TL;DR
Enterprise AI bills are tripling despite a 98% drop in per-token prices, as agentic tools drive consumption 18.6x higher per developer. The Linux Foundation is launching the Tokenomics Foundation to bring cost discipline to AI spending.
Enterprise AI bills are tripling despite a 98% drop in per-token prices, as agentic tools drive consumption 18.6x higher per developer. The Linux Foundation is launching the Tokenomics Foundation to bring cost discipline to AI spending.
TL;DR
Uber blew through its entire 2026 AI coding budget by April. Microsoft revoked its developers’ Claude Code licences six months after enabling them. One company reportedly ran up a $500 million Claude bill in a single month after forgetting to set usage limits. A Priceline employee told TechCrunch that a routine Cursor contract renewal came back four to five times more expensive.
The pattern is the same everywhere. Per-token prices have collapsed, but the push for autonomous AI agents has sent consumption through the roof. Companies that gorged themselves on all-you-can-eat subscriptions in early 2025 are now scrambling to understand where the money went, and whether any of it produced a return.
GPT-4-equivalent performance now costs roughly $0.40 per million tokens, down from $20 per million in late 2022. That is a 98% reduction. Yet enterprise AI bills have risen by an estimated 320%, according to multiple industry analyses. The average enterprise AI budget has grown from $1.2 million per year in 2024 to $7 million in 2026.
The culprit is volume. Agentic AI tools released since November 2025, including Anthropic’s Claude Opus 4.5, OpenAI’s GPT-5.1, and Google’s Gemini 3 Pro, have multiplied token consumption per task. A simple linear workflow in 2023 cost about $0.04 per interaction. An orchestrated agentic system in 2026 costs roughly $1.20, about 30 times more. Individual engineers at Microsoft were reportedly spending between $500 and $2,000 a month on tokens before the licences were pulled.
Nicholas Arcolano, head of research at engineering management platform Jellyfish, told TechCrunch that per-developer consumption has risen roughly 18.6 times in nine months. Engineers who used the most tokens were about twice as productive as lighter users, but they spent 10 times the tokens to get there. “Whether extreme spend pays off comes down to the ultimate business value of shipped code, which most companies still can’t measure,” Arcolano said.
“Six months ago, I would have a conversation with a customer and it would be all about ‘What can it do? Is it good enough?’” Alexander Embiricos, OpenAI’s head of enterprise, told TechCrunch. “Now the conversations are about, ‘We’re spending so much. What visibility do you have? What token controls do you have?’”
J.R. Storment, executive director of the FinOps Foundation, described the shift bluntly. “In April and May, I started hearing from companies: ‘Oh my god, we are 3x over our entire 2026 token budget and it’s only April.’ The whole conversation shifted from tokenmaxxing and ‘go fast’ to ‘we need guardrails, how do we control this?’”
Priceline’s senior director of IT finance, Chris Reed, drew a comparison to the telecom billing era. “It’s like the crack-cocaine epidemic. They let you try it to get you hooked, and now you’re kind of beholden to it.” The company has begun placing token limits on certain groups. Reed said he is already seeing discrepancies between vendor-reported usage and Priceline’s internal data.
It is against this backdrop that the Linux Foundation this week unveiled plans for the Tokenomics Foundation, a new standards body aiming to bring the same cost discipline to AI tokens that FinOps brought to cloud spending.
The Foundation plans to build a canonical definition of “tokenomics,” open standards for AI token usage and billing, and new metrics including cost-per-intelligence and tokens-per-watt. A formal launch is planned for July. Nishant Gupta, chief availability officer at Salesforce, said in a statement that “token economics is fundamentally more abstract and opaque than anything we’ve managed at this scale before.”
The challenge is enormous. “Tracking cloud costs is a hundreds-of-millions-of-rows-a-month data problem,” Storment said. “Tracking token costs is a trillions-of-rows-a-month data problem.”
Startups and established vendors are racing to fill the gap. Pay-i tracks and optimises AI spending. Paid lets developers bill based on actual value rather than subscription fees. Jellyfish, Waydev, and Faros AI provide agent monitoring to prove the ROI of developer tools. Ramp has moved into AI spend management. Datadog and New Relic have added token-level observability.
Model routing is emerging as the primary cost lever. Factory, an enterprise AI coding startup, launched a model router this week that automatically picks the cheapest adequate model for each task. Vitaly Gordon, CEO of Faros AI, said frontier labs are already doing this internally. “The financial report for how much you spend on Anthropic, even if you call the Opus model, some of the spend will be on Sonnet or Haiku, because they are smart enough to do it,” he said.
Goldman Sachs projects global token usage will multiply 24 times by 2030. The companies already over budget need solutions now, and the Tokenomics Foundation’s first deliverable is still months away. As Gordon put it: “Maybe we created a steam engine, but we still haven’t figured out the assembly line.”
Over 4,300 fake FIFA domains, banking malware in pirate streaming apps, and credential-harvesting phishing operations are already targeting World Cup 2026 fans ahead of the 11 June kickoff. The FBI, Group-IB, Fortinet, and Kaspersky have all published warnings.
TL;DR
The most oversubscribed sporting event in history is also the most phished. With more than 150 million ticket requests in the first 15 days and just six million seats across 16 cities in the US, Canada, and Mexico, the 2026 FIFA World Cup has created exactly the conditions that fraud thrives on: scarcity, urgency, and money moving fast.
Security researchers, the FBI, and multiple cybersecurity firms have published warnings in the past week describing a fraud infrastructure that is already operational, well-resourced, and scaling. The picture that emerges is not a handful of opportunistic phishing pages. It is a layered ecosystem of fake domains, banking malware, credential theft, and social media impersonation, all converging on the same window.
