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How artificial intelligence won the Nobel Prizes

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Sir Demis Hassabis discovered he had won the Nobel Prize in chemistry this week when his wife — also a scientific researcher — received several calls on Skype to urgently request his phone number.

“My mind was completely frazzled, which hardly ever happens. It was . . . almost like an out-of-body experience,” said Hassabis, co-founder and chief executive of Google DeepMind, the artificial intelligence division of the Silicon Valley search giant.

The chemistry Nobel, which Hassabis shared with his colleague John Jumper and US biochemist David Baker, was won for unlocking an impossible problem in biology that had remained unsolved for 50 years: predicting the structure of every protein known to humanity, using an AI software known as AlphaFold.

Having cracked that long-standing challenge, with widespread implications in science and medicine, Hassabis has his sights set on climate change and healthcare. “I want us to help solve some diseases,” he told the Financial Times.

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His team is working on six drug development programmes with drugmakers Eli Lilly and Novartis, which focus on disease areas such as cancers and Alzheimer’s. Hassabis said he expects to have a drug candidate in clinical trials within two years.

His other big areas of focus are using AI to model the climate more accurately, and to cross the ultimate frontier in AI research: invent machine intelligence at par with human intelligence.

“When we look back in 10 years, I hope [AI] will have heralded a new golden era of scientific discovery in all these different domains,” said Hassabis, who was formerly a neuroscientist and video game designer. “That’s what got me into AI in the first place. I see it as the ultimate tool in accelerating scientific research.”

The DeepMind duo was recognised on Wednesday, a day after former Google colleague and veteran AI scientist Geoffrey Hinton won the physics prize alongside physicist John Hopfield for their work on neural networks, the foundational technology for modern AI systems that underpin healthcare, social media, self-driving cars — and AlphaFold itself.

The recognition of AI breakthroughs highlights a new era in research, emphasising the importance of computing tools and data science in cracking complex scientific problems at far shorter timescales, in everything from physics to mathematics, chemistry and biology.

“It’s obviously interesting that the [Nobel] committee has decided to make a statement like this by having the two together,” Hassabis said.

The awards also encapsulate AI’s promises and potential pitfalls.

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Hopfield and Hinton were pioneers in the discipline in the early 1980s. Hinton, who is 76 and left Google last year, said he didn’t plan to do further research. He instead intends to advocate for work on the safety of AI systems, and for governments to facilitate it.

By contrast, the DeepMind pair won for work unveiled mainly in the past five years, and remain extremely optimistic about its societal impact.

“The impact of [AI] in particular on science but also on the modern world more broadly is now very, very clear,” said Maneesh Sahani, director of the Gatsby unit at University College London, a research institute focused on machine learning and theoretical neuroscience. Hinton was the Gatsby’s founding director in 1998, while Hassabis worked as a postdoctoral researcher there in 2009, eventually spinning out DeepMind from the UCL institute in 2010.

“Machine learning is showing up all over the place, from people analysing ancient text in forgotten languages, to radiographs and other medical imaging. There is a toolkit that we now have that will push science and academic disciplines forward in all sorts of different directions,” said Sahani, who is also a neuroscience professor. 

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AlphaFold’s recent iterations have “ramifications across all of medicine, biology and many other areas” because they are so fundamental to living organisms, said Charlotte Deane, a professor of structural bioinformatics at Oxford university.

“Many were sceptical when they started, but very quickly their program outperformed all other programs to predict protein structures,” said Venki Ramakrishnan, a biologist who won the Nobel Prize in chemistry in 2009 for his work related to protein synthesis. “It really dramatically changed the field.”

AlphaFold has been used by more than 2mn scientists to, among other things, analyse the malarial parasite to develop a vaccine, improve plant resistance to climate change, and to study the structure of the nuclear pore — one of the largest protein complexes in the human body.

Rosalyn Moran, a neuroscience professor at King’s College London, and chief executive of AI start-up Stanhope AI said: “Tool building is blue collar scientific work . . . they are often the unsung heroes of science. For me that was the most exciting part of the award.”

AlphaFold still has shortcomings as reported by its creators earlier this year, including “hallucinations” of “spurious structural order” in cell regions that are in fact disordered. Another challenge facing the use of AI for scientific research is that some important fields of investigation may be less rich than protein analysis in experimental data.

In the physics Nobel, Hinton and Hopfield’s work used fundamental concepts from physics and neuroscience to develop AI tools that can process patterns in large information networks.

