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Gemini Gets New Notebooks Feature That Syncs With NotebookLM

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Gemini is getting a new feature in the form of notebooks, further integrating with NotebookLM, Google announced on Wednesday.

NotebookLM is easily one of Google’s best AI tools available. It allows you to add sources to a notebook and ask questions or generate a series of outputs, based only on the material you’ve given it, making it self-contained. 

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It’s different from the Gemini chatbot on its own, which will search the entire internet for an answer. NotebookLM’s answers are grounded only in your sources. It’s great for studying for school, getting prepped for work and even creative inspiration. There’s no wrong way to use it, and its flexibility lends itself to be explored, so it comes as no surprise that it’s getting further integrated into Google’s own chatbot.

Late last year, Google allowed you to add a NotebookLM notebook into Gemini so it would have all the context you added. Google says to look at notebooks as personal knowledge bases. You can add files, past chats and documents on a particular subject, and you can always jump back into that conversation with Gemini and pick up where you left off. Having a dedicated space to keep things in one place is great on its own for Gemini, but you can use those notebooks in NotebookLM, too. 

Notebooks make it easier to keep all the information on a particular subject in one place and give Gemini everything it needs without having to manually add details all over again. Now, that integration goes even further, and you can create notebooks directly in Gemini. 

Notebooks can be synchronized between Gemini and NotebookLM, making the data in one tool instantly available in the other. This means you can add artifacts to the notebook in Gemini and immediately have the option to create a Video Overview, Infographic or other outputs within NotebookLM. Having the same synced notebook in both tools allows you to use each tool in its own way with the same database.

When the feature is available, you’ll see a new notebooks section in the side menu bar of Gemini, allowing you to quickly create one or access others you’ve made in the past. 

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Google is rolling out Notebooks in Gemini to AI Ultra, Pro and Plus plans on the web, and will expand access to mobile, more countries across Europe and free users in the coming weeks. 

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Innovative Wristband Uses Sound Waves to Track Every Hand Motion and Direct Robotic Hands Wirelessly

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MIT Real-Time Hand Tracker Wristband
MIT engineers have created an innovative wearable wristband that can measure hand movements with super-high accuracy, even minor shifts in between. Dian Li, a graduate student, demonstrated the technology by moving her hands around as if she were in real life, and a robot hand on the opposite side of the room could duplicate every finger bend and palm tilt.



This little band employs tiny ultrasonic stickers that sit flat against the skin, just like a watch, and compact electronics around the size of a phone manage the processing, all of which sits snugly on the band itself. Sound waves enter the wrist and bounce off the muscles, tendons, and ligaments, creating a vivid black and white image of what is going on inside your wrist. And those images demonstrate how much the tissues stretch and glide as you curl or extend a finger.


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The team has compared tendons to puppet strings, and one of their team members, Gengxi Lu, stated that being able to take a snapshot of those strings at any one time provides a very precise picture of where your hand is positioned. Your fingers can move in a variety of ways, from basic bends to many various angles, and ultrasound images reveal every single one of these changes in crystal clear clarity. An AI algorithm then takes this information and explores all of the patterns in the photographs, learning how to match them up with the real motions, all with the help of some training from volunteers who have provided the program with a plethora of labeled samples.

MIT Real-Time Hand Tracker Wristband
So, during these recording sessions, volunteers sat down with cameras tracking their hand movements as the band collected ultrasound data. The AI then went through and studied the matched pairs until it was able to figure out the movements for itself using only a fresh image. Then, when they tried it on eight people with various hand and wrist shapes, they discovered that it recognized every single move, whether it was spelling out the 26 letters of American Sign Language, picking up a tennis ball, a plastic bottle, a pair of scissors, or even a pencil. And the forecasts came in quickly enough for them to apply it in real time without any issues.

