A juggernaut of television entertainment, HBO has been producing TV series as far back as the late ’70s and early ’80s. It spearheaded the elevation of the format to true prestige drama in the late 90s, with series like Oz and The Sopranos, and has been a defining pillar of the golden era the medium has enjoyed throughout the 21st century thus far.

The premium cable network’s greatest hits range from grueling crime dramas to piercing black comedies, sweeping historical epics, and even some of the most immersive and visceral portrayals of war to have ever graced the screen. Such is HBO’s brilliance; many of their best original titles only improve upon a second viewing as they allow audiences to engross themselves anew while spotting all the hidden details they missed the first time around. From underrated modern gems to medium-defining classics, these HBO shows are even better on rewatch.

10

‘Six Feet Under’ (2001–2005)

Image via HBO

One of HBO’s most underrated series thus far, Six Feet Under excels as a socially-minded dark comedy revolving around a dysfunctional family that manages a funeral house in Los Angeles. On first viewing, the show has a tendency to stun audiences with its tonal dare, often oscillating between scandalous black humor and piercing character turmoil as each member of the Fisher family faces their own complex life issues while navigating the chaos of their family dynamics.

When revisited, especially by those who watched its initial run on television, Six Feet Under only lands with more gravitas. The passage of time and the accumulation of life experiences mean that so tender and in-depth a series changes its complexion entirely when rewatched, while the simple allure of returning to a show that completed its run in such a perfect fashion enables fans to immerse themselves more in the progress of the story. It remains one of the best dark comedies television has ever seen, and the years have done nothing to erode its piercing resonance.

9

‘The Night Of’ (2016)

Image via HBO

Another overlooked masterpiece from HBO, The Night Of is crime television at its scintillating best, a miniseries that functions as a murder mystery, a courtroom thriller, and a scathing indictment on the nature of the legal system. On first viewing, it is impossible not to be embroiled in the mystery intrigue, with the series revolving around Nasir Khan’s (Riz Ahmed) trial as he is charged with murdering a girl he was partying with.

A second viewing shifts the nature of the story somewhat. As the dark whodunit element subsides, the character drama becomes more central, especially through Nasir’s bleak coming-of-age in jail as he awaits trial. This renewed emphasis also sharpens the series’ criticism of the failings of the legal system. Complimented by its rich cinematic gloom and its patient sense of suspense and tension, The Night Of is a brilliant drama that only grows greater when revisited.

8

‘Curb Your Enthusiasm’ (2000–2024)

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Seen by many as a spiritual continuation of Seinfeld, which Larry David created, Curb Your Enthusiasm excels by giving the sardonic comic a platform of his own, with the 12-season series following the litany of misadventures he embarks on with his friends and celebrity colleagues while living in Los Angeles. Not at all dissimilar to Seinfeld, the HBO comedy series is a treat to rewatch, with the gags never getting any less hilarious, even when viewers become word-perfect in reciting them.

While first viewings allow for a procession of hysterics that engross viewers in the chaos of the comedy, rewatching Curb Your Enthusiasm offers a chance to truly appreciate how the jokes are built-up while also recognizing moments of improvisation and unscripted interactions. Furthermore, its commitment to light entertainment bereft of dramatic fervor makes it something of a cozy and irreverent comfort watch that remains enjoyable no matter how many times it is revisited.

7

‘We Own This City’ (2022)

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With its non-linear progression, litany of pivotal characters, and its enormous scope that examines corruption and institutional rot of the police department in Baltimore, We Own This City is one of the more unforgiving miniseries HBO has produced. Based on Justin Fenton’s non-fiction book, the six-part limited series explores the BPD’s Gun Trace Task Force, an elite police unit that engages in illegal methods to achieve their goals while profiting from the crime they fight.

While the first watch allows viewers to see where every character ended up, a second viewing can be necessary to untangle the miniseries’ multiple timelines and to fully digest the thematic ideas it poses on issues of corruption, the force’s ‘code of silence,’ the nature of police quotas, and even the reasons why attempts to reform often fail. If anything, We Own This City becomes more pressing and disturbing on rewatch as its central messaging becomes clearer and the connection between the characters’ actions and outcomes becomes more pronounced.

