Tom Cruise is never far from the biggest movies of the year, and his next project is already earning him far-too-early predictions for a Best Actor nomination at next year’s 99th Academy Awards. The project in question is Digger, which sees Cruise team up with Academy Award-winning director Alejandro G. Iñárritu for his first English-language pic since his 2015 hit The Revenant. Scheduled for release by Warner Bros. Pictures on October 2, 2026, the film promises a satirical black comedy that also stars the likes of John Goodman, Riz Ahmed, Jesse Plemons, Sandra Hüller, and more.

As you wait for Digger to arrive, you’ll be pleased to learn that one of Cruise’s biggest sci-fi blockbusters is heading to a new streamer next month. Not to be confused with the disastrous 2025 effort of the same name, 2005’s War of the Worlds was director Steven Spielberg‘s attempt at adapting H.G. Wells‘ iconic 1898 novel, with the man behind Close Encounters of the Third Kind and E.T. the Extra-Terrestrial seemingly a perfect fit for this timeless sci-fi story. However, the film wasn’t without its critics, with many complaining that most of the central characters were unlikable, something very strange for a Spielberg movie.

Despite this negative feedback, War of the Worlds was a huge hit with audiences who couldn’t get enough of Cruise, Dakota Fanning, and Justin Chatwin‘s fight against an invading alien threat. Against a reported budget of $132 million, the movie earned just over $600 million worldwide, split between a domestic haul of $234 million and a further $372 million from overseas markets. 21 years later, War of the Worlds will be available to stream on Starz starting June 1, 2026.

Steven Spielberg Is Returning to Sci-Fi

21 years after Spielberg took on Wells’ 1898 novel, the legendary director is back in the sci-fi driving seat, ready to release one of this summer’s most hotly anticipated movies. Titled Disclosure Day, the film features a star-studded cast including Emily Blunt, Josh O’Connor, Colman Domingo, Wyatt Russell, Colin Firth, Elizabeth Marvel, and more. Released worldwide on June 12, the movie marks Spielberg’s first sci-fi feature since 2018’s Ready Player One, and the debut of the most recent trailer suggests this might just be one of the best sci-fi efforts of the year.

War of the Worlds will stream on Starz next month. Stay tuned to Collider for the latest streaming updates.

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Release Date

June 29, 2005

Runtime

116 Minutes

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Writers

Josh Friedman, David Koepp, H.G. Wells

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Off Campus ended its first season with a serious twist — and now the actor involved is breaking their silence on the major book change.

During season 1, which premiered in May, Allie (Mika Abdalla) formed a connection with a mystery man who she then hooked up with amid a casual relationship with Dean (Stephen Kalyn).

The final scene of the season showed Dean getting into an argument with the guy — previously referred to as Carter — who turned out to be Hunter Davenport (Charlie Evans) but no further details were revealed. There appeared to be a hint that Dean’s issues were connected to his sister, Summer, dating Hunter in the past.

“I went in for Carter St. James V, and I knew he was wealthy,” Evans told Swooon about how much he knew about the role before booking it. “I knew a little bit [that] he played for a rival team, things like that, just vague details. But no, I only found out after I got the job who he actually was.”

Fans of Elle Kennedy‘s book series are familiar with the character, who was Dean’s teammate in The Score and they were on good terms. Hunter then became the focus of his own book — The Play — while Summer was featured prominently in The Chase.

“What I know is that Yana Grebenyuk Louisa [Levy] has a pretty stellar layout for season 2 that she’s ready to shoot, and it’s all about Dean,” Evans teased. “It’s all about Dean’s world and Dean’s history, and everyone close to him, and not so close to him, and I’m very excited for people to see that story.”

Evans didn’t rule out meeting Summer — and exploring her past with Hunter.

“I think anything’s possible. I think the way that we’re doing this show, Louisa has very cleverly set up these characters to be malleable and to react to their environments,” he added. “There’s a lot of topical, beautiful story shifts that she’s made that translate incredibly well on-screen, and that she’s going to continue to make.”