The Boltzmann machine, which Hinton invented, was able to learn from specific examples rather than instructions. The machine was then able to recognise new examples of categories it had been trained on, such as images of cats.

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This type of learning software, known as neural networks, now form the basis of most AI applications, such as facial recognition software and large language models, the technique that underpins ChatGPT and Google’s Gemini. One of Hinton’s former students, Ilya Sutskever, was co-founder and chief scientist of ChatGPT-maker OpenAI. 

“I would say I am someone who doesn’t really know what field he’s in but would like to understand how the brain works,” said Hinton, a computer scientist and cognitive psychologist, during a press conference this week. “And in my attempts to understand how the brain works, I’ve helped to create a technology that works surprisingly well.”

The AI prizes have also brought to the fore the interconnected nature of scientific discoveries, and the need for sharing of data and expertise — an increasingly rare phenomenon in AI research occurring inside commercial outfits such as OpenAI and Google.

Neuroscience and physics principles were used to develop the AI models of today, while the data generated by biologists helped invent the AlphaFold software.

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“Scientists like me have traditionally solved protein shapes using laborious experimental methods which can take years,” said Rivka Isaacson, professor of molecular biophysics at King’s College London, who was an early beta tester of AlphaFold. “It was however these solved structures, which the experimental world deposits for public use, that were used to train AlphaFold.”

She added that the AI technique had allowed scientists like her to “skip ahead to probe deeper into protein function and dynamics, asking different questions and potentially opening up whole new areas of research”.

Ultimately, AI — like electron microscopy or X-ray crystallography — remains an analytical tool, not an independent agent conducting original research. Hassabis insists the technology cannot replace the work of scientists.

“The human ingenuity comes in — asking the question, the conjecture, the hypothesis, our systems can’t do any of that,” he said. “[AI] just analyses data right now.” 

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Recalling the Birmingham Opera Company’s founder

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Banker all-nighters create productivity paradox

Reading the interview piece with Yuval Sharon, artistic director of the Detroit Opera House (“Singing a new tune”, Life & Arts, FT Weekend, September 28), he comments that “opera can seem like an outdated, inaccessible and out-of-reach art form” but he argues this is “not a symptom of the art . . . [but] a symptom of how that art is produced”.

However, rather than addressing this by planning to stage Mozart’s Cosi fan tutte with the four central lovers played by robots — Sharon’s next production at the Detroit Opera — I feel there is another way to improve accessibility, through the choice of venue, and the less inhibiting the better. Sharon should also focus on audience inclusion.

In this I would refer him to the groundbreaking work in Birmingham by the great, and much missed artistic director of the Birmingham Opera Company, Graham Vick.

Vick, who died from the complications of Covid in 2021 aged 67, staged both classical and more modern operas in non-theatrical spaces such as disused warehouses or marquees — Birmingham Opera Company having no fixed home.

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His productions involved hundreds of local volunteers, of all ages and backgrounds, who sang and acted alongside professional artists, achieving singing and dramatic values second to none.

Vick widened opera’s appeal to a new audience by avoiding some of opera’s conventions; sometimes the innovation was as simple as changing the original title of an opera to something more tantalising.

For example Mozart’s Don Giovanni became He Had it Coming! And Vick would have had no time for robots.

Peter S Phillips
Shrewsbury, Shropshire, UK

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Get discounted ASMALLWORLD Prestige Membership with 25,000 extra Miles & More miles and Hilton Honors Gold status

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Get discounted ASMALLWORLD Prestige Membership with 25,000 extra Miles & More miles and Hilton Honors Gold status

Business Traveller has partnered with ASMALLWORLD to offer readers comprehensive travel benefits when they subscribe to ASMALLWORLD Prestige Membership.

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Fines and convictions for minor mistakes

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Fines and convictions for minor mistakes
PA Media Two kinds of rail tickets are held up in front of a ticket machine displaying a variety of destinations in the UKPA Media

Rail companies admit current ticketing system is complex and the government is promising reform

Despite what the name suggests, an Anytime train ticket does not always mean you can travel on the railway at any time – if you’re using a young person’s railcard.

Engineering graduate Sam Williamson discovered that earlier this week, when a train company told him he could face criminal prosecution for incorrectly using a ticket which cost him £1.90 less than it should have done.

And there are several other cases being shared on social media with people being told to pay hundreds by courts for underpaying fares by only a few pounds.