6

‘Rome’ (2005–2007)

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Initially intended to run for five seasons as a sweeping epic of Ancient Rome in a period of transition as the republic falls and an empire arises, Rome’s high-end production costs saw the series’ ambitious tenure cut short, but it still provides two thrilling seasons of political conniving and period allure. On first viewing, Rome is a procession of betrayals, backstabbing, and scandal, a pulsating immersion in the culture and calamity of the birth of the Roman Empire that is seen from multiple perspectives.

Rewatching Rome with an understanding of what happens to each character in the grand scheme of the series allows viewers to recognize hidden details of foreshadowing, subtle plots that are hatched in the background. Watching it a second time around also allows the sublime quality and detail of the production to be enjoyed in earnest, highlighting the grandeur and glamour the series achieves, while also understanding why HBO had to cut its planned five-season run short.

5

‘Sharp Objects’ (2018)

Image via HBO

In cinema, slow-burn crime mysteries have long been presenting movies that audiences love to agonize over again and again. They invite viewers to bask in the moody atmospheric intensity with repeat viewings while putting the pieces together to see how every minor detail contributed to the overall picture. Television has proven itself to be no different when tackling methodical mystery suspense, with HBO’s 2018 miniseries Sharp Objects a defining highlight.

Based on Gillian Flynn’s novel, it follows crime reporter Camille Preaker (Amy Adams) as she returns to her hometown to investigate the murder of two young girls. As she looks into the case, she must also combat demons from her own past that begin to re-emerge. With its macabre allure defined by its Southern Gothic aesthetic, simmering tension, and its penchant for devastating plot twists, Sharp Objects is every bit as addictive on rewatch as all its intricacies and stylish splendor wash over viewers anew.

4

‘Band of Brothers’ (2001)

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Viewed by many as being the outright greatest piece of war drama ever produced for the screen, Band of Brothers is a defining triumph of HBO’s excellence in the early 21st century. Following Easy Company’s campaign through the European Theater of WWII, it tracks the soldiers from their basic training and their airdrop into Normandy on the eve of D-Day, through the litany of battles they are actively involved in, and up to their uneasy presence in Germany at the end of the war.

As is the nature of war television, so much energy in the first viewing is spent agonizing about the health and safety of the characters and being completely immersed in the sheer scale of the production. While even several rewatches still come with both of those qualities, they also bring a greater appreciation for just what the miniseries achieves, especially as its air of camaraderie and courage becomes a more pronounced aspect of the series.

3

‘The Leftovers’ (2014–2017)

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One of HBO’s most astonishing extended series, The Leftovers is a drifting, meandering gem of small-screen drama that embeds viewers in a world of grief, trauma, and loss. On October 14, 2011, two percent of the world’s population vanished without a trace. Three years later, what remains of society is torn between trying to move on with their lives and succumbing to mourning and loss.

The series can be unusual at first, especially as it functions more as a meditative observation of aimless people rather than a driven narrative with set stakes and goals for major characters, but once viewers are on board with its unique style and tone, it becomes enrapturing. A second viewing invites fans to indulge in The Leftovers’ peculiarities and might from the outset while delving deeper into character decisions and thematic ideas throughout the entirety of the three-season tenure.

2

‘The Sopranos’ (1999–2007)

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No series in the history of television has been as synonymous with a network or channel as The Sopranos is for HBO. The crime drama character study is the spearhead of the medium’s rise to being considered a prestige form of entertainment, with its six-season run following New Jersey mobster Tony Soprano (James Gandolfini) as he struggles to balance his dangerous profession against his peaceful private life, presenting one of television’s greatest ever spectacles.

It doesn’t diminish on rewatch. In fact, if anything, The Sopranos only gets better on a second viewing as the contemplative depth of its focus on Tony’s psychological state and morality surpasses the high-stakes tension of the crime drama. Secondary characters like Carmella (Eddie Falco) and AJ (Robert Iler) become more sympathetic figures, while the rush of the violence and immorality becomes more philosophical than thrilling. The scenes between Tony and Dr. Melfi (Lorraine Bracco) are particularly impressive in this regard, giving what is a confronting and raw gangster series a compelling insight into the mind of what is still television’s most fascinating and complex character.