He continued “I mean, she really knows everything about the future of this story and how she wants it to be told, and I’m so grateful to be a part of that because it is comprehensive. I’ve been in those rooms and seen the boards, and they have the books out, and they’re pulling pages, and it’s really impressive.”

According to Evans, it was always the plan to shake things up with Hunter.

“This was always the setup for Season 2. We knew the plan when we started, and that was where we went,” he shared. “I think we were pretty clear about that from the beginning. We wanted a big climactic ending. We wanted everyone in the same place. I mean, Louisa plans this stuff well in advance. She’s got the next five books down, ready to go.”

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Evans expressed excitement at where the show goes from here, saying, “All that stuff with Allie, that vulnerability and that trauma, honestly, because he does have a bit of a sad history and letting those walls break down a bit.”

He concluded: “Seeing him just drop the BS and get into a place of realness, just kind of shedding all of these structural walls that he’s built up because of his family and what’s expected of him, and all of that stuff, and just kind of finding who he is.”

Off Campus is currently streaming on Prime Video.

Spencer Pratt released a fiery response to questions over his political loyalties ahead of the Los Angeles mayoral election primary.

“Everyone is trying to claim me for their tribe. There’s no R next to my name, there’s no D next to my name,” Pratt, 42, insisted via X on Saturday, May 23. “I’m not part of a political party, because I hate politicians. I’m just Spencer, husband to Heidi [Montag], father to Ryker and Gunner, and I’m a pissed off Angeleno who loves my city and is fed up with what corrupt politicians have done to her.”

Pratt has been registered as a Republican since 2020 but is technically running for Los Angeles mayor as an independent community advocate.

Earlier this month, Pratt was asked by CNN’s Elex Michaelson why he has aligned with the GOP in recent years.

“When I was a hated reality star, I got so many death threats. I had so much security and police and what did they tell me to do? Get a gun,” he answered. “L.A. was dangerous so I got a gun. My wife needed a gun.”

Pratt explained that he needed a Concealed Carry Weapon license to own a gun and that “the only people that supported [those licenses] was the Republicans.”

“That was what I aligned with. My safety, my family’s personal safety,” he insisted. “I know people don’t like guns but when people are threatening your life and your own security tells you you need to have home protection. … Once you feel fear and it’s real, you want to protect your family.”

His two primary mayoral election opponents — L.A. Mayor Karen Bass and City Councilwoman Nithya Raman — have repeatedly described Pratt as a “MAGA Republican” in campaign attack ads.

President Donald Trump also counted Pratt among his supporters during a recent press conference at the White House.

“I’d like to see him do well. He’s a character,” Trump, 79, told reporters on May 20. “I assume he probably supports me.”

The president added, “I heard he’s a big MAGA person. He’s doing well.”

Related: Spencer Pratt Claps Back at L.A. Mayoral Race Opponent Over Divisive Ad

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Spencer Pratt has fired back at criticism of a new attack ad in his Los Angeles mayoral campaign. On Wednesday, April 29, the former Hills star released a campaign ad filmed outside the homes of two of his opponents in the upcoming mayoral primary: current Mayor Karen Bass and Los Angeles City Councilmember Nithya Raman. […]

Pratt has received public backing from numerous notable celebrities, including Meghan McCain, Erika Kirk, Kristin Cavallari and Jax Taylor, among others. He has also faced criticism for his inexperience in the political arena, with The Price Is Right host Drew Carey recently suggesting Pratt is not qualified for office.

“Anyone who votes for, or endorses Spencer Prattfall for Mayor of LA needs to get their head out of their ass,” Carey, 68, wrote via Threads on Friday, May 22. “I understand being angry/unsatisfied, but at least get behind someone competent and not some serial scammer without a soul or moral compass.”

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The game show host added, “F*** this guy already.”

Per Newsweek’s election tracker, Pratt still trails Bass, 72, in most recent polls leading up to the mayoral primary.

A primary election will be held in Los Angeles on June 2. If no single candidate receives a majority of the vote, the top two — regardless of political party — will advance to a runoff election on November 3.

Taylor Swift and Travis Kelce cheered on the Cleveland Cavaliers from their courtside seats at Game 3 of the NBA Eastern Conference Finals.

