Jessica Macrae spent weeks in intensive rehab after life-saving surgery left her unable to move or speak — but the determined four-year-old is now back on her feet and enjoying life again with her family.

A mother has said she is “so incredibly grateful” to medics who saved her daughter’s life and helped her learn to move and speak again after she suffered a brain tumour.

Four-year-old Jessica Macrae, from Bearsden in East Dunbartonshire, underwent surgery at the Royal Hospital for Children (RHC) in Glasgow last year after a tumour was discovered on the back of her brain.

This was followed by 12 weeks of intensive neuro rehabilitation, which saw her go from being unable to speak, eat or move, to getting her life back and enjoying every minute with her family.

Her parents Jude Pender, 40, and Andrew Macrae, 43, first noticed “worrying changes” in Jessica’s health in the summer of 2025.

“What started as headaches and feeling sick in the mornings gradually progressed to problems with balance and coordination,” Ms Pender said.

“It was very incremental, but there were lots of things that didn’t feel right.

“Her colouring in went from being fine for her age to very messy, she disengaged from gymnastics because she said it made her dizzy, and I noticed her walk had changed.”

After an initial visit to Accident and Emergency in August and several GP appointments, Jessica’s parents returned to the RHC in October when her symptoms worsened.

A CT scan revealed a mass at the back of Jessica’s brain, along with a build‑up of fluid.

“When the neurosurgeon came to speak to us, we knew it was serious,” Ms Pender said. “We were told Jessica would need surgery immediately.”

Jessica underwent surgery on October 17, and following a short stay in intensive care she was transferred to a ward.

Her recovery was initially extremely challenging, with little movement or responsiveness, and severe sickness, so medics took the decision to fit a “shunt” to drain excess fluid.

Although Jessica began to stabilise, she was unable to move or speak and required a feeding tube.

She also needed full assistance from two staff members for any movement.

Ms Pender continued: “The neurosurgeons did a great job with Jessica to get her to that point, and we are so grateful to them for saving her life.

“We also knew that it would take a team following the surgery to progress her movement, but we were never sure what the outcome would be.”

Ms Pender credited the intensive neuro‑rehabilitation Jessica then received with the RHC physiotherapy team for progressing her recovery to where she is today.

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Jessica remained in hospital for 13 weeks, with daily physiotherapy sessions taking place at her bedside, in the sensory room, gym and hydrotherapy pool.

“At the beginning, her rehabilitation was like fast‑tracking a baby’s development, learning to hold her head up, sit, crawl, eat and walk again,” Ms Pender said.

“Her main physio, Fiona (Norval), tailored every session to what Jessica enjoyed.

“They played games, set up obstacle courses and made everything feel fun. Jessica looked forward to her physio, and that made such a difference.”

Jessica was discharged in January and is continuing her recovery.

Her speech has returned, she is eating independently, her motor skills have “significantly improved”, and she is now able to walk with more stability and confidence.

She is now looking forward to celebrating her fifth birthday in April, with a fun-filled trip to a farm park with her cousins.

This is something her parents feared might not be possible just six months earlier.

“Jessica is such a happy little girl and has shown incredible resilience and determination,” Ms Pender said.

“She knows she has been unwell, but I don’t think she realises just how far she has come. We are so incredibly grateful to the teams who cared for her.”

Fiona Norval, a paediatric physiotherapist with NHS Greater Glasgow and Clyde, said Jessica’s determination throughout her recovery had been “incredible to see”.

“Her rehabilitation was intensive and challenging, but she approached every session with curiosity and enthusiasm,” she said.

“Our aim in paediatric physiotherapy is always to make therapy engaging and meaningful for the child, and Jessica’s progress is a testament to her hard work, her family’s support and the dedication of the wider multidisciplinary team involved in her care.”

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Confirmation has come from the Tees Valley Combined Authority (TVCA) that the five hubs across the region will remain open throughout the next three months, while procurement for the longer-term running of the hubs is “ongoing”.