1

‘The Wire’ (2002–2008)

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Timelessly important and epic in scope, The Wire is arguably television’s finest ever achievement, a stunning and realistic analysis of a city’s criminal infrastructure, police department, and political system. Co-created by Baltimore crime reporter David Simon and veteran detective Ed Burns, the five-season masterpiece is all-encompassing in its coverage of corruption, morality, and strategy on both sides of the law.

On first viewing, it is impossible not to be swept away by the series’ sense of scale and momentum, especially with such a vast array of characters on display, all of them defined by their own agendas, objectives, and moral codes. When The Wire is rewatched, it is far easier to focus on the bigger picture, to appreciate the jolting setting changes season-to-season and to embrace the show as a stunning mosaic of a city’s institutional pitfalls that is, sadly, every bit as relevant today as it was twenty years ago.

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The Wire

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Release Date

2002 – 2008-00-00

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Network

HBO

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Directors

Ernest R. Dickerson, Ed Bianchi, Steve Shill, Clark Johnson, Daniel Attias, Agnieszka Holland, Tim Van Patten, Alex Zakrzewski, Anthony Hemingway, Brad Anderson, Clement Virgo, Elodie Keene, Peter Medak, Rob Bailey, Seith Mann, Christine Moore, David Platt, Dominic West, Gloria Muzio, Jim McKay, Leslie Libman, Milcho Manchevski, Robert F. Colesberry, Thomas J. Wright

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The 21st century has revolutionized cinema. With advances in technology and storytelling, the way consumers view movies has changed significantly. Whether you’re heading to the theaters for a big blockbuster or watching the latest film on your favorite streamer, what hasn’t changed is the desire to be entertained. And nothing is as entertaining as a juicy thriller.

Over the past 25 years, filmmakers have brought audiences on extraordinary rides through mystery and action, the dreamworld and reality. Critically acclaimed and audience-revered, these 10 films have had such an enduring impact that they are the best thrillers so far this century. From visionary directors and award-winning actors, if you seek a thrill, these flicks are mandatory viewing.

1

‘No Country for Old Men’ (2007)

Image via Miramax/ courtesy Everett Collection

Very few directors know how to make an atmosphere a thrill in and of itself quite like Joel and Ethan Coen. With a brilliant resume behind them, they made their mark in the 2000s with their neo-Western crime thriller No Country for Old Men. Based on Cormac McCarthy‘s 2005 novel, the film brings audiences to the desert landscape of 1980 West Texas. The story follows a trio of men: Llewelyn Moss (Josh Brolin), a Vietnam War veteran and welder who stumbles upon a large sum of money in the desert, Anton Chigurh (Javier Bardem), a hitman who is sent to recover the money, and Ed Tom Bell (Tommy Lee Jones), a sheriff investigating the crime while battling a changing world he feels ill-equipped to handle. Through the ideals of pessimism and nihilism, and through fate and circumstance, the story isn’t about who ends up with the loot; It’s about the chase between the hunt and the hunted, a role each of the main characters adopts throughout the film.

A well-received film that added quite a lot of accolades to the Coens’ mantle, No Country for Old Men has been regarded as the Coen Brothers’ “magnum opus.” Technically brilliant with masterful storytelling and profound exploration of morality and relentless evil, No Country for Old Men was a thriller like never before. In fact, it was only the fourth Western to win the top prize at the Academy Awards. Both Jones and Brolin brought their A-game to the film, but it was Bardem who completely stole the picture, turning Anton Chigurh into a newfound villain who embodied an almost cosmic evil. No Country for Old Men is a gripping story that’s suspenseful and one of the most defining films of the century.

2

‘Parasite’ (2020)

Image via CJ Entertainment

Films about class can be touch-and-go, as they’re bound to strike a chord, but the way Bong Joon Ho brought those themes to life was truly captivating. The South Korean black comedy thriller follows the Kims, a poor family who cunningly infiltrate the lives and home of the wealthy Park family by posing as unrelated, highly qualified employees. Diving deep into the themes of class struggle, greed, and social inequality, Parasite pushes the individuals to dark, chaotic, and tragic consequences that redefine how the desperate poor fight amongst themselves for scraps from the rich.