Swift and Kelce, both 36, got into the pivotal game with animated reactions as the Knicks and Cavaliers battled for Eastern Conference supremacy at Rocket Arena in Cleveland, Ohio, on Saturday, May 23. (As of publication, the Knicks lead the series 2-0.)

The Kansas City Chiefs tight end was decked out in his Cavs cap and a short-sleeved denim shirt and jeans while Swift wore a black tank top and jeans.

The entire Kelce family are diehard fans of the Cavaliers, with Travis and older brother, Jason Kelce, often discussing their lifelong support for the NBA franchise on their “New Heights” podcast.

“Big Cavs household over here,” Travis once declared on the podcast.

A montage from “New Heights” cut together several clips of the Kelce brothers discussing their Cavaliers fandom dating back to the “tail end of the Mark Price years” in the 1990s.

“We got to witness the chosen one [Lebron James], baby, and it all just went to the roof,” Travis fondly recalled. “We’ve got a bunch of fan favorites. There are so many.”

While Swift and Kelce often keep a low profile during the NFL offseason, they have been stepping out regularly in recent weeks.

On Friday, May 15, they held hands while heading to dinner at Mediterranean restaurant Or’esh in New York City. Swift wore an off-the-shoulder cream dress with a floral pattern, paired with Aquazzura’s Twist Sandal 95 heels and a straw shoulder bag, while Travis had on a light blue and white pinstriped button-down with an emblazoned patchwork.

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The engaged couple were out again the following night when they attended a private function in Bushwick, Brooklyn. Swift turned heads in an outfit valued at nearly $6,000 — a golden Maria Lucia Hohan allar cutout silk mousseline gown with Aquazzura’s Tequila Sandal 105 heels and an Ari Clutch bag — whereas Travis went for a dark pinstriped suit and black sunglasses.

Kelce and Swift kept their busy week going by kicking off Memorial Day weekend on Friday, May 22, with date night in New York City at Manhattan hotspot Sartiano’s. Travis was wearing a multicolored, flower shirt while Swift looked effortlessly glamorous in a black Stella McCartney minidress, accessorized with matching Dior pumps and a handbag.

In August 2025, Swift announced her engagement to Travis by humorously posting that “your English teacher and your gym teacher are getting married,” along with sharing a romantic shot of the NFL star proposing on one knee. Swift and Kelce are expected to tie the knot this year, but no exact date has been confirmed.

Sometimes, a show with six to ten seasons is just too much of a commitment. That’s probably why some of TV’s greatest stories come from miniseries that know exactly when to end a story before it overstays its welcome. This limited format is honestly fascinating. When done right, a miniseries can deliver the emotional payoff, character depth, and scale of a long-running show while still being completely self-contained with no filler or pressure to keep going.

Now, over the years, the idea of a miniseries has evolved into a space where storytellers can take creative risks and even reinvent entire genres. Here is a list of such universally beloved miniseries that have accomplished more in a handful of episodes than many shows can manage across multiple seasons

8

‘Watchmen’ (2019)

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HBO’s Watchmen is a rare sequel that actually justifies returning to a story many people considered complete and borderline untouchable. The miniseries, created by Damon Lindelof, takes place decades after the events of Alan Moore and Dave Gibbons’ original graphic novel. However, instead of just recreating that world, it pushes the story into 2019 Tulsa, Oklahoma. The series follows Angela Abar (Regina King), a masked police detective known as Sister Night, who uncovers a much larger conspiracy tied to white supremacy, masked vigilantism, and the buried history of the 1921 Tulsa Race Massacre while investigating the murder of her police chief.

The show respects the original comic’s themes, but uses them to tell a story that feels extremely relevant to modern America. Watchmen begins as a murder mystery, but evolves into a much larger narrative that jumps between timelines, perspectives, and even genres. None of this ever feels disjointed, though, because Angela’s personal trauma and family history are at the center of it all. Watchmen won 11 Primetime Emmy Awards, including Outstanding Limited Series, which cemented its universal acclaim. Most importantly, the miniseries never relied purely on nostalgia but used familiar mythology to tell a story that felt genuinely ambitious and fresh.

