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New towns are back. But can we still build them?

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Stevenage Museum was closed when I visited. But the church above it was open. St Andrew & St George, an airy Modernist concrete structure with a huge stained-glass window completed in 1966, the year England won the World Cup, was hosting a pantry to help locals out with a free cup of tea and a meal. The atmosphere was welcoming but restrained, a few people chatting, an older man eating a sandwich on his own, perched on a plywood pew.

Stevenage was once the future, a model for a new way of living. Its Modernism, mostly low-rise, functional and compact, looks almost quaint nowadays: an expression of a paternalistic era of state-sponsored building and council housing. In the 1950s, architects and urbanists came from all over the world to study the bold experiment that it embodied. Now it has become a kind of Modernist heritage, a version of a future that might have been.

Situated 27 miles north of London, Stevenage was the pioneering manifestation of the New Towns Act passed by parliament in 1946. It would be rapidly followed by Basildon and Bracknell, Corby and Crawley and, later, Runcorn, Ravenscraig, Cumbernauld and Telford — some successful, others a little less so. London had been devastated by bombing in the second world war, with more than a million dwellings damaged or destroyed, and the energetic new Labour government wasted no time in planning for a future dispersal of residents to beyond the war-torn, ragged and still industrial capital.

A black and white photo from the late 1950s or early 1960s showing a sunlit view of cyclists on a cycle path and pedestrians on a footpath, well away from the motor traffic in the background
Stevenage in its early days, with dedicated paths for cyclists and pedestrians © Heritage Images/Getty Images
A black and white photo of families out shopping in pedestrianised streets of functional late 1950s architecture
Stevenage’s pedestrianised town centre shopping area in 1958 © Getty Images

Now new towns are back as another new Labour government touts them as part of the solution to the UK’s housing crisis. The last government’s ambitious housebuilding targets were stymied by its own rural and suburban MPs, fearful of their constituents’ ire. Nimbyism has been a powerful force in politics. Almost everyone agrees on the need to build more houses — just not near where they live.

The new government’s legislative programme, set out in the King’s Speech this summer, suggested that communities would get a say on “how, not if” new homes are to be built. If the government is to confront the issue, new towns such as Stevenage must surely be back on the agenda. But are they, ultimately, a good thing?

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Five people, four of them in high-vis jackets, walk up a street, past a row of houses and parked cars
Labour leader Keir Starmer and deputy Angela Rayner on a visit to Derby during the election campaign earlier this year, when one of the party’s key pledges was to build more affordable homes © Getty Images

Just before the election, the now deputy prime minister Angela Rayner revealed new visions of today’s towns of the future, renderings apparently created using AI that showed mistily nostalgic Edwardian-style red-brick mansion blocks, tree-lined streets and pavement cafés. Rayner, whose ministerial brief covers housing, suggested that only “attractive” homes would be built. Who, after all, objects to “attractive” housing? David Milner, director of the lobby group Create Streets (responsible for those images) writes: “We believe beautiful and sustainable design helps to boost housing delivery by winning over residents.”

The historicism of those machine hallucinations is a revealing echo of lingering British anxieties over style and modernity. The nation (or at least its developers) proved a little resistant to Modernism in the early 20th century, its public buildings veering between Neo-Georgian or Art Deco and its housing dominated by Artsy-Craftsy, half-timbered semis with the occasional stab at a more “continental” Modernism. 

Stevenage represented a clean break. At its heart was the UK’s first Modernist town centre. Its design remains largely intact today; strolling through its streets, with their canopies, benches, green spaces and play areas, gives a little blast of postwar urban utopianism. The pedestrianised streets (also the nation’s first) might be a little shabbier than in mid-century photos; there are plenty of charity shops, slot-machine joints and a few big empty hulks (a defunct BHS and Poundland) but the centre is still lively. 

One focal point is an abstract, sculptural clock tower, a ghost of that most municipal centrepiece of the Victorian city, here transformed into a Modernist monument to the place itself: a ceramic map of the new town on one side, on another a portrait of Lewis Silkin, the minister responsible for establishing new towns. When Silkin arrived in the small old town of Stevenage next to the site in 1946 he was confronted by protests about the 10,000 new council homes in the Hertfordshire countryside. “It’s no good you jeering,” he shouted over the crowd. “It’s going to be done.”

New developments provoke huge resistance and the UK’s planning system is immensely amenable to objections. It follows that the government’s plans are heavily skewed towards reform of the planning system. The quasi-religious sanctity of the greenbelt is sensibly being questioned, and areas identified as “grey belt” (which might consist of car parks, derelict buildings, transport sidings, agricultural structures or petrol stations) could be freed up. Analysis by estate agents Knight Frank suggests such sites might accommodate up to 200,000 homes, mostly in the south and particularly the areas surrounding London.  

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New towns, though, are something else. Although the government is consulting on potential locations, one of the most obvious sites is the Oxford-Cambridge corridor, a long-mooted plan for a “knowledge-intensive arc” that would have, more or less at its centre, the last and most successful of the UK’s new towns: Milton Keynes. This band of development could accommodate up to a million new homes and be planned around a revived Oxford-to-Cambridge rail line. One upside is employment and desirability — tech, biosciences and pharma are all well rooted here. The danger is proximity to London and the university cities — new towns could become dreary dormitory suburbs with little life of their own.

But whatever the risks, the need is there. According to a report by Schroders, the average house now costs nine times average earnings; in 1999 it was half that. If Britain is to house itself in the future, something will have to give.


Back at the church in Stevenage, I talked to rector Karen Mitchell. She introduced me to Jan and Mike Wilson who, she said, were the “real locals”.

“I’d been married for a year and I got a council house here after being on the waiting list for two weeks,” Mike told me. “When Stevenage was built, it was all council houses. Everything.” 

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Jan adds: “Now our granddaughter has been on the waiting list for years. And it’s hopeless, there’s always going to be someone more needy.” This is not just perception. There are currently 1.3mn households on local authority waiting lists.