A juicy long con story, Parasite symbolized class warfare in an entertaining manner that offered a raw peek into the reality of many. Though set in South Korea, the socioeconomic divides depicted between the Kims and the Parks could be found in any country in the world. A story about the haves and the have-nots, Parasite‘s universal themes helped the film reach mainstream audiences, and it won Best Picture at the Oscars, making it the first non-English-language film to do so. A near-flawless entry, the film is predictably stressful. You know there simply can’t be a happy ending, yet you can’t help but look anyway to figure out how you get to the tragic end. A staircase thriller, Parasite is Downton Abbey in another country during its darkest timeline. Parasite is a groundbreaking film that helped Western audiences truly appreciate the brilliance of South Korean cinema.

3

‘Memento’ (2000)

Image via Newmarket Films

Perhaps a film ahead of its time, Memento gave audiences a reason to pay attention to every detail of the film they’re watching. Written and directed by Christopher Nolan, from a short story by his brother, Jonathan Nolan, the film follows Leonard Shelby (Guy Pearce), a man who suffers from anterograde amnesia, which causes short-term memory loss and an inability to form new memories. Using an elaborate system of photographs, handwritten notes, and tattoos, Leonard attempts to uncover the perpetrator who killed his wife and caused him to sustain his condition. The entrancing mystery keeps audiences on their toes as they work alongside the protagonist to discover exactly who “John G.” is.

Through two different filming approaches — the black-and-white story in chronological order and the color sequences in reverse order — it puts the audience directly into Leonard’s perspective. Nolan’s expert storytelling devises all the elements that allow Memento to stand on its own, while pushing the noir genre to new places. By the point that the story converges, audiences will be left with their jaws on the floor thanks to a twist they never saw coming. With truth and illusion at the forefront of the script, Memento is intricately told, proving thrillers don’t need to follow a cookie-cutter mold. Had it not been for Memento, perhaps the setup for Nolan becoming one of the world’s greatest directors never would have happened.

4

‘Mulholland Drive’ (2001)

Image via Studiocanal

Many individuals have attempted to capture the allure of surrealistic filmmaking reminiscent of David Lynch. But as much as filmmakers try to infuse their work with Lynchian themes, no one will ever be quite like him. Perhaps his greatest film is 2001’s Mulholland Drive. The neo-noir mystery thriller follows an aspiring actress (Naomi Watts) who arrives in Los Angeles and befriends a woman (Laura Harring) suffering from amnesia after a car accident. With the tagline, “A love story in the city of dreams,” Mulholland Drive blurs the lines between fantasy and reality, leaving audiences interpreting the film for the rest of eternity, just as Lynch would want it.

Breaking down the appeal of Los Angeles by exposing the dark, nightmarish side of Hollywood, Mulholland Drive‘s ambition watches as Lynch plays with illusion and image through shifting identities, reflecting the nature of fame and the perception of persona in the industry. Playing with dreams and alternate realities, Mulholland Drive provides the interpretation that fits your needs. Because of the Lynchian intricacies, symbolism, and visuals, Mulholland Drive is not necessarily a film you can grasp on first watch. Nor should it be. The rewatchability of Mulholland Drive has made it a timeless work of art.

5

‘Inception’ (2010)

Image via Warner Bros. Pictures

Almost a decade later, it was now Nolan who was playing in the world of dreams with the exceptionally daring Inception. Grasping the plot of Nolan’s intricate science fiction thriller is not for the casual viewer. The world Nolan crafts is mindblowing, thanks in part to its strong ensemble and captivating script. Dense and layered, Inception follows Dom Cobb (Leonardo DiCaprio), a professional thief who steals corporate secrets by infiltrating the subconscious of his target. He’s offered a chance to have his criminal history erased as payment for the implantation of another person’s idea into a target’s subconscious. Tackling themes of memory, grief, and the perception of reality, Inception is one of the most fascinating sci-fi thrillers of all time.