The most detailed findings come from Group-IB, which tracked more than 4,300 fraudulent FIFA domains registered since August 2025. At the centre is a group it calls Ghost Stadium, a Chinese-speaking, financially motivated operation running a single phishing kit across more than 300 of those sites.
The fake is good. The page is a near-perfect copy of fifa.com, mimicking FIFA’s real single sign-on login, run by PingIdentity, down to the genuine client ID copied from the live site. It loads images directly from FIFA’s own servers, so the page looks authentic and slips past tools that flag copied assets.
The damage is in the details: the fake login also asks to reset the password. Once a victim enters credentials, the attacker locks them out of their real FIFA account and resells any tickets tied to it. Most traffic comes from Facebook ads with reused tracking codes, plus links on Telegram, WhatsApp, and in search results. Payment options include card entry, money-transfer apps like Chime and Nequi, Mexico-only processors, and a crypto option that converts card payments into cryptocurrency. That last one is a reliable tell, since FIFA’s official ticketing never accepts crypto.
FortiGuard Labs counted more than 13,000 World Cup-themed domains registered between January and May, roughly 8.8% of them classified as malicious or suspicious. The FBI’s public service announcement lists dozens of fake FIFA domains, from misspelled lookalikes to phony job pages, and warns more are coming.
Ticket fraud is just one piece. Group-IB also found counterfeit merchandise shops, bogus streaming sites that take a subscription fee and then install malware, and fake betting platforms that collect passport scans and selfies for identity theft. Bitdefender separately tracked FIFA lottery emails promising payouts of up to $2 million.
Group-IB estimates losses from premium and hospitality ticket fraud alone at $71 million to $474 million, with the broader campaign potentially reaching into the billions. Those are projections based on visible infrastructure, not confirmed losses.
For fans chasing free match streams, the bigger danger is on the phone. ThreatFabric observed a spike in malicious unofficial streaming apps, many posing as the popular RojaDirecta, around the recent Champions League final and expects a repeat at the World Cup on a larger scale.
Kaspersky tied those apps to two Android banking trojan families: Massiv and Perseus. Neither is distributed through Google Play, so installing one requires clicking past Android’s built-in warnings. Once installed, the malware uses accessibility tools to overlay fake bank login screens on real apps, record keystrokes, intercept one-time codes from SMS and authenticator apps, and control the screen remotely.
Perseus, built on leaked code from the older Cerberus trojan, even reads note-taking apps for saved passwords and crypto recovery phrases. The simplest red flag, according to ThreatFabric, is a streaming app requesting accessibility access. No legitimate streaming app needs it.
Fortinet counted over 1,700 spoofed FIFA accounts, nearly 90% on Facebook and Instagram, plus a scheme using fake FIFA job ads and calendar invites to redirect applicants to a lookalike Google login. Bitdefender found more than 55 football-themed ad campaigns on Facebook and Instagram pushing counterfeit kits, fake Panini stickers, and phishing pages.
Stolen FIFA logins are already circulating. Fortinet found hundreds of thousands of user credentials, plus more than 4,600 FIFA-related URLs, in data collected by credential-stealing malware families including Vidar, LummaC2, and RedLine.
Host-city Wi-Fi is its own problem. A Kaspersky survey that drove around Mexico City, Monterrey, and Guadalajara found 10% to 12% of networks open and password-free, with the WPS pairing feature still active on nearly half. Both leave openings for rogue “evil twin” hotspots that copy a real network and quietly intercept traffic.
The scams leave clear tells. Buy tickets only through fifa.com, typed directly, not via an ad or search result. Enable multi-factor authentication, and treat any seller requesting cryptocurrency as a scam. On Android, refuse accessibility permissions for streaming apps. On open Wi-Fi in host cities, use mobile data for banking and email.
Meta says it is now showing warning pop-ups when people search Facebook for FIFA tickets, and it partnered with Visa to take down a Facebook network linked to fake World Cup gambling sites. The FBI is asking victims to report at IC3.
The bigger concern is what has not yet been activated. Group-IB counted roughly 3,800 fraudulent FIFA domains sitting parked and unused, ready to switch on. With ready-made scam kits and ticket-buying bots already for sale, the peak window is easy to predict: 11 June to 19 July, when searches for tickets, streams, and travel will be at their highest.
Thinking about investing in a Fire TV Stick? You’ve timed it well — there’s another Amazon Prime Day fast approaching, and these little gadgets are almost certainly going to be heavily discounted during the event.
A Fire TV stick plugs into your TV’s HDMI port to turn it into a smart TV, from which you can access various apps — including not just Prime Video but all the best streaming services. It’ll also enable you to control your TV using your voice, via Alexa — a game-changer for commands that would otherwise require lengthy typing using your remote’s arrow keys (truly, is there anything more dull?).
There are now a few different Fire Stick options, and they all look roughly the same (aside from the Cube, which to be fair is pretty distinctive). Figuring out which one you need can be confusing, so I’ve pulled together a straightforward buying guide below.
I’ve started with buy links in the US and in the UK, then a guide to the key differences you need to know, and finally a specs comparison table. Happy streaming!
The main distinguisher between the different Fire TV sticks is in the image, video and audio quality they support. All the options work with Alexa+ via the voice remote.
The very cheapest option — the standard Fire Stick HD — is the only one not to offer 4K Ultra HD picture. Most modern TVs support 4K picture, but if you have an older TV or an especially budget-friendly model, it might not. In that case, there’s not much point going for anything other than this budget-friendly option.