Unlike the similarly cash-strapped postwar Labour government — which facilitated a huge programme of slum clearance, prefabrication and council housing (along with founding the NHS and the welfare state) — this government appears to suggest that the new housing will be delivered largely by the private sector. 

Is this really the best route? There is little incentive for developers to flood the market with new homes and risk lowering prices, while huge public investment is needed in creating a new town. The postwar new towns were built by development corporations, government-established bodies that oversaw their planning and infrastructure. But this kind of large-scale planning has faded away as local authorities have been successively starved of cash in the post-austerity years. The 300 extra planners the government has promised will barely make a dent.  

In 1946, as in 2024, a Labour government had to introduce legislation to create new towns. The question is whether we still have the same ambition and confidence. Stevenage was a determined statement of intent, of faith in modernity expressed through building. This was a town designed for the automobile age but with a pedestrianised centre and a station half an hour from London. What do we want towns to be now? Those twee pictures of Edwardian-style streets suggest a certain timidity. 

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A map of the new towns built in the three phases of post-war development

Just as important as how they look is how they work and how they are financed. One economic tool used to great effect after the second world war — and is being considered again — is land value capture. The change in designation of land from agricultural to residential use can result (according to a recent report by the Centre for Progressive Policy) in an uplift of around 275 times the original value. Land speculation in the UK has had a crushing effect on new development, with landowners sitting on land until its value soars through change of use. 

For the postwar wave of new towns, land was compulsorily purchased at its agricultural price — not including what is known as “hope value”, the expectation of uplift created by the proposals. The towns were then able to use that increase in the value of their holdings and reinvest in the community. Government assumed the risk and communities reaped the rewards. This method has faded away in the UK, yet the Dutch new town of Almere (often dismissed as dull but which I think is absolutely fascinating) managed to capture an astonishing 90 per cent of the uplift in value of its land for public infrastructure.

A black and white photo from 1912 shows a horse-drawn cart on an empty street with a thatched cottage on one side and bigger houses in the background
A street in Letchworth in 1912 © Getty Images
A black and white photo shows a sunlit view of a tree-lined residential street with semi-detached houses and a pair of parked cars
A 1950s view of Welwyn Garden City © Alamy

The vision of an enhanced community with the private house and garden at its centre also characterised earlier versions of the new town. Stevenage is sandwiched between Letchworth and Welwyn, two experiments in that much-studied English phenomenon, the garden city. The addition of the word “garden” has sometimes been used to appease objectors, as if sounding a little greener will assuage neighbours’ fears about the horrors of urbanity. The term is the invention of Ebenezer Howard, who wrote the short but enduringly influential Garden Cities of To-morrow (1898) — a book that emerged precisely from a fear of London as a traffic and smoke-choked hellhole.  

Garden cities were to be limited in scale, surrounded by inviolable green belts; to be walkable, connected by public transport; and to contain all the elements required for a productive and civilised life: factories but also theatres and social clubs, market gardens, back gardens and even forests. They employed Community Land Trusts (non-profit corporations that held the land on behalf of the community while also acting as long-term stewards of public space) to keep control and maintain a stake in future success. They were gently ridiculed at the time as priggish places of self-consciously Arts and Crafts cottages, socialist sandals and skittles, towns with no pub. Letchworth’s main industry was a corset factory and it boasted the world’s first traffic roundabout (1904).

But the idea proved astonishingly influential. It spread to Australia (Canberra was planned as a garden city), Singapore, Zelenograd near Moscow (Lenin was rumoured to have visited Letchworth), the US (Augusta, Georgia, Reston, Virginia and the New Deal Greenbelt communities), to Christchurch in New Zealand and Jardim América in São Paulo.  

If British garden cities are often mocked for their gentle suburbanity, you might also point to Milton Keynes, once derided as the zenith of late modern dullness but now a thriving city of more than 280,000 with an eccentric mix of architecture, landscape (influenced by prehistory and Stonehenge as much as by Los Angeles), “car-centricity” as well as walkability.  

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The confidence in the future that spawned Milton Keynes in the late 1960s has faded. As prime minister, Gordon Brown attempted to launch a new generation of new towns in 2007 and, to generate more enthusiasm, christened them “eco-towns”. David Cameron’s coalition government  jumped on the garden city bandwagon and attempted to build one at Ebbsfleet in Kent, though it still it looks suspiciously like any other estate of executive homes. It remains, however, one of the most promising sites for a major new town with its connections to high-speed rail and the capital. Then chancellor George Osborne subsequently downgraded his ambitions to the painfully quaint notion of “garden villages”. 


Building by decree is rarely straightforward. Take Palmanova, a garrison town established in 1593 by the Venetian Republic and intended as a model city. There are rumours that Leonardo da Vinci was involved and, even if he wasn’t, its form was certainly influenced by his designs, planned in a star shape for optimal artillery defence. It was a disaster. No one wanted to live there. The climate was wrong, the location dull, metropolitan life absent. In the end the authorities resorted to populating it with convicts who were gifted free homes in a desperate attempt to keep it alive. It is still a soporific rarity, an unattractive Renaissance town.

An aerial view of a city planned in a star-like shape with streets radiating outwards in concentric rings
The planned fortified city of Palmanova in northern Italy © Alamy

Cities thrive on unpredictability, culture and commerce but also a pinch of vice. That cocktail is difficult to plan for and utopian regulation often kills it. While sometimes lovely, ideal settlements founded by well-meaning industrialists (Titus Salt’s Saltaire, Cadbury’s Bournville or Czech shoemaker Bata’s Zlín) are tainted by worker-capture; the same idea as giving tech employees free snacks to keep them on campus.

