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Do the 2024 Nobel prizes show that AI is the future of science?

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Do the 2024 Nobel prizes show that AI is the future of science?

AI may increasingly contribute to scientific discoveries

Yuichiro Chino/Getty Images

It is a common refrain that artificial intelligence is coming to take all our jobs, and now it seems that Nobel prizewinners are no exception. Two of the awards this year, for physics and chemistry, have been claimed by people working in the field of AI – much to the chagrin of some researchers in areas more traditionally recognised by these categories. What does the rise of the AI Nobel mean for the future of science?

“These prizes reflect two different ways of reckoning with the relationship between AI and science:…

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Atomic Picnic co-op roguelike shooter hits Steam Early Access soon

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Atomic Picnic co-op roguelike shooter hits Steam Early Access soon

BitCake Studio and Mad Mushroom announced that the cooperative roguelike shooter Atomic Picnic will launch on Steam Early Access on November 7.

In the $20 title, players will dive into the chaos and thrill of a co-op bullet-heaven roguelike shooter and an anime-inspired visual style for an unforgettable picnic in the wasteland. BitCake Studio is a rare game studio based in Rio de Janeiro, Brazil. (I visited the city as part of our brief Brazil global gaming tour recently).

Players team up with up to three fellow “Loners” and embark on scavenger hunts known as “Picnics.” Each adventure pits you against relentless waves of monsters, objectives, and hulking bosses to ensure that no two Picnics are ever alike.

Run, gun, explore, collect, upgrade, and decimate – every Picnic offers a unique experience, filled with diverse upgrade paths and special events that challenge both solo adventurers and groups.

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A final public playtest for Atomic Picnic is now available on Steam and will run until October 17. Hop in, run some Picnics with friends, and give feedback in the Atomic Picnic Discord as the devs at BitCake fine-tune, balance, and polish the game in time for Early Access.

Atomic Picnic

In early access, the developers at BitCake Studio are introducing a wave of features for Loners to cut their Picnic teeth on. There are four hungry Loners: Ash, Hani, Bonnie, and JD. Each Loner boasts unique stats and abilities, allowing for varying playstyles. Try each out and find which suits you. You can permanently upgrade character stats via Mementos, which are acquired through Discoveries as Loners complete Picnics.

Loners will scour maps for valuable resources that unlock 18 different Mementos: character and gear upgrades for future runs. Completing specific challenges within Picnics will reveal Discoveries, which in turn grant new Mementos, characters, and weapons.

The game has three maps. In Train Plateau, you set up your Picnic in an abandoned trainyard, ripe for resource scavenging. If you’re lucky, you might find something worth cold cash! You can also come back to the Plateau in night mode, facing off against a different set of even tougher enemies.

In Twilight Dam, you figure out what cataclysmic event ravaged this dam. Picnic here to explore this mysteriously wrecked rift, in day or night mode. And in City of Sand, there are two dimensions, one city. Explore and Picnic in a glorious city caught within the sands of time…or what’s left of it.

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In-run upgrades known as Curios represent the dramatic changes a Loner’s build will go through as they progress a Picnic. Standard Curios unleash your Loner’s full potential as its stats and abilities dynamically adapt to every acquired Curios.

Austin, Texas-based Mad Mushroom is a game publishing company positioned as a next-generation influencer-owned entity within the vast umbrella of OTK Network. Mad Mushroom wants to empower indie developers, engage gamers, and shape the future of interactive entertainment.

BitCake Studios is a game development studio from Brazil, creating games that bring people together since 2013. Hailing from Rio de Janeiro, BitCake is a completely remote studio with coworkers from different cities around the country and the world.


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Best Server for Home: Small, Medium, Large (What Server Should I Get?)

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Best Server for Home: Small, Medium, Large (What Server Should I Get?)



What is the best setup and configuration for a Server at Home or your #homelab?
Do you go Small, Medium or Large? The options are endless!

To get started you need to come up with a plan, what is the purpose of this Server? How much will you spend and are you going to put it in a Server rack or not?
Then think about whether you want to go small, medium or large format with the computer/server? Small is convinient, low power, however doesn’t give you the power or grunt of a higher end server, which is also bulkier and noisier.
The choise is yours…

Get Pulseway (25% off) – https://bit.ly/emilio_pulseway
Keep your Tech Secure and Monitored!!