With a masterful philosophical question at its heart, Inception is the kind of film that forces you to think while you’re engaged by its exceptional action. From a cinematic standpoint, it’s Nolan at his finest. From a cultural perspective, we’ve literally incepted Inception as the title has been colloquialized. A unique spin on the heist thriller, Inception goes beyond the norms of typical crime films to craft its own identity. Through that, Nolan’s ability to visually structure a world of dreams and illusions allows for some mind-blowing cinematic moments. If you’re a fan of Nolan’s epics, you must take a moment to relive the brilliance of Inception.

6

‘The Departed’ (2006)

Image via Warner Bros. Pictures

There are many things you relate to The Departed: the giant all-star cast with their attempts at Boston accents, the usage of Dropkick Murphy‘s “Shipping Up to Boston,” and Martin Scorsese finally winning his only Oscar for Best Director to date. Not a bad trio of things! The Departed follows Billy Costigan (DiCaprio), an undercover Massachusetts State Police trooper, who infiltrates mob boss Frank Costello’s (Jack Nicholson) organization, while a criminal named Colin Sullivan (Matt Damon) simultaneously infiltrates the state police to work as Costello’s informant. Both men become consumed by their double lives, and when their respective organizations become aware of a mole, each must race to uncover the other’s identity before they are exposed. A remake of the Hong Kong film Internal Affairs and using the real-life Boston Winter Hill Gang as a basis, The Departed made it clear that Scorsese was maintaining his hold on exceptional filmmaking in the 21st century.

A deadly cat-and-mouse game where moles are a-plenty, The Departed is a gritty portrayal of betrayal, identity, and morality through the complex relationship between cops and criminals. An engrossing gangster drama with edge and grit, The Departed was more than just a thrilling film; it was a look at the tragedy of America. With a wide-spanning cast, including Mark Wahlberg, Martin Sheen, Alec Baldwin, Vera Farmiga, and Anthony Anderson, The Departed is a masterclass on all fronts. Whether you consider it his crowning achievement or not, this is the film that afforded Scorsese a chance to give an acceptance speech, so it’s special nevertheless.

7

‘Mystic River’ (2003)

Having a brilliant career in front and behind the camera, Clint Eastwood has an innate ability to bring out captivating performances from his actors. Perhaps the best example of this is the 2003 neo-noir mystery thriller Mystic River. Based on the 2001 novel by Dennis Lehane, Mystic River starts in the past in 1975, as three friends, Jimmy Markum (Jason Kelly), Sean Devine (Conor Paolo), and Dave Boyle (Cameron Bowen), are playing when Dave is abducted by two men posing as police officers. Dave escapes after several days of abuse, but the incident leaves him deeply scarred and affects his relationships for decades. Years later, Jimmy’s (Sean Penn) 19-year-old daughter, Katie (Emmy Rossum), is murdered. Sean (Kevin Bacon) is now a homicide detective assigned to the case, and Jimmy is the grieving, vengeful father. Dave (Tim Robinson), the last person to see Katie alive, becomes a prime suspect. A character-driven thriller, Mystic River is a haunting look into trauma, revenge, and guilt.

A somber yet visceral story, Mystic River delivered powerhouse performances that truly made you feel every drop of emotion. The well-crafted film should be considered Eastwood’s greatest directorial achievement. It’s more than just a self-explanatory whodunit police procedural — Mystic River‘s ability to connect the past to the present while still making you question the actions showcases why Eastwood’s masterful direction elevated the source material. Though neither the film nor Eastwood was victorious at the Academy Awards, Penn and Robbins deserved their awards for their sensational, career-defining turns.

8

‘Gone Girl’ (2014)

Image via 20th Century Studios

Gillian Flynn‘s novels are more than just juicy beach reads and book club suggestions — they’re escapism at its finest. Serving as the first film or television adaptation of her novels, Gone Girl left audiences wanting more Flynn on the screen. Directed by David Fincher, Gone Girl is the twisted story of Nick Dunne (Ben Affleck) as he becomes the prime suspect in the sudden disappearance of his wife, Amy (Rosamund Pike), on the couple’s fifth wedding anniversary. Nick’s public image deteriorates through the ongoing media frenzy, and police pressure mounts. As he attempts to clear his name and prove his innocence, the truth about Amy is brewing beneath the surface, leading to a shocking outcome that inspired real-life traps.