2.8mnResidents currently housed in the UK’s postwar new towns

Then there is Poundbury, Britain’s own retro-royalist utopia — a future that looks like a feudal past, only with parking garages and a branch of Waitrose. Built on land outside Dorchester belonging to the Duchy of Cornwall, this new town/extension was built in a vernacular style with a touch of classical, a little Georgian and a sort-of-medieval picturesque street plan. It’s undeniably popular. 

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Meanwhile, our confidence in the future seems to have been hijacked by Big Tech billionaires with their missions to Mars and Moon-shots. For a while, “smart cities” seemed to be the future but these began to sound suspiciously like data-mining operations.  

If we have lost that faith in the future that characterised Stevenage, and the ability to build the necessary large infrastructure (see the sorry HS2 high-speed rail saga), what is left is to expand existing successful cities. This is where the “grey-belt” reappears, the easing of the urban corset. But there are problems in even agreeing to what a city (or a city extension) of the future might look like. 

A colour photo of modern houses built of red brick against a sunny blue sky
Poundbury in southwest England, a recent vision of old-world architecture © Universal Images Group/Getty Images

The recent extraordinary reaction of the political right, in both the US and the UK, to the idea of “15-minute cities” — spinning the notion of a walkable, dense and well-distributed conurbation into a conspiracy theory about state control limiting citizens’ access to neighbourhoods in their cars — hints at these problems. Urbanists want compact quartiers, Paris-style, with local bakeries and surgeries; many homebuyers want double garages, driveways and big gardens. And the big developers that operate something close to a cartel in the UK market (their influence is unique in Europe and the results have been dire) like these better too — easier to build, and no problems with pesky infrastructure.  

Perhaps to counter the pervasive presence and influence of the housebuilders, there might also  be space to accommodate self-builders and eccentrics, places designated for experiments in new ways of communal living, new forms of ownership, new kinds of architecture. The rhetoric at the moment leans towards design codes and control, which is fine. But if the government is revising planning law, it could revisit rules facilitating residents to build their own more individual homes, suited to their particular needs. Almere allowed residents to design their homes any way they wish, with no aesthetic controls. The results are occasionally bizarre but they also accommodate eccentricity and individuality. Are these not a critical element of the English sense of identity? 

The postwar British new towns now house 2.8mn people and were, in retrospect, an audacious and incredible success. If there is a lesson to be drawn from them, it might be that government needs to take a central role. This is not something that can be left solely to a private sector that demands short-term profit. There is also an opportunity to revisit the commodification of housing that has led to the crisis. There are other forms of tenure beyond home ownership.

Cities take time to build. If there are a few mistakes along the way, they can be rectified in the future. And we can take heart in one thing: this has been done before.

Edwin Heathcote is the FT’s architecture critic

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Morrisons shoppers rush to buy ‘gorgeous’ Sol de Janeiro dupes for £2 instead of £24

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Morrisons shoppers rush to buy ‘gorgeous’ Sol de Janeiro dupes for £2 instead of £24

SHOPPERS are rushing to buy dupes of popular Sol de Janeiro scents that they say smell “gorgeous”.

They’re on sale for a whopping £22 less than the big brand sprays.

Shoppers are rushing to buy dupes of popular Sol de Janeiro scents that they say smell "gorgeous"

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Shoppers are rushing to buy dupes of popular Sol de Janeiro scents that they say smell “gorgeous”Credit: B&M Bargains, Extreme Money Saving Deals and More/Facebook

One savvy shopper spotted the bargain buys and posted them on the B&M Bargains, Extreme Money Saving Deals and More Facebook group, writing: “Found these Body mists in a Morrisons local £2 they smell amazing smell lasted for hours I have one happy teenager.”

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The user also replied to a comment saying: “It’s a body mist Sol de Janeiro dupe sorry I am not a professional social media Guru.

“I was asking the lady in the shop she said they have gone into all Morrisons locals.”

Another shopper tagged their pal and commented: “Please go Morrisons I need them all.”

A second wrote: “Do they smell the same as the real ones, as we pay £40 for one bottle of real ones.”

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Posters replied stating “they smell basically the same” and “these smell so much stronger and like the real fragrances”.

A third posted: “They are gorgeous!!! I bought one just as a little handbag spray and the smell lasts days, my partner loves it!”

While a fourth tagged their friend and said: “If you see these let me know, please. Good stocking fillers.”

The Morrisons deal will likely not be around for long as the sign above the bargain bin states “when it’s gone it’s gone”.

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It’s always best to phone ahead to your local shop to check what they have available to avoid disappointment.

You can find your nearest Morrisons store using the locator tool on the website.

It always pays to compare prices so you know you’re getting the best deal.

There are dozens of similar-looking scents listed online at the moment.

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One savvy shopper spotted a dupe on sale at Boots and posted it on the Extreme Couponing and Bargains UK Facebook group, writing: “The boots spray smells even better and lasts longer than the original Sol de Janeiro and at a fraction of the cost.”

The pistachio, almond and salted caramel scent is an imitation of Sol de Janeiro’s flagship Cheirosa 62 Perfume Mist. 

The original branded product costs £24 for 90ml but is currently on offer at Boots for £19.20.

Earlier in the year Primark released brand new dupes, with a selection of different scents costing just £3.50 for 100ml.

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The pink version is Primark’s Hawaii Paradise Body Mist.

Best Sol De Janeiro Dupes

Here’s everywhere you can nab dupes of Sol De Janeiro products, from the iconic mists all the way to body butters…

Home Bargains

  • Glow Body Butter £4.49
    Scents: Vanilla Almond & Salted Caramel, Pink Lychee & Crystal Waters and Cherry Bomb & Jasmine Blooms
  • Glow Perfume Mist £3.99
    Scents: Vanilla Almond & Salted Caramel and Cherry Bomb & Jasmine Blooms

Primark

  • PS… Body Mists £3.50
    Scents: Hawaii Paradise, Capri Breeze and Maldives Sunset
  • PS… Post-Tan Body Butter £3
    Scents: Blood Orange

Poundland

  • Body Stories Body Mist £2
    Scents: Brazilian Bliss
  • Body Stories Body Butter £2.50
    Scents: Brazilian Bliss

It’s always a good idea to shop around to make sure you can find the best deals.