Here are few computers / servers that I use and recommend.
➤ Raspberry Pi – https://amzn.to/3nsyShB
➤ Protectli PC – https://amzn.to/44QQnbJ
➤ Intel NUC Mini PC – https://amzn.to/3VJuer9
➤ ZimaBoard Server – https://amzn.to/3TNA4rM
➤ HP Elitedesk – https://amzn.to/3Zok4O6
➤ Mac Mini – https://amzn.to/40rsWE7
➤ Beelink Mini – https://amzn.to/3TLzV8t

———TIMESTAMPS———
0:00 What is what?
0:22 What is a Server?
1:38 Sponsor – Pulseway
2:48 The Purpose of the Server
4:02 Consider your Budget
4:28 Where will the Server Live?
5:02 Storage Requirements
5:51 Mini Computers / Servers
7:31 Desktop Computers / Servers
8:10 Laptop Servers
8:35 Rack + Blade Servers
10:34 Cloud Servers
11:29 The Verdict
———————————————

STUFF I RECOMMEND
👉 Speed up Your Mac – http://bit.ly/CleanMyMacX2
👉 Best to run Windows on Mac – https://bit.ly/parallelsemilio
✖️ https://x.com/emilio_tech

☎️ Want to work or collaborate together? Reach me at contact@emilioaguero.net

——————————————————

🎓 MY TRAINING COURSES 🎓 https://bit.ly/emilio-training
My popular courses –
➤ Become an IT Manager – https://bit.ly/emilioaguero-techmanager
➤ Master Cybersecurity – https://bit.ly/emilioaguero-cyberexpert
➤ QNAP NAS Administration – https://bit.ly/emilioaguero-learnqnap
➤ Master the Synology NAS – https://bit.ly/LearnSynology
➤ Become a VMware Expert – https://bit.ly/emilioaguero-vmware8
➤ Learn Windows Server 2022 – https://bit.ly/server-2022

——————————————————

MY GEAR (some of it…)
➤ Intel NUC Mini PC – https://amzn.to/3VJuer9
➤ ZimaBoard Server – https://amzn.to/3TNA4rM
➤ Raspberry Pi – https://amzn.to/3nsyShB
➤ Teltonika RUTX50 – https://bit.ly/teltonika-emilio
➤ NAS 2-Bay | Terramaster FS0210 – https://amzn.to/44ORHN0
➤ NAS 6-Bay | Synology DS1621+ – https://amzn.to/3xUl5Wi
➤ NAS Rack | QNAP Rack – https://amzn.to/44frTdb
➤ 34″ Curved Wide Monitor – https://amzn.to/4aL6zyF
➤ Digital Camera | Sony A7C – https://amzn.to/3VVt4KB
➤ Shure SM7B Mic – https://amzn.to/3MjPRgc
➤ Speakers | Presonus XT – https://amzn.to/49XH2RH

👉 Full List of my Gear: https://www.amazon.com/shop/techwithemilio

——————————————————

ABOUT ME:
My name is Emilio Aguero and I’m a technology enthusiast from Melbourne Australia. I’ve been into computers ever since setting up my first pentium computer years ago. I love technology and make videos about all things tech every week. Would love it if you support my channel by subscribing and staying up to date with what I’m releasing!

⮕⮕ New Videos Sundays 2pm GMT ⬅⬅

——————————————————

GET IN TOUCH:
👉 For any speaker, consulting, affiliate or sponsorship enquiries reach me at – contact@emilioaguero.net

Check Out My Other Channels –
🖥️ Let’s Talk Tech https://www.youtube.com/@TechWithEmilio
🍜 Love Eating https://www.youtube.com/@EatingWithEmilio
 Love My Mac https://www.youtube.com/@mactechwithemilio
🚶Walking the Globe https://www.youtube.com/@WeLikeWalking .

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Numeric grabs $28M Series A to automate accounting using AI

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Numeric founders

Accountants typically dread month-end and quarter-end closings. That’s because finalizing financial records for a specific period is generally a manual, error-prone and time-consuming endeavor. 