The active travel hubs, located in Stockton, Hartlepool, Redcar and Darlington were all set to close temporarily at the end of March, while Middlesbrough’s hub was due to be axed for good.

Members of TVCA’s cabinet were blindsided by the cycling hub developments, but were pleased that a U-turn was undertaken before the end of March, meaning that all hubs would stay open in the upcoming months.

This immediate timeline has now been clarified, and while the future beyond July 31 is still not certain, a TVCA spokesperson said that the procurement process is ongoing and next steps will be confirmed once it has “progressed further”.

When the initial closures were announced, a TVCA spokesperson said they were “fully committed” to improving active travel options across the region. It was confirmed at March’s TVCA cabinet meeting that the combined authority’s active travel capability rating had been “downgraded” in the latest assessment, in response to a question about why there had been a reduction in funding.

Jonathan Spruce, director of infrastructure at the combined authority, explained to TVCA Cabinet on Friday, March 20 that approving the submission of the “local transport delivery plan” would allow TVCA to start using active travel funding to “enable the continuation” of hubs while looking at a longer term, “sustainable” arrangement. 

TVCA chief executive Tom Bryant apologised at the same meeting that active travel hub proposals hadn’t been brought to cabinet earlier, adding: “This short term intervention now buys us the time so that the hubs can stay in place while we work up with Cabinet what the future looks like.”

Mr Spruce spoke of the possibility of relocating some of the hubs if it were found to be beneficial.

When asked about a suggestion that the judge may have been biased because of an alleged personal link to an event involving Sir Sadiq, Mr Fawthrop replied: “He should have taken the opportunity – and I can say this as a JP – that if there’s any doubt whatsoever that you might actually have an interest, or be not seen to be doing justice at all, you recuse yourself automatically and on this occasion this didn’t happen, and it should have happened in my view.”

China’s DeepSeek has released its long-awaited new artificial intelligence model V4, saying it offers world-beating capabilities and that a preview version is now available to use.

More follows

But after arriving on the scene, firefighters discovered the blaze – first feared to be something bigger – was only a bin fire.

A Greater Manchester Fire and Rescue Service spokesperson said initially the fire was expected to be bigger than it was, but happened to be a bin fire,

The engines were spotted on Moss Bank Way near the Thornleigh Salesian School.

There were also fire engines in Little Lever this morning, after blaze in a flat living room on Dukes Avenue.

Two people have since been arrested on suspicion of arson in connection with the Dukes Avenue fire.

Four engines attended the blaze, from Farnworth, Bolton Central, Bolton North and Whitefield fire stations.

They worked in tandem with police officers to ensure people were kept safe.

There were no injuries as a result of the fire.

Tristan Hulbert, 34, of York Road, Flaxby, runs a small company that supplies specialist chairs to the care sector, Harrogate magistrates heard.

He was convicted of speeding in a Tesla car on the A1(M) northbound near Kirk Deighton on May 25 last year and because of the penalty points already on his driving licence should have been banned for at least six months, the court was told.

They decided he would suffer exceptional hardship if he were banned and allowed him to keep his licence. They put three penalty points on his licence, fined him £333 and ordered him to pay a £133 statutory surcharge.

Harrogate magistrates heard that if he was banned, the company, which had been going through difficult times, would lose a third of its income.  Hulbert was one of three people who could do bespoke measurements and meet with occupational therapists on site and would be unable to do so if he couldn’t drive.

The company employed 16 staff in West Yorkshire, Lincolnshire and the Scottish borders and Hulbert drove between 35,000 and 40,000 miles a year..

They also heard he had family reasons for needing to drive.

The shortlist for the Turner prize 2026 brings together four artists whose practices are firmly rooted in sculpture and installation. Their work, in diverse ways, tests how material form can carry political, ecological and symbolic meaning.

This year’s Turner prize jury (chaired by Alex Farquharson, director of Tate Britain) is composed of Sarah Allen (South London Gallery), Joe Hill (Yorkshire Sculpture Park), Sook-Kyung Lee (The Whitworth) and Alona Pardo (Arts Council Collection). They praised the shortlisted artists for their material intelligence and their capacity to link sculptural language to wider systems of power, memory and belief. Here is a round up of this year’s shortlisted artists.