Sales agent Cerys Piper told The Bolton News she didn’t even know she was being prosecuted for incorrectly using her 16-25 railcard until contacted by a journalist.

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She bought an Anytime Day Return ticket to travel to work in Wigan and used the railcard to get £1.60 off the £4.80 ticket price.

But before 10am, these railcards cannot be used to get discounts on Anytime tickets – which Cerys says she was unaware of. The court issued her a fine of £462.80 and she now has a criminal record.

At the heart of the matter is a ticketing system that customers think is too confusing and feels like it is trying to catch them out.

These are a few of the many difficulties passengers might encounter:

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  • ‘Anytime’ fares that can only be used at certain times of day depending on the type of railcard discount they have been bought with
  • Tickets for a destination that are only valid if you travel via a particular station
  • Train companies which let you buy tickets from an onboard conductor on some of their lines but not on others
  • Some routes only allowing travel with printed, rather than digital, tickets

Companies say passengers should check rules and regulations, which are freely available for people to read. Customers argue they are not made clear enough when buying tickets to begin with.

Typically a train company will write to a passenger who has been suspected of fare evasion by a conductor.

They will review the circumstances and decide whether to prosecute for evasion, for a byelaw offence – which is much less serious – or take another action, such as settling out of court or dropping the case entirely.

‘Undermining public trust’

Passenger watchdog Transport Focus has pleaded for train companies to treat passengers more fairly when they mistakenly underpay their fares.

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“We know from talking to passengers how confusing the current system is – no one thinks you should have to spend ages checking detailed rules and restrictions before getting on a train,” says Alex Robertson, chief executive of Transport Focus.

“This is one of the reasons why we have long argued for the need to simplify fares and ticketing … Passengers must be able to trust that penalties are given only to those who deserve them.”

Chris Annous, from the research organisation More in Common, says their work shows British people are frustrated with public bodies who penalise those who break rules accidentally.

“That train companies are so intensely pursuing those who make minor mistakes when navigating the complicated ticketing process, and not showing the same resolve on improving conditions for passengers, cuts to the heart of why so many feel the country simply isn’t working for ordinary people,” he says.

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The government agrees and the Department for Transport has promised “the biggest overhaul of our railways in a generation, including simplifying fares”.

Among the options they are considering are pay as you go and digital season tickets that can be used across the rail network.

Great British Railways

In September, Transport Secretary Louise Haigh outlined the creation of Great British Railways, a new body that will oversee the return of the rail network to public ownership.

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The new Labour government believes this will reduce train delays and cancellations as well as simplify fares – but private rail companies warn this will not necessarily fix the industry’s problems.

They point out that the letter to Mr Williamson and the prosecution of Ms Piper were all carried out by Northern, a publicly owned train company.

“Creating an easier ticketing system requires regulatory change by the government and the legislation currently going through Parliament to change who runs the trains won’t fix that,” says Andy Bagnall, chief executive of Rail Partners, which represents private train firms.

“This isn’t a problem that can be solved by simply removing the private sector from the railway.”

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A spokesman for Northern says their conductors have “a very difficult role in dealing with repeated and deliberate fare evaders and identifying customers who have made a genuine mistake”.

He adds they understand ticketing is complex and are talking to the government and the wider rail industry about how to simplify fares.

‘Follow London’s system’

A report published earlier this year suggested that a simpler ticketing system would help restore public faith in railways and generate more revenue which could be reinvested in the network to make it better.

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It was commissioned by the Rail Industry Association, which represents a variety of companies including train manufacturers, signal makers and ticketing firms.

Sam Bemment, who wrote the report, says the technology for a simple ticketing system already exists but that historically there hasn’t been enough political willpower to put it in place.

“The railway has essentially been a political football,” he explains. “The political cycles mean there has been no leadership or direction as to what we want ticketing to look like.”

He points at London’s contactless payment system for tickets – which works across local railways, the underground and buses – as being a world-leading example of how a good ticketing system functions.

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He says such a system might be possible under Great British Railways, even if the body just allows tickets to be used across different rail companies – it doesn’t necessarily need to nationalise them.

“I think when we move to GBR, if we can bring everything under one roof, then you as the passenger have a relationship with the railway instead of all these many corporations.”

The arrangement could mean that all tickets are bought from, and all complaints dealt with, by one organisation – a simpler system than the current one.