In 2020, Parker Gilbert (pictured above; middle) was so fed up with the tedium of managing finance and accounting at an early-stage startup that he decided to co-found Numeric, an accounting software that automates certain parts of the book-closing process. And the introduction of genAI several years later significantly enhanced Numeric’s capabilities, so much so that it’s now used by the accounting departments of companies like Brex, OpenAI, Plaid and Wealthfront. 

Over the last year, Numeric’s revenue has increased four-fold to the single-digit millions, and investors are suddenly flocking to back the company. Now, just five months after it raised a $10 million seed round from a slew of well-known investors, the company has raised a $28 million Series A led by Menlo Ventures, with participation from new investors IVP and Socii. Previous backers Founders Fund, Long Journey, 8VC, Friends & Family Capital, and Fifth Down also invested in this round.

Numeric lets accounting teams shave days off their monthly book-closing process, Gilbert told TechCrunch. The company’s product achieves this by aggregating and reconciling data from various accounting systems and Excel spreadsheets. It then overlays that data with an AI agent, which looks for how each line item changed from the previous month. If the agent spots outliers or unexpected variations, it explains why the account has increased or decreased, saving accountants a lot of time they would otherwise spend documenting variance in accounts — a process known as flux analysis.

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Gilbert, the CEO of the startup, explained with an example: If the AI agent notices that Numeric’s legal expenses were much higher in October than in September, it would write an explanation along the lines of, “Your legal expenses went up this month because you paid Wilson Sonsini $X amount more for your funding.”

The possibility of AI hallucinations in the flux analysis commentary is one of the first concerns to come to mind, but Gilbert stressed that’s typically not a problem — he said Numeric always provides links so accountants can check the AI agent’s work at any time.

While the actual tie-out and calculations are not done by generative AI at the moment, Gilbert expects Numeric’s model to soon be capable of doing that accurately. “In terms of synthesizing large quantities of data, LLMs are incredibly good at this today, and I think are going to only increasingly get better,” he added.

Croom Beatty, a partner at Menlo Ventures, said he has spent a lot of time looking for a company that is disrupting accounting software, and Numeric was one of the first startups in the category to pique his interest. 

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“Numeric’s moat is a lot deeper than a lot of areas we were looking at,” he said. “It marries complex workflow with complex data in a market that has not been well served by tech companies.”

Beatty expects the company will be able to add other products in the future, such as financial planning and analysis capabilities — a market that Anaplan now dominates.

Numeric competes with two accounting software companies: Publicly-traded Blackline, and FloQast, an 11-year-old startup that was valued at $1.6 billion when it raised its Series E this April.

As for why there aren’t other, new AI-powered entrants in the accounting software market, Beatty said what Numeric is doing is very complex and not easily replicable.

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NVIDIA, price of 1 chip? price of 1 server rack? #ai #nvidia #nvda

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NVIDIA, price of 1 chip? price of 1 server rack? #ai #nvidia #nvda



@FinanceAndBagels FULL VIDEO HERE .

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Submerged is everything impressive and isolating about the Vision Pro

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Submerged is everything impressive and isolating about the Vision Pro

I don’t like submarines. The idea of being trapped, several hundred feet underwater, in a narrow, creaking death trap? No thanks. I already knew that going into a screening of Submerged, the first scripted short film shot in Apple Immersive Video for the Vision Pro. Now that I’ve seen it, I’m triply sure.

Written and directed by Oscar winner Edward Berger, Submerged takes place inside a WWII submarine that’s under attack. It follows the crew as they try to escape a sinking submarine. I, however, was seated comfortably in 2024 on a couch at Apple’s demo space in Manhattan. There weren’t any other theatergoers because I was going to strap the theater to my face. It was a little weird. At least, until the film got going. Then, I, too, was inside a WWII submarine.

Watching an immersive film inside the Vision Pro is an odd thing. On the one hand, it’s hard to forget you’re in a headset. But, unlike a regular film, I have a ghostly sort of agency inside the narrative. The action can be happening with the main characters, but I’m not obligated to watch them. You can instead focus on the extras in the background. I can — and did — occasionally choose to turn my head to stare at the rivets in the submarine’s metal walls or beads of condensation in a torpedo tube (also, rudely, a roach skittering across the floor). Sometimes, I’d turn around to see if this Submerged world had 360 degrees like the real one. Spoiler: it doesn’t. This fictional world spans 180 degrees, and once you reach the border, it fades to black.