MIT Real-Time Hand Tracker Wristband
It’s fair to say that other approaches are rather constrained in their own ways, yet this band manages to overcome all of them. Cameras tend to lose track if there is an obstruction in the path or if the lighting changes even slightly. Sensory gloves tend to get in the way and reduce touch sensitivity. Sensors that detect electrical impulses from the forearm may receive a lot of background noise and miss the subtle distinction between open and closed postures. The ultrasonic approach from the wrist avoids all of this by simply looking at the movement source directly, eliminating the need for any specific views or covers.
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The Metal Gear Solid movie is back on, with Final Destination: Bloodlines directors in charge

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A film adaptation of Metal Gear Solid is in the works again, this time from filmmakers Zach Lipovsky and Adam B. Stein, the directors of Final Destination: Bloodlines, according to The Hollywood Reporter. The duo are reviving the project at Columbia Pictures as part of a new first-look deal with Sony, the latest attempt in what’s been multiple decades of work to turn the blockbuster stealth game into a blockbuster film.

“Metal Gear Solid was nothing short of a groundbreaking cinematic masterpiece that forever revolutionized video games,” Lipovsky and Stein said in a statement. “We are thrilled and honored to bring Hideo Kojima’s iconic characters and unforgettable world to life.”

Lipovsky and Stein’s horror bona fides helped make Bloodlines a critical and commercial hit when it came out in 2025, and the directors have a variety of other IP-focused genre films in the works, including a sequel to Gremlins for Warner Bros. and an animated Venom movie for Sony. It remains to be seen how exactly the duo will translate Metal Gear Solid‘s unique quirks to film, though.

Metal Gear Solid is heavily indebted to director Hideo Kojima’s own taste in action and spy cinema, while also being in conversation with video games themselves in a way that wouldn’t naturally translate to film. And even if you removed those metatextual rough edges, can it really be Metal Gear Solid without Kojima’s equal parts charming and awkward writing?

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Attempts to create a film version of the game date back to 2006, when Kojima first shared that an adaptation was in the works. Columbia Pictures announced a new version of the film in 2012, with Avi Arad, former head of Marvel Studios, producing. In 2014, Jordan Vogt-Roberts, the director of Kong: Skull Island, was attached to direct that adaptation. And six years after that, Oscar Isaac was reportedly cast as Solid Snake. Arad and his son Ari Arad are still producing this latest take on the game, but with Lipovsky and Stein in charge, that older version of Metal Gear Solid is likely dead. Still, hope springs eternal that we’ll get to see a man hide in a cardboard box on the big screen someday.

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The 256GB Galaxy S25 FE really should have launched at this price

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Samsung’s Fan Edition phones have always existed to make the flagship experience accessible without the flagship price, and the S25 FE makes that case more convincingly than most, given where it now sits in the market.

That positioning gets even sharper with this deal, as the Samsung Galaxy S25 FE is currently down from $709.99 to $551.78, putting a phone with genuinely capable hardware well within reach of the mid-range budget.

Samsung Galaxy S25 FE on a sunset backgroundSamsung Galaxy S25 FE on a sunset background

The 256GB Galaxy S25 FE is now so cheap it’s barely more expensive than the base model

Samsung’s Fan Edition phones have always existed to make the flagship experience accessible without the flagship price, and this S25 FE deal makes that case more convincing.

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The display is where daily use begins and ends for most people, and the S25 FE‘s 6.7-inch FHD+ panel running at up to 120Hz gives scrolling and streaming a fluidity that screens locked to 60Hz simply cannot match in side-by-side use.

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Camera hardware is a triple rear setup led by a 50MP main sensor, supported by a 12MP ultra-wide and an 8MP 3x optical zoom telephoto, with ProVisual Engine processing working across all three lenses to boost colour, sharpness, and contrast in real time.

That processing matters more than the raw megapixel count, because it is what determines whether a shot taken in mixed lighting or against a bright background comes out usable or flat, and Samsung’s Generative Edit tools let you move, resize, or remove elements from a photo after the fact without needing a separate editing app.

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Power comes from the Exynos 2400 S5E9945 chipset paired with 8GB of RAM and 256GB of storage, which is enough headroom to handle multitasking and gaming without the thermal throttling that tends to surface on lesser mid-range processors under sustained load.

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The 4,900mAh battery is rated for up to 28 hours of video playback, and Super Fast Charging 2.0 support means top-ups are quick when you do need them, though the 45W charger is sold separately rather than included in the box.

Construction uses Armor Aluminium framing and Gorilla Glass Victus Plus, which gives the S25 FE a durability story that most phones at this corrected price point cannot match without asking you to compromise on something else.