7

‘Unbelievable’ (2019)

Image via Netflix

Unbelievable is an emotional rollercoaster of a miniseries. The show, based on a Pulitzer Prize-winning investigation and real events, follows Marie Adler (Kaitlyn Dever), a young woman who reports that she was assaulted, only to later be pressured into retracting her statement after detectives begin doubting her story. At the same time, in Colorado years later, detectives Karen Duvall (Merritt Wever) and Grace Rasmussen (Toni Collette) begin investigating a series of eerily similar assaults that slowly reveal the truth nobody wanted to believe. A premise like this is definitely controversial, but Unbelievable never sensationalizes its subject matter.

The series approaches every victim with empathy. It focuses less on shock value and more on the emotional aftermath of situations like these. Marie’s story is genuinely heartbreaking because the audience can practically feel her pain and isolation. Unbelievable grounds every element of its storytelling in unflinching realism, and that means it’s not an easy watch by any means. In fact, the first few episodes of the show are genuinely frustrating as Marie is forced to relive her trauma. However, that honesty is exactly why the show lands with such great impact.

6

‘The Night Of’ (2016)

Image via HBO

The Night Of tells a story that’s almost impossible to shake long after the credits roll. The series follows Pakistani-American college student Nasir “Naz” Khan (Riz Ahmed), whose life takes a turn when he spends the night with a young woman and wakes up the next morning to find her brutally murdered. Naz flees the scene in a panic, but is soon arrested and pulled into the justice system that seems less interested in what actually happened than in processing the case as quickly as possible. The Night Of is so gripping because it never treats the murder mystery as the only point of the story.

The miniseries explores what actually happens to a person once the system decides who they are. The story follows Naz’s journey from a soft-spoken student to a man hardened by prison, courtrooms, and legal offices. Ahmed delivers one of the finest performances of his career and perfectly captures Naz’s fear, confusion, and anger. John Turturro is equally memorable as John Stone, Naz’s attorney, who comes off as strange at first, but eventually becomes his only ally in this flawed system. A decade later, The Night Of remains one of HBO’s most impressive limited series because of how much it conveys in such a restrained format.

5

‘Midnight Mass’ (2021)

Image via Netflix

Mike Flanagan’s Midnight Mass is one of the most haunting horror miniseries of the last decade because it doesn’t rely on surface-level fears. The story takes place on the isolated Crockett Island and follows Riley Flynn (Zach Gilford), who returns home after serving time in prison for a fatal drunk-driving accident. Around the same time, the island welcomes a mysterious new priest, Father Paul Hill (Hamish Linklater), whose arrival coincides with a series of strange miracles that slowly transform the island’s deeply religious community. Soon enough, things take a disturbing turn as the townspeople become consumed by fanaticism and desperation. Midnight Mass is a slow-burning masterpiece that patiently builds its horror.

The series spends plenty of time exploring its characters alongside the central supernatural mystery. Everyone on the island is dealing with their fair share of grief, which is exactly why they are so consumed by Father Paul’s sermons and supposed miracles. The series is a thought-provoking exploration of religious fanaticism and constantly blurs the line between devotion and delusion. The dialogue-heavy structure also gives the series a unique identity, with the characters often engaging in long conversations about religion, mortality, and what happens after death. Those moments never feel pretentious, though, because they directly feed into the emotional core of the story. Midnight Mass builds toward a finale that feels tragic and beautiful at the same time, which is exactly why it continues to resonate with the audience to this day.

4

‘The Queen’s Gambit’ (2020)

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The Queen’s Gambit is one of Netflix’s most-watched scripted miniseries, and for good reason. The show somehow managed to make chess feel as tense and engaging as a high-stakes sports drama. That’s not all there is to the story, though, because The Queen’s Gambit is also a deeply fascinating character study. The series follows Beth Harmon (Anya Taylor-Joy), an orphaned girl with an extraordinary talent for chess. As Beth rises through the competitive chess world and gains international recognition, the series also follows her struggles with addiction, loneliness, and the pressure that comes with being viewed as a genius from such a young age.