A cult postmodern mystery, audiences flocked to the theaters to see Gone Girl. Perhaps in hopes of not being spoiled or simply being part of the hype, Gone Girl inspired future mystery thrillers by adopting a dark, intelligent, and stylistic approach that went beyond the simple. Gone Girl led audiences to seek out complex, unsettling thrillers. Affleck and Pike are a dynamic duo, with the latter earning great praise for her performance. Gone Girl is a brilliant examination of how reality and perception go hand in hand, but the truth can alter everything. If you’re still stuck on that shocking twist, believe me, you’re not alone.

9

‘Get Out’ (2017)

Image via Universal Pictures

Jordan Peele was best known as the guy from Mad TV and his long-running collaboration with Keegan-Michael Key. Then it was all thrown out the window thanks to 2017’s exceptional horror thriller, Get Out. Chris Washington (Daniel Kaluuya), a young Black man, and his girlfriend, Rose Armitage (Allison Williams), a white woman, go upstate to visit her parents for the weekend. At first, Chris reads the family’s overly accommodating behavior as a nervous attempt to deal with their daughter’s interracial relationship, but as the weekend progresses, a series of increasingly disturbing discoveries leads him to a truth that he never could have imagined. A shocking film that is an unwavering exposé of the lie of post-racial America, Get Out not only reshaped the genre’s diversity but also gave audiences a new respect for Peele’s brilliance.

A unique and effective blend of horror and social commentary, Get Out is meant to be uncomfortable. Because of Peele’s ability to infuse heavy-handed truths in exchange for subtlety, the conversations that abound become essential to the horrors audiences are witnessing. The way in which the Armitage family and their group display performative acceptance should scare anyone watching about the perceived actions of those around them. Is it a cheery facade, or a long con with predatory intentions? Subverting horror forever, Get Out is one of the most impactful and crucial masterpieces ever crafted. By spanning genres, Get Out became a game-changer in Hollywood.

10

‘Zodiac’ (2007)

Image via Paramount Pictures

We have a potentially unhealthy fascination with true-crime stories. Perhaps it’s our affinity to try to solve them. Before podcasting was even a possibility, true-crime fans sought out their favorite stories through film and television. If there’s one serial killer who’s continued to mesmerize audiences because their identity is still unknown, it’s the Zodiac killer. The unsolved mystery has inspired many adaptations, but perhaps the greatest of them all is Fincher’s Zodiac. Focusing on the individuals obsessed with bringing the killer down — cartoonist Robert Graysmith (Jake Gyllenhaal), detective Dave Toschi (Mark Ruffalo), and reporter Paul Avery (Robert Downey Jr.) — Zodiac follows as they are taunted by letters, bloodstained clothing, and ciphers mailed to newspapers.

Rather than focusing on the gory details, Fincher perfectly provides the atmosphere surrounding the killings. The fear of the unknown is the film’s most captivating torment. The detail and care that the filmmakers took to ensure that the reality of the manhunt was unparalleled. They embarked on their own 18-month investigation to grasp the nature of the case for the individuals involved. By diving deep into the attention to detail and accuracy of both the real-life investigation and the obsession around it, the film made them central. The main ensemble plays well together as they explore the intricate nuances of their characters, hoping to solve the compulsive puzzle.

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Zodiac

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Release Date

March 2, 2007

Runtime

157 minutes

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Writers

James Vanderbilt, Robert Graysmith

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Music legend Whitney Houston tragically passed away in February 2012. Now, years later, former talk show host Rosie O’Donnell is opening up about their friendship, how she tried to save the icon years before her death, and when she knew it was the beginning of the end for the “Cinderella” actress.

O’Donnell appeared on Bravo’s “Watch What Happens Live,” which is hosted by Andy Cohen. During the broadcast, he noted the former talk show host’s “great run with Whitney Houston.” She noted, “Oh, yeah, what a tragedy.”

After that, the “Housewives” executive producer asked the 64-year-old if she would have considered herself to have been “pals” with Houston. She responded, “No, I whenever we saw each other we got along great.”

