Connect with us
DAPA Banner

Entertainment

’Project Hail Mary’s Author Is Absolutely Missing the Point of Netflix’s Greatest 7-Part Sci-Fi Thriller

Published

on

Annie Murphy in an episode of 'Black Mirror'

It is somewhat ironic that a science fiction writer is critical of Netflix​​​​​​‘s hit Black Mirror. This is probably even more so now, since many of the ideas presented in the series were once considered speculative, but they no longer seem so. The series has shown several times in the past that the world we could live in in only a few years will have a lot of the same conveniences, connections, and controls, but they will be a little different, which is definitely unsettling but also somewhat familiar; you could hardly believe it to be true.

This is part of what makes the comments from Andy Weir, the acclaimed sci-fi author, that much more relevant. While promoting the movie adapted from his book, Project Hail Mary, Weir dismissed the show as broadly anti-technology — a take that, on the surface, makes sense given how often Black Mirror leans dark. But it’s also a reading that flattens the show into something simpler than it is, missing the idea it keeps returning to: the problem is what people do with the technology that is in their hands.

Advertisement

‘Black Mirror’ Has Never Been About Technology Alone

Annie Murphy in an episode of 'Black Mirror'
Annie Murphy in an episode of ‘Black Mirror’
Image via Netflix

In the “Andy Weir on the Economics of Sci-Fi and Space” episode of Conversations with Tyler, Weir spoke about his opinions on the hit Netflix series, saying, “There is sort of a technophobia out there, and I don’t buy into it,” he said. “I feel like technology generally makes things better. It’s also why I really don’t like the show Black Mirror, because it’s pretty much all about how technology is awful and will ruin the universe.”

One of the stranger things about the conversation surrounding Black Mirror is how often it ignores what Charlie Brooker has been saying for years. Brooker has gone out of his way, repeatedly, to clarify that the show isn’t interested in painting technology as some inherently corrupting force. If anything, he’s pushed back against that interpretation with a kind of low-level exasperation.

What the series actually returns to, over and over again, is the way human behavior mutates when new tools enter the picture. The technology in these episodes rarely breaks into the traditional sci-fi sense; it works — often perfectly — which makes the outcomes all the more unsettling. The systems perform exactly as they were designed to; however, the way people use them complicates everything.

Advertisement

We see a small, almost unremarkable choice that has a snowball effect. To make a decision based on hardship, to justify making a compromise as harmless, to be curious about something, and end up being obsessed with it. All these impulses have been around for a long time, and the show does not purport to be the first time they have happened. The show simply removes the impediments to keep them at bay.

Why the ‘Anti-Tech’ Reading Keeps Sticking

issa-rae-black-mirror-netflix-2025
Issa Rae on Black Mirror
Image via Nick Wall/Netflix

Weir is not the first person to think this way about technology, as there has been a long history of science fiction portraying technological developments with suspicion or, at times, even hostility. Black Mirror uses this language — using images of sleek technology, systems that invade privacy, and worlds that feel just slightly off. At first glance, this is enough to categorize Black Mirror under the same definition. However, classifying the show in this way does a disservice to what Black Mirror attempts to present; it also assumes an either/or relationship between technology being good and technology being bad, and, from the show’s perspective, both are insufficient.

Advertisement

Instead, Black Mirror sits in the gray area of convenience changing values. Further, the series often uses examples from the viewer’s daily life that cause discomfort through the trade-offs we make: exchanging privacy for convenience; exchanging authenticity for validation; and exchanging being present for always needing to be connected, but connected only through technological mediation. It doesn’t say these choices are right or wrong. Instead, it illustrates the logical, and at times brutal, consequences of these choices.

Strip away the speculative elements — the implants, the algorithms, the near-future gloss — and what’s left is something much more grounded. Black Mirror is, at its core, a series about people navigating situations that force them to choose between competing values, with no clean way out.

The majority of people do not make good choices, and this is where this show has built its reputation for being bleak, though this may not be entirely true to label it as such. The series itself does not believe people are doomed, but rather that they cannot find an easy path to redemption. Rather than being destroyed by machines, characters are destroyed by human impulses such as jealousy, insecurity, the need for visibility, and the fear of abandonment.

In this scenario, tech will work more as an amplifier, rather than as a devourer. Therefore, when you give flawed individuals more power, greater access to resources, and far more information, their flaws will not disappear; they will expand, sharpen, and ultimately become harder to ignore.

Advertisement

‘Black Mirror’ is Misunderstood, and Probably Always Will Be

Bryce Dallas Howard staring at a small device in Nosedive episode of Black Mirror.
Bryce Dallas Howard staring at a small device in Nosedive episode of Black Mirror.
Image via Netflix

The title has always been the quiet clue. The “black mirror” isn’t some abstract concept — it’s the screen itself, the one sitting in your pocket or glowing on your desk, reflecting your face back at you when it goes dark, and that idea runs through the entire series. Technology doesn’t create new versions of us; it reflects what’s already there, sometimes in ways that are difficult to look at for too long. The discomfort comes from recognition, which is why the show resists framing its worlds as fully dystopian; many of its settings are functional, even prosperous. Life goes on, systems hold, and the larger world doesn’t collapse just because an individual story ends badly. That, in its own way, is more unsettling than any apocalyptic scenario.

Part of the issue is cultural shorthand. “That’s so Black Mirror,” or any similar derivative, has become a catch-all for anything vaguely unsettling involving technology, a phrase that flattens the show into a mood rather than an idea. Over time, that shorthand has hardened into an assumption, and naturally, Weir’s critique lands in that same space. It’s not entirely off-base — the series can be dark, even cynical — but it stops short of engaging with what the show is actually probing. It treats technology as the subject when it’s really just the lens, and maybe that’s inevitable. It’s easier to argue with a story about evil machines than one that keeps circling back to human behavior, asking uncomfortable questions without offering much in the way of reassurance.

Advertisement

In the end, Black Mirror isn’t especially interested in whether technology makes things better or worse; that debate feels almost beside the point. What it keeps returning to is something more difficult to pin down: what we choose to do when the tools at our disposal make those choices easier, faster, and harder to walk back.

Source link

Continue Reading
Click to comment

You must be logged in to post a comment Login

Leave a Reply

Entertainment

Tokyo Toni Raises Eyebrows After Going Off On Angela White

Published

on

Rihanna Seemingly Addresses Baby Rumors, Talks "Little Pouch"

Roommates, things got wild online after a clip surfaced showing Tokyo Toni going off in an explosive moment with her daughter, Angela White. The video quickly went viral, and fans couldn’t believe the words coming from Toni. Lets just say…it’s sparking major chatter across social media timelines.