There’s no denying that chess is an important part of the storyline, but The Queen’s Gambit never treats it as the entire point. The matches are exciting only because the audience understands the emotional consequences they hold for Beth. Every victory and loss is tied to the very trauma she spends the entire show trying to suppress. She is brilliant, but the show never romanticizes. Instead, it focuses on just how isolating intelligence can be at times. Few modern miniseries have connected with audiences on such a massive scale while still feeling this intimate and character-driven.

3

‘The Haunting of Hill House’ (2018)

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The Haunting of Hill House is another Mike Flanagan masterpiece that delivers more than just hollow jump scares. At its core, the story is about grief, trauma, and the way families carry pain for years without knowing how to deal with it. The miniseries is loosely inspired by Shirley Jackson’s novel of the same name, and follows the Crain family across two timelines. The audience follows Hugh (Henry Thomas) and Olivia Crain (Carla Gugino) as they move into the massive Hill House with their five children. They hope to renovate the mansion over the summer before selling it, but the house slowly begins affecting each family member in terrifying ways.

The present-day timeline shows the Crain siblings as adults who remain emotionally fractured as they try to process the time they spent in the house as well as the mysterious death of their mother. The Haunting of Hill House is brilliant in how it uses horror to explore relatable human emotions instead of relying purely on scares. The ghosts in the show are terrifying, but the real fear comes from watching this family fall apart. The story constantly jumps between timelines to slowly reveal what actually happened the night Olivia died. However, the narrative never feels confusing because the audience is almost desperate to discover the truth. The Haunting of Hill House set a new benchmark for the genre, one that very few series or films have reached.

2

‘Adolescence’ (2025)

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Netflix’s Adolescence became a cultural phenomenon overnight because it taps into a fear that feels terrifyingly real. The British miniseries follows 13-year-old Jamie Miller (Owen Cooper), whose family’s entire world collapses after he is arrested for the murder of a classmate. The show doesn’t unfold as a straightforward crime drama, though. The first episode spends most of its time establishing this world, and in doing so, it makes the audience sympathize with Jamie. The viewers are almost convinced that there is no way this young boy did something so heinous. However, the final moments of the episode deliver a devastating blow as the police officers play the footage, which clearly proves Jamie as the culprit.

From there, Adolescence shifts its focus in fascinating ways. One episode moves entirely through Jamie’s school environment to explore the influence of online radicalization, bullying, and the young boy’s distorted idea of masculinity that was shaped by the content he consumed. Another episode centers heavily on Jamie’s therapy sessions, while the last episode focuses on his family and their struggle to reconcile the boy they thought they knew with the reality that they now have to face. Adolescence is unapologetically immersive and emotionally exhausting. Each episode is filmed in one continuous take, which traps the audience inside every uncomfortable moment without giving them room to breathe. Yet the technical ambition never overshadows the emotional core of the story. Cooper’s performance is the soul of the show. It’s not easy to watch this innocent-looking boy playing such a messed-up character, but that’s the entire point.

1

‘Band of Brothers’ (2001)

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Band of Brothers practically set the standard for what prestige TV could be. There’s no denying that it remains one of the greatest war miniseries ever made. The story follows Easy Company, a unit of the 506th Parachute Infantry Regiment, from their brutal training days all the way through World War II. The narrative picks up at Camp Toccoa, where the soldiers are pushed to their physical and emotional limits before eventually being dropped into some of the war’s most horrifying battles, including D-Day, Operation Market Garden, and the Battle of the Bulge. The great thing about Band of Brothers is that it never treats war like a spectacle divorced from reality.

Sure, the large-scale battles are intense and incredibly realistic, but the emotional core of the series always comes from the relationships between the soldiers themselves. The audience watches these men evolve from nervous young recruits into exhausted survivors shaped by fear, loss, and loyalty to one another. The miniseries spends so much time developing each member of Easy Company, which makes every death and victory carry genuine emotional weight. This sense of humanity runs through every episode, and despite the scale of the war, the show never stops feeling personal. The fact that it includes interviews with real veterans before each episode adds another layer of authenticity to the entire story. Band of Brothers still hits just as hard over two decades later, which goes to show its incredible appeal and staying power.