This is the right phone for someone who wants Samsung’s software experience, a large display, and a dependable camera system without paying for the Ultra tier, and at $Y it is genuinely difficult to fault the value on offer.

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Court Dismisses Pepperdine’s Nonsense Trademark Suit Against Netflix Over ‘Running Point’

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from the rejected-at-the-rim dept

A little over a year ago, we wrote about a fairly silly lawsuit filed against Netflix (and Warner Bros.) by Pepperdine University in California for trademark infringement. At issue is the Netflix show Running Point, which is a fictionalized story of a female executive thrust into ownership of a professional basketball team, inspired by the Lakers’ Jeannie Buss, who is also an Executive Producer on the show. The show’s fictional team, which is supposed to be a reference to the NBA’s Los Angeles Lakers, is called “The Waves”. Pepperdine’s sports teams are also called “The Waves”, which the school claimed made all of this trademark infringement.

They were wrong about that, as we said in the previous post. Creative works are given wide latitude in trademark law, specifically in that the Rogers test typically applies. Even in the aftermath of the Supreme Court’s terrible ruling on parody in the case of the Bad Spaniels and Jack Daniels lawsuit, this was always a situation in which the Rogers test would definitely apply. Specifically, SCOTUS’ decision that Rogers doesn’t apply when the offending trademark is used as a source identifier, because we’re talking about a fictional team used in a wider work of fiction, meaning the use isn’t an identifier or any source.

Netflix and Warner petitioned for dismissal for those very reasons and the now the court has agreed and the suit has been dismissed.

U.S. District Judge Cynthia Valenzuela said ‌on Tuesday , opens new tab that the fictional Los Angeles Waves basketball team in “Running Point” did not violate the Malibu, California, school’s rights because the show did not use the “Waves” name and ​logo as trademarks.

The ruling goes into much more detail, of course. It very specifically examines whether the Rogers test applies, deciding it does based on the usage. For example:

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Here, Plaintiff fails to allege that the Waves mark was used by Defendants to exploit the success of Plaintiff’s sports teams or to create an association between the Running Point series and Pepperdine’s teams. Rather, at most, the FAC shows that the Waves mark is “immediately recognized” to identify the Running Point series, and that its use is synonymous with the series. These allegations, which Plaintiff concludes show that the Waves mark is used to “identify the show” are still not sufficient to show that the Waves mark was used as a designation of source for the series. Plaintiff’s repeated use of the words “identify” and “source-identification” do not actually show how the Waves mark was used to identify the source of the series. Rather, here, Defendants clearly claim to be the source of the series.

Finally, the Court is not persuaded by Plaintiff’s arguments regarding the marketing of the show or Defendants’ behavior in similar uses. Although Plaintiff alleges that Defendants’ used the Waves mark in marketing the Running Point series, this does not alter the Court’s above analysis that the Waves mark is not used to identify the source of the series. And the fact that Defendants have obtained trademarks in fictional businesses central to their shows in the past again does not show that Defendants have used the Waves mark to identify the source of Running Point here.

The ruling goes on to note that if Rogers applies, the Lanham Act does not. With source identifying out of the equation, the only remaining question is if the use in this case is artistically relevant. As the fictional team the main character owns, the name of that team is obviously artistically relevant.

Pepperdine has been given leave to amend its complaint into something that is actually legally sound, but I’m struggling to understand what that would even be. In lieu of an amended complaint, it seems that some creative works are still protected some of the time from nonsense trademark infringement claims, even in a post Bad Spaniels world.

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Filed Under: lanham act, likelihood of confusion, running point, trademark

Companies: netflix, pepperdine

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The iPhone Air was our most polarising phone of 2025, but this 28% discount makes it an easy recommendation

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Not long after the thin and light iPhone Air was launched in September, we crowned it the Phone of the Year for 2025 — not because it was the best phone ever, but because it was the most talked about handset at the time (and, arguably, I think it’s still the case today).

True enough, we’ve run a slew of stories on the iPhone Air that either heaped praise or criticised the phone to varying degrees — our full iPhone Air review called it “a new kind of Pro” handset, another of my colleagues called it “baffling”, while a third said they were conflicted about it (after using it for six months).

