Looking for the most recent Wordle answer? Click here for today’s Wordle hints, as well as our daily answers and hints for The New York Times Mini Crossword, Connections, Connections: Sports Edition and Strands puzzles.

Today’s Wordle puzzle has mostly common letters, so you might get it right awa. If you need a new starter word, check out our list of which letters show up the most in English words. If you need hints and the answer, read on.

Read more: New Study Reveals Wordle’s Top 10 Toughest Words of 2025

Today’s Wordle hints

Before we show you today’s Wordle answer, we’ll give you some hints. If you don’t want a spoiler, look away now.

Wordle hint No. 1: Repeats

Today’s Wordle answer has no repeated letters.

Wordle hint No. 2: Vowels

Today’s Wordle answer has one vowel.

Wordle hint No. 3: First letter

Today’s Wordle answer begins with S.

Wordle hint No. 4: Last letter

Today’s Wordle answer ends with K.

Wordle hint No. 5: Meaning

Today’s Wordle answer can refer to something that is smooth and glossy.

TODAY’S WORDLE ANSWER

Today’s Wordle answer is SLICK.

Yesterday’s Wordle answer

Yesterday’s Wordle answer, March 20, No. 1735, was OASIS.

Recent Wordle answers

March 16, No. 1731: DRAMA

March 17, No. 1732: CLASP

March 18, No. 1733: AMPLY

March 19, No. 1734: REHAB

What’s the best Wordle starting word?

Don’t be afraid to use our tip sheet ranking all the letters in the alphabet by frequency of uses. In short, you want starter words that lean heavy on E, A and R, and don’t contain Z, J and Q. 

Some solid starter words to try:

ADIEU

TRAIN

CLOSE

STARE

NOISE

Some movies age gracefully. Others age into prophecy. Network did the latter and then some. When Sidney Lumet released this ferocious satire in 1976 from a venomously brilliant script by Paddy Chayefsky, audiences didn’t laugh it off as some cute exaggeration about television news. They squirmed. The film landed like a brick through the newsroom window; biting, unnerving, and uncomfortably close to the truth even then. Nearly fifty years later it feels less like satire and more like a documentary with better lighting. Cable news shouting matches. Personality driven commentary replacing journalism. A nonstop outrage cycle designed to keep viewers emotionally hooked. Chayefsky didn’t just understand television. He understood America’s appetite for spectacle long before the algorithms figured it out.

The story kicks off when aging news anchor Howard Beale, played with electrifying intensity by Peter Finch, learns he’s about to be fired because the ratings stink. Instead of fading quietly into retirement, Beale cracks on live television and promises to kill himself on the air during the next broadcast. Not exactly the sort of programming decision that wins industry awards. But something strange happens. Viewers tune in. Ratings spike. Suddenly the breakdown is good television. Enter Diana Christensen, played with ice-cold ambition by Faye Dunaway, a programming executive who sees Beale not as a problem but as a product. Soon he isn’t a journalist anymore. He’s a spectacle. A televised rage prophet urging viewers to open their windows and shout, “I’m mad as hell and I’m not going to take this anymore!” America listens. The ratings explode. The network cashes in. If this all feels familiar, it should, we’ve been living inside that feedback loop for decades.

The emotional backbone of the film belongs to William Holden as Max Schumacher, a veteran newsman clinging to the dying belief that journalism should still mean something. Poor Max. He’s the last adult in a room full of ratings addicts. One of the film’s most devastating scenes arrives when Max confesses his affair with Christensen to his wife, played by Beatrice Straight. Straight detonates with decades of frustration and heartbreak in a performance so raw it feels almost invasive to watch. The scene lasts only a few minutes but it anchors the film’s wild satire in something painfully real. Straight won an Academy Award for it, and rightly so.

For a moment the movie stops being about television and becomes about the collateral damage people leave behind while chasing ambition; the spouses ignored, the families sacrificed, the human wreckage left behind while the ratings climb. We’ve seen the modern version enough times: star anchors imploding, cable personalities flaming out on air, influencers chasing the next outrage clip while the cameras keep rolling. Careers burn, reputations collapse, and the audience moves on before the next commercial break. Lumet and Chayefsky knew the truth the media machine still pretends not to see or care about: behind every viral moment there’s usually someone paying the bill while the network or platform counts the clicks.

Then comes the speech that still rattles around in your skull long after the credits roll. Corporate executive Arthur Jensen, played with thunderous authority by Ned Beatty, summons Beale to a dimly lit boardroom and calmly explains how the world actually works. Nations are illusions. Democracy is window dressing. The real power belongs to multinational corporations. In 1976 Jensen name-checked IBM, Exxon, and AT&T. Today you could easily swap those out for Apple, Amazon, Google, Microsoft, and Meta and the speech would land even harder. Chayefsky understood that television news wasn’t simply reporting events anymore, it was becoming part of the corporate machine that shaped them.

