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“There’s No Insecurities About What I Am Anymore”: Read Florence Pugh’s October Cover Interview In Full

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“There’s No Insecurities About What I Am Anymore”: Read Florence Pugh’s October Cover Interview In Full


Is she… in a relationship now? “I am.” She pauses. “OK, so something that I resonate with is that I believe that if magic is real, then it’s falling in love. And I am someone that loves falling in love. I love looking after people. I love caring for people. I love the feeling of someone being there. I love knowing that someone is thinking about me and someone cares for me in the same way that I’m thinking about caring for them. I think in this portion of my life, I’m trying to make sure that I’m making all the right decisions so that I can have the thing that I want… which is safety, family, a home and security.” So there is someone. “Yes. We are figuring what we actually are. And I think for the first time, I’m not allowing myself to go on a roller-coaster. I’m allowing myself to take time to let something evolve and let it be completely real to its core, as opposed to racing into that.” Your sense of being in love is maturing, I venture, as un-patronisingly as possible. “Falling is the most amazing feeling,” she says, nodding, “but unfortunately if that’s the only thing that you know in a relationship, then that’s the thing that you chase. That’s not gonna last.”

On the way home, listening back to the interview, I’m struck by Florence’s honesty, her openness, her willingness to delve into the nuances of a subject on instinct, without pretence. Earlier on, I’d been praising her role choices over the past decade and stumbled over my words, pausing to find the right vocab. “Are you going to be mean?” she deadpans. No, I assure her, I’m not trying to sugarcoat being mean, I was worried about oversimplifying a stellar career, of sinking into platitudes. “That’s all right,” she teases, even-toned, “you’re not the one that gets written in quotes.” She’s joking, of course, but she’s also a person, an actor, a commodity whose entire world is amplified, whose very presence invites a little too much attention for her liking. The magic of Florence is her ability to hold that intense scrutiny, to face down the pressure of the limelight, to be written up as a quote, yet somehow to know herself extremely well.

Or as she puts it in that perfect Pugh-speak way: “I don’t want to become a narcissist,” she says, gravel laugh rattling. “I don’t want to become a twat.”

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We Live in Time will be in cinemas on 1 January 2025. Cover look: Pleated dress with lace trim and slip, Vivetta. Embroidered mesh shoes, Khaite. Hair: Evanie Frausto. Make-up: Alex Babsky. Nails: Adam Slee. Set design: Sean Thomson. Production: Image Partnership. Digital artwork: Hempstead May



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