Your next decision is whether you also want Dolby Vision and Dolby Atmos. Check first if your TV will work with these premium AV technologies in the first place — Dolby Vision is starting to feature on more TVs, but you still won’t find it on some cheaper models. Samsung doesn’t support Dolby Vision full stop, instead featuring HDR10+. If you don’t need either, go for the 4k Select.
Assuming your TV does support Dolby Atmos and Vision, and you want both, you can choose between the 4K Plus or 4k Max sticks. The key differences are that the latter offers twice as much storage, and supports Wi-Fi 6E (which allows for support of the new 6GHz band). In contrast, the Plus only supports regular Wi-Fi 6.
Finally, there’s the Cube, which is a slightly different proposition. It’s at least twice the price of all the sticks, and acts as a hub into which you can connect and control devices like your set-top box, games consoles, webcam and so on.
|
Model: |
List price: |
Supported picture quality: |
Supported video: |
Supported audio: |
Storage: |
|---|---|---|---|---|---|
|
Stick HD |
$34.99 / £39.99 |
1080p Full HD |
HDR10, HDR10+, HLG |
Dolby-encoded (HDMI pass-through) |
8GB |
|
Stick 4K Select |
$39.99 / £49.99 |
4K Ultra HD |
HDR10, HDR10+, HLG |
Dolby-encoded (HDMI pass-through) |
8GB |
|
Stick 4K Plus |
$49.99 / £59.99 |
4K Ultra HD |
Dolby Vision, plus HDR, HDR10, HDR10+, HLG |
Dolby Atmos |
8GB |
|
Stick 4K Max |
$59.99 / £69.99 |
4K Ultra HD |
Dolby Vision, plus HDR, HDR10, HDR10+, HLG |
Dolby Atmos |
16GB |
|
Cube |
$139.99 / £139.99 |
4K Ultra HD |
Dolby Vision, plus HDR, HDR10, HDR10+, HLG |
Dolby Atmos |
16GB |
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The Denon Home 400 sits in the Japanese brand’s completely repositioned Home 2.0 range for 2026, and it doesn’t take much to see the updates as a direct challenge to Sonos and the best wireless speakers on the market. The range features three speakers — the Denon Home 200, 400 and 600 — all of which promise spatial audio from a single box. They’re all tuned by sound masters, built for native stereo playback even as singular units, deliver an immersive experience, and have refined designs.
The Denon Home 400 sits right in the middle of the range, but occupies a bit of a sweet spot. Its $599 price tag puts it at the same ball park as the Sonos Era 300, and I think Denon comes out of the comparison looking like the better option.
Along with Sonos, though, there’s no shortage of competition from the likes of Apple’s HomePods, JBL’s Authentics 300 and the WiiM Sound smart speakers. While the Denon range technically supports Siri, this is a product that’s much more about the sound than it is the smarts.
In use, it sounds tremendous and is highly customizable with a full spatial audio experience where you really can hear the difference. The HEOS app works brilliantly, and set-up is a doddle. It also has a sense of style. This is a speaker that looks premium rather than plasticky, and that alone may make it easier to recommend than Sonos for many potential buyers.
Is it worth the premium price, though? I’ve been hands-on to find out what the Denon does differently.
The Denon Home 400 costs $599 / £449 / AU$999 (approx.) and is clearly positioned to rival the Sonos Era 300, which costs $479 / £449 / AU$749 officially, but it is a bit more likely to be available on offer, having gone down to $379 / £339 on Amazon within the past six months.
Other similarly sized rivals include the JBL Authentics 300, which costs $450 / £380 / AU$600, or the bass-heavy Brane X for $599 / £475 / AU$915. Apple fans will also, of course, consider whether a HomePod 2 ($299 / £299 / AU$479) may better suit their needs, as it has a few clever tricks and perks for the iOS faithful.
|
Speaker drivers |
2 x 0.75-inch tweeters, 2 x 1-inch upfiring drivers, 2 x 4.5-inch woofers |
|
Amplification |
6 x Class D amps |
|
Dimensions |
11.8 x 5.9 x 8.6 inches (300 x 150 x 219 mm) |
|
Connectivity |
Wi-Fi 6E, Bluetooth, 3.5mm line-in, USB-C |
|
Streaming support |
HEOS app, Tidal Connect, Spotify Connect, Apple AirPlay 2 |
|
Voice assistant support |
Siri (only if you have a HomePod on the same Wi-Fi network) |
|
Other features |
HEOS multi-room, stereo pairing |
|
Colors |
Charcoal, Stone |
The core selling point of all the new speakers in the Denon range is Dolby Atmos support with adjustable sound modes. I’ll go into that in more depth in the ‘Sound quality’ section below, but it is a meaningful differentiator between this speaker and most of its competition. The vast majority of other smart speakers will either not have Atmos or rely on (the admittedly clever) digital processing trick of spatial virtualization. That’s what the Denon Home 200 does, too.
The one option offering proper Atmos is the aforementioned Sonos Era 300. The Denon Home 400, just like this rival, packs in true Dolby Atmos with a six-driver setup: dedicated left and right drivers, upfiring drive units and two 4.5-inch woofers (all powered by six independent Class-D amplifiers). What this means is that you’ll get much more width — throw a Dolby Atmos track at this speaker and you’ll hear a wider soundstage — and real height, as it bounces sound off your ceiling. The adjustability in the Auto mode means you can dial in exactly how much bass extension, width or height you want.