RELATED: Family Matters! Tokyo Toni Weighs In On Angela White & Rob Kardashian Reconnecting (VIDEO)

Tokyo Toni’s Apparent Feud With Angela White Feud Sparks Reactions

In the clip circulating this week, Tokyo Toni can be heard calling Anegla a “demon” and a “witch,” even saying she wished she had aborted her. Though Angela didn’t appear to be in the same vicinity, viewers were left shocked and disturbed, while others reminded the internet that the pair have a long history of public family conflict. Additionally, it’s unclear what led to Toni’s retaliation, but the reactions online were intense, with some condemning Toni’s words outright and others debating the complicated mother-daughter dynamic that has played out in the spotlight for years.

Tokyo Toni Gets Called Out By Fans

Fans flooded Psychological’s Instagram comment section, and they did not hold back. Some expressed sympathy for Angela, pointing out that this is sadly a pattern in her relationship with her mom. Others claimed Toni acted out of money, while plenty of users labeled her straight-up “nuts.”

One Instagram user @stephbizzy3 said, “Who even has time for enemies when your mum is like this?

This Instagram user @keesha_trending_lee said, “Thank GOD He didn’t got ME a mother like THIS🙏😭 Lets Pray For Angela….

Advertisement

And, Instagram user @bojackzon84 wrote, “You not supposed to talk about your own child like that smh this is really sad. Makes me appreciate my mother even more

Meanwhile, Instagram user @lyf30fty commented, “Is the call coming from inside the house??

While Instagram user @zay._.2xx added, “Probably ain’t give her a funky 20$ to illicit this reaction btw

Lastly, Instagram user @jenny_marie_333 said, “Let me guess money!

Advertisement

Angela Keeps It Sweet While Honoring Rob Kardashian

What has Angela been up to these days? Well, White aka Blac Chyna has kept it classy and sweet on Instagram as she celebrated Rob Kardashian’s 39th birthday. She shared a throwback pic of herself, Rob, and their daughter, Dream Kardashian, when Dream was just a baby. And yes, the smiles say it all.

In the photo, Rob is holding little Dream on his lap, one hand around Chyna’s waist, capturing a rare moment of parenting harmony. Chyna captioned it, “Happy Birthday @robkardashianofficial. You’re the best dad to our baby girl, and I appreciate you more than words can say,” proving that even with their past drama, she’s keeping the vibes respectful and focused on their daughter, now nine years old.

RELATED: Whew! Tokyo Toni Goes OFF On Angela White Following Her Reunion With Treasure (VIDEO)

What Do You Think Roomies?

Advertisement

Source link

Continue Reading

Entertainment

Kendra Duggar’s Mugshot Revealed After Arkansas Arrest

Published

on

Kendra Duggar Mugshot Revealed After March Arkansas Arrest

Kendra Duggar’s mugshot was revealed shortly after she was arrested on criminal charges.

A press release from the Tontitown Police Department on Friday, March 20, stated that both Kendra, 27, and her husband, Joseph Duggar, are facing four counts of endangering the welfare of a minor in the second degree, and four counts of false imprisonment in the second degree.

In the mugshot of Kendra obtained by Us Weekly on Friday, she is staring blankly into the camera. Her hair is down, tucked behind her ears and a bit disheveled. She wore a brown shirt.

Us confirmed that Kendra was taken into custody in Arkansas’ Washington County Detention Center after police issued a warrant for her arrest. She was booked at 4:56 p.m. and released at 6:19 p.m.

Advertisement
Kendra Duggar Mugshot Revealed After March Arkansas Arrest

Kendra Duggar.
Courtesy of Washington County Detention Center

Her bond was set at $1,470, which was paid before her release on Friday. Kendra is due in court on Monday, March 23, Us can confirm.

Kendra was arrested two days after her husband, Joseph, was accused of molesting a 9-year-old girl in 2020 and taken into custody.

Us confirmed that Joseph, 31, was arrested on Wednesday, March 18, at approximately 3 p.m. by the Tontitown Police Department in Arkansas.

According to the Bay County Sheriff’s Office, there are two charges against Joseph. The first, lewd and lascivious behavior involving molestation of a victim less than 12 years old. The second is lewd and lascivious behavior conducted by a person 18 years or older.

Joseph was accused by a 14-year-old of allegedly sexually abusing her during a family vacation in 2020 to Panama City Beach. The alleged victim was 9 years old when she said the assault took place.

Advertisement

“The victim reported Duggar repeatedly asked her to sit on his lap,” Bay County police shared in a statement at the time. “As the vacation continued, he also asked her to sit next to him on a couch and covered them with a blanket. During this time, Duggar manipulated the victim’s underwear and grazed her genitals. Duggar would also continue to rub his hands on her thighs.”

Joseph appeared in court on Friday via Zoom to address his extradition to Florida. The former 19 Kids and Counting star did not enter a plea and waived his right to an extradition hearing, which means that he agreed to be transferred to Florida to face charges.

Joseph Duggar Final Instagram Post Before Arrest


Related: Joseph Duggar Celebrated His Family in Last Instagram Post Before Arrest

Advertisement

Former Counting On star Joseph Duggar celebrated his family in a series of Instagram messages posted four years before his arrest for allegedly molesting a 9-year-old Joseph, 31, and his wife, Kendra Duggar, started an Instagram account for their family in February 2019 but stopped updating it in November 2021. Their final post was published […]

Years before Joseph’s arrest, his older brother Josh Duggar was convicted of child pornography. He was sentenced to 151 months in federal prison in December 2021.

Joseph and Kendra have lived a somewhat quiet life since tying the knot in September 2017.

After 19 Kids and Counting’s spinoff Counting On ended in 2020, the couple focused on raising their four children. Joseph and Kendra share Garrett David, Addison Renee, Brooklyn Praise and Justus Joseph, born in 2018, 2019, 2021 2022, respectively.

Neither Joseph nor Kendra have released a public statement.

If you or someone you know is experiencing child abuse, call or text Child Help Hotline at 1-800-422-4453.

Advertisement

Source link

Continue Reading

Entertainment

Brand New Day,’ Sony Can Finally Fix Their Ruined Comics Universe

Published

on

Dakota Johnson as Cassie Webb looking at a spider web in Madame Web.