And that’s where Network starts feeling downright uncomfortable in 2026. The film predicted the outrage economy decades before anyone put a label on it. Turn on the television today and it’s emotional theater twenty four hours a day. Panels yelling. Personalities performing. Headlines engineered to keep viewers angry enough to stay glued to the screen. The business model is simple: outrage drives engagement and engagement drives revenue. Diana Christensen figured that out in about thirty seconds. Calm reporting doesn’t trend. Anger does. Journalism slowly mutated into entertainment, and entertainment eventually became politics.

Watching Network today is like opening a time capsule that contains tomorrow’s headlines. It remains wickedly funny, brutally intelligent, and powered by one of the sharpest scripts ever written about American media culture. But what really hits is how little of it feels exaggerated anymore. Chayefsky saw the trajectory clearly: once outrage becomes profitable, it becomes irresistible. The cameras keep rolling. The ratings still rule everything. And somewhere in the digital noise of modern media, Howard Beale is still shouting into the void, mad as hell, begging the rest of us to wake up before the show consumes everything.

Criterion gives Network the kind of restoration treatment the film has long deserved. The new 4K digital restoration presents the movie in Dolby Vision HDR on a dedicated 4K UHD disc, with the film’s original uncompressed monaural soundtrack preserved intact. Lumet never intended this to be a sonic spectacle. This is a film powered by dialogue, and the restored mono track keeps Paddy Chayefsky’s machine gun script front and center where it belongs.

The restoration comes from a new 4K scan of the original 35mm camera negative and is presented in the film’s original 1.85:1 aspect ratio. Dolby Vision improves contrast and shadow detail, but the image still looks like film from the mid 1970s should look. Grain is intact. The newsroom lighting remains harsh and clinical. The endless televisions scattered around the sets finally reveal more texture and depth than older transfers ever managed.

Audio stays faithful to the original theatrical presentation. The uncompressed mono track is clean and focused, which matters because this movie lives and dies by the rhythm of Chayefsky’s dialogue. From Howard Beale’s televised sermons to Arthur Jensen’s thunderous boardroom lecture, every word lands with the bite Lumet intended. Criterion did not try to reinvent Network. They cleaned it up, respected the source, and delivered the sharpest home video presentation this film has ever had.

Criterion also includes a strong slate of supplemental material. Director Sidney Lumet provides a feature length audio commentary that offers insight into the film’s production, the performances, and the controlled chaos of Chayefsky’s dialogue heavy script. The set also includes Paddy Chayefsky Collector of Words (2025), a feature length documentary by Matthew Miele that explores the legendary screenwriter’s life and influence. For those who want deeper historical context, The Making of Network (2006), a six part documentary by Laurent Bouzereau, takes viewers inside the writing, casting, and cultural impact of the film.

Movie Details

• STUDIO: United Artists
• FORMAT: Ultra HD 4K Blu-ray (February 24, 2026)
• THEATRICAL RELEASE YEAR: 1976
• ASPECT RATIO: 1.85:1
• HDR FORMATS: Dolby Vision HDR
• AUDIO FORMAT: LPCM Mono (48kHz, 24-bit)
• LENGTH: 121 mins.
• MPAA RATING: R
• DIRECTOR: Sidney Lumet
• STARRING: William Holden, Faye Dunaway, Peter Finch, Robert Duvall, Wesley Addy, Ned Beatty, Beatrice Straight

Our Ratings

★★★★★★★★★★ Picture

★★★★★★★★★★ Sound

★★★★★★★★★★ Extras

Where to buy:

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Gamers who remember sliding cartridges into their old Game Boy Color will feel right at home when they pick up the PicoPal. Its clear plastic shell displays all of the internal components while maintaining the classic shape and button layout of old. The small LEDs illuminate the directional pad and action buttons with customizable brightness, making them ideal for late-night gaming sessions when all you want to do is keep playing. And a 2.6-inch screen front and center displays lovely crisp colors on games that used to seem tiny on vintage Game Boys.

Hold the PicoPal and you’ll be surprised at how light and easy it is to slip into your pocket; it doesn’t feel like it’s going to bulge anytime soon. The buttons seem exactly right, with the firm tactile reaction that many players used to enjoy back then. The speakers are angled forward for good sound, but you can also use headphones if you prefer to be alone. A simple USB-C port on the side allows you to easily update and charge your device.