Simeon Barclay: performance, place and British ruin

Simeon Barclay is nominated for The Ruin, shown at the Institute of Contemporary Arts (ICA), London in January 2025 and later at the Hepworth Wakefield in Yorkshire. His work combines performance, sculptural installation, spoken word and live brass music. This combination nods obliquely to the industrial and musical traditions of his Yorkshire upbringing.

Barclay’s practice frequently returns to British national identity as something shaped by labour, landscape and decay. In The Ruin, industrial materials become resonant rather than merely symbolic: scaffolding, sound and breath are choreographed to produce an atmosphere that feels both ceremonial and unstable. The presence of brass instruments (historically tied to civic pride and working-class culture) introduces a solemnity that is repeatedly undermined by fragmentation and collapse.

Barclay’s work stages Britishness as something assembled and disassembled in real time. Spoken language slips between declaration and hesitation, while the sculptural setting refuses to settle into monumentality. It is a practice less concerned with nostalgia than with the ways national identity is continually rehearsed, strained and repaired.

Marguerite Humeau: sculpting belief systems

Marguerite Humeau is nominated for Orisons (2023), originally produced for the Black Cube Nomadic Art Museum, and for her subsequent exhibition Torches at ARKEN Museum in Denmark. Her contribution to the shortlist brings an overtly speculative dimension into dialogue with sculpture.

Humeau’s work often begins with research into non-human intelligence and biological communication systems. In Orisons, a large-scale sculptural elephant emerges as a central figure. However, it is not as an image of wildlife, but a stand-in for matriarchal knowledge and collective memory. Elsewhere in her practice, attention shifts dramatically in scale, from insects and wasps to ecosystems that exceed human comprehension.

The jury highlighted Humeau’s “cinematic” approach, and this is apt. Her installations are immersive, carefully lit and choreographed, producing a sense of narrative without storyline. Yet the work resists being pinned down. Instead, sculpture becomes a speculative tool for imagining belief systems that sit outside rationality: an attempt to materialise what cannot be directly known, only inferred.

Kira Freije: softness, armour and the human figure

Kira Freije is nominated for Unspeak the Chorus, her exhibition at the Hepworth Wakefield in Yorkshire. Her sculptures take the form of life-size hybrid beings – part animal, part human, part automaton – constructed from fabric, metal and aluminium casts taken from her body and the faces of people close to her.

Freije’s work consistently plays hardness against softness. Industrial materials such as aluminium are used not for rigidity, but for their capacity to receive impressions through casting. The results are surfaces that appear armoured yet vulnerable. Faces emerge as partial traces, embedded within bodies that refuse stable identity categories.

These figures don’t dominate space so much as inhabit it uneasily. Suspended between animation and stillness, they suggest forms of collectivity that are fragile, negotiated and embodied. The jury noted her transformation of everyday and industrial materials, but it is the emotional economy of the work – its careful calibration of exposure and defence – that gives it weight.

Tanoa Sasraku: sculpture and petro-politics

Tanoa Sasraku completes the shortlist with Morale Patch, exhibited at the ICA in 2025. Her work looks at oil as a system of power, examining how petro-politics shapes corporate identity, military culture and national symbolism.

In Morale Patch, Sasraku disrupts minimalist sculptural grids by inserting objects laden with meaning: paperweights awarded to mark milestones in oil extraction, flags mounted on crates that evoke pallets or coffins, and repeated references to military terminology. The title points to the symbolic language used to maintain cohesion within structures of extraction and violence.

Sasraku juxtaposes American and Scottish flags, drawing attention to unexpected national entanglements within global energy systems. Sculpture here operates as a critical inventory, cataloguing how abstract economic forces find expression in objects designed to reassure, reward or commemorate.