The Sony Spider-Man Universe, or SSU, is effectively dead. It went out, not with a bang, but with a bomb. Or rather, a whimpering dud of a bomb with the release of Kraven the Hunter. Despite the financial success of the Venom trilogy, the SSU could not survive the multiple failures of Morbius, Madame Web, and Kraven the Hunter in such quick succession. And apparently, that was not enough because Sony Pictures Chairman Tom Rothman recently revealed on The Town Podcast that Sony Pictures is planning a “fresh reboot” of its cinematic Spider-Man Universe with “new people.” All of this just mere weeks before the MCU revealed their first trailer for Spider-Man: Brand New Day, boosting excitement for the world of Peter Parker once more. If Sony Pictures is serious about making a new Spider-Man Universe, they cannot commit the same grievous mistakes again, and they need a completely different approach.

Why the Sony Spider-Man Universe Failed

The SSU was a byproduct of the overwhelming success of the Marvel Cinematic Universe (MCU). Sony Pictures clearly wanted to mimic Marvel Studios’ success, and they already had the rights to Spider-Man and his supporting cast. Spider-Man is undoubtedly one of Marvel’s most popular characters, but the executives at Sony believed they could simply make badly conceived and plotted spin-offs of Spider-Man that were only loosely connected, if at all, to the new MCU version of Spider-Man, starring Tom Holland. Not to mention, it seemed fairly obvious that Marvel Studios President Kevin Feige wanted nothing to do with the SSU. Case in point, that tease at the end of Venom: Let There Be Carnage, and it’s an utterly disappointing payoff.

Advertisement

The lack of interconnectivity was a big problem, as that is a major selling point of the MCU — that it’s all intertwined as a singular cohesive motion picture franchise across movies and television. The other major problem consisted of the spin-offs of obscure characters or key villains in Spider-Man’s rogues gallery, resulting in awful movies like Morbius and Kraven the Hunter. Kraven is one of Spider-Man’s greatest villains, and he does not warrant his own movie. He should appear in a Spider-Man movie where he targets Spider-Man, adapting a seminal comic book storyline like Kraven’s Last Hunt. Forcing the character into such a half-baked plot where Kraven is transformed into an anti-poacher vigilante who tangles with The Rhino, another iconic Spider-Man rogue, was utterly disappointing.

Madame Web was an utter disaster with its attempt to slot a square peg into a round hole, showcasing a contrived, convoluted storyline that attempts to connect Cassandra Webb (Dakota Johnson) to other Spider-Heroes, who are marginalized in the movie, and an unnamed infant Peter Parker. Additionally, Madame Web is another character who is not strong enough to warrant her own spin-off. She’s literally like a soothsayer and a Spider Oracle in the comics and certainly not a superhero who deserves her own cinematic origin story.

The New SSU Needs To Bring in Actual Spider-Heroes

If Sony Pictures is serious about pushing forward with the SSU, they have to take a completely new and fresh approach, avoiding the past failed attempts, meaning villain spin-off movies are off the table for now. Instead, it’s time to make some movies about the other Spider-Heroes. The next natural step is staring Sony right in the face: Spider-Man 2099. The Spider-Verse animated movies have already proven that Spider-Man 2099, aka Miguel O’Hara (voiced by Oscar Isaac in the Spider-Verse movies), can work on the big screen. The easy answer: make a live-action Spider-Man 2099 movie that is set in the far future, so the character is far removed from the present timeline. That eliminates any worries about connectivity and continuity, so the creatives can instead focus on Miguel O’Hara’s story.

Advertisement

Elsewhere, a strong multitude of Spider-Heroes can lead their own movies and beyond. Consider Scarlet Spider, aka Ben Reilly, Ghost Spider/Spider-Woman (popularly known as Spider-Gwen, aka Gwen Stacy), and of course, Peter Parker’s successor, Miles Morales. Sony Pictures should focus on these heroes instead of trying to turn Spidey’s villains into lame antiheroes. Have them fight villains like Morbius, Kraven, and The Rhino rather than crafting obscure minor characters in their own cinematic entries, where they likely won’t even meet or interact with Spider-Man. The new SSU needs to start with the big guns before moving on to obscure characters, attempting and failing to make Hypno Hustler, Rocket Racer, Silver Sable, Cardiac, and The Prowler into their own movies. See the failed attempt at making El Muerto, starring Bad Bunny, for reference.

The Way Forward for the New Spider-Man Universe

Dakota Johnson as Cassie Webb looking at a spider web in Madame Web.
Dakota Johnson as Cassie Webb looking at a spider web in Madame Web.
Image via Sony Pictures

Let’s remember how the MCU took off. In Phase 1, Marvel Studios took the time to build out its universe. It focused on the heavy hitters first, the legendary Big 3 with Iron Man, Captain America: The First Avenger, and Thor, who eventually coalesced into The Avengers in 2012. That succeeded because Marvel Studios laid the foundation for the MCU and built equity and audience trust, allowing the studio to eventually attempt Guardians of the Galaxy in 2014—a big risk that paid off. Sony Pictures failed to build out its universe at first, especially considering that it is extremely limited in its corner of the Marvel Universe.

Advertisement

Additionally, if the new SSU moves forward, Sony might want to consider making the movies completely standalone rather than an interconnected shared cinematic universe. The interconnectivity of the old SSU was not well executed anyway, so it would be easier to jettison that aspect completely. Sony Pictures cannot simply view the new SSU as IP that they can will into success because of a loose association with Spider-Man. If the Sony executives repeat past mistakes, except this time with different characters like The Grizzly, The Kangaroo, and Boomerang, the new SSU is destined for another embarrassing failure.

Venom is available to stream on Disney+ in the U.S.


01455450_poster_w780.jpg
Advertisement


Advertisement

Release Date

September 28, 2018

Runtime

112 minutes

Advertisement

Director

Ruben Fleischer

Advertisement

Writers

Jeff Pinkner, Scott Rosenberg, Kelly Marcel, David Michelinie, Todd McFarlane

Producers
Advertisement

Avi Arad, Matt Tolmach, Amy Pascal

Advertisement

Advertisement


Advertisement

Source link

Advertisement
Continue Reading

Entertainment

Taylor Frankie and Tate Paul’s Custody, Child Support Explained

Published

on

As Taylor Frankie Paul’s alleged domestic dispute with ex-boyfriend Dakota Mortensen continues to make headlines, her marriage and divorce from ex-husband Tate Paul has been thrust back into the limelight.