There are plenty of comparison websites out there that’ll check prices for you – so don’t be left paying more than you have to.

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Most of them work by comparing the prices across hundreds of retailers.

Google Shopping is a tool that lets users search for and compare prices for products across the web. Simply type in keywords, or a product number, to bring up search results.

Price Spy logs the history of how much something costs from over 3,000 different retailers, including Argos, AmazoneBay and supermarkets.

Once you select an individual product you can quickly compare which stores have the best price and which have it in stock.

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Idealo is another website that lets you compare prices between retailers.

All shoppers need to do is search for the item they need and the website will rank them from the cheapest to the most expensive one.

CamelCamelCamel is another option – but only for goods that are sold on Amazon.

To use it, type in the URL of the product you want to check the price of.

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How to bag a bargain

SUN Savers Editor Lana Clements explains how to find a cut-price item and bag a bargain…

Sign up to loyalty schemes of the brands that you regularly shop with.

Big names regularly offer discounts or special lower prices for members, among other perks.

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Sales are when you can pick up a real steal.

Retailers usually have periodic promotions that tie into payday at the end of the month or Bank Holiday weekends, so keep a lookout and shop when these deals are on.

Sign up to mailing lists and you’ll also be first to know of special offers. It can be worth following retailers on social media too.

When buying online, always do a search for money off codes or vouchers that you can use vouchercodes.co.uk and myvouchercodes.co.uk are just two sites that round up promotions by retailer.

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Scanner apps are useful to have on your phone. Trolley.co.uk app has a scanner that you can use to compare prices on branded items when out shopping.

Bargain hunters can also use B&M’s scanner in the app to find discounts in-store before staff have marked them out.

And always check if you can get cashback before paying which in effect means you’ll get some of your money back or a discount on the item.

Do you have a money problem that needs sorting? Get in touch by emailing money-sm@news.co.uk.

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Plus, you can join our Sun Money Chats and Tips Facebook group to share your tips and stories

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Maggie Smith, actor, 1934-2024

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It is a testament to how long, varied and celebrated a career Dame Maggie Smith enjoyed that it would be insulting to point to any one defining role. In fact, it is reductive even to consider one particular medium.

For film-goers, there’s her Oscar-winning performance in The Prime of Miss Jean Brodie (1969). For those who grew up in the 2000s on Harry Potter, Smith, who has died at the age of 89, will always be Professor Minerva McGonagall.

On the small screen, she glowered through Downton Abbey as the indomitable grandmother to a thousand memes, Violet Crawley, Dowager Countess of Grantham.

But many will argue that it is in the theatre that this most versatile of performers showed off a complete mastery that had critics and audiences enthralled, playwrights crafting their work specifically for her and male counterparts cowering in the wings.

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This versatility led to her winning a small mountain of acting awards, including two Oscars, four Emmys and a Tony — the so-called Triple Crown — as well as Golden Globes and Baftas.

In ‘The Prime of Miss Jean Brodie’ (1969), for which she won her first Academy Award © Alamy

Born in Ilford, Essex in 1934, she was brought up in Oxford where, at the age of 17, she made her stage debut playing Viola in Twelfth Night and her professional debut on Broadway four years later, in 1956.

As Smith herself succinctly put it: “One went to school, one wanted to act, one started to act, and one’s still acting.” Showing a particular talent for comedy, she appeared in revues and farces, before catching the eye of Sir Laurence Olivier, who recruited her for the National Theatre, where she quickly established herself as his peer, if not his rival.

Her range saw her triumph in plays by Noël Coward while also winning plaudits for the title role in a production of Ibsen’s Hedda Gabler directed by Ingmar Bergman. When her Desdemona transferred to the big screen, she received the first of several Academy Award nominations.

Following early screen appearances in The Pumpkin Eater (1964) and The Honey Pot (1967), in 1970 she won her first Oscar, Best Actress for The Prime of Miss Jean Brodie, and another in 1979 for Best Supporting Actress in California Suite.

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With her first husband, actor Robert Stephens, in 1970 © Daily Express/Hulton Archive/Getty Images

Throughout the next decades, she would collaborate with Merchant Ivory, Alan Bennett, Steven Spielberg and Agnieszka Holland on film, as well as appearing in plays by Oscar Wilde, William Congreve and Edward Albee. Peter Shaffer wrote 1987’s Lettice and Lovage specifically for her.

She was married twice, for eight years to actor Sir Robert Stephens — with whom she had two sons, actors Chris Larkin and Toby Stephens — and to playwright Beverley Cross from 1975 until his death in 1998.

In her later years, she never lost touch with her comic roots, appearing in crowd-pleasers such as Sister Act (1992) with Whoopi Goldberg and The Best Exotic Marigold Hotel (2011), alongside her close contemporary Dame Judi Dench.

After an 11-year break from the stage, she returned in 2019 in Sir Christopher Hampton’s one-woman show A German Life, in which she played a woman looking back on her youth, when she worked as Joseph Goebbels’ secretary.        

With Judi Dench in the 1986 Merchant Ivory film ‘A Room with a View’ © Alamy

Offstage, Smith made for an entertaining raconteuse on talk shows, whether reciting Sir John Betjeman for Sir Michael Parkinson with her frequent stage companion Kenneth Williams, or disparaging her latest manifestation of fame to Graham Norton. When the latter asked if she had ever watched Downton Abbey, she pursed her lips and drolly replied: “I’ve got the box set.”

She could have a spikiness and wit that Dowager Violet would have enjoyed, once saying of Glenn Close: “That’s not an actress, that’s an address.” Her irreverence was proof that no matter how many titles she received — she was made a Dame in 1990 and a member of the Order of the Companions of Honour, only the third female actor to receive such an honour, in 2014 — her character and freedom was as immune to praise and respectability as it was to criticism.