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Band of Brothers

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Release Date

2001 – 2001

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Network

HBO

Directors

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David Frankel, David Nutter, Mikael Salomon, Phil Alden Robinson, Richard Loncraine, Tom Hanks

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• 
• 

  Donnie Wahlberg

  C. Carwood Lipton

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Stephen Colbert made a surprise TV return one day after his CBS finale to host a public access show in Monroe, Michigan.

“It’s been an excruciating 23 hours without being on TV, so I am grateful to be able to be here on Monroe Community Media before they also get acquired by Paramount,” Colbert, 62, joked during his opening monologue of Only in Monroe on Friday, May 22.

The comedian actually has a long history with Only in Monroe, as he previously filled in for hosts Michelle Baumann and Kaye Lani Rafko-Wilson when he was preparing for his Late Show debut in July 2015.

Colbert even dropped an Easter egg into his final Late Show monologue by referencing his 2015 appearance on Only in Monroe, joking that “show business being what it is these days, that’s probably where you’ll see me next.”

Related: Stephen Colbert Feels ‘A Sense of Relief’ About ‘Late Show’ Ending

Stephen Colbert is opening up about his next chapter after CBS canceled his late night show. In a new interview with GQ, which was conducted shortly before The Late Show With Stephen Colbert won big at the 2025 Emmy Awards, Colbert, 61, said he “accepted” the network’s decision to pull the plug on his show. […]

“Since I was last here in Monroe, Michigan, I spent 11 years as the primary host of The Late Show with Stephen Colbert on CBS, which came to an end last night,” he explained on Friday’s Only in Monroe episode.

Colbert then quipped, “Viewers outside the greater Monroe area are able to view Monroe Community Media thanks to something known as streaming, which I promised not to learn about while I was on CBS. And evidently CBS also decided not to learn about it.”

Throughout the hour-long episode, Colbert discussed local issues and was joined by celebrity guests, including Jack White as his musical director and actor Jeff Daniels. Eminem and Steve Buscemi filmed cameos that aired during the special Only in Monroe episode.

He also spoke with Byron Allen, whose show Comics Unleashed will replace The Late Show With Stephen Colbert on CBS.

“Byron, have a great show,” he told Allen, 65. “You’re the best, buddy.”

The unusual Only in Monroe episode ended with Colbert, Daniels, 71, and White, 50, burning down the show’s set after receiving approval from “the fire marshal” (a.k.a. Marshall “Eminem” Mathers, 53.)

“That’s a wrap,” Colbert announced. “Thanks for watching Only in Monroe and if you watched any of my other talk shows over the years, thanks for watching those too!”

He then teased, “Until we see each other again, I’ll be only here, only on Only in Monroe!”

CBS announced in July 2025 that it was cancelling The Late Show With Stephen Colbert despite the series’ late night ratings dominance.

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“The Late Show with Stephen Colbert will end its historic run in May 2026 at the end of the broadcast season. We consider Stephen Colbert irreplaceable and will retire The Late Show franchise at that time,” a CBS statement read at the time. “We are proud that Stephen called CBS home. He and the broadcast will be remembered in the pantheon of greats that graced late night television.”

CBS insisted that the decision to end The Late Show was a “financial” one and was not “related in any way to the show’s performance, content or other matters happening at Paramount.”

Colbert wrapped up The Late Show with a star-studded final week of episodes featuring guest appearances from Bruce Springsteen, Ryan Reynolds and Paul McCartney, among others. He jabbed at CBS during Thursday’s finale by having his band play expensive licensed music and ending with a CGI-animated scene of the Ed Sullivan Theater being sucked into a glowing green vortex.

One of the biggest accomplishments a streamer or network can have is a popular franchise. That’s why cable networks like HBO spend massive amounts of money on Game of Thrones or streaming services like Prime Video have tried to nurture their own franchise with experiments like Citadel. Netflix has not been left behind, ordering spin-offs of their most popular shows, like Stranger Things, Bridgerton, and even Squid Game. The streamer has employed numerous tactics to tap into different audiences, including mobile games, stage plays, and even reality competitions. But sometimes, the old trick of spinning out a popular character also works, and that’s what it did with its biggest crime universe.