Taylor, 31, was married to Tate for six years before they divorced in summer 2022. Taylor announced their split during a viral TikTok video where she revealed she and her then-husband were part of a soft-swinging group of Mormons in Utah.

She noted in the July 2022 video that part of the reason she and Tate broke up was because she crossed the line and went “all the way” with another man.

Taylor and Tate, who share daughter Indy, 8, and son Ocean, 5, settled their divorce one month later with Tate agreeing to pay his ex-wife $3,000 a month in child support, according to court documents obtained by Us Weekly on Friday, March 20.

Advertisement
Who Is Tate Paul Meet Taylor Frankie Paul Ex Husband Father of Her 2 Oldest Kids


Related: Who Is Tate Paul? What to Know About Taylor Frankie Paul’s Ex-Husband

Taylor Frankie Paul’s relationship with ex-husband Tate Paul has been thrust into the spotlight after her alleged domestic dispute with ex-boyfriend Dakota Mortensen. Taylor and Tate are no strangers to scandal after their life as “soft swingers” became public knowledge in 2022. That summer, the couple divorced, but they continued to maintain a good coparenting […]

The exes’ divorce decree, filed in August 2022, revealed that Taylor and Tate were awarded joint legal and physical custody of their two kids.

Advertisement

The pair agreed to “alternate parent time” with Indy and Ocean “every two days” with shared holidays, according to the docs.

“The parties are restrained from consuming alcohol on the days they have the children,” the filing noted.

While neither Taylor nor Tate were awarded alimony, Tate agreed to provide medical insurance for their children and be “solely responsible” for the insurance.

Inside Taylor Frankie Paul and Ex Husband Tate Paul Custody Agreement Child Support Details Kids

Taylor Frankie Paul and Tate Paul with son Ocean and daughter Indy.
Courtesy of Taylor Frankie Paul/Instagram

When it came to the duo’s debts, the court ruled that Tate would be responsible to pay and assume all debts in his name. Taylor was also instructed to pay and assume her personal debts in the wake of their divorce.

Tate was awarded the 2021 Dodge Ram TRX, while Taylor was allowed to keep the 2020 Kia Teluride, according to the docs.

Advertisement

A judge ruled that the remaining personal property should be divided equally. The same went for Taylor and Tate’s house in South Jordan, Utah, which was purchased during their marriage. Once sold, the court said the proceeds were to be divided equally. Real estate records show the home sold in July 2022 with a June 2022 listing price of $910,000.

Taylor-and-Dakota-Custody-Explainer-171339_0701_V1


Related: What to Know About Taylor Frankie Paul and Ex Dakota’s Custody Battle

The Secret Lives of Mormon Wives stars Taylor Frankie Paul and Dakota Mortensen have tried to coparent son Ever since their fall 2024 split. Paul and Mortensen welcomed their first baby together, the MomTok content creator’s third, in March 2024, months before they called it quits. As Paul and Mortensen navigated jointly raising their son, […]

Advertisement

While Taylor and Tate have been divorced for more than three years, their past dealings have become news after Taylor’s drama with on-again, off-again boyfriend Dakota, 33, made headlines earlier this month.

News broke on Monday, March 16, that Taylor and Dakota, who share son Ever, 2, were allegedly involved in a domestic violence dispute in late February.

Amid the scandal, Dakota filed for a restraining order against Taylor and requested temporary custody of their son. Us confirmed that the protection order was granted on Friday.

Advertisement
Inside Taylor Frankie Pauls Relationship With Her Supportive Ex-Husband Tate Paul


Related: Inside Taylor Frankie Paul‘s Relationship With Ex-Husband Tate Paul

Long before Taylor Frankie Paul earned the title of ABC’s Bachelorette, the Secret Lives of Mormon Wives star found herself married to Tate Paul. In 2016, the couple got married and welcomed a daughter named Indy less than a year later. At the end of 2019, Taylor announced she was expecting another child, and their […]

The fallout from the alleged altercation — and the resurfacing of a 2023 video of Taylor throwing chairs at Dakota, which ended in her arrest — led ABC to cancel season 22 of The Bachelorette and Hulu to reportedly halt production on season 5 of The Secret Lives of Mormon Wives.

“Taylor is very grateful for ABC’s support as she prioritizes her family’s safety and security,” a rep for Taylor told Us in a statement on Thursday, March 19, following The Bachelorette cancellation. “After years of silently suffering extensive mental and physical abuse as well as threats of retaliation, Taylor is finally gaining the strength to face her accuser and taking steps to ensure that she and her children are protected from any further harm.”

Dakota issued a statement the same day, telling Us, “As anyone who has seen the video will understand, this is a deeply upsetting situation. I am, unfortunately, used to these baseless claims about me and our relationship, which I categorically deny. I am focusing on our son and his safety, and hope that Taylor will do the same.”

If you or someone you know is experiencing domestic violence, please call the National Domestic Violence Hotline at 1-800-799-7233 for confidential support.

Advertisement

Source link

Continue Reading

Entertainment

Exclusive: Pendragon Cycle’s King Custennin On The Merlin Brotherhood And What’s Next

Published

on

Exclusive: Pendragon Cycle’s King Custennin On The Merlin Brotherhood And What's Next

By Jennifer Asencio
| Updated

The Pendragon Cycle on Daily Wire+ was widely enjoyed by viewers, as evidenced by an 86% fresh audience score on Rotten Tomatoes. The show follows Merlin, long before King Arthur’s rise, during the era of Uther Pendragon and the Saxon invasions that would shape Britain.

Steve Varnom plays King Custennin, Merlin’s father-in-law, in the series. I caught up with Steve, and he was kind enough to take some time out to answer some questions about the show for GIANT FREKAIN ROBOT. I’ve reviewed and commented a lot about the show previously, so it was interesting to talk with one of its stars, who also turns out to be a great storyteller.

The Man Behind King Custennin

I asked Steve Varnom what interested him in acting, and his answer was humanistically geeky! “I knew I wanted to be an actor very early in my life,” he explained. “I think it was seeing Star Wars for the first time that lit the fuse for me! I want to do THAT!” But it took time, he admitted. “I went to drama school in London (LAMDA) and was lucky enough to get a job with the RSC when I graduated. I’ve had a pretty varied career, a lot of ups and downs, like most actors. It can be a challenging career at times – a lot of disappointment and frustration, but when it’s going well, there’s nothing better in the world!”