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As Professor Minerva McGonagall in ‘Harry Potter and the Philosopher’s Stone’ (2001) © Alamy
In Alan Bennett’s ‘The Lady In The Van’ (2014), directed by Nicholas Hytner © Getty Images

Tributes have come in from King Charles III and British political leaders from all parties, as well as co-stars and directors.

Sir Kenneth Branagh called her “unquestionably one of the greats”, going on to say: “It was an honour to work with Maggie Smith. A privilege to watch her. In tragedy, she made you catch your breath while she broke your heart. In comedy, she could get a laugh from a look or a line at any time she wished. She was sharp and prepared at work, exhilarating company away from it.”

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Exact word to spot on your 50p that could make it worth 700 times more – as rare coin sparks eBay bidding war

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Exact word to spot on your 50p that could make it worth 700 times more - as rare coin sparks eBay bidding war

AN EXACT word on your 50p coin could make it worth 700 times more as the rare coin sparks a bidding war on eBay.

The unique coin is said to be a must-have for collectors, selling for a whopping hundreds on the online auction site.

The rare coin sold for a whopping £350 on eBay

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The rare coin sold for a whopping £350 on eBayCredit: eBay

The rare 50p coin was issued in 2005 and features Samuel Johson’s Dictionary which saw its value skyrocket.

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The wording on the back of the coin makes it a unique piece of British decimal coinage.

What adds to this coin’s value is its rarity, making it a sought-after item that collectors are eager to obtain.

The auction on eBay revealed that four bidders attempted to snap up the rare coin which eventually sold for a staggering £350.

The seller received 5-star reviews from buyers who left enthusiastic comments praising the rare coin.

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“A+ pristine coin as advertised,” wrote one user.

Another commented: ” Great quality for coin collectors at a great price.”

While a third said: “Beautiful coin.”

It comes after a 50p coin proved to be a “true gem” thanks to its key details.

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The loose change rattling around in your pocket could be pieced together to form the Royal Shield of Arms design but it seems many people are unaware of this.

How to spot a 50p worth £50 and mule 20p that sells for £30

Matthew Dent redesigned the UK’s coins 16 years ago and now those designs are being replaced with the new UK coinage for King Charles III.

It was decided in 2005 that the country’s coinage was due an overhaul and The Royal Mint ran a competition for the public to submit their designs for the new-look coins.

Some 4,000 designs were submitted and The Royal Mint Advisory Committee selected Matthew Dent’s Royal Shield designs as the winner in 2008.

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The Royal coat of arms details a shield divided into four quarters representing EnglandScotlandWales and Ireland.

Matthew’s winning design replaced Christopher Ironside’s Britannia depiction originally on the reverse of all 50ps.

Matthew said at the time: “I felt that the solution to The Royal Mint’s brief lay in a united design, united in terms of theme, execution and coverage over the surface of the coins.”

Using all the coins ranging from the 1p to the 50p, they fitted together rather like a jigsaw and formed a complete shield – as could be seen on the £1 coin design issued from 2008 to 2015.

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The old round pound was then replaced by the 12-sided Nations of the Crown £1 in 2017 and have now been withdrawn from circulation.

However, the definitive 1p, 2p, 5p, 10p, 20p and 50p shield coins are still in circulation, which means the Royal Shield can still be collected and completed, Change Checker says.

To help you get started you can obtain your own Royal Shield Collector Pack which comes with the Royal Shield 1p, 2p, 5p, 10p and 20p, so all you need to look for is the 50p in your change in order to complete it.

How to sell a rare coin

If, after checking, you realise you’ve come across a rare coin, there are a number of ways you can sell it.

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You can sell it on eBay, through Facebook, or in an auction.

But be wary of the risks.

For example, there are a number of scams targeting sellers on Facebook.

Crooks will say they’re planning to buy the item and ask for money upfront for a courier they’ll be sending around.

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But it’s all a ruse to get you to send free cash to them – and they never have any intention of picking your item up.

It’s always best to meet in person when buying or selling on Facebook Marketplace.

Ensure it’s a public meeting spot that’s in a well-lit area.

Avoid payment links and log in directly through the payment method’s website.

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Most sellers prefer to deal with cash directly when meeting to ensure it’s legitimate.

The safest way to sell a rare coin is more than likely at auction.

You can organise this with The Royal Mint’s Collectors Service. It has a team of experts who can help you authenticate and value your coin.

You can get in touch via email and a member of the valuation team will get back to you.

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You will be charged for the service, though – the cost varies depending on the size of your collection.

Meanwhile, you can sell rare coins on eBay.

But take into account that if you manage to sell your item then eBay will charge you 10% of the money you made – this includes postage and packaging.

Always keep proof of postage to protect yourself from dodgy buyers who may claim they never received the item.

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Send the parcel by tracked delivery if you can as this way they can’t claim it never arrived.

Most rare and valuable 50p coins

WE reveal the Royal Mint’s most rare and valuable 50p coins in circulation.

Triathlon

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Minted in 2011, the Triathlon 50p depicts the same sport which featured in the 2012 Olympics.

There are more than 1,160,000 of the coins in circulation.

With over 200million 50ps circulating in the UK, that makes this coin quite a rare find.

The highest recent sale we’ve found on eBay recently was £30 on June 21.

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Judo

Judo is a popular sport that involves grappling with your opponent.

But despite the design, it’s not so easy to get a hold of this coin, of which there are just 1,161,500 in circulation.

The piece was designed by David Cornell after he won a national competition.

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It was minted in 2011 and the highest bid we’ve seen on eBay was for £17.95 on June 21.

Wrestling

Wrestling was one of the first Olympic sports so it’s not surprising that it features on one of the 50p pieces.