One major sticking point of the iPhone Air across our coverage was its steep AU$1,799 RRP relative to the specs, as it’s meant to replace the previous iPhone Plus models. My colleagues’ concerns were centred around the single camera lens and small 3,149 mAh battery.

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China Is Cracking Down on Scams. Just Not the Ones Hitting Americans

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Governments around the world have been struggling to address the rise of industrial-scale scamming operations based in countries like Laos, Myanmar, and Cambodia that have cost victims billions of dollars over the past few years. The operations often have ties to Chinese organized crime, use forced labor to carry out the actual scamming, and rely on vast money laundering networks to collect a profit. They have become so widespread and ingrained in the region that even major international law enforcement collaborations targeting individual scam centers or kingpins haven’t been able to stem the tide.

The FBI said this week that “cyber-enabled” scam complaints from Americans totaled more than $17.7 billion in reported losses last year—likely a major undercount of the real total, given that many victims don’t report their experiences. Some US officials say that a major barrier to comprehensively addressing the issue is the lack of collaboration with Chinese authorities. China’s efforts to address industrial scamming, they argue, appear aimed at reducing the number of Chinese citizens being impacted rather than comprehensively stopping the activity to protect all victims around the world.

“To its credit, China has cracked down on these operations, but it has done so selectively, largely turning a blind eye to scam centers victimizing foreigners,” Reva Price, a member of the US-China Economic and Security Review Commission said at a Senate hearing last month. “As a result, the Chinese criminal syndicates have been incentivized to shift toward targeting Americans.”

According to research the commission published in March, Beijing’s selective strategy has helped embolden some Chinese scammers, even those working within China, to continue operating so long as they exclusively target foreigners.

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Other US-based researchers have come to similar conclusions. From 2023 to 2024, China reported a 30 percent decrease in the amount of money its citizens lost to scams, while the US suffered a more than 40 percent increase, according to congressional testimony last year by Jason Tower, who was then the Myanmar country director for the US Institute of Peace’s Program on Transnational Crime and Security in Southeast Asia. In response to Beijing’s enforcement dynamics, Tower said at the time, “the scam syndicates are increasingly pivoting to target the rest of the world, and especially Americans.”

The United Nations Office on Drugs and Crime noted last year that scam centers have been diversifying their worker pools, shifting from predominantly trafficking Chinese nationals and other Chinese speakers to entrapping people from a broader array of countries and backgrounds who speak various languages. UN researchers attributed this change in part to attackers broadening their targets to include different populations around the world. But they added that the dynamic also seemed to be a reaction to Chinese enforcement and Beijing’s efforts to protect Chinese citizens.

“China is doing more to fight fraud—like orders of magnitude more—than any other country,” says Gary Warner, a longtime digital scams researcher and director of intelligence at the cybersecurity firm DarkTower. “But I would agree that the crackdown by China on people scamming China has squeezed the balloon so to speak and led to more international and American targeting.”

The Chinese government has spent years investing in national safety campaigns warning citizens about the threat of scams and how to avoid falling victim to them. Some of the public discourse attempts to appeal to a sense of national solidarity. There’s a common meme in China, 中国人不骗中国人, literally, “Chinese people don’t deceive Chinese people” that is used to signal trust when swapping restaurant recommendations or job leads. In the context of digital scams, a variant has emerged: “Chinese don’t scam Chinese.”

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Marvel just released Punisher: One Last Kill trailer and here’s everything you need to know

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Marvel Television just dropped the first trailer for The Punisher: One Last Kill, and it is exactly as intense as you would expect from a character who has never been particularly interested in playing it safe.

Jon Bernthal returns as Frank Castle this month on Disney+, and based on what the trailer shows, he is carrying a lot of weight going into this one.

The official synopsis describes Frank as someone who “searches for meaning beyond revenge, when an unexpected force pulls him back into the fight.” That is about as much as Marvel is giving away for now.

Punisher: One Last Kill trailer breakdown hints at major villain reveal

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The trailer opens with Frank in a raw, vulnerable state, and clearly wrestling with his past. His old friend Curtis Hoyle appears and tries to get Frank to open up about what is going on in his life.