Before it became a franchise, this universe started off as a licensed acquisition of a TV show that had aired in Spain. The show became a sensation but was limited by its premise, which meant it could only go on for so long. Money Heist, as it was called, ended after six seasons, becoming one of the most-watched shows on Netflix. However, the service was not ready to let the brilliant world of Álex Pina and Esther Martínez Lobato go. A spin-off, Berlin, premiered several years later.

Berlin recently returned for a second season titled Berlin & the Lady with an Ermine, and it’s already a hit, proving why Netflix keeps investing in this franchise. Streaming data from FlixPatrol shows the series is the most watched globally, beating even new popular shows like Nemesis, Legends, and The WONDERfuls. The second season finds the titular character, played by Pedro Alonso, executing another heist, but while exacting revenge after feeling disrespected. But as Berlin continues his exploits, Netflix is ready to return to the original world of Money Heist.

OG ‘Money Heist’ Is Back!

While Berlin’s antics are entertaining, nothing beats the classic plan by the Professor (Álvaro Morte). His detailed heists and smart thinking were one of the main allure of the original series, and Netflix recently hinted that the original series could be returning with a new story. The streamer made an ambiguous announcement saying that “the stories of Money Heist do not end with Berlin and the Lady with an Ermine.” The announcement spectacle featured a boat full of people, dressed in the iconic red jumpsuits and Dalí masks, sailing along the Guadalquivir River to the rhythm of “Bella Ciao.” The streamer did not confirm if it was another season of Berlin or a new Professor heist. But the presence of the jumpsuits and the masks hints at the latter.

Berlin Season 2 is streaming on Netflix, but stay tuned to Collider for more updates, including clarification on the announcement.

Animated movies can be big winners, or they can vanish as quickly as they’ve arrived, but Netflix knew they were onto something when they found this little gem, because this movie did not just pop in and pop out, it’s been building and building, and it’s proved that audiences adore colorful fantasies. In 2026, animals show us the way.

Directed by Nathan Greno, Swapped follows Ollie, a tiny little woodland creature who is voiced by Michael B. Jordan, and Ivy, a beautiful and glorious bird voiced by Juno Temple, after the two switch their bodies with the aid of some freaky forest magic. Their woodland Freaky Friday situation confronts them to understand why their two species have been divided for so long, while also turning the movie into a big, bright fantasy adventure about empathy, perspective, and why life might not be the way you thought it would be.

The cast includes Tracy Morgan (30 Rock, The Longest Yard) as Boogle, Cedric the Entertainer (Barbershop, The Neighborhood) as Caloo, Justina Machado (One Day at a Time, Jane the Virgin) as Calli, Ambika Mod (One Day, This Is Going to Hurt) as Violet, Lolly Adefope (Ghosts, Shrill) as Lily, and Táta Vega (The Color Purple, The Lion King) as Ollie’s Grandma.

What Is ‘Swapped’ About?

The film’s director, Nathan Greno, recently sat down with Collider and was glowing in his praise about the work the cast had done in bringing the movie to life. According to Greno, Temple brought sadness and vulnerability to scenes he thought he already understood, while Jordan’s process changed the way Greno thinks about directing voice performances completely.

“And then Mike… it’s Mike. I mean, Michael B. Jordan is, I mean… the way he records, I’ve never experienced anything like that, and it’s kind of changed the way I even direct now, when I’m going forward. It’s, like, his way of working and his way of, like, finding the truth within the lines. Both of them change the course of the movie 100%.”

Temple, speaking to Collider’s Steve Weintraub, added that the message of the movie was an important one for her, and that she hopes kids took a lot from it. “I hope that they feel the absolute importance and need for friendship we’ll have throughout life. It doesn’t matter how old you are, where you come from, what you do, your friends are always going to be integral to making your life better, bigger, and more beautiful,” said Temple.