You can use voice assistance on this speaker, but I’m not going to pretend it’s a headline feature. Apple’s Siri is the only voice assistant on offer, so you’re not going to find Google Assistant or Alexa as an option during setup. And, in order to set it up, you need to have an Apple HomePod or HomePod mini on your Wi-Fi network to handle the Siri requests you make on the Denon speaker.
Luckily, I’ve got some HomePods in another room, so I could test this, and it works fairly well, but I wouldn’t go around suggesting that this is a speaker with built-in voice control. It’s more of a niche added extra, as long as you already have an extra accessory that would cost you at least £99.
In general, the HEOS app (HEOS stands for Home Entertainment Operating System, thanks for asking) is excellent and great if you think you might set up a multi-room ecosystem of speakers after investing in this one. It covers multiple brands, not just Denon, and works with a wide range of speakers, soundbars and receivers.
Overall, the Denon Home 400 offers a broad range of connectivity options, including a 3.5mm AUX for use with turntables or MP3 players, and a simple native Bluetooth button to connect to other devices if you’re not using the app. Bluetooth LE Audio is coming via an update, and it has support for ALAC and aptX formats over Bluetooth. You’ve also got Apple AirPlay 2, Spotify Connect, Tidal Connect, and Qobuz Connect built in, too.
Through the USB-C port, you can deliver firmware updates via a pen drive or use wired Ethernet via any USB-C adapter, which is a nice benefit compared with others that might make you buy a proprietary dongle. Obviously, it’s not quite the same as built-in Ethernet, but it’s not a feature everyone would use.
There’s no remote with the speaker, it’s designed for use with the feature-filled HEOS app, where you can gather together your music services — including Spotify, Amazon Music, Deezer, Soundcloud, Tidal, Qobuz and TuneIn — and internet radio stations, along with control of the multi-room setup and audio customizations. I wish my choice of streaming service, Apple Music, were added to the picks, but it’s otherwise an app I find hard to fault.
We’re going to be talking a lot about spatial audio in this section, because that really is the Denon Home 400’s party piece. It can take a well-encoded Atmos mix and make it feel three-dimensional. It’s in the Auto setting by default, and that’s probably where I’d leave it in my environment, in which it’s more than capable of an immersive room-filling sound.
If spatial isn’t for you, you’ll prefer the Pure sound mode. This bypasses the DSP and works as a great mode for anyone wanting the typical stereo image experience.
I’d already had a chance to hear the Denon Home 400 in a London hotel suite, and that gave me a sense of just how impressive it would be. During Ed Sheeran’s Shivers, I could hear a noticeable height extension that makes it perceptibly different when compared with the Home 200. Listening to the Atmos mix of Riders on the Storm by The Doors reveals background vocals in the height layer, an element that’s harder to pick out in the neutral mode.
Having the speaker within my own apartment only further confirmed how adept it is with spatial sound. To test it, I mostly focused on playing Dolby Atmos from Apple Music over AirPlay, but I also used it with Spotify Connect, radio stations, and I set up both Spotify and Deezer within the HEOS app to test those, too. The experience is convincing, there’s a lot of clarity to be heard across the whole frequency range, and two woofers deliver significant bass oomph.
Listening to Raye’s Where Is My Husband! in Dolby Atmos is highly rewarding for how much extra detail you start to hear in the layers of instrumentation, all while keeping her powerful vocals right in the center. I used the HEOS app to dial up the width and height, and you can feel the backing vocals spread out on the soundstage, with the instruments becoming easier to identify in space.
Putting the 400 in Pure mode and switching over to Click Clack Symphony shows that there’s a place for both modes. Pure is much more direct and balanced. There’s clearly more vocal presence in this mode, and the stomps have far more impact. You can get a different sonic experience by switching between both modes, something this track shows so well — it’s bordering on ethereal in Auto with those spatial customisations, yet sounds intimate on the Pure setting.
In general, I find the sound hard to fault. By default, the Auto mode may have a smidge too much bass for my tastes, but it’s easily remedied by moving the slider down two notches in the app. The Pure mode is fairly neutral in its approach, but still has its fair share of energy and dynamism. If you listen to spatial tracks, play around with Auto, but most of us should find Pure less fatiguing, making it a better ‘set and forget’ option.
Immediately after unboxing, it’s clear that the Denon Home 400 is more than your average utilitarian speaker. The best thing about its design is the lack of visible plastic, which is only really visible on the speaker’s top section. The rest is covered by a seamless piece of fabric with no obvious seams, and the bottom of the speaker — just like every model in the new Denon range — is a sturdy titanium base plate. It adds a little bulk, sure, but also the satisfaction of knowing that this is durable and not something that can be tipped over.
Underneath the speaker, a light glows to let you know it’s turned on. This was something that my wife initially felt ruined the look, but it’s easily solved because you can lower the brightness (or turn the light off entirely) in the app. Crisis averted. There are physical controls on the right side of the device, allowing you to control volume and playback, along with three quick select buttons (for your favourite internet radio stations or streaming services) and an action button to summon voice control.
The speaker also comes in the same two neutral colorways as the rest of the range – Charcoal and Stone (my review unit). I’ve got no complaints. It’s a speaker that’s designed to look good in the living room without commanding attention, and it does exactly that. It’s also worth noting that, on the back, there’s a switch to mute the microphone and that it’s a hard-wired off button that’s not connected to the network circuitry.
I find this looks much less plasticky in comparison to rival speakers (looking at you, Sonos) and that the Home 400’s buttons and controls are easier to understand and use (looking at you, Apple). It ends up being a winner on multiple fronts.