The 2011 coin was designed by Roderick Enriquez, a graphic designer from Hammersmith, London.

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We’ve seen it sell for as much as £15 online so is worth digging around for.

In recent months, one was sold on eBay for £11.95 on June 18.

Football

Of all the coins created to commemorate the 2012 Olympic Games, the 50p Football is among the rarest.

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It features an explanation of the controversial offside rule on it, with 1,125,000 produced.

One sold for £20 on eBay on June 11, although it has been known to go for as much as £75 in the past.

Kew Gardens

The Kew Gardens 50p is the rarest of all the 50p pieces, with only 210,000 in circulation.

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They have been known to sell for as much as £895 on eBay before.

The design was created by Christopher Le Brun RA and features the famous Chinese Pagoda with a leafy chamber that twists around the tower.

The coin often sparks the interest of new coin collectors due to its rarity.

The highest sale we found in recent weeks was £142 on June 22 with 23 bids.

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Collector Luca Bombassei on his love of the Memphis Group’s Ettore Sottsass

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The architect, collector and art patron Luca Bombassei is sitting comfortably on a long, pale sofa in the 15th-century Palazzo Contarini Corfù in Venice, just around the corner from the Accademia art gallery. He is surrounded with art and design, but there is a surprising diversity in his taste. Above him hangs a traditional painting — Canaletto’s “Architectural Capriccio with Classical Ruins” (1723) — and opposite that is a massive contemporary piece, “Life of Forms” (2017) by the American artist Nathlie Provosty.

“The idea was to create a dialogue between the two works, there are so many details in the Canaletto and then the Provosty is just all-black,” he says. Beside him on a table stands a sculpture by Ettore Sottsass of the Memphis Group of postmodern designers.

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The place almost dictates the art as much as the owner. In the adjoining library, a wall is covered with Venetian glassworks from the 1920s to the 1960s, displayed on shelving by Italian architect and designer Osvaldo Borsani. “When you live in Venice, you notice the special light that reflects through them,” Bombassei says. “They make me feel more Venetian!”

The large and dramatically lit painting is surrounded by, gilt wall mouldings, an ornate glass chandelier and a modern, boxy brown velvet sofa
‘Architectural Capriccio with Classical Ruins’ (1723) by Canaletto in the living room © Andrea Pugiotto

Bombassei was born in 1966 and lives between his flat in Venice, a masseria (fortified farmhouse) in Nardò, Apulia, and Milan, where his architectural practice specialises in the restoration of historical houses. “In Italy, there is a not a big distinction between architect and interior designer,” he says. “As I am a collector myself, I understand what it means to build a home around art, I have that sensitivity.”

He was brought up surrounded by art; his parents, the majority shareholders in the brake-disc company Brembo and collectors of traditional Italian art, still have an apartment in the neo-Gothic Casa dei Tre Oci on the island of Giudecca in Venice. As a young man he had to go through the cultural institute it housed at the time to get home in the evening. “My friends thought it was just incredible to live above a museum,” he laughs.

Bombassei’s Venetian home reflects the diversity of his taste, and he says he likes changing his mind and experimenting so that he can become “a better interior designer”. Along with the Canaletto and the Provosty, there is a portrait by Alex Katz (“East Interior”, 1979), an untitled Anish Kapoor wall sculpture from 1999 and Jenny Holzer’s 1987 LED piece “Laments: I am a man . . . ” which stands almost three metres tall, with red and yellow diodes spelling out the title. In his all-grey bedroom are a Sottsass Totem, a colourful stack of bulbous shapes, and a mushroom-like Gae Aulenti lamp. It is all shifted around regularly: “I always have a hammer and nails on me!”

A brightly coloured painted portrait of a woman in a stripy top is hung on a dark-blue wall, seen through an ornate, gilt-edged door frame
‘East Interior’ (1979) by Alex Katz
Two large, arched windows are hung with diaphanous blue curtains, either side of the stripy and bulbous Totem. The room has orange, cream and blue terrazzo floor and mirrored wall panels
A Totem sculpture by Ettore Sottsass and a Gae Aulenti lamp in Bombassei’s bedroom © Andrea Pugiotto (2)

Bombassei’s first love is Sottsass, of whom he has considerable holdings — from objects and furniture to limited editions. The designer, who experimented with colour, patterns and shapes and made furniture, glass and ceramic objects, was also an architect who worked in Milan. “He and his [Memphis] Group represented a period of innovation and they changed the way we think about design, bringing an artistic vision to design.” Together with Milan and Memphis, “Sottsass is my triangle of love.”

In Milan, Bombassei’s office is lined with wood panelling by Piero Fornasetti, a recreation of the decor originally in the Milanese apartment La Casa di Fantasia, designed by Gio Ponti for the Lucano family in 1952. In trompe l’oeil they show books, postcards and medallions on a floral background. The ensemble was bought at auction at Phillips in London in 2019 for £225,000.

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And then there is his home in Nardò, which he says gives him the space to commission large-scale works of art — not least an enormous yellow-and-blue work by the Swiss artist Olivier Mosset (“Wall Painting”, 2019), covering the roof. “When you walk on the roof you feel you are inside the work and at the same time you can see a 15th-century tower in the distance.”#

A man in trainers, cream-coloured trousers and a black jacket stands in a room with a chequerboard marble floor, next to a towering ancient male figurative sculpture
Bombassei in his entrance hall; the sculpture of Hercules dates to around 1650
Typical, terracotta-roofed Venetian houses and areas of greenery are seen either side of a canal
Palazzo Contarini Corfù in Venice is just around the corner from the Accademia art gallery © Andrea Pugiotto (2)

As well as overseeing his practice, Bombassei presides over the Venice International Foundation, which both helps safeguard the artistic heritage of Venice and promotes contemporary art. I am rather surprised by this — we meet during the Biennale, when the city is awash with contemporary art — but he explains that most Venetian foundations focus on what he calls the past-past. “We support the near-past, for example by sponsoring [this year’s Francesco] Vezzoli exhibition in the Museo Correr. Most people don’t see the wonderful Carlo Scarpa installations on the upper floor, so this encourages them to go up to see them as well as the Vezzoli,” he says.