“Government and infrastructure move slowly,” adds Mr Bemment. “But this right now seems to be picking up a bit of speed and momentum.”

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BBC Radio 4 examines What Are the Railways For? It’s a question which has been ignored in previous reorganisations – which typically take place after a crisis or a disaster. Daniel Brittain travels to Greater Manchester to understand how the rail industry has changed and what its place in Britain’s society might be in the future.

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Letter: Kardashian’s skim reading

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Banker all-nighters create productivity paradox

Kim Kardashian, it seems, is a fan of the FT (“Under her Skims: inside Kim Kardashian’s $4bn apparel empire”, HTSI, Life & Arts, FT Weekend, October 5).

In the accompanying photograph, I count a good 20 sections scattered on and around her sofa.

This suggests she follows the markets, the environment and the Olympics, but what she clearly loves is a crossword: three on the cover photo and four inside.

But she never fills in an answer and, even more strangely, she has multiple copies of the same puzzle — front left on the sofa and far right at her feet — from, presumably, multiple copies of the same edition of the paper. The article tells us, “she is one of one,” but one copy of the FT is clearly not enough for her.

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I do hope she carefully bundles up and recycles all those sections she has flung around, after she skims them.

Gillian Fenwick
Toronto, ON, Canada

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Your restaurant critic never fails to move me

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Banker all-nighters create productivity paradox

Every week as I tuck into Tim Hayward’s column, I think to myself, he can’t be witty and insightful every time. This week as I read his article (“The cult of St John”, FT Globetrotter, September 28), with all the details of the two people (restaurateur Trevor Gulliver and chef Fergus Henderson) behind the St John restaurant in London’s Smithfield district, I thought this is an interesting and informative piece. But that was it — until the very last sentence, where Hayward told of the two old friends holding hands across the tablecloth, and there it was. Your restaurant critic had got me again . . . every time.

Camilla McDonnell
Howth, County Dublin, Ireland

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16 Halloween events around the UK to book now – from pumpkin picking to scary walking trails

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Jacob Lewis reveals the best bewitching Halloween events across the country

AS the leaves begin to turn and a chill creeps into the air, the country is transforming into a playground of eerie delights.

From pumpkin patches to haunted castles, this year’s Halloween attractions promise thrills and chills for all ages.

Jacob Lewis reveals the best bewitching Halloween events across the country

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Jacob Lewis reveals the best bewitching Halloween events across the countryCredit: Supplied

Whether you are seeking family-friendly fun or scream-your-lungs-out scares, Jacob Lewis has found the best bewitching Halloween events across the country.

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Budget-friendly boos

In Bury St Edmunds, Suffolk, history meets mystery with the Ghostly And Macabre guided walking tour

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In Bury St Edmunds, Suffolk, history meets mystery with the Ghostly And Macabre guided walking tourCredit: Supplied

FOR those watching their wallets, Pembrokeshire’s Milford Water-front offers a free Halloween trail from October 28 to November 3.

To make it a full getaway, Hotel Ty Milford Waterfront is offering a “kids stay free” deal when sharing a family room, with prices from £116 per night.

See milford waterfront.co.uk.

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In Bury St Edmunds, Suffolk, history meets mystery with the Ghostly And Macabre guided walking tour.

Running every Friday from Halloween until March, the 90-minute journey through the town’s darkened streets uncovers centuries of grim history.

Tickets £7.50 for adults and £4 for children (aged 14 and over).

See visit-burystedmunds.co.uk.

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Or head to Derby for a free event that begins family-friendly but, as night falls, sees the atmosphere shift to an adults-only March Of The Vampires.

Go to visit derby.co.uk.

Major Scots tourist event returns – and this year it has an ultra spooky theme with 10 new features

Grownup goose bumps

Are you brave enough for Norfolk's ROARR! experience?

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Are you brave enough for Norfolk’s ROARR! experience?Credit: Supplied

EXTREME scare experience PrimEvil at ROARR! in Norfolk is not for the faint of heart.

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Running between October 17 and November 2, the fully immersive event features five terrifying haunts, including Werehouse 51: Toxic Mutation, and roaming street actors.

Other attrac-tions include high ropes courses and zombie archery. Tickets from £28 at primevil-scare.com.

Ghost hunters will find their perfect Halloween treat at Hever Castle in Kent.

This year, the childhood home of Anne Boleyn invites brave souls on an after-dark tour, delving into the castle’s most unfortunate owners and their gruesome fates.