The Denon Home 400 is an exceptionally straightforward speaker to set up and use. The box gives you the speaker unit itself and the power cable. Once it’s plugged in, you set it up with the HEOS app, a process that took me approximately five to 10 minutes, and connect it to your home Wi-Fi network, telling the app whether the speaker is away from walls, in a corner, or just in front of one wall, which helps it adapt its sound.
You do need to use the app so that you get all of the internet-connected features, but it doesn’t take long at all to get started. Once you pick some favourite radio stations in the app, you can also press and hold on the preset buttons to save them for quick access, and you can always just use the Bluetooth button to connect devices that might not be on your wireless network. The same applies to wired playback.
I tested both with my MP3 player, the Activo P1, and found it seamless in use. However, it’s worth mentioning that I couldn’t get the Denon to play back at one of its supported higher-res Bluetooth codecs over the P1; it stayed stuck in SBC despite supporting higher bandwidth options.
In day-to-day use, though, this is highly intuitive to use, both wirelessly and if you were to connect an AUX cable to an MP3 player, CD player or turntable. Denon has said a goal with this product is getting you to your music with minimal button presses, and that holds true in use, whether you’re using those quick select buttons, or just playing wirelessly over the HEOS app, Spotify Connect or AirPlay. The one downside would be for those who are used to voice control of their playlists. Unless you use Siri and already have a HomePod, this doesn’t work well for that.
If you were keen to set up multi-room groups, this would also work well, with controls within the HEOS app, plus the ability to create a stereo pair with two Denon Home 400s. It’s also a great feature that the ability to mute the microphone is a physical control, not something that exists only in software, something that’s great for peace of mind if you don’t want to use voice assistance or have your voice recorded.
At $599, the Home 400 is priced at the top of the standalone premium home speaker market, making it a direct rival to the Sonos Era 300. For me, the Denon more than matches its Sonos competition when it comes to powerful spatial audio and is also a more stylish speaker with more intuitive control and better connectivity. The Denon gives you spatial customization missing from Sonos, and it also has built-in AUX, USB-C and the option of Ethernet.
While rivals like the Sonos Era 100 and Apple HomePod are cheaper, they’re also more locked into ecosystems. They’re good as affordable rivals, but the Denon offers the more powerful, more immersive and more customizable sound. And, while the JBL Authentics 300 also holds a lot of appeal, and I’m a particular fan of its style and retro controls, it lacks native Dolby Atmos, so it doesn’t feel like a direct rival.
The one thing you’ll want to keep in mind is the lack of capable voice assistance from the Denon at launch, but if that doesn’t matter to you, the customizable spatial sound, ability to connect to players and turntables, plus intuitive control make the Denon Home 400 a good value buy in this price tier. Just make sure you’re keen on spatial sound and know you want to hear the layers inside a mix, as that’s what sets this apart.
|
Attribute |
Notes |
Score |
|---|---|---|
|
Features |
Native Dolby Atmos, with multiple connectivity options, but limited voice control possibilities. |
4.5 / 5 |
|
Sound quality |
Outstanding spatial audio, with solid set-and-forget settings. |
4.5 / 5 |
|
Design |
Durable, stylish look with two colorways to choose from, plus a general absence of plastic. |
5 / 5 |
|
Usability & setup |
Easy-to-understand controls, with an intuitive app, but needing a HomePod to make Siri work is a drawback. |
4.5 |
|
Value |
It’s not cheap, but it’s certainly worth the money with spatial audio this good. |
4.5 / 5 |
| Header Cell – Column 0 |
Denon Home 400 |
Sonos Era 300 |
Apple HomePod 2 |
|---|---|---|---|
|
Price |
$599 / £449 / AU$999 )approx.) |
$449 / £449 / AU$749 |
$299 / £299 / AU$479 |
|
Speaker drivers |
2 x 0.75-inch tweeters, 2 x 1-inch upfiring drivers, 2x 4.5-inch woofers |
4x tweeters, 2x woofers |
5x tweeters, 1x woofer |
|
Amplification |
6x Class D amps |
6x Class D amps |
Not listed |
|
Dimensions |
11.8 x 5.9 x 8.6 in (300 x 150 x 219 mm) |
6.30 x 10.24 x 7.28 in / 160 x 260 x 185 mm |
5.6 x 6.6 x 5.6 in / 142 x 168 x 142 mm |
|
Connectivity |
Wi-Fi 6E, Bluetooth, 3.5mm line-in, USB-C |
Wi-Fi 6, Bluetooth 5.0, USB-C (3.5mm line-in and Ethernet via adapter) |
Wi-Fi (802.11n), Bluetooth 5.0 (not audio) |
|
Streaming support |
HEOS app, Tidal Connect, Spotify Connect, Apple AirPlay 2 |
Sonos app, Apple AirPlay 2 |
Apple AirPlay 2 |
|
Voice assistant support |
Siri (only if you have a HomePod on the same Wi-Fi network) |
Alexa, Sonos Voice Control |
Siri |
|
Other features |
HEOS multi-room, stereo pairing |
Dolby Atmos support, Sonos multi-room control, Sonos home theater option, stereo pair option |
Dolby Atmos support, Thread/HomeKit smart home hub, auto-calibration, stereo pairing option, Apple TV home theater option |
I tested the Denon Home 400 using a wide range of different music genres and styles, including popular hits, soundtracks, ambient playlists and classical. I listened to podcasts and radio content, too, over several weeks of testing. I primarily used the Denon Home 400 in one spot, on a table in my living room, and that gave me a sense of how well it was able to fill the space in my small flat.