At the center of it all is a Raspberry Pi Pico 2 microcontroller. Some creative developers have managed to overclock it to 300 megahertz, allowing it to run through Game Boy and Game Boy Colour titles without lag. There’s a spare ESP32 chip ready for future wireless connections to be resolved. Games load directly from a microSD card, which can hold up to two terabytes if properly formatted, and the emulation software is based on some of the open-source projects available and appears to run everything just fine with a few tweaks to ensure it all works together smoothly across a wide range of titles.

It’s simple to navigate the menu and select a game, or to load up the last one right away, and you can even store your progress at any time and resume where you left off even if you turn the device off and on again. The deep sleep option preserves the last position you were in ready to go with little to no battery consumption. If you click one button when you turn it on, it can even function as a full-fledged MP3 player, streaming tunes directly from the same card with nice audio.

Battery life varies, however it can last anywhere from two to seventeen hours depending on screen brightness, volume, and whether the button lights are turned on or off. Most users appear to get approximately nine hours with the settings adjusted down slightly. There’s a decent solid DAC and amplifier combo that produces clean sound with no hiss or shaky bass. There’s even an IMU kicking around that can measure motion, possibly for future games or simply to show your G-forces during a vehicle journey.

Other nice touches include preserving screenshots as little files on the card and a fast-forward tool for sections that become repetitious. You may also choose from thirteen various color palettes or go with a lovely plain greyscale. With a rapid button combination, you can access the on-screen menu and change the brightness and other settings on the fly. The cartridge slot is now dormant, but there is plenty of area for future additions; you never know what they may come up with next.

For the truly dedicated makers, there are even more freebies, like a full open-source schematics firmware and a comprehensive bill of materials, allowing you to study the design, tweak the code, or even construct your own version. With future updates, you may expect the ESP32 to come to life for wireless connectivity and the like. Real-time clock support ensures that the time is kept accurate even after long interruptions.

If you’ve ever unlocked your iPhone at midnight, looking for a sleep playlist while already half asleep, Apple’s iOS 26.4 can make life easier for you. 

The iOS 26.4 release candidate is here, and among several additions, it introduces something called Ambient Music widgets. These are mood-based playlists that you can play with a single tap on your home screen (on the widget). 

What moods can you choose from?

So, from now on, you don’t have to open the app, search for the required playlist, and go through the three-step journey through Apple Music’s menus. The widgets cover four broad mood categories: Chill, Productivity, Sleep, and Wellbeing. 

You also get two widget sizes to pick from: the smaller widget features just one playlist (of your choice), while the larger version gives you one-tap access to all four moods at once. Both widgets are built on the Ambient Music feature, which first appeared in the Control Center. 

However, now it rests front and center on your home screen, where it’s hard to miss. 

Can you customize what plays?

Yes, and Apple has made the process quite seamless. Apple includes built-in playlist presets for each mood. Sleep, for instance, offers options like Sleep Sound, Bedtime Beats, Sound Bath, and Plano Sleep. 

However, if the curated options aren’t your thing, you can set your own custom playlists by long-pressing the widget and tapping “Edit Widget.” And before you even ask, the Ambient Music widget only works with Apple Music; it won’t benefit Spotify users. 

The Ambient Music widgets are just a tiny part of the new iOS 26.4 update. The release candidate also brings a Playlist Playground feature, eight new emojis, urgent reminder flagging in the Reminders app, and a Purchase Sharing update for family users. 

Microsoft is starting to rethink how much AI it really needs inside Windows 11, and that rethink includes dialing back Copilot. As part of its broader push to improve Windows quality, the company is reducing the number of Copilot entry points across the OS and its apps.

According to Microsoft, this rollback will begin with apps like Photos, Notepad, Widgets, and the Snipping Tool, where Copilot integrations had started to feel excessive. The change is part of a wider shift in Microsoft’s strategy of moving away from aggressively embedding AI everywhere and toward integrating it only where it actually makes sense.

Why is Microsoft pulling back on Copilot?

Let’s be honest, most users weren’t exactly thrilled with Copilot integrations. Over the past year, Microsoft has pushed Copilot into almost every corner of Windows, from the taskbar to system apps and even experimental features like notifications. But that approach hasn’t landed well with everyone.

Critics have pointed out that Copilot often felt forced, difficult to remove, and not always useful, especially when it showed up in places users didn’t ask for. Even internally, Microsoft seems to be acknowledging the feedback. The new statement suggests the company is now aiming to be more “intentional” about where Copilot appears, focusing on genuinely helpful experiences instead of everywhere by default.

What exactly is changing in Windows 11?

The biggest shift is simple: less AI clutter. Microsoft is reducing Copilot integrations across multiple apps and has already scrapped or scaled back some planned features, including deeper system-level integrations in areas like Settings, notifications, and File Explorer.