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The experience begins with a glass of prosecco (or a non-alcoholic alter-native) at the Moat Cafe, setting the stage for a truly haunting night.

Strictly for over-16s.

Tickets from £35.26 at hevercastle.co.uk.

Pumpkin picking

Cotswold Farm Park offers family-friendly pumpkin picking

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Cotswold Farm Park offers family-friendly pumpkin pickingCredit: Supplied

DODDINGTON Hall in Lincolnshire is the UK’s best pumpkin patch, according to an in-depth ranking by Outdoor Toys.

The free-entry wonderland boasts 30 varieties of pumpkins, squashes and gourds.

See doddingtonhall.com.

In second place was Tapnell Farm on the Isle of Wight, offering a pumpkin trail and plenty of spooky photo opportunities.

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Tickets, £14.50, tapnellfarm.com.

Or check out Millets Farm Centre in Oxfordshire, which secured third spot, thanks to its low £2 entry fee and annual Halloween Spook-tacular that includes pumpkin-picking, a Halloween circus and a spooky disco.

See milletsfarmcentre.com.

For a dog-friendly adventure, head to Cotswold Farm Park.

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But as night falls, the patch transforms with live music and UV pumpkin displays.

Tickets from £10.95 at cotswoldfarmpark.co.uk.

Scary mazes

Blackburn's Scare Kingdom Scream Park is pushing the boundaries of fear

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Blackburn’s Scare Kingdom Scream Park is pushing the boundaries of fearCredit: Supplied

HAILED as one of Europe’s most- haunted cities, York delivers an immersive experience at its Hallowscream fright nights at York Maze.

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The award-winning attraction features five horror mazes, more than 100 live actors and extra-jumpy scare zones.

Strictly over-16s.

Tickets from £28 at yorkmazehallowscream.co.uk.

In Blackburn, Scare Kingdom Scream Park is pushing the boundaries of fear.

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Running on select nights to November 9, it boasts 80 scare actors across 130 themed spaces around five scare mazes promising pulse-pounding adventures.

Minimum age of 13 (accompanied by an adult).

With tickets starting at £27.79, this one is an intense experience that’s not for the faint-hearted.

For details, see scarekingdom.com.

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Family-friendly frights

Drayton Manor has transformed into a Spooktacular Halloween wonderland

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Drayton Manor has transformed into a Spooktacular Halloween wonderlandCredit: supplied

DRAYTON MANOR in Staffordshire has transformed into a Spooktacular Halloween wonderland until November 3.

Included with regular admission, visitors can enjoy the Carnival of Spooks walk-through and daily shows.

Tickets from £27.50 at draytonmanor.co.uk.

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The Halloween in the City festival returns to Manchester on October 26 and 27, when the city centre will be overrun by giant inflatable monsters, including eight-metre-long Leech.

As darkness falls, buildings across the city will glow an eerie green, while thousands of pumpkin lanterns line the streets.

See visitmanchester.com.

Warwick Castle is also joining the Halloween fun with ghostly inhabitants taking over the grounds.

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Families can enjoy quizzes, discos, songs and sorcery.

Tickets from £22.

For more details, see warwick-castle.com.

Thrilling trails

Moors Valley Country Park in Dorset is debuting a Halloween illuminated trail

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Moors Valley Country Park in Dorset is debuting a Halloween illuminated trailCredit: Supplied

FOR those who prefer their scares with a side of natural beauty, Moors Valley Country Park in Dorset is debuting a Halloween illuminated trail.

Running from October 25 to November 3, the after-dark adventure winds through the forest, revealing hidden surprises including a secret cemetery, ghostly undertakers and tree demons.

With thunderstorms, wicked witches and giant spiders along the way, it is a multi-sensory experience that blends the beauty of nature with Halloween theatrics.

Tickets from £12 at moors-valley.co.uk.

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Just outside Port Talbot, Margam Country Park is launching Fright Nights – a spine-tingling experience that draws on the location’s haunted history.

The trail begins in the ruins of the gardens where visitors encounter 7ft Cistercian monks before venturing into a forest rumoured to be home to the ghost of a murdered gamekeeper.

The journey continues into the 19th-century castle, considered one of the UK’s most haunted places.

With two scare levels available – one for younger visitors and a more intense version for those 15 and up – it’s a customisable fright fest for those with different terror thresholds.

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Tickets from £12.50 at www.margamcountrypark.co.uk.

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