In discussing their connection, she noted that in 1996, when she hosted “Saturday Night Live,” Houston was the musical guest with Penny Marshall doing the opening monologue. Notably, Marshall directed Houston in “The Preacher’s Wife” in 1996 as well.

O’Donnell called the experience of working with Houston on “SNL” “wonderful.”

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Rosie O’Donnell Says She Tried To Save Whitney

O’Donnell continued her thoughts about Houston by revealing when she knew the music legend may have had a problem. According to her, “I’m the kind of friend that always tells a friend when I think they’re in trouble, which doesn’t always make the friendship last.”

Cohen then clarified, asking, “And you did that?” She responded, “I did that, and to her people, I did, when she didn’t show up to the ‘Cinderella’ full hour that she had produced.”

Regarding what led her to reach out, O’Donnell stated, “I remember thinking, ‘this is like the beginning of the end, and somebody needs to help her now.’” She continued, “I mean, everybody gets lost in their life, and when you’re in the public eye, you get lost very nationally, and it’s really difficult.”

She added, “But we can’t pretend we don’t see what we see.” Toward the end of the segment, Cohen asked for the reaction she received after trying to help Houston.

According to her, “Some of her people said ‘thank you,’ and some of them said, ‘it’s not your business,’ and I said, ‘Well, as someone who cares about her and loves her and wants her legacy to remain, I just wanted to let you know that this is doing her a disservice.’”

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Fans Are Weighing In On Rosie’s Account Of Her Relationship With Whitney Houston

Following O’Donnell’s comments about trying to help save Houston, fans of both ladies are weighing in. One person on TikTok said, “That’s a good friend, the kind of friend you want to have.” A different social media user stated, “Like her or not, that’s called integrity, and it’s worth paying attention to.”

Someone else wrote, “Rosie looks great, and she wasn’t wrong at all about Whitney. May she continue to rest in peace.”

Another person noted, “Rosie has always been a great judge of character. That’s why Donald has despised her for decades. I wish Whitney’s people had taken her advice to heart. Huge loss to the music industry. Love you, Rosie!!!”

Additionally, other social media users called for O’Donnell to return to television. One person said, “Rosie needs to be back on the air. She’s smart, funny and got her finger on the pulse. We need more of that. Especially now.”

Rosie O’Donnell Discussed Guest Hosting ‘The View’

During the June 2026 episode of “Watch What Happens Live,” an audience member asked O’Donnell if she’d seen Elisabeth Hasselbeck‘s return as a guest host on “The View” and if she would ever consider returning in a guest-hosting capacity.

She responded, “I did catch her on it, and I would be up to guest host, but they haven’t asked me, so we’ll see what happens.” After that, O’Donnell noted that it was “interesting” that, ‘during the time of Trump,’ the one the producers of the show would bring back to guest host.

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Cohen went on to ask if she was “still annoyed” by the show’s producers going to a split screen during her 2007 on-screen spat with Hasselbeck. She stated that she was.

The Icon Recently Opened Up About Her Facelift

O’Donnell recently revealed she’d undergone a facelift in January. In June, she opened up to E! News while attending The Tony Awards. Regarding her decision to be transparent about the procedure, she said, “Authenticity is the goal in these days and times, and people are lying about everything all day to the American public.”

O’Donnell continued, “It’s very depressing to me and unsettling, and I think all that matters is truth and love, and so I wanted to be truthful and say all the complicated emotions I had about it.”

After that, she said that one of her kids was against her having the procedure. She recalled, “My little autistic 13-year-old said to me, ‘If you do it, I would not be able to respect you ever again.’ And that put me off it for a few months, but then when I went and did it in January, I came home 10 days later, and they never noticed.”

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Henry Cavill is hard at work this year filming his highly anticipated fantasy reboot, Highlander, and while the film likely won’t hit theaters until next year, Cavill has plenty of other projects to hold fans over in the meantime. He recently reunited with director Guy Ritchie for a new action movie, In The Grey, which also stars Jake Gyllenhaal and Rosamund Pike. After bombing at the box office, the film has gone on to become a smash hit around the world on VOD platforms like Prime Video. In The Grey marked the third time that Cavill had worked with Ritchie, after the two previously teamed up on other projects like The Man From U.N.C.L.E. (co-starring Armie Hammer) and The Ministry of Ungentlemanly Warfare (co-starring Alan Ritchson).

