426 with a team of Colonial Marines to investigate a lost colony, facing ten times the challenge as before.
Aliens took the haunted-house-in-space from the first one and built on it, creating a slow-burning tension that culminates in unbearable dread. It is an explosion of action that never lets up, introducing fan favorite characters that make their fate that much more painful. Aliens is a well-constructed action phenomenon that climaxes in a legendary moment that went down in cinematic history.
3
‘Hard Boiled’ (1992)
John Woo is an iconic director who has pioneered the action genre, particularly through his magnum opus, Hard Boiled. When a gang kidnaps his partner, a cop must now go undercover in order to take down a powerful triad leader while trying to save his friend.
Hard Boiled moved action away from typical hard-hitting grittiness in favor of a ballet of bullets that made gunfights elegant and thrilling. This visually stimulating action movie features exploding environments and dual-wielding pistol fights that accentuate its fast pace. Hard Boiled is a badass classic that is a feast of technical coordination, making it one of the most important action movies.
2
‘The Matrix’ (1999)
Keanu Reeves is an action icon, and one of his best movies is arguably The Matrix. Neo is a computer programmer who realizes that he and the rest of humanity are living in a simulation. Learning that robots control the world, he joins the revolution but must choose between an ideal fantasy and a harsh reality.
The film’s bullet time effects and wirework choreography became instant staples of the genre, but what makes The Matrix flawless is how it integrates these elements into its philosophy. Neo grew as a character with every minute, making every shootout and action sequence feel earned. The Matrix is a perfect fusion of philosophical sci-fi and revolutionary action that hasn’t gone out of style since 1999.
1
‘Speed’ (1994)
Reeves has not one, not two, but three flawless action movies that never lose a step throughout, with the best being Speed. Jack Traven is a cop who finds himself in a tricky situation: the bus he is on is rigged with a bomb, and if it drops below 50 miles per hour, it will explode. With the help of the passengers and other cops, they try to keep the bus at a high speed while finding a way to defuse the bomb.
Everyone needs to breathe, but Speed will leave viewers breathless, forcing them into a constant state of shock with its non-stop, high-octane exhilaration. The tension is constant, forcing the characters to solve increasingly impossible problems at high speed. Speed is a tightly focused movie that uses its cramped feeling on an open highway to create suspense unlike anything felt before, proving it is a perfect action movie from start to finish.
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Now that it’s finally warm outside, we’re ready to stock our wardrobes with spring and summer pieces. But that doesn’t mean we’re dropping hundred-dollar bills. We scoured the internet to find the best deals happening this weekend, and it turns out top brands are on secret sale — we’re talking Madewell, Steve Madden, Dr. Scholl’s and more. Our favorites start at just $6!
Whether you’re searching for chic sandals, a classy bag, comfy jeans or anything in between, there’s a deal with your name on it below. Crowd-loved pieces are selling out in real time, so don’t dillydally!
Best Weekend Sales: April 10-12, 2026
Nordstrom
Our Favorite: Nordstrom’s End of Season Sale is in full swing! We’re taking the opportunity to score this Vince Camuto paisley sundress that screams ‘Lilly Pulitzer,’ but costs a fraction of the price — was $70, now $48!
Amazon
Our Favorite: We’re tired of jeans! These breezy lounge pants look like linen, but feel even comfier, thanks to the stretchy material. They come in striped and gingham-print varieties, so we’re grabbing at least two — was $30, now $20!
Denim jackets have their place, but there’s a reason everyone’s replacing theirs with comfy spring cardigans. These chic pieces give your wardrobe a softer and more feminine flair, looking casually cute for errands and polished enough for dinner. It’s a trend we totally stand behind. These spring cardigans hit the sweet spot between feeling cozy […]
Madewell
Our Favorite: A-listers are wearing Mary Jane flats nonstop lately, including Katie Holmes and Gwyneth Paltrow. This sophisticated pair from Madewell boasts a sleek silhouette, cloud-like padding and a gold chain strap — was $168, now $80!
Zappos
Our Favorite: You can’t go wrong with Levi’s shorts, especially with these high-rise denim shorts that cinch your midsection without squeezing. With a smocked waistband, structured fabric and flattering A-line shape, they’re already in the cart. Psst: all five colors are on sale! — was $55, now $38!
Entertainment
‘The Chosen’ Meets ‘Game of Thrones’ in Prime Video’s 2-Part Historical Epic Returning This Year
The historical epic has quietly become one of the most popular genres of movies and TV shows over the last 25 years. While many fans would argue that this dates back to Peter Jackson’s early work with The Lord of the Rings franchise, it truly goes back even further to acclaimed epics like Lawrence of Arabia. However, the advancement in modern technology has added an enhanced sense of realism to some of the later modern epics, like Game of Thrones, the hit HBO series inspired by the A Song of Ice and Fire novels by George R.R. Martin. The rise of shows like Game of Thrones has also paved the way for biblical historical epics like The Chosen to take over the zeitgeist and become some of the most popular projects in the world.
One recent show that perfectly bridges the gap between Game of Thrones and The Chosen is House of David, the historical epic that premiered on Prime Video early last year before it returned with its second season less than nine months later. Prime Video has not only renewed House of David for a third season, but the streamer has explicitly confirmed that Season 3 will premiere before the end of this year — an impressive turnaround time for a show this ambitious. Before the Season 3 return of House of David later this year, the show has charged back into the Prime Video global top 10, sitting at #8 at the time of writing. This is especially noteworthy, considering the Season 2 finale aired all the way back in November. Fans refuse to quit on Prime Video’s hit historical epic/faith-based series.
What Is ‘House of David’ About?
The House of David cast consists of Michael Iskander as David, Ali Suliman as Saul, and Stephen Lang as Samuel, among others. The official synopsis for House of David reads as follows:
“House of David tells the story of the ascent of the biblical icon, David, who becomes the most famous king of Israel. The series follows the once-might King Saul as he falls victim to his own pride. As Saul loses his power over his kingdom, David finds himself on a journey to discover and fulfill his destiny, navigating love, loss, and violence in the court of the very man he’s destined to replace.”
Check out the first two seasons of House of David on Prime Video, and stay tuned to Collider for more updates and coverage of Season 3.
- Release Date
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February 27, 2025
- Network
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Prime Video, Wonder Project
- Directors
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Jeff T. Thomas, Jon Gunn, Jon Erwin, Lynsey Miller
- Writers
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Jon Erwin, Jon Gunn, Jonathan Walker, Bekah Hubbell, Nathan Andrew Jacobs, Laura Kenar, N.D. Wilson
-
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Alexander Uloom
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