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This doesn’t mean Copilot is going away. Instead, the company wants it to feel more like a useful assistant rather than a constant presence. In practical terms, that could mean fewer pop-ups, fewer forced integrations, and more optional AI features. Recent updates also show Microsoft stepping back from automatically pushing Copilot into places like the Start menu or system notifications, signaling a broader course correction.

Hackers have compromised virtually all versions of Aqua Security’s widely used Trivy vulnerability scanner in an ongoing supply chain attack that could have wide-ranging consequences for developers and the organizations that use them.

Trivy maintainer Itay Shakury confirmed the compromise on Friday, following rumors and a thread, since deleted by the attackers, discussing the incident. The attack began in the early hours of Thursday. When it was done, the threat actor had used stolen credentials to force-push all but one of the trivy-action tags and seven setup-trivy tags to use malicious dependencies.

Assume your pipelines are compromised

A forced push is a git command that overrides a default safety mechanism that protects against overwriting existing commits. Trivy is a vulnerability scanner that developers use to detect vulnerabilities and inadvertently hardcoded authentication secrets in pipelines for developing and deploying software updates. The scanner has 33,200 stars on GitHub, a high rating that indicates it’s used widely.

“If you suspect you were running a compromised version, treat all pipeline secrets as compromised and rotate immediately,” Shakury wrote.

Security firms Socket and Wiz said that the malware, triggered in 75 compromised trivy-action tags, causes custom malware to thoroughly scour development pipelines, including developer machines, for GitHub tokens, cloud credentials, SSH keys, Kubernetes tokens, and whatever other secrets may live there. Once found, the malware encrypts the data and sends it to an attacker-controlled server.

The end result, Socket said, is that any CI/CD pipeline using software that references compromised version tags executes code as soon as the Trivy scan is run. Spoofed version tags include the widely used @0.34.2, @0.33, and @0.18.0. Version @0.35.0 appears to be the only one unaffected.

The FBI has issued a public service announcement warning that Russian intelligence-linked threat actors are actively targeting users of encrypted messaging apps such as Signal and WhatsApp in phishing campaigns that have already compromised thousands of accounts.

The FBI’s PSA is the first public attribution linking these campaigns directly to Russian intelligence services, rather than a broader description of just state hackers.

According to the FBI, the campaigns are designed to bypass the protections of end-to-end encryption in commercial messaging apps (CMAs), not by breaking encryption, but through account hijacks.

The FBI says the techniques used in these attacks can be applied to multiple CMAs but predominantly target Signal users.

Depending on the access they obtain, attackers can read private messages and contact lists, impersonate victims, and launch additional phishing campaigns as trusted people.

The FBI says the attacks have affected “thousands” of accounts worldwide and primarily target those with access to sensitive information.

“The activity targets individuals of high intelligence value, such as current and former U.S. government officials, military personnel, political figures, and journalists,” reads the FBI’s PSA.

The FBI’s attribution comes after earlier advisories from Dutch and French cybersecurity authorities that described similar account-hijacking operations.

Earlier this month, Dutch intelligence agencies warned that state-backed attackers were targeting Signal and WhatsApp users in phishing campaigns aimed at gaining access to secure communications.

The advisory highlighted that the attacks relied on tricking users into allowing attackers to add the account to their devices or link attacker-controlled devices to the account.

Today, France’s Cyber Crisis Coordination Center (C4) also published an alert about the same tactics targeting instant messaging platforms, stating the activity is widespread and ongoing across multiple countries.

Signal phishing attacks

All three advisories state that the phishing attacks follow the same tactic of bypassing the platform’s encryption by hijacking accounts or linking devices to an existing account.

The FBI says that most phishing messages impersonate support accounts, which request that the target perform an action that secretly grants threat actors access to the account.

Victims are typically tricked into sharing verification codes or scanning malicious QR codes that link their accounts (Signal and WhatsApp) to attacker-controlled devices.

Once the threat actors gain access to accounts, they can silently monitor communications, join group chats, and send messages as the compromised user, making detection more difficult and enabling further phishing campaigns.

The PSA emphasizes that encryption in Signal, WhatsApp, and similar platforms is not broken and no vulnerabilities are being exploited.

The FBI says the campaign has already led to unauthorized access to thousands of messaging accounts, which were then used to target additional victims.

Users are advised to remain suspicious of unexpected messages, be wary of requests to scan QR codes or link devices to their accounts, and never share verification codes with anyone, including accounts claiming to be a platform’s support personnel.

Malware is getting smarter. The Red Report 2026 reveals how new threats use math to detect sandboxes and hide in plain sight.

Download our analysis of 1.1 million malicious samples to uncover the top 10 techniques and see if your security stack is blinded.

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