I used Bluetooth and wired connections with my Activo P1 music player, and also streamed using the HEOS app itself, accessing Deezer, Spotify and radio stations from this interface. Most of my spatial listening was tested via AirPlay, playing tracks mixed for Dolby Atmos through Apple Music.
For some direct comparisons, I used the other speakers that I currently have in my flat, including an Audio Pro A10 MkII and a couple of HomePod Minis in a stereo pair. And, to get a great understanding of the speaker’s performance, I made sure to listen to the widest possible range of genres at varying volume levels.
It’s raining blood, hallelujah.
Among a slew of announcements at Summer Games Fest 2026, Shift Up revealed the sequel to its breakout hit, Stellar Blade. The sequel, which we now know is called Stellar Blade: Blood Rain, is said to be in the same universe as the first game in the series. Shift Up says it will take that world in a “bold new direction.” Blood Rain will also feature a new protagonist named Evie, a clear homage to Eve from the original title.
The original Stellar Blade was generally well received, earning an 81 on Metacritic for its combination of stylish visuals and slick combat. Blood Rain looks to build on those strengths, and the lengthy trailer shown during the reveal features a mix of extremely shiny-looking cutscenes and flashy combat sequences punctuated with earth-shattering hero landings that Deadpool would balk at (very hard on the knees). As befitting its title, Blood Rain‘s enemy designs look fittingly body-horror themed. They’re appreciably different from the seemingly Souls-inspired baddies of the first title, and the trailer shows their transformation from human to video game monsters in gory detail. Not a speck of that blood can be seen on our incredibly shiny and uncomfortably shapely, skin suit-clad protagonist, though.
Shift Up will self-publish the title, a sharp turn from its previous release through Sony Interactive Entertainment for the first Stellar Blade. The move comes after some players balked at a PlayStation exclusivity window for that game before its PC launch, and amid a renewed focus on exclusives at Sony that will see titles withheld from PC.
Tech giant Toshiba and mega-retailer Muji warned visitors that suspicious sign-in screens popping up on their websites could collect credentials.
Both Japanese companies advised users who entered their account login data in the authentication screens to change their passwords to access the service.
The login pop-ups were generated by the external service hosted at polyfill[.]io, which in 2024 introduced malicious code in scripts delivered by its CDN.
“We have confirmed that some parts of our website may display a sign-in screen like the one shown below. We are currently working to eliminate this screen, but if you do see it, please select “Cancel” without entering any information,” Toshiba said in a short communication.

Japanese retail giant Muji published a similar announcement earlier this week, warning website visitors of suspicious authentication screens generated by the external service polyfill[.]io.
“At this time, we have not confirmed any unauthorized access or information leakage to this site, but in order to ensure the safety of our customers, we ask that you consider your response,” Muji states.
Both Toshiba and Muji have solved the issue and suspended the service.
Japanese media outlets reported that Zojirushi, FiNC Technologies, Ishiyaku Publishers, and online publishing brand Hobonichi were also impacted by the same issue.
Security researcher Pasquale Pillitteri says that Samsung Smart TVs and websites also displayed a login prompt on June 1.
Some reports claim that the problem was caused by the polyfill[.]io incident in 2024, when the domain was purchased by a Chinese entity and added malicious scripts that impacted more than 100,000 websites using the Polyfill service.
Polyfill is a JavaScript CDN for legacy browsers, allowing modern sites to run on them by providing a compatibility layer for unsupported technologies.
The Polyfill code was delivered via a CDN at polyfill[.io], although the domain was not owned by the creator of the open source project, Andrew Betts. As such, when the domain expired, it could be claimed by anyone.
At the time, Betts responded publicly by recommending that website owners remove the service from their sites, and relaunched the JavaScript CDN service at a new domain, polyfill.com, and later settled at polyfill.top.
While the deactivation of the service at polyfill[.]io stopped the redirections, some sites using the service failed to clean all their pages over the past two years, so remnants of Polyfill code remained.
Pillitteri reports that, starting in late May 2026, the polyfill[.]io domain became active again and started responding with HTTP 401 authentication requests.
User browsers visiting pages such as Toshiba’s and MUJI’s interpret that as a request for a username and password, so they serve a login prompt.
At the moment, there is no indication that impacted websites were hacked or that credentials entered on these rogue login screens were stolen. However, users are strongly recommended to be cautious about unexpected authentication prompts.
Security teams log 54% of successful attacks and alert on just 14%. The rest move through your environment unseen.
The Picus whitepaper shows how breach and attack simulation tests your SIEM and EDR rules so threats stop slipping by detection.
ICE never needed officers to disguise themselves with masks and strip themselves of identification before Trump took office for the second time. What ICE is doing now isn’t what ICE was doing during Trump’s first term, even though it’s the same hateful bigot sitting behind the Resolute Desk he thinks should be covered in gold leaf.
According to the DHS, ICE officers need to look like roving kidnapping squads because they fear for their safety. Supposedly, they’re under attack now more than ever, something not even supported by the DHS’s context-free claims of massive increases in assaults of ICE officers.
ICE has never been popular. People have been calling for ICE to be abolished for far longer than the last 18 months of its existence. But now that ICE behaves like an invading force, rather than an agency involved in immigration and customs enforcement, more people are reacting to its unwanted presence in their neighborhoods.
ICE’s excuses for mask-wearing were [cough] unmasked when ICE was asked to fill in for unpaid TSA agents. ICE officers showed up at airports without masks to stand around and milk the clock, apparently unworried about being “exposed” or subjected to threats to them or their families.