Sculpture and the institutions that shape it

This year’s prize arrives at a moment when sculpture, funding structures and art education are becoming unusually entangled. For the first time, the prize will be hosted within a university setting, Middlesbrough Institute of Modern Art (known as MIMA, part of Teesside University). The Turner prize is run by Tate, an Arts Council England (ACE) National Portfolio Organisation (NPO) – as is MIMA. This means that ACE funds a national prize presented in an ACE-funded space, which also functions as a teaching and research environment.

In recent years, there have been clear connections between funding and nomination with some shortlisted artists holding NPO status. This is a pattern that my research has identified as part of the wider instrumentalisation of British art funding.

Then there are the concerns raised by the Independent Review of Arts Council England’s critical assessment of ACE’s increasing institutionalisation and its sidelining of artistic quality.

Together, these issues raise questions about how closely programming, funding frameworks and art education may begin to mirror one another. Universities, some of which are NPOs or host NPO-adjacent arts centres (as we do at the University of Lincoln), risk reproducing rather than challenging dominant artistic norms.

Yet this year’s shortlist complicates that concern. It’s notably strong on artistic grounds, driven less by identity-led rationales than by a renewed commitment to sculpture as a way of thinking about power, ecology and belief.

Marguerite Humeau stands out as a possible winner. Her work exemplifies a post-postmodern sensibility shaped by new materialist thought: sculpture no longer represents the world so much as participates in it, modelling forms of non-human intelligence and agency through matter itself.

Humeau’s ability to combine speculative research with rigorous fabrication gives her work both intellectual ambition and genuine aesthetic appeal. These are qualities that suggest the Turner Prize, for all its institutional entanglements, still has the capacity to reward artistic excellence.

An exhibition of the shortlisted work will open at Middlesbrough Institute of Modern Art (MIMA) on September 26 2026.

Iranian state media have shared footage appearing to show the Islamic Revolutionary Guard Corps boarding two cargo ships in the Strait of Hormuz.

The video shows small boats carrying masked and armed men approaching the MSC Francesca and the Epaminondas.

Analysis by BBC Verify indicates that parts of the video appear to have been filmed hours after the ships were reported as seized by Iranian forces.

Produced by Jemimah Herd. Graphics by Mesut Ersoz.

Archie York’s mum, Katherine Errington, issued a plea earlier this month for an end to destructive anti-social behaviour at the Parish Ponds in Woolsington.

A new nature trail is being created through the area in memory of Archie, who lost his life in the tragic Violet Close explosion in Benwell in October 2024.

Katherine’s call for the perpetrators to respect her beloved son’s memory has now been backed by the Prime Minister.

Vandalism at the Parish Ponds in Woolsington, Newcastle, where a nature trail is being created in memory of Benwell explosion victim Archie York. Photo: Woolsington Parish Council. Free to reuse for all LDR partners.

On a visit to Newcastle today (Thursday, April 23), the Labour leader described the attacks as “awful”.

The Prime Minister spoke on St George’s Day about the importance of  “service, generosity, and respect” in England.

He told the Local Democracy Reporting Service (LDRS): “It must be particularly hurtful to his family and his loved ones, and actually everybody who cares about him and has decency. We do need to tackle this head-on.

Prime minister Sir Keir Starmer at the Newcastle United Foundation’s NUCASTLE centre in Diana Street, Newcastle Upon Tyne, on April 23, 2026. Photo: LDRS. Free to reuse for all LDR partners.

“I think the way we do that is to make sure we have many more community neighbourhood police and we give them more powers to deal with anti-social behaviour. But this particular act is really despicable and I think all decent, tolerant people would look at this with real abhorrence.”

The “Forever 7” nature trail will be completed next month, in time to mark what would have been Archie’s ninth birthday in May.

But his family and Woolsington Parish Council were left concerned that the tribute could be ruined, after a series of incidents around the ponds.

A memorial bench dedicated to Archie was damaged by a disposable barbecue, motorbikes and quadbikes have been seen tearing up grass, and wooden gates into the park have been ripped off and set alight in a bonfire.

Katherine called the anti-social behaviour “disgusting” and said it felt like “a threat to us as a family”.