The way Curtis flashes in and out of the scene leaves his exact status a little ambiguous, though he survived the events of the Netflix Punisher series and is presumed to still be alive.

Frank is shown isolated, sitting in what looks like a lockdown situation surrounded by guards, suggesting he may be in custody or under surveillance at some point in the story.

The trailer then cuts through a series of intense moments. Flashback scenes show Frank’s young daughter in their family home, revisiting the tragedy that led to his transformation into the Punisher in the first place.

There is also a shot of Frank leaving a red flower at a grave marked for Lisa Barbara, his daughter, with a watch resting on the stone beside it. These are the first looks at Frank’s family in years within this version of the character’s story. Curtis’s voiceover cuts through all of this with a blunt warning, telling Frank he has no chance at what lies ahead.

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From there, the trailer shifts into full Punisher mode. Frank tears through enemies using high-powered weapons and sheer physical force, jumping from buildings and shooting his way through anyone in his path.

The trailer’s final image is the one fans have been waiting for. Frank stands in his full Punisher gear and skull vest, outside a location called Gnucci’s Restaurant. This little detail is not an accident because the villain in Punisher: One Last Kill is most likely Ma Gnucci.

Who is Ma Gnucci in the Punisher comics?

For those who are not into Punisher comics, Ma Gnucci is one of Frank Castle’s most memorable adversaries. In the comics, she is the ruthless head of the Gnucci crime family, a powerful organized crime figure who operates out of New York City.

After Frank kills her sons, she declares all-out war on him, and what follows is one of the most chaotic and violent storylines in Punisher history. She is also notable for being depicted in a wheelchair, which makes her physically vulnerable but in no way diminishes how dangerous she is.

Her willingness to throw the full weight of her criminal empire at Frank makes her a credible and personal threat. No actor has been assigned the role as of writing, but the Gnucci’s Restaurant sign in the trailer’s final shot makes her involvement feel like a near certainty.

Who is in the cast of Punisher: One Last Kill?

Jon Bernthal leads the special as Frank Castle, a role he first took on in the Netflix Daredevil series before getting his own two-season Punisher show. Returning alongside him is Jason R. Moore as Curtis Hoyle, Frank’s closest friend and a former US Navy personnel.

Curtis appeared in both seasons of the original Netflix Punisher series, and his return here adds important emotional continuity to the story. The special is directed by Reinaldo Marcus Green, who co-wrote the script with Bernthal himself. Jon Bernthal also serves as an executive producer on the project.

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When does Punisher: One Last Kill release on Disney+?

The Punisher: One Last Kill will debut on Disney+ on May 12, 2026, at 6 p.m. PT and 9 p.m. ET. The special presentation lands one week after the finale of Daredevil: Born Again Season 2.

This is not the last you will see of Frank Castle this year. The Punisher is set to appear in Spider-Man: Brand New Day, the Marvel Studios and Sony Pictures collaboration arriving on July 31, 2026.

Whether Frank plays a major role or shows up as a supporting presence in Spider-Man BND is still unknown. But the idea of the Punisher and Spider-Man occupying the same story is genuinely exciting, and after seeing what One Last Kill appears to be setting up, I am very much looking forward to finding out.

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“Negative” views of Broadcom driving thousands of VMware migrations, rival says

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Amid customer dissatisfaction around Broadcom’s VMware takeover, rivals have been trying to lure customers from the leading virtualization firm. One of VMware’s biggest competitors, Nutanix, claims to have swiped tens of thousands of VMware customers.

Speaking at a press briefing at Nutanix’s .NEXT conference in Chicago this week, Nutanix CEO Rajiv Ramaswami said that “about 30,000 customers” have migrated from VMware to the rival platform, pointing to customer disapproval over Broadcom’s VMware strategy, SDxCentral, a London-based IT publication, reported today.

“I think there’s no doubt that the customer sentiment continues to be negative about Broadcom,” Ramaswami said, per SDxCentral.

Since Broadcom acquired VMware in November 2023, numerous VMware users have sought to reduce or end their reliance on VMware technologies. The most common drivers for migrations are that VMware is getting too expensive; users are being forced to bundle products; the company ended perpetual licenses; and VMware has become harder to work with after Broadcom culled channel partners.