Steve Varnom is an experienced stage actor who has toured the world. He was educated at the London Academy of Music and Dramatic Art (LAMDA) and went on to perform in two productions for the Royal Shakespeare Company, as well as numerous productions on London’s West End, the UK equivalent of Broadway. His stage credits are numerous.

Varnom has performed in A Clockwork Orange with music by Bono and The Edge. He was in Andrew Lloyd Webber’s The Woman in White as Count Fosco and understudied Michael Crawford, the legendary star of The Phantom of the Opera. His love of acting has long been about the camera, and he brought his stage success to roles on both Coronation Street and EastEnders, two long-standing British soap operas that have launched some of that nation’s biggest stars.

Advertisement

Custennin first appears in episode 5 of The Pendragon Cycle, when Merlin returns to his late wife’s home to apply to her father on Uther’s behalf. The tragic story of Ganieda and the bitterness between Custennin and Merlin are explored in episode 6, and in episode 7, as he rides in to help save the day as the Britons defend their island from invasion.

I asked Steve what interested him in the project and in the character Custennin, and what he liked about the character. “From the first audition scene I was sent, it was apparent this was a very well-written character,” he told me. “Custennin was complex and three-dimensional, with an interesting series arc. Believe me, this is something that you very rarely get. Before this, the screen roles I auditioned for were, for the most part, pretty dreadful – just cliched exposition devices, no real character, just there to make the series regulars look good! Usually, a meaty part like Custennin would be played by a “name,” so I was delighted when it was offered to me, and I decided to make the very most of it, to take chances with the character, to take a big swing!”

The Brotherhood Of The Cast

Talking a bit about the rest of the cast, Varnom was very excited by the production that was assembled. On social media, he and other members of the cast and crew have talked about how close everyone was on set.

“Jeremy Boreing and the team did an incredible job with the casting of the show – they gave amazing, ostensibly unknown actors who wouldn’t normally be cast in major roles the opportunity to show what they were capable of. It was a risk for them, but I think it paid off! They made some incredible discoveries with this show. I mean, Tom Sharp anyone?! What a find.” 

One of the show’s biggest strengths is the performances of its actors, especially that of newcomers like Tom Sharp in the lead as Merlin, Alex Laurence-Phillips as Pelleas, and actors without a “name” like Steve in major roles. It gave them a chance to exhibit their talents, rather than headlining big names that overshadow the story.

Steve explains, “The cast became very close during the months we spent together in Budapest. I made some lifelong friends. Tom, Alex and I bonded on the very first day of principal photography. The first sequence we shot was the dock scene, the climax of episode 5. It was a BIG scene which demanded a lot of focus and emotional intensity – we were thrown in at the deep end, quite literally in Alex’s case. It became immediately apparent that I was working with actors of real quality – you never really know until you’re toe to toe in a scene!”

Advertisement

Of the star of Rise of the Merlin, he said, “Tom and I quickly established a great working relationship. He approaches the work the same way I do – he’s a hard worker, he takes it seriously, he turns up with ideas. Alex astonished me, too,” he added. “This was his first professional job, fresh from drama school! Incredible. Such composure and professionalism, he’s going to have a big career!”

The relationships didn’t end when the camera stopped rolling, either. “Tom, Alex and I speak very regularly, but I also got really close with Myles (Uther), Finney (Aurellius), and George Osborne (Lot) too. Great guys. My brothers from other mothers! I’ve never worked with a company of actors who bonded together like this one.” This chemistry was all over the screen in The Pendragon Cycle and made vivid the kinship amongst the Britons.

About his character, he told me, “One of the things I loved about Custennin’s character was his sense of humor. There was a hint of it in the script, but I decided to lean into it. A lot of the other characters are pretty serious, so I thought it was a great opportunity to make him more relatable, and, even though he’s Atlantean, more human!” Custennin is grieving when we first meet him, but Steve’s performance highlights the contrast between Custennin who is grieving and the genuine and powerful king.

Becoming King Custennin Means Sword-Fighting And Speaking Atlantean

Custennin lives in the 5th century, and as a king, is responsible for leading warriors into battle and fighting himself. I spoke with Steve about his sword-fighting experience and how it helped him play the character, especially since he loses an arm during the story.

While I’d bet this lifelong Star Wars fan probably got early practice pretending to wield a lightsaber as a kid (didn’t we all!), it turns out Steve is an experienced swashbuckler. “I’ve done quite a lot of sword-fighting for jobs in the past, mostly in the theatre, when I worked with the Royal Shakespeare Company, for example,” he said. “The challenge with Custennin was doing it with one arm! I’m a righty, so welding swords with my left felt so unnatural. We had an amazing stunt and fight team in Hungary, though, and they choreographed some really stunning sequences for us. Those guys made us look good!!”

Custennin’s appearance in the final battle, during which he smacks people around with a very unusual weapon, was priceless, and calls to mind what he said about “taking a big swing” with the character. For Steve, this was as literal as his portrayal of Custennin’s emotional range.

Custennin is one of the Fair Folk who hail from Atlantis, so his character needed to speak the Atlantean language like a native. Steve told me how he made it look easy: “I had fun with the Atlantean language! Rose, Tom, Emree and I worked with Spencer Klavan, who devised the entire language, and I think he did an amazing job. It adds a level of authenticity to the world-building – like Elvish in Lord of the Rings, or Dothraki in Game of Thrones. It was challenging to nail it, but very rewarding when it came together. I didn’t have as much as the other guys – they had pages and pages of it!”

Advertisement

That’s right, scholar Spencer Klavan invented an entire language for the show, just like Tolkien did for The Lord of the Rings.

Living the Medieval Life

I’ve praised the set in the past, and my favorites all revolved around Custennin. His stronghold of Goddeu was beautiful and realistic, and the war camp and final climactic battle against the Saxons all had an authentic feel that reminded me of the Society for Creative Anachronisms’ medieval-themed wars.

“The sets and locations were incredible,” Varnom told me. “They brought such a feeling of authenticity to the show – something you wouldn’t get if you were filming on a backlot or against green screen. Goddeu was a fabulous set – it’s basically an entire town that was originally built for another show, The Last Kingdom, I believe. Our design team repurposed it for Pendragon, and I think they did an amazing job. I particularly liked how they designed Custennin’s great hall, which was brought to life by Kris Kimlin’s extraordinary lighting design. So atmospheric. It certainly made my job easier, being in those surroundings. My abiding memory of those sets is how cold it was! You can see our breath steaming in those scenes – that’s not CGI! The war camp and the battle scenes were the same, up to our knees in freezing mud, huddling around portable heaters between takes!”