She wants the nature trail to become a peaceful place where families from across Tyneside can enjoy spending time together, just as Archie did.

Her son was killed in an explosion caused by an illegal cannabis shatter lab that was being operated in the flat beneath his family home.

Katherine welcomed Sir Keir’s support and said that the attacks on the nature reserve seemed to have eased since her appeal.

She told the LDRS: “The response has been really good and I think having Archie’s walk on the Parish ponds will hopefully mean that there is lower vandalism and ant-social behaviour there. That would be really positive.”

Sir Keir has hailed the Government’s flagship Pride in Place programme, which will see £80 million of funding allocated for long-term improvements to communities in Newcastle over the next decade. 

The areas earmarked for cash include Fawdon, Red House Farm, North Kenton, Throckley, Walbottle, Newburn, Walker, Elswick, Byker, and Benwell.

The Friday letters page is unimpressed by Shigeru Miyamoto’s recent comments, as a reader looks forward to not hearing any more about Assassin’s Creed Black Flag Resynced.

Games Inbox is a collection of our readers’ letters, comments, and opinions. To join in with the discussions yourself email gamecentral@metro.co.uk

Anniversary release
There’s been some talk of Bethesda and their… failings lately but nobody seems to be talking about The Elder Scrolls 6. It’s been so long since Skyrim I don’t even know if younger gamers even know what it is anymore. And we still don’t have anything close to a release date.

I had hoped that after Starfield came out on PS5 that Bethesda would switch track and announce something, but we already know it won’t be the big game during the Xbox summer showcase. It might get a smaller slot, but I know I wouldn’t bet on that right now.

I’m still holding out that there’s hope it could be released next year but I think the safer bet would be 2028 or later. The 20th anniversary of Skyrim is in 2031 and there’s a genuine chance its sequel might not be out until then. Considering how little Bethesda has done in that time that is incredible to me, especially as Fallout 5 won’t be out until after that!
Bosley

What is it good for?
I agree it seems like ages since anyone was talking about Call Of Duty. The most obvious way back for these sort of things is some sort of nostalgia grab but they’ve already remade the Modern Warfare series once and the last Second World War one was a flop. So that means the only real answer is remaking Black Ops, but that series is so all over the place it doesn’t really seem like each game has much to do with each other, so you might as well just make another sequel.

People will always want to play soldiers, but I don’t know if they’ll always want to play Call Of Duty, now it’s kind of ruined all its major sublines. The best idea would be to make up a new one, but I don’t know what you’d base it around.

War doesn’t seem like so much fun right now, given what’s going on in the world, so this really has hit at the worst time for Activision and I’m not surprised it’s sci-fi games that are more popular at the moment.
McReady

Piratical sequel
I’m so looking forward to not having to hear about Assassin’s Creed Black Flag Resynced anymore. In fact, it’s a shame it wasn’t a shadow drop, so we could’ve put a lid on it right now. The graphics look better but at the same time there’s nothing that’s blowing me away or that looks any different than the bullshots they had when it first came out.

If the combat and stealth is better that’s great but I’m not sure why they didn’t just make a sequel. They had two for Assassin’s Creed 2 and I would’ve thought a brand new pirate game would’ve been a lot more exciting than a remake of one that was good in its time but not really anything anyone would play nowadays.
Tony T.

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Remaking history
I can’t say I remember anything about a white ZX Spectrum back in the day but then I was very young then and I’m not sure how rumours spread in those days, via the mags I guess?

44 years of the Speccy certainly makes me feel old but at the same time I’m glad it’s being remembered still. It won’t be long till it can think about its 50th anniversary and that’s crazy to me. That’s almost as long as the games industry as a whole, so it’s kind of nice to have known it since the beginning.

I am interested in the new replica, which isn’t quite as expensive as I expected, but I do worry how playable these games are going to be nowadays. I can’t help thinking that most of them would be better off as a remake, to improve things like controls and difficulty. It’d still be 2D and on an indie budget but I’m not sure there’s really the call for it.
The Bishop

15 minute reward
Replying go Woz G, about the play a PC game reward points. You don’t need a PC, create a GeForce Now account – it’s free – then link your Xbox account on the GeForce Now site.