What are his plans for the future? He looks a bit baffled, admitting that he hasn’t really thought about this. “I am so curious, I fall in love with new places and things all the time,” he says, so for the moment, he continues to plan, design and buy. As he says, “Collecting is a sort of addiction.”

lucabombassei.com

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High street bargain chain with 187 branches to shut ‘brilliant’ store TODAY as shoppers sob ‘a piece of history gone’

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High street bargain chain with 187 branches to shut ‘brilliant’ store TODAY as shoppers sob ‘a piece of history gone’

A MUCH-LOVED bargain shop chain is pulling the shutters down on one of its stores in just a few hours.

The Original Factory Shop confirmed the closure of another location in Kent.

The Original Factory Shop confirmed the closure of the site in Deal, Kent

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The Original Factory Shop confirmed the closure of the site in Deal, KentCredit: Alamy

The discounter, known for its bargain prices, is closing its branch in Deal today, Saturday 28.

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TOFS said the site, labelled “brilliant” by shoppers, will be shutting at the end of September.

The retailer thanked local shoppers for their support over the years.

A spokesperson from The Original Factory Shop said: “After the landlord informed us that they were redeveloping our Deal store, we were unable to renew the lease.

“We want to remain in town and our property team would consider any alternative suitable sites. We are working hard to support all of those colleagues that will be affected and seeking to redeploy them across our business.”

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The shock closure has left several local customers devastated, although the trader maintains around 190 branches nationwide.

One Facebook user said: “Such a terrible end to such a popular store.

“Obviously, this has not been a business decision as business was good, but another sign of the times.”

A second wrote: “Another piece of history and friendly staff gone.”

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A third commented: “I love this shop. I go to Deal, from Dover, regularly the main reason being the factory shop.

Britain’s retail apocalypse: why your favourite stores KEEP closing down

“Don’t think I will be shopping at Deal much after it closes.”

Another posted: “Oh no another brilliant shop closing but why? Love that shop.”

While a fifth said: “Such a shame. It was affordable and you could always get something good.

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“Now probably destined for townhouses and artisanal deli’s selling £4 sourdough bread.”

“That’s awful news,” another declared.

The closure is down to the building being redeveloped and the chain being unable to renew the lease.

After the Deal store closes, three of The Original Factory Shops will remain in Kent: Tenterden, Biggin Hill and Headcorn.

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Other The Original Factory Shop closures

The Deal store closure is not the only one to be announced by The Original Factory Shop this year either.

It has already pulled the shutters down on seven stores in recent months:

  • Brightlingsea, Essex
  • Bodmin, Cornwall
  • Chepstow, Wales
  • Fakenham, Norfolk
  • Harwich, Essex
  • Mildenhall, Suffolk
  • Padiham, Lancashire
  • Taunton, Somerset

It comes after the retailer, known for selling everything from clothing to homeware and stationery, shut a number of branches last year.

But it’s not all bad news, as it has been opening stores across the UK too, as it shakes up its presence on the high street.

The full list of stores that have opened since August 2023 includes:

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  • Kirkintilloch – opened August 24
  • Stonehaven – opened August 31
  • Blandford Forum – opened August 31
  • Haddington – opened September 7
  • Wetherby – opened September 7
  • Nairn – opened September 14
  • Ashbourne – opened September 14
  • Castle Douglas – opened September 21
  • Penrith – opened September 21
  • Inverness – opened September 28
  • Attleborough – opened September 28
  • Ayr – opened October 5
  • Ringwood – opened October 5
  • Perth – opened October 12
  • Lanark – opened October 19
  • Peterhead – opened October 26

Why are retailers closing shops?

EMPTY shops have become an eyesore on many British high streets and are often symbolic of a town centre’s decline.

The Sun’s business editor Ashley Armstrong explains why so many retailers are shutting their doors.

In many cases, retailers are shutting stores because they are no longer the money-makers they once were because of the rise of online shopping.

Falling store sales and rising staff costs have made it even more expensive for shops to stay open. In some cases, retailers are shutting a store and reopening a new shop at the other end of a high street to reflect how a town has changed.

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The problem is that when a big shop closes, footfall falls across the local high street, which puts more shops at risk of closing.

Retail parks are increasingly popular with shoppers, who want to be able to get easy, free parking at a time when local councils have hiked parking charges in towns.

Many retailers including Next and Marks & Spencer have been shutting stores on the high street and taking bigger stores in better-performing retail parks instead.

Boss Stuart Machin recently said that when it relocated a tired store in Chesterfield to a new big store in a retail park half a mile away, its sales in the area rose by 103 per cent.

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In some cases, stores have been shut when a retailer goes bust, as in the case of Wilko, Debenhams Topshop, Dorothy Perkins and Paperchase to name a few.

What’s increasingly common is when a chain goes bust a rival retailer or private equity firm snaps up the intellectual property rights so they can own the brand and sell it online.

They may go on to open a handful of stores if there is customer demand, but there are rarely ever as many stores or in the same places.

Retail woes

Other retailers, such as HomebaseBoots, and Clarks, have been reducing the number of their high-street branches.

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Rising rents, energy bills, and the cost of living have also caused many retailers to fail.

Several big retailers have fallen into administration in the past year, including Wilko, Paperchase, and most recently, The Body Shop and Ted Baker.

The Body Shop collapsed into administration on February 13, putting its almost 198 branches at risk of closure.

Since then, it has closed down 82 locations.

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However, it’s not all bad news for the high street, as several other retailers and hospitality venues have plans to expand.

Beer giant Heineken announced plans to invest £39million to help reopen 62 previously shuttered British pubs.

Aldi has announced that it will open 35 new UK stores.