But now that the TSA is as staffed as it’s ever going to be, ICE is returning to American streets, long on masks and short on training. Criminal opportunists know a good thing when they see it. When it’s impossible to tell whether the person assaulting you/demanding access to your home/running off with your valuables is an actual federal officer or just someone with access to ski masks and camo, the criminals have the upper hand.
As of February, Noticias Telemundo had documented at least six cases of impostors posing as ICE agents to rob or harass immigrants. In mid-January, a man broke into a house in Pittsburgh claiming to be an ICE agent and threatening a teen with a knife. In February, police in San Diego said a man allegedly impersonated an officer and wrapped his arms around the neck of a restaurant manager, claiming the manager was in the country illegally and he was going to arrest him.
Sure, some of you may be scoffing at “six cases” since Trump won the election. But that’s only the ones where a (foreign!) news agency managed to put together the pieces to deliver reporting that should have been done much earlier by domestic new agencies.
Here’s the more damning stat:
Of the 31 impersonation cases documented in 2025, 84% involved individuals who claimed to be ICE agents. Others identified themselves as officers from Border Patrol or the Department of Homeland Security.
Thirty-one impersonations. Apparently all of them involved people pretending to be in the business of migrant deportation. And it’s not just the normal crime you’d expect from criminals seeing a flaw in the system and exploiting it. It’s also led to an increase in the sort of crime this administration will likely greet with pardons and payout from the “FUCK AMERICA $1,776 MILLION SLUSH FUND.”
The recorded incidents include intimidation, robbery and sexual assault, as well as so-called “immigration operations” carried out by armed vigilantes against what they describe as an “invasion” of foreigners in the U.S.
This was a problem the FBI recognized months ago, but rarely speaks of now because it’s being led by the only guy who has a chance at drinking Defense Department Secretary Pete Hegseth under the table. The current “leadership” has nothing to say about giving criminals more opportunities to engage in criminal acts.
Neither DHS nor ICE responded to Noticias Telemundo’s request for official statistics about cases of fake ICE agents. They also did not comment on the trends revealed by this investigation.
Not even the rote “fake news” quasi-rebuttal from this miserable assortment of inhuman asshats. Well, if DHS and ICE won’t speak for themselves, I’ll let this next quote from NBC/Telemundo speak for itself:
“You’re going back to Mexico,” a man told the immigrants in a video recorded from inside their truck. He insulted them for their appearance and for not speaking English, took their keys and snatched the immigrant’s phone when he called his boss. The manager later told the police that the fake agent had claimed to be from ICE and had warned him that all his employees were going to go to “f—–g jail.”
This isn’t fake news. This isn’t implication extrapolated from minimal inference. There are literal recordings of these impersonations.
This isn’t people imagining the worst because they’re politically opposed to the current administration. These are documented instances of the only thing that could be worse than the brutality and bigotry perpetrated by this administration: criminal acts encouraged by this government’s unwillingness to do its dirty work honestly.
Filed Under: bigotry, dhs, ice, masked officers, mass deportation, thugs, trump administration
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As we said, WIRED runners pound hundreds of miles every year. Here are a few of the other shoes we’ve tested that you might want to consider if the above do not work for your foot. If you’re not familiar with a brand, we recommend going to a local running store for a test run before plunking down your credit card.
Diadora Nucleo 2 for $165: The Nucleo 2 isn’t a wow, high-energy, super springy shoe. But if you’re a fan of straightforward, no nonsense comfort and good inherent stability across a good range of paces, the Nucleo 2 delivers.
Rad R1 for $130: Made to master gym, HIIT, running and all manner of hybrid workouts, I’ve been using the Rad R1 when I’m doing my strength and conditioning work in the gym like a good boy. They work for short runs and miles on the softer treadmill belt, while being stable and supportive enough to get under the bar and offering control for drills like box jumps and lunges. They look good, too.
New Balance Rebel V5 for $145, Adidas EVO SL for $105, Kiprun Kipride Max ($160). Another top-notch all-around shoe to rival the Saucony Endorphin Speed 5, the Rebel V5 is smooth, light and capable across the whole pace range. The Adidas EVO SL is a great alternative to the Saucony Endorphin Azura and can also handle anything you throw at it. But if you like your things super soft with a bit of bounce, the Kiprun Kipride Max serves up a cushioned plush ride with a bit of pop.
New Balance Fresh Foam X 1080 v15 for $170, HOKA Clifton 9 for $164: If you’ve never run before, the Hoka Clifton 9 is my recommendation for a beginner runner. Despite Hoka’s outsized (ahem) reputation, this is a pretty minimal shoe that’s comfortable, balanced, and light. —Adrienne So
Saucony Ride 17 for $110: This is also a good older budget-shoe model.
Saucony Hurricane 25 for $135, Brooks Glycerin 23 GTS for $180: Consumer tech director and podcast host Michael Calore runs in the Brooks Glycerin. This is our alternative pick if you’re shopping for shoes that offer greater stability.
How Should I Care for My Running Shoes?
How Long Should My Shoes Last?
The internet’s collective wisdom says that you should replace your shoes somewhere between 300 and 500 miles. However, this decades-old rule of thumb is based on a few limited studies and general advice from brands. New foam varieties, outsole rubbers, and upper technology means it’s now harder to offer blanket advice.
There are many formulas of modern midsole foams. Durability is now judged not only by how long the protective cushioning lasts, but also whether it continues to deliver the bounce and performance. Some of the top superfoams might lose their initial energy but remain as protective as a firmer, more traditional EVA sole. For example, your high-tech carbon race shoe could become your daily runner once it’s lost its top-speed edge.