Also noteworthy were The Pendragon Cycle’s camp and battle scenes, and hearing Steve talk about working in them and the conditions during filming really brings home what we see on the screen. People like King Custennin and his allies historically made such encampments to fight real wars, just like the ones we see on the show. Steve’s experiences on set emphasize what we can’t feel when we see them huddling around campfires and in tents or grappling with enemies in a field of blood and mud.

I asked Steve what his favorite scene was to shoot. He replied, “I loved Custennin’s very first scene, when Merlin and Pelleas arrive in my hall. Tom and I were really looking forward to shooting it, as it was such a meaty, emotionally complex scene for both of us. We finally did it toward the end of the shoot, and it was a joy. Working opposite an actor of Tom’s caliber just makes it so easy. We fired off each other and discovered some really fun, interesting moments.”

Meanwhile, as a viewer, he admitted, “I have so many favorite scenes, but I think the dock scene stands up as one of the dramatic high points of the series.”

Advertisement

Life After The Pendragon Cycle For Steve Varnom

Fans are desperately hoping for a second season, and I couldn’t help but wonder if Steve would return to fill Custennin’s throne. He admitted, “I’d love to play Custennin again. He’s such a gift for me, such a rich character. I’m so delighted he’s been received well by the viewers of the show, and I hope to strap on that metal arm again very soon!”

Talking about how many actors are getting their start from The Pendragon Cycle, I asked Steve how his appearance on the show has affected his own career. The transfer from stage to screen wasn’t easy for the actor: “It’s difficult for an “unknown” actor to score decent roles in movies and tv shows – producers always want actors with profiles, it maximizes their chances of success and viewing figures, so when I was offered Custennin it meant such a lot. My profile is rising, thanks to this show, and I’m beginning to be considered for the types of roles I’ve always wanted. I’ll always be grateful to Jeremy for believing in me and trusting me with such a great character!”

Other roles have also materialized for him. “Later this year, you’ll see me in a very unusual movie, a Western called Run Honey Run. I play the villain, Brigham Thorne, a demented, murderous Mormon banker, and I had such a blast with him. It’s written and directed by Baylee Toney, who I think is going to be a major player in the business, and it also stars a couple of my Pendragon cohorts – Myles and Alex! I think it’s destined for cult status. Can’t wait for people to see it!” Steve Varnom having fun led to an excellent performance in The Pendragon Cycle, so I’ll be looking for Run Honey Run to see what happens when he’s allowed to cut loose as a villain.

Given the trajectory of his career, I asked him what advice he had for other up-and-coming actors, but his advice is resonant wisdom for all creatives. “The best advice I can give to up-and-coming actors is to believe in yourself,” Steve told me. “It can be a hard slog, but keep working at your craft and hold onto that belief. Most importantly, when an opportunity comes along – and it might take years for that to happen – don’t waste it. Don’t play it safe, take a big swing!”

A big swing, indeed.

Advertisement

See Steve Varnom take his big swing as King Custennin in The Pendragon Cycle: Rise of the Merlin, streaming in its entirety on Daily Wire+.


Source link

Advertisement
Continue Reading

Entertainment

Blueface Responds To Adin Ross $100K For Fight Against Chibu

Published

on

Blueface Responds After Adin Ross Reveals $100K Fine For Contract Breach In Boxing Match Against Chibu

Things are heating up outside of the boxing ring as Blueface and Chibu’s recent Brand Risk fight continues to spark conversation. Streamer Adin Ross, who hosted the fight has the timeline talking after taking to his platform to share that he plans to take legal action against the Blue. Well, Blueface didn’t hesitate to respond and even dropped a few receipts of his own.

RELATED: Fair Fight? The Internet Weighs In After Blueface Faces Off Against Streamer Chibu In Celebrity Boxing Match (VIDEOS)

Adin Ross Plans To Take Legal Action After Blueface Claims The Fight Was Rigged

On Friday, a clip of Adin Ross accusing Blueface of breaching his Brand Risk contract began making rounds online. The streamer claimed Blueface violated multiple parts of the agreement.  He also said Blueface broke a confidentiality clause by speaking publicly about payment details.

Adin said, “He’s supposed to wear a Rainbet patch on his shorts. He didn’t. And he’s gonna have to pay $100,000 for that. Breached another confidence, like he can’t speak about anything money, how much he got paid or what not. And we asked him to retract his statements, and he didn’t. We gave him some time. We didn’t wanna do it. Now we’re gonna do it.”

He went on to claim he really wanted to pay Blueface. Even stating that he tried working out an agreement with both him and Wack 100. While speaking on how he conducts business, Adin made it clear that every contractual fighter from the event was paid except Blueface.

He added, “Every actual contractual fighter got paid… except him. Why? Because you can’t go around saying it’s rigged, and you can’t not wear a Rainbet patch on your shorts when you contractually sign an obligation. And, yeah, you can’t talk about how much you’re paying or being paid. So, yeah, it sucks because he is probably one of the worst people to ever work with when it comes to business, ever.”

Blueface Quickly Claps Back At Adin Ross’ Claims

Blueface hopped on X to respond to Adin Ross. The rapper began tweeting, “Looking for a way not to pay is not a good look ima get mines regardless.”  Adin Ross quickly clapped back, claiming Blueface only needed to retract his “rigged” comments to receive payment.

Advertisement

Adin wrote, “You’re so unintelligent all you had to do was retract what you said about s*** being rigged and you would’ve been paid in full. Take some accountability like a grown man you are, you lost. You breached your contract, that you signed… that’s nobody’s fault but you. Do not sign and agree to a contract if you’re going to breach out that’s how the law works dummy. Everyone else got paid out quick, but you because you breached. All you had to do was drop the tough guy act, retract what you said about s**** being rigged, and you would’ve been paid in full.”

Blueface appeared unfazed and continued with a series of tweets, denying Adin’s claims and doubling down on his stance

The rapper wrote, “Never said how much I was paid the excuses are becoming evident was never contracted to wear a patch an even if I was fined 100k that’s not even half of what’s owed talking about retract my statement y would I do that if I was never compensated further proving my point this was bad business from the opponent changing a week before the fight an my original opponent still on the event.”