The experience feels like a cross between playing a video game and viewing Sleep No More, an immersive version of Macbeth where the audience traipses through a creepy hotel as the play unfolds around them. Scenes move slower, as if you’re being invited to gawp at your surroundings. At the same time, you’re not fully free to explore. There’s still a story that Berger is trying to tell — you’re just along for the ride.

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All of that is a natural part of adapting traditional filmmaking to a more immersive 180-degree field of view. “That frame is very large and you need to fill that frame with things that happen, things that could be of interest to the audience,” Berger says. “Every extra counts in this, every piece of equipment, every piece of bursting pipe or element in the frame counts. You can’t really cheat.”

That wide field of view comes with its own obstacles. Mics and lighting have to be built into the scenery. Berger says he had to storyboard everything, create a short animated film based on that, and then watch it in the Vision Pro to get a sense for how the camera would move. Berger also wore the headset when filming started to figure out how shots would look.

The 180-degree view created technical challenges for the film.
Image: Apple

The result is impressive. As water rushed into this fictional submarine, I could taste the faint memory of salt water on my tongue. When characters walked down narrow submarine corridors, I felt claustrophobic. During a scene where sailors shoved a torpedo into its launch tube, I instinctively stretched my hands out. For a split second, I thought they were loading it straight into my chest.

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“My main agenda is to make you feel what the main character is feeling, to sort of have you go through what they’re doing,” Berger says. On that front, Submerged is incredibly successful. It’s when you remember you’re in a headset that the rest of the world comes rushing back in.

Watching the film, you become very aware there’s no one else experiencing this with you. There’s no one else gasping at harrowing moments. There’s no one to lock eyes with, as if to say “Whoa, did you see that, too?” If you were to SharePlay this, you’d just see the ghostly Persona of a friend who isn’t actually there. And then you’d miss out on the whole immersive aspect. When you think about it that way, Submerged is something you have to experience alone.

Watching the film, you become very aware there’s no one else experiencing this with you

Owning (or borrowing) a Vision Pro is also the only way to see Submerged. That’s inherently lonely. The only people I’ve really been able to chat about this experience with were Apple employees and Berger himself. Now that the film is available, I’ll have to wait for the two people I know in real life with a Vision Pro to carve out time in their schedule to see it. When I try to explain it to my spouse, they are unmoved. 

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Ostensibly, Apple wants these immersive films to serve as a selling point for the Vision Pro. Come, spend $3,500, and see for yourself what the magic is all about. There’s a logic to it. Submerged is truly a technologically impressive proof-of-concept for high-quality immersive content. It’s just also a hard experience to share. I can’t say with a straight face that this is the killer reason anyone should buy one of these things, especially since this was only a roughly 17-minute film. That’s long enough for things to feel snappy and fresh. I’m not sure how well the immersive aspect would hold up over a two-hour feature. 

“Not every movie is going to be made on these headsets. It’s not necessary. It would be a waste of resources and waste of time,” Berger acknowledges. Instead, he sees the Vision Pro as another tool in the belt. “Not every movie is supposed to be for every medium. But if I have the right story, I think, ‘I’m excited about telling this and about pushing the medium forward.’” 

That’s sort of the quagmire all mixed reality tech is stuck in. It can be magical. When you try it, you can see why some people are inspired and excited. And then, when you inevitably take the headsets off, it’s hard to explain to anyone why the world inside the headset is better than the one outside it. “Pushing boundaries” isn’t all that convincing of a reason. Watching Submerged is like this, too. For all the artistry and technological prowess that went into making this film, I’ve never needed the Vision Pro to imagine how terrifying a sinking submarine could be. It’s just not necessary for immersing yourself in a good story.

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Submerged is Vision Pro’s claustrophobic thrill ride that’s short on depth but long on immersion

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Apple Vision Pro Immersive Video

Claustrophobia and barely contained panic were my two overriding emotions as I experienced Apple’s first-ever immersive narrative short film on its Vision Pro mixed reality headset.

The aptly titled Submerged, which arrives on Vision Pro headsets around the world today, tells the harrowing 17-minute tale of a World War II submarine tasked with tracking ships in enemy waters.

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