Swapped is streaming now on Netflix.

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Release Date

May 1, 2026

Runtime

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98 Minutes

Director

Nathan Greno

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Pop icon Miley Cyrus recently earned her star on the Hollywood Walk of Fame, and during her speech, she shed a few tears as she looked back on her expansive career. The singer, 33, thanked her family and fans for their support over the years and later told the audience how much it means to her to be the recipient of one of the coveted stars.

Cyrus was honored with a Hollywood Walk of Fame star on Friday, May 22, 2026. During a particular part of her speech, the “Flowers” singer became overcome with emotion as she opened up about how much the moment meant to her.

“This is where it gets me,” she said before reflecting on her journey from a teenage Disney star to a Grammy-winning performer. “To my family, my future family, parents, my mom, my siblings, my friends, my collaborators, thank you for loving and supporting not only the choices that I make, but my fears, and then facing them with me,” she added.

Miley Cyrus Said Her Star On The Hollywood Walk Of Fame Represents More Than People Realize

Continuing, Cyrus told the audience that the moment was “something that I’ll never forget, and I’m always going to cherish,” adding, “I love you all so much, thank you.”

The “Hannah Montana” star was surrounded by her entourage, which included her mother, Tish Cyrus, her sister, Brandi Cyrus, and her fiancée, Maxx Morando. Also joining the “7 Things” singer were iconic designer Donatella Versace and Anya Taylor-Joy.

“This star somehow represents immortality, and although I love the lyric, the fact that I won’t is what creates the urgency that sets my heart on fire,” Cyrus said, explaining that receiving the star is “an accumulation of devotion.”

She added, “A star isn’t something that you win like a seasonal game. It’s not something that you can chase or collect. It’s not something you make the next record for.”

Fans Are Freaking Out Over Miley Cyrus Receiving A Star On The Hollywood Walk Of Fame

Cyrus posted about the special occasion on Instagram, showing off her long blonde hair and a floor-length black dress.

“Surrounded by my fans, who I owe it all to … in Versace of course … looking like heaven,” she captioned the carousel. In her caption, Cyrus also thanked her team and her mother. “To everyone I know and love, my friends, my family, my love, thank you so much. I adore you,” she wrote.

Cyrus’ picture excited her fans, many of whom flooded her comments with love and support. “Our superstar got her own star, you’ll live forever,” someone wrote.

“Queen!!! One of the most deserving humans of all time. I’m so proud of you,” another posted, while a third added, “Such a special day. Truly raised a generation, Miley.”

Cyrus Said Getting Honored On The Hollywood Walk Of Fame Was ‘Like A Dream’

Cyrus’ star on the Walk of Fame came nearly a year after it was revealed that she’d be one of the stars in the class of 2026.

She celebrated the special news with an Instagram post, saying she was “honored” to be part of an elite group of artists. She explained that she used to travel to Los Angeles with her dad when she was younger, and they’d go into California gift shops and buy fake Oscars and Marilyn Monroe merch.

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“To now be cemented on this legendary boulevard, surrounded by the icons who inspired me, feels like a dream,” she said. “This moment will live forever, thank you to everyone in my life who made it possible. I am grateful to share this star with you.”

The other 2026 inductees include Josh Groban, Gordon Ramsey, Emily Blunt, Timothée Chalamet, Demi Moore, Stanley Tucci, and Shaquille O’Neal.

Cyrus Celebrated 20 Years Of ‘Hannah Montana’

According to a previous report from The Blast, Cyrus recently celebrated 20 years of “Hannah Montana” with a Disney+ special hosted by Alex Cooper.

The program featured a few updated tracks, like “Best of Both Worlds,” and gave viewers some behind-the-scenes tea about one of their favorite childhood programs.

“Hannah Montana will always be a part of who I am. What started as a TV show became a shared experience that shaped my life and the lives of so many fans, and I’ll always be thankful for that connection,” Cyrus said about the special. “The fact that it still means so much to people all these years later is something I’m very proud of. This ‘Hannahversary’ is my way of celebrating and thanking the fans who’ve stood by me for 20 years.”

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