SYDNEY — Rhoda Roberts AO, one of Australia’s most influential Indigenous arts figures, died on March 21, 2026, at age 66 after a battle with stage 4 cancer. The Bundjalung woman from northern New South Wales left an indelible mark on theatre, festivals, broadcasting and cultural advocacy, pioneering First Nations storytelling and protocols that reshaped Australian arts.

Born Rhoda Ann Roberts in 1960 in Sydney’s Canterbury Hospital, she grew up in Lismore amid a family of activists and achievers. Her father, Frank Roberts, was a civil rights advocate and pastor, while her cousin Francis “Frank” Roberts became Australia’s first Aboriginal Olympian. Facing discrimination and limited educational opportunities, she left school after Year 10, trained as a nurse and graduated in 1979 before pivoting to the arts in the mid-1980s.

Here are five essential aspects of her remarkable life and legacy:

1. **Pioneer of Indigenous Theatre and Festivals**
Roberts co-founded the Aboriginal National Theatre Trust in 1987–1988, one of the earliest platforms dedicated to Aboriginal performers and stories. She founded and directed the Festival of the Dreaming (1997), Sydney Dreaming Festival and the long-running Dreaming Festival (1995–2009), events that celebrated contemporary Indigenous culture on national and international stages. She also served as cultural advisor for the 2000 Sydney Olympics, Garma Festival director in 2010 and creative force behind Parrtjima Festival in Alice Springs, Boomerang Dreaming at Bluesfest and Shine on Gimuy in Cairns. Her work elevated First Nations voices in major events like the Rugby World Cup 2003 handover and Dubai Expo 2021.

2. **Trailblazer in Broadcasting and Media**
Roberts broke barriers as one of the first Aboriginal presenters on prime-time television and worked extensively in radio, television and journalism. She produced documentaries such as “In the Gutter… No Way” (1989) for SBS and held roles with Network Ten and ABC Radio. She received a Deadly Award for Broadcasting in 1998 and served as Elder in Residence for SBS and NITV. Recently appointed cultural lead for the Koori Mail newspaper, she remained a sought-after voice on Indigenous issues through her writing, speaking and consulting.

3. **Innovator of Welcome to Country Protocols**
Widely credited with popularizing and formalizing the Welcome to Country ceremony now integral to Australian public life, Roberts advocated for respectful acknowledgment of Traditional Owners. Her efforts ensured these protocols became standard at events, institutions and official gatherings, fostering greater cultural awareness and respect. Tributes highlighted this as one of her most enduring contributions to national reconciliation.

4. **Acclaimed Performer and Storyteller**
Roberts acted in films including Wim Wenders’ “Until the End of the World” (1991), “Stones of Death” (1988) and television series like “Blue Heelers” (1994). She performed in stage works such as Louis Nowra’s “Radiance” (1993 revival), “Please Explain” (1998) and “Bible Boxing Love” (2008). In recent years, she wrote, directed and starred in her acclaimed one-woman show “My Cousin Frank,” which premiered in 2024 with NORPA and returned to the Sydney Opera House in December 2025. The production shared the story of her cousin, the pioneering Olympian, and her family’s history on Cabbage Tree Island and Cubawee reserve.

5. **Honored Advocate Facing Personal Challenges**
Roberts received the Order of Australia (AO) for distinguished service to the performing arts, leadership, advocacy and promoting contemporary Indigenous culture. Other accolades included the Ros Bower Award (2019), Helpmann Awards’ Sue Nattrass Award (2018) and Sidney Myer Facilitators Award (1997). Diagnosed with stage 4 cancer in late 2025, she faced the illness with characteristic resilience. A tribute event at the Sydney Opera House in December 2025 drew 200 attendees, including prominent figures like the Governor-General, Prime Minister and arts leaders, to celebrate her life while she was still present. A GoFundMe raised support for medical costs and family needs, reflecting her deep community ties. She continued as First Nations Creative Director for NORPA, consultant with NIDA and practicing weaver until her final days.

Roberts’ influence extended to boards like the Sydney Opera House Trust (former), Indigenous Tourism Australia and MusicNSW. She lived on a 100-acre farm in northern NSW with partner Steven Field, embodying a holistic commitment to culture, family and legacy.

Tributes poured in following news of her death, with colleagues describing her as a “game changer,” “national treasure” and force for Indigenous excellence. Her work bridged commercial, community and non-profit sectors, inspiring generations of artists and advocates.

As Australia reflects on her contributions, Roberts’ legacy endures in the festivals she founded, the protocols she championed and the stories she told — ensuring First Nations voices remain central to the nation’s cultural narrative.