You also have to factor in your unique running style. Shoes wear differently for different runners, impacted by variables like weight, stride pattern, pace, daily usage, terrain, and climate. There are obvious signs of wear and tear: Heel collars rubbed through, holes in the uppers or grip worn to the point it’s no longer effective. It’s harder to spot when a midsole has had its day. They don’t crease in the same way older shoes used to.
The best advice: Use your shoes until something feels off. When that happens, you might want to start shopping.
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Google’s upcoming Googlebook platform could launch with a much broader range of devices than many expected.
New findings suggest the first wave may include as many as eight laptops and tablets powered by chips from Intel, Qualcomm and MediaTek – giving buyers more choice from day one.
The discovery comes from newly uncovered development boards linked to Googlebook hardware. While Google has only teased that the first devices will arrive later this year, the latest evidence points to multiple manufacturers and several form factors too.
Chrome Unboxed reports that four of the devices appear to use Intel platforms, while another three rely on Snapdragon hardware. The publication also says that an additional device was built around MediaTek’s Kompanio Ultra processor, and could take the form of a tablet rather than a laptop.
The chip diversity is perhaps the most interesting part of the leak. Intel-powered models could appeal to users looking for more traditional laptop performance, while Snapdragon devices may focus on battery life and always-connected features.
None of the hardware is official yet, with only internal codenames such as Felino, Ruby, Quartz and Sapphire appearing at this stage. However, the number of projects in development suggests Google is preparing a wider ecosystem that could go beyond a single flagship launch device.
Of course, there are still plenty of unanswered questions, including which Snapdragon chip Qualcomm plans to use and whether all eight devices will launch around the same time. But if these early findings are accurate, Googlebook’s debut is set to be the beginning of an entire new category.
Remember, at the time of writing, the exact launch date and pricing of the Googlebook line-up remains at large. However, as it looks like there will be plenty of models to choose from, we hope there will be a device to suit most users.
The European Commission has appointed Jim Hagemann Snabe, chairman of Siemens’ supervisory board, as its special envoy for industrial artificial intelligence. He will advise Commission President Ursula von der Leyen and tech sovereignty chief Henna Virkkunen on how to accelerate AI adoption across European industry.
The backlash was immediate. Snabe’s appointment lands weeks after Siemens was among the companies that lobbied hardest for the rollback of the EU’s AI Act, the world’s most ambitious AI regulatory framework. Critics say the appointment amounts to handing advisory power over AI policy to the same industry that successfully weakened it.
Snabe, 60, is a Danish executive who co-led SAP as co-CEO from 2010 to 2014 before moving to the supervisory board. He became chairman of Siemens’ supervisory board in 2018. Beyond those roles, he has served on the advisory board of Google Cloud, on the board of US enterprise AI firm C3.ai, and as a board of trustees member at the World Economic Forum.
The Commission says it conducted a thorough conflict-of-interest assessment before the appointment. For the duration of his mandate, which runs until 31 March 2027, Snabe will suspend his Google Cloud and C3.ai memberships. The role is unpaid.
The timing is what makes the appointment politically charged. On 7 May, the Council of the EU and the European Parliament reached a deal to simplify the AI Act through the so-called Digital Omnibus. The headline change was a 16-month delay to high-risk AI obligations, pushing the deadline from August 2026 to December 2027.
More significantly for Siemens, the deal introduced an industrial AI exemption. AI systems used on factory floors and embedded in machinery will now be covered by separate machinery regulations rather than the AI Act, unless a failure could directly endanger health or safety. Germany, where Siemens is headquartered, led the push for that exemption. Chancellor Friedrich Merz called for freeing industrial AI from the EU’s “regulatory straightjacket” at the Hannover Messe trade fair in April, with Siemens executives alongside him.
Virkkunen, who drove the simplification through the College of Commissioners, framed the deal as proof that Europe can maintain a rules-based approach while making regulation workable for industry. Snabe’s appointment is the next step in that direction: an explicit signal that industrial competitiveness, not regulatory caution, is now the priority.
“My first reaction was just: Wow,” said Kim van Sparrentak, the Dutch Green lawmaker who led the Parliament’s work on the AI Act. “They fought hard against AI rules for themselves, they lobby against technological sovereignty, and now they get to decide how we are going to integrate AI.”
The concern is not only about Siemens. Snabe’s board positions at Google Cloud and C3.ai place him at the intersection of the three constituencies most directly affected by EU AI policy: European industry, US Big Tech, and the enterprise AI software market. Suspending board seats is not the same as severing ties, and critics argue that an unpaid advisory role with no formal accountability is precisely the kind of arrangement that makes revolving-door governance difficult to scrutinise.
The Commission has not disclosed the specific terms of Snabe’s conflict-of-interest assessment. It says one was carried out but has not published the methodology or findings, which makes the assurance hard to evaluate independently.
Snabe’s mandate is to advise on how Europe can boost industrial AI adoption, a priority that the Commission has elevated since the AI Act’s passage exposed a tension at the heart of European tech policy: the desire to regulate AI and the fear of falling behind the US and China in deploying it.
The appointment was announced alongside the Commission’s broader technology sovereignty blueprint, which includes the Cloud and AI Development Act, Chips Act 2.0, and new restrictions on US cloud providers handling sensitive European government data. Snabe’s role sits within that framework, theoretically bridging the gap between Brussels’ regulatory ambitions and the corporate reality of getting AI into European factories.
Whether a Siemens chairman is the right person to bridge that gap or simply the most obvious symptom of the gap itself is the question Brussels will be debating for the duration of his mandate.
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