He also reposted a clip involving Adam22, where it was claimed he didn’t get paid for his fight with Jason Luv due to similar “rigged” accusations. Blueface tweeted , “Interesting pattern from such promotion.”

Blueface continued to question Adin’s credibility, alleging inconsistencies in his statements. Referencing a clip, he claimed Adin previously said, “I don’t want to be investigated,”. The rapper pointing out that Adin allegedly admitted he couldn’t bet on his own promotions, yet later appeared to bet on Chibu during his fight.

He also tweeted, “you been doing this buddy,” alongside a screenshot referencing a class-action lawsuit involving Adin Ross and Drake over their promotion of the gambling platform Stake.

Advertisement

Earlier this year, reports surrounding that lawsuit claim Drake and Adin Ross are being sued over their promotion of Stake. The  plaintiffs allege the platform operates as an illegal online casino disguised as a virtual currency gaming site. The lawsuit also accuses the pair of promoting gambling on livestreams using funds allegedly provided by the company, with plaintiffs seeking damages and penalties. Drake, who reportedly signed a $100 million deal with Stake in 2022, and Ross were also named in two similar lawsuits filed in October 2025.

Social Media Reacts 

Folks gathered under The Shade Room Teens comment section to react to the back-and-forth between Adin Ross and Blueface. Some agreed with Adin, saying if Blueface didn’t follow the contract, he brought the lawsuit on himself. Others argued that regardless of the contract, Blueface should still be paid. Fans say that many tuned in to watch him box.

Instagram user @tyeczn wrote, “all ima say is adin one of them yt people you gotta watch when you doing business with”

Instagram user @b.i.r.d_ added, “Oh he mad asf blue called him out 😂 called him out typical Karen”

Advertisement

While Instagram user @nikki200000000000 wrote, “Y’all always making stuff a race issue. Blueface just talks too much hell”

Instagram user @rlm_phil wrote, “Ya making it seem like Blueface didn’t sign a contract and understand all this before doing it it’s simple cause and effect, he brought him being sued upon himself”

Instagram user @kingar_ added, “Blue was saying some BS after the fight tbr.. We all watched the fight he definitely wasn’t the aggressor or landing more clean punches than chibu 🤷🏾‍♂️

While Instagram user @ethr33_ wrote, “Cancel Adin again bro. ion even like blue face but i’m rocking fa bro in this situation”

Advertisement

Instagram user @youcame2slay wrote, “Honestly he should still be paid. He was the #1 talent there that people wanted to see. You cannot use his name for promotion and not pay. He was the main fight.” 

Instagram user @maneshadorseygill added, “It’s still weird to not pay him anything at all tho leyou don’t get like participation credits lol”

While Instagram user @kingxxka wrote, “Yall did cheat the man he won the fight”

RELATED: Oop! Karlissa Saffold Harvey Shares Strong Words For Claressa Shields After She Spoke On Blueface Losing Recent Boxing Match

What Do You Think Roomies?

Advertisement

Source link

Advertisement
Continue Reading

Entertainment

Chris Pratt’s 8-Part Prime Video Action Thriller Is the Perfect Weekend Binge Before Its Season 2 Return

Published

on

Mercy Interview | Chris Pratt & Kali Reis

Before the Prime Video political thriller returns for Season 2, there’s no better time than the present to revisit The Terminal List. In just eight fast-paced episodes, Chris Pratt proved that he can do far more than superhero action comedies. In fact, he’s arguably at his best here as former Navy SEAL James Reece, a man who will stop at nothing to get justice for his family and teammates when tragedy strikes with a sudden precision that can’t be coincidental. Once you get sucked back in, it’ll only take a weekend for you to follow Reece to the depths of hell and back.

What Is ‘The Terminal List’ About?

Based on the hit thriller novel of the same name by former SEAL Jack Carr, The Terminal List introduces us to James Reece just before his entire world falls apart. After he returns home from active duty, having barely survived his last battle, he discovers a terminal brain tumor growing in his head just as his wife and daughter are murdered in his home. Framed and on the run, Reece tracks down the criminal elements involved in this conspiracy in a drama that exposes political and corporate corruption with loads of stylish gunplay and hand-to-hand combat sequences. As journalist Katie Buranek (Constance Wu) seeks the truth about Reece and his world — and his former teammate and CIA operative Ben Edwards (Taylor Kitsch) helps unravel the conspiracy — our hero finds himself crossing lines he never knew he could.

Advertisement

As Reece travels across the globe, the Prime Video series departs from the book in some respects but ultimately stays true to the task at hand. Full of political intrigue and interesting commentary about the way that the Armed Forces are exploited by the U.S. government, it’s Pratt’s commitment to the Reece character that really brings the whole thing together. After all, who doesn’t love a good, old-fashioned action hero who aims to avenge those he loves the most? Everyone from John Rambo to Jack Ryan can fit that bill, and James Reece is the next “J.R.” action hero to make such a powerful name for himself. Even as he tears through his opponents, there’s a part of us that can’t help but root for Reece, whether we can justify his actions or not.

Mercy Interview | Chris Pratt & Kali Reis


Chris Pratt Teases Season 2 of His Hit Prime Video Action Thriller Arriving Sooner Than Expected

‘Mercy’ co-star Kali Reis also gives an update on Zach Cregger’s upcoming ‘Resident Evil.’

Advertisement

While some criticized Season 1 for not getting deep enough into the psyche of Reece as he takes his revenge, the truth is that he’s not the type of man whose head you’d want to be in, given the state he’s in. Instead, he falls into the trademark action hero role with ease, lulling us into the usual brand of action entertainment that exists in movies like Shooter or The Equalizer. Of course, The Terminal List has a slight leg up on those productions in that it’s an eight-part series rather than a short-form feature film. The format is certainly to this book-to-screen adaptation’s advantage. It’s no wonder that Prime Video is the definitive streaming home of the action thriller.

Chris Pratt’s James Reece Is a Force to Be Reckoned With in ‘The Terminal List’

Chris Pratt stuns as James Reece in The Terminal List, so much so, to the point that viewers have become genuinely shocked by the lengths the character will go to. As Nate Richard wrote in his review of the Prime Video series for Collider, “He’s not your typical action hero, and some of the lengths he undertakes in his revenge tour would likely even make John Wick blush.” Anyone who’s seen the show knows this. It’s not exactly a secret that the infamous axe scene from the episode “Detachment” (which is Pratt’s favorite moment on the show) was nearly cut from the series entirely due to its graphic content. Beyond that, the sixth episode, “Transience,” is something of a mini-First Blood remake as Reece is hunted in the forest by FBI operatives on his tail, using his training to keep a safe distance as he obliterates his enemies. Forget his previous work on Parks and Recreation or Guardians of the Galaxy, The Terminal List is a different beast entirely, and James Reece is a genuine force to be reckoned with.