The openings form part of Aldi‘s long-term target of 1,500 stores in the UK.

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The supermarket is set to invest £550million in expanding its UK footprint this year alone.

Aldi said each new store opening will create around 40 new jobs on average.

In recent months, Asda has been opening hundreds of convenience stores as it seeks to rival major players Tesco and Sainsbury’s.

B&M plans to open “not less than” 45 brand new stores across the UK in each of the next two consecutive years.

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Purepay Retail Limited, the parent company of Bonmarché, Edinburgh Woollen Mill (EWM), and Peacocks, has said it wants to open 100 new high-street stores over the next 18 months.

It has yet to give the exact locations where it will open the 100 stores or when they will open.

One of the UK’s favourite bakery chains, Greggs, has exclusively revealed to The Sun plans to open more outlet branches by the end of 2025.

Home Bargains, which was running just under 600 branches as of last June, has said it wants to “eventually have between 800 and 1,000 retail outlets open”.

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The major discounter has stopped short of saying when it wants to reach the 1,000 store target, however.

Primark is also opening new branches and investing and renovating more than a dozen of its existing shops.

Screwfix is set to open 40 new stores nationwide as its owner, Kingfisher, seeks to expand the DIY brand’s national presence.

The brand opened two new stores in March, and a further three new shops will open this month.

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Do you have a money problem that needs sorting? Get in touch by emailing money-sm@news.co.uk.

Plus, you can join our Sun Money Chats and Tips Facebook group to share your tips and stories

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Celeb-loved English hotel on its own island that you can only visit at certain times of day

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Burgh Island Hotel is the largest structure on Burgh Island, featuring a Mermaid Pool and stunning views

A TINY English island has a hotel that you can only visit at certain times of the day.

Located on a tidal island, Burgh Island Hotel is cut off twice a day by the tide – although the times can vary. 

Burgh Island Hotel is the largest structure on Burgh Island, featuring a Mermaid Pool and stunning views

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Burgh Island Hotel is the largest structure on Burgh Island, featuring a Mermaid Pool and stunning viewsCredit: Alamy
Burgh Island is a tidal island, meaning access by foot to the island is cut off during high tide

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Burgh Island is a tidal island, meaning access by foot to the island is cut off during high tideCredit: Alamy

Tides at Burgh Island change daily and can vary based on the weather conditions and tide height. 

But the tide meets and parts roughly every six hours. 

For example, on Friday 13th September, high tide was at 1:02 am and 13:53 pm, while low tide was at 7:27am and 8:34pm.

You can check the tide times on the Devon Tides website.

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Read more on island holidays

When it’s low tide, visitors can reach the island by foot. During high tide, there’s the Burgh Island Sea Tractor – a hydraulics tractor that’s able to drive through the sea. 

Members of the public can catch a ride on the tractor to the island from Bigbury-on-Sea and it costs £2 each way. 

Hotel guests, who the sea tractor is primarily used for, do not have to pay to ride it. 

The tractor operates 24 hours a day, Monday through to Saturday and Sunday, so hotel guests who don’t fancy walking during low tide can still hitch a ride. 

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Despite the unusual way of getting there, some very famous people are said to have stayed there.

Noel Coward, Winston Churchill, and The Beatles have all enjoyed a stay at the 3* star hotel in times gone by. 

I left iconic UK seaside town to live on tiny Scottish island with just 60 people

Burgh Island itself is a popular destination for tourists who want to enjoy its views and wildlife, as well as its golden sand beach for swimming, sunbathing, and fishing. 

Day visitors are welcome, with a visit to the Pilchard Inn pub recommended for lunch or dinner (reservations are required). 

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There are also vineyards on Burgh Island, such as Sandridge Barton, which offers tours, tasting and wine shopping. 

The island also plays host to regular events, including murder mysteries, island artist experiences, a Christmas and New Year party and a summer ball. 

Burgh Island Hotel is an Art Deco-inspired hotel and the location for one of Agatha Christie's popular crime stories

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Burgh Island Hotel is an Art Deco-inspired hotel and the location for one of Agatha Christie’s popular crime storiesCredit: Alamy
The Burgh Island Sea Tractor helps hotel guests get across to the island during high tide

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The Burgh Island Sea Tractor helps hotel guests get across to the island during high tideCredit: Alamy

‘I stayed at Burgh Island Hotel…this is what I thought’

Ryan Sabey stayed at the hotel in 2018 and shared everything the island and hotel has to offer guests and visitors

We had arrived following a comfortable three-hour train trip from London to Totnes then a taxi to Bigbury-on-Sea, where we first clapped eyes on the imposing hotel.

The only way to reach the Grade II listed building was by sea tractor.

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After loading our suitcases, tuxedo and evening gown on board, we took the five-minute ride to the island.

Walking into the hotel for the first time is like stepping back 100 years.

There is also the rest of the 26-acre island to enjoy. We explored it via several trails in the bracing sea air.

The end of the walk coincided with hitting upon the island’s 14th-century pub, The Pilchard Inn.

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Dressing for dinner in The Ballroom at the hotel is compulsory at this stunning Art Deco hotel on its small island 200 yards off the South Devon coast.

The hotel advises — and I wholeheartedly agree — to head to the bar for a “snifter” at around 7pm before dinner.

And twice a week, on Wednesday and Saturday nights, the house band will tempt you on to the dance floor.

The surroundings were on a par with the three-course dinner of ­lobster ravioli, pork loin and coffee macaroons.

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The hotel is probably best suited for adults and older teenage kids.

The cost to stay at Burgh Island Hotel varies depending on the dates and offers available. 

A one-night stay for two adults on October 10, 2024, starts at £427.99, including taxes and fees. 

Events take place all year round at the hotel, including murder mysteries and Christmas and New Year parties

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Events take place all year round at the hotel, including murder mysteries and Christmas and New Year partiesCredit: Alamy

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