All you need do then, is play one of the available Game Pass game on the GeForce Now service, such as Ori And The Will Of The Wisps for 15 minutes to get your reward points.

It even works if you do this with the Edge browser on your Xbox console. Been using this method for quite a while to get the PC daily reward points.
Aidax89

Keeping the British end up
RE: the letter on Thursday, about the lack of government promotion for GTA specifically, and the UK gaming industry as a whole; just wanted to offer an alternative view.

Firstly, of all the games ever made, GTA doesn’t need additional publicity. In fact, even though it’s a behemoth of a franchise, GTA likes to give off an anti-establishment vibe so wouldn’t welcome that sort of endorsement.

Secondly, the government (irrespective of political leaning) has given support to the industry, but not necessarily in an in your face way. For instance, just last week it announced a £30 million package for UK developers.

Furthermore, there’s tax breaks aimed specifically at the industry via the VGEC (Video Game Expenditure Credit) and historically governments of different colours have offered similar incentives to the gaming and film sectors, which bring in billions of pounds annually (although obviously not all the developers are UK owned).

And finally, there are a huge amount of UK developers at work today! Yeah, it may not be obvious that some titles are homemade due to the worldwide market, digital distribution, and the cross-border collaboration we now have, but the UK is the third biggest country for game development (by revenue) and the sixth largest market.
TheThruthSoul (PSN ID)

Free advertising
Nocturnal is free on Steam until Sunday, 26th April at 3pm. I have had this on my wishlist for a while but never thought it would be free.

I nearly bought it two or three weeks ago! I wonder if they are having it be free to promote Nocturnal 2.
Andrew J.

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The death of cinema
I found Miyamoto’s comments on the Mario movie critical backlash quite amusing, but I’m surprised he would come out with something as arrogant as ‘helping to revitalise the film industry’ and hope it was something lost in translation.

I haven’t seen the Galaxy film but have seen the first one and sadly agree with the critics. Found it near unwatchable and closer to the death of cinema than its revitalisation – and I’m a big Nintendo fan. If you’d told me in 2017, playing Zelda: Breath Of The Wild and Super Mario Odessey, games that seem to fundamentally understand the appeal of exploring virtual worlds in a creative way, that 10 years later Nintendo would jump on cultural brain rot bandwagon… well disappointed wouldn’t cover it.

We are getting a lot of video game movies now, and I’m just hoping that following the success of Mario and Minecraft producers haven’t given up trying to craft anything that resembles an actual film. Though the trailers for the latest Mortal Kombat and Street Fighter suggest they have. Do audiences for these things really just want to clap like seals waiting for fish at ‘recognisable things’? Even Fallout stumbles into that trap. Heaven forbid an actual artist crafts a great story around these things that might not please everyone, when did we become so culturally conservative?

Anyway, we’ve got a proven movie maker in Alex Garland on Elden Ring. Someone who seems to understand games too, using his experience playing Resident Evil to craft 28 Days Later. So hopefully something good will come from that and we’ll get a proper, self-contained movie.
Marc

GC: Yeah, that whole bit from Miyamoto was pretty awful; we were very disappointed. We also admire Alex Garland, but we’d say that if you truly understood games you wouldn’t want to make a movie adaptation in the first place, which we argued was Nintendo’s approach with the Mario movies – which don’t seem to be intended as traditional films at all.

Inbox also-rans
Just been on to pre-order Assassin’s Creed Black Flag Resynched. There are two choices, the cheaper on has PS5 Pro support, yet the expensive one doesn’t. Is that right or has someone messed up?
David

GC: The Deluxe Edition doesn’t say PS5 Pro Enhanced on the PlayStation Store, but that must be a mistake.

Dammit, now I’m addicted to Vampire Crawlers! It already took me months to get over Vampire Survivors so I guess I’ll at least be saving a lot on new releases for now.
Statler

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