The good news for fans of The Terminal List is that if one weekend binge wasn’t enough, there’s already more to whet your appetite while we eagerly await Season 2, set to adapt Carr’s novel True Believer. A prequel series set seven years before the events of the original, titled The Terminal List: Dark Wolf, follows Reece’s buddy Ben Edwards as he’s expelled from the SEAL teams and drafted into an international operation, one that may eventually lead directly to his involvement in the events of the original series. Like The Terminal List, Dark Wolf is meant to be a continuous series, though the first season feels generally self-contained. There’s no better time than the present to revisit the extended world of James Reece.

Advertisement

Source link

Continue Reading

Entertainment

Zendaya shares best marriage advice and reveals what causes a lot of wedding drama

Published

on


The “Dune” actress shared her wedding tips after weeks of speculation that she secretly married Tom Holland.

Source link

Continue Reading

Entertainment

Collector-loved plushies from Jellycat, Squishmallows, and Bumbumz are on sale at Amazon — including a huggable Pikachu

Published

on


Plus, Hello Kitty, a Glinda Care Bear, and the cutest hot dog ever.

Source link

Continue Reading

Entertainment

Mira Sorvino Opens Up About Being Blacklisted By Harvey Weinstein

Published

on

Mira Sorvino

Mira Sorvino is reflecting on the lasting impact of Harvey Weinstein on her career, years after first speaking out about the disgraced film producer. The Oscar-winning actress was one of the women who shared their experiences in Ronan Farrow’s New Yorker article in 2017, which exposed decades of Weinstein’s sexual misconduct.

The Actress Rejected The Producer Thrice

Mira Sorvino
MEGA

In Sophia Bush’s podcast, “Work in Progress,” Sorvino reflected on what her Hollywood career would have been like if it weren’t for Weinstein’s meddling. As the actress told Bush, she didn’t work on a studio movie for two decades after rejecting Weinstein’s sexual advances for the third time.

“I was blacklisted for 20 years,” Sorvino stated. In 1996, Sorvino won a Best Supporting Actress Academy Award for her role as Linda Ash in the Woody Allen movie “Mighty Aphrodite.” She also starred in the sci-fi/horror movie “Mimic” and the comedy “Romy and Michele’s High School Reunion,” both released in 1997. However, her movie project offers dried up soon afterward.

“That really broke my heart because it felt like there was this dark hand of malice that had come into my life and stolen something that was rightfully mine away from me, just for me not wanting to sleep with this disgusting man, this disgusting human being, this evil, evil, evil predator,” Sorvino said.

Advertisement

Mira Sorvino Detailed Her Interactions With Harvey Weinstein

In the New Yorker article by Ronan Farrow titled “From Aggressive Overtures to Sexual Assault: Harvey Weinstein’s Accusers Tell Their Stories,” published in October 2017, Sorvino shared her experiences with Weinstein, which began in 1995.

Weinstein produced Sorvino’s movie “Mighty Aphrodite,” and while in a hotel room, the actress said Weinstein massaged her shoulders and tried to “get more physical” with her. She felt uncomfortable and told him that it was against her religion to be with a married man before scrambling out of the room.

Weeks later, she got a call from the producer asking for a meeting to discuss marketing for the movie. Sorvino suggested meeting at a diner, but Weinstein insisted on going to her apartment. She immediately asked a friend to come over and pretend to be her boyfriend. When Weinstein got there, she told him that her boyfriend was on his way, and the producer left.

As Sorvino told Bush, she rejected the producer for a third time, but it slipped her mind while speaking to Farrow.

Peter Jackson Confirmed Mira Sorvino Was Blacklisted

Peter Jackson
MEGA

Months after Farrow’s article was published, “Lord of the Rings” director Peter Jackson came out and said Weinstein and his brother Bob, whom he described as “second-rate Mafia bullies,” indeed blacklisted Mira Sorvino and fellow actress Ashley Judd, who also accused Weinstein of sexual harassment.

During the pitching stages of LOTR, Jackson told Weinstein that he was interested in casting the two actresses, but was told that they were “a nightmare to work with” and should be avoided “at all costs.” “I now suspect we were fed false information about both of these talented women – and as a direct result their names were removed from our casting list,” Jackson revealed to Stuff.

Advertisement

Miramax, co-founded by the Weinstein brothers, initially developed LOTR. However, Jackson didn’t like the way the brothers handled the project and no longer wanted to work with them. New Line Cinema took over as producers of the film. “Movie making is much more fun when you work with nice people,” the director said.

Mira Sorvino’s Father Was Outraged

Sorvino’s father, actor Paul Sorvino, was livid when he found out about the producer’s behavior toward his daughter. In 2018, months after the accusations became public, Sorvino told TMZ that he was furious. “If I had known it, he would not be walking. He’d be in a wheelchair,” the actor said.

He went on to say that he hopes Weinstein goes to jail because if he comes across him, the producer would be “lying on the floor, somehow, magically,” he stated. “He’s going to jail. Oh yeah. That son of a b-tch. Good for him if he goes, because if not, he has to meet me. And I will kill the motherf-cker. Real simple,” Paul explained.

Harvey Weinstein Called Peter Jackson A Liar

Harvey Weinstein arrives at Manhattan Criminal Court
Adam Gray SWNS / MEGA

In an interview with Weinstein from Rikers Island published by The Hollywood Reporter on March 10, the disgraced producer called Jackson a liar, referring to the director’s statement about him blacklisting Judd and Sorvino. He called Jackson “the worst,” adding, “It’s a complete f-cking lie. If he says it again, I’ll sue him too.”

In regard to the sexual assault accusations against him, Weinstein said he was guilty of cheating on his wife, but he didn’t consider the things he did as sexual assault, adding, “There were some women who knew exactly what was expected… not all of them were as naive as they liked to pretend.”

Weinstein, who is 73, is serving a 16-year sentence for a rape and sexual assault conviction in 2022.

Advertisement

Source link

Advertisement
Continue Reading

Trending

Copyright © 2025