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Broadcom’s strategy has made VMware unaffordable or impractical for most small- to medium-size businesses (SMBs) and narrowed VMware’s focus to enterprise-size customers.

Nutanix hasn’t specified how many of the customers that it got from VMware are SMBs or enterprise-sized; although, adoption is said to be strongest among mid-market customers as Nutanix also tries wooing larger customers, often by starting with partial deployments.

During this week’s press briefing, Ramaswami reportedly said that some of the customers that moved from VMware to Nutanix during the latter’s most recent fiscal quarter represented Nutanix’s “strongest quarterly new logo additions in eight years.”

“Most of the logos came from our typical VMware migrations on to the [hyperconverged infrastructure] platform,” he said.

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During the Nutanix conference, Brandon Shaw, Nutanix VP and head of technology services, said that Western Union has been migrating from VMware to Nutanix for six months, The Register reported. The financial services company is moving 900 to 1,200 applications across 3,900 cores.

Shaw said that Western Union has been exploring new IT suppliers to help it become more customer-focused. Despite Broadcom’s history of “decent lines of communication” with Western Union, Shaw said that Western Union had “challenges partnering with them.”

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GoZTASP: A Zero-Trust Platform for Governing Autonomous Systems at Mission Scale

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Register now free-of-charge to explore this white paper

A chip-to-cloud assurance architecture enabling secure, resilient, and safe autonomy across robots, sensors, and humans.

ZTASP is a mission-scale assurance and governance platform designed for autonomous systems operating in real-world environments. It integrates heterogeneous systems—including drones, robots, sensors, and human operators—into a unified zero-trust architecture. Through Secure Runtime Assurance (SRTA) and Secure Spatio-Temporal Reasoning (SSTR), ZTASP continuously verifies system integrity, enforces safety constraints, and enables resilient operation even under degraded conditions.

ZTASP has progressed beyond conceptual design, with operational validation at Technology Readiness Level (TRL) 7 in mission critical environments. Core components, including Saluki secure flight controllers, have reached TRL8 and are deployed in customer systems. While initially developed for high-consequence mission environments, the same assurance challenges are increasingly present across domains such as healthcare, transportation, and critical infrastructure.

Learning Outcomes for Audience

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  1. Explain the limitations of perimeter-based security models in governing distributed autonomous systems, and articulate why zero trust principles—particularly continuous verification and least-privilege access—are essential for multi-agent environments operating at the edge.
  2. Describe the role of Secure Runtime Assurance (SRTA) in enforcing safety constraints on autonomous agents in real time, drawing on approaches from runtime monitoring, formal verification, and safety-wrapper architectures.
  3. Evaluate how Secure Spatio-Temporal Reasoning (SSTR) enables context-aware decision-making across heterogeneous systems such as drones, ground robots, sensors, and human operators, and compare this with conventional coordination approaches.
  4. Identify the key engineering trade-offs involved in designing chip-to-cloud assurance architectures—including latency, computational constraints on edge devices, communication resilience under degraded conditions, and trust propagation across distributed networks.

Click on the cover to download the white paper PDF and explore how continuous assurance enables trusted autonomy at mission scale.

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Ctrl-Alt-Speech: Honey, I Shrunk the Kids’ Internet

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from the ctrl-alt-speech dept

Ctrl-Alt-Speech is a weekly podcast about the latest news in online speech, from Mike Masnick and Everything in Moderation‘s Ben Whitelaw.

Subscribe now on Apple Podcasts, Overcast, Spotify, Pocket Casts, YouTube, or your podcast app of choice — or go straight to the RSS feed.

In this week’s roundup of the latest news in online speech, content moderation and internet regulation, Ben is joined by Fadza Madzingira, a digital policy expert with a decade of experience at Meta, Salesforce, Ofcom and currently Twitch, where she leads the policy, outreach and education teams. Together, they discuss:

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We’re still yet to find a Ctrl-Alt-Speech 2026 Bingo Card winner — could this week be your lucky day? Play along.

Filed Under: child safety, content moderation, greece, oversight board, trust and safety

Companies: meta, twitch

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