However, before he stars in the massive sci-fi fantasy reboot that is Highlander, Cavill has a much different project officially coming this summer. He will reprise his role as Sherlock Holmes in the third and likely final Enola Holmes movie, which will be released on Netflix on July 1, the same day as X-Men ‘97 Season 2. Before Enola Holmes 3 begins its streaming run, fans are rushing to check out the first two installments, which has led them back into the global top 10 in a handful of countries around the world. In addition to Cavill, the Enola Holmes movies also star Millie Bobby Brown in the titular role, who is best known for her performance as Eleven in Stranger Things. The third Enola Holmes movie will send Sherlock’s sister to Malta for a new case, which may prove to be the toughest she’s faced yet.

What Are the First Two ‘Enola Holmes’ Movies About?

A condensed synopsis for the first two Enola Holmes movies as released by Netflix reads as follows:

“Sherlock’s bold teenage sister Enola Holmes solves mysteries no one else can crack, first tracking her vanished mother and a runaway young lord through a dangerous conspiracy, then opening her own detective agency to investigate a missing factory girl. Both cases expose corruption reaching society’s highest levels.”

After Harry Bradbeer directed the first two Enola Holmes movies, Philip Barantini has been tasked with directing the third installment. Barantini is also known for his work as a director on the massive Netflix miniseries, Adolescence, which released last year. The Enola Holmes movies are perfect for Sherlock Holmes fans for obvious reasons, but the films also have a splash of Harry Potter in them for those seeking another young, coming-of-age adventure.

Check out the first two Enola Holmes movies on Netflix and stay tuned to Collider for more updates and coverage of Enola Holmes 3, which comes out on July 1.

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Release Date

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July 1, 2026

Director

Philip Barantini

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Writers

Jack Thorne, Nancy Springer

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Love Island USA’s Jen Terry opened up about the challenges that come with being very attractive.

After her match Gabriel Vasconcelos was dumped from the villa, Jen spoke about their connection, sharing on the F Friday, June 19, episode, “We have been having fun with each other. But I have also in those same moments of liking him, I have been feeling lusted over.”

Jen found that to be a regular occurrence for her.

“Every guy does that to me my whole entire life,” she added. “All men are always like, ‘You are so hot, let me touch you.’ Obviously that feels good but at the same time I want more.”

Love Island USA follows a group of singles who must pair off in order to stay in the show’s luxury villa. The contestants — referred to as Islanders — live in isolation in a villa under constant video surveillance. They must be coupled up to remain on the show and earn a shot at the $100,000 prize.

The show is coming off a record-breaking moment with season 7 bringing in 18.4 billion streaming minutes, making it the most-watched original season of television on the platform.

“[This season] there’s a lot more emphasis put on the journey as opposed to the result,” narrator Iain Stirling told Us Weekly exclusively in July 2025. ”I think it’s about the journey of finding someone and how you grow as a person by doing that. Whereas five or six years ago, you had, like, proper millennials in there. There was that more traditional approach to dating.”

While some fans questioned the love journeys, Stirling was on board with the Islanders taking a different approach.

“The end goal [was] to be with someone and you have this contract with someone you’re in a relationship with to honor that person and to honor that relationship,” he noted. “I think now there’s a lot more people who make contracts with themselves to have the journey that they want and the experience they’re after.”

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He added, “These people are predominantly speaking in their early 20s. If you can’t be selfish dating then — then when can you? Especially people from my generation, they weren’t selfish in their 20s and maybe did not want to upset people. Then they get to sort of 30 to 40 and get divorced and go insane. Maybe it’s the healthier way to do it.”

New episodes of Love Island USA are released six days a week — except for Wednesdays — on Peacock.

Join Us Weekly and Bracketology.tv in our first-ever Love Island USA fantasy league! This is your chance to predict who you think will win Season 8 and rank the Islanders weekly based on how confident you are that they will survive the next elimination. You will be playing against our editors, get access to exclusive content and have the chance to win fun prizes. Sign up for free today!

Jelly Roll is ready to move on, as long as his new love interest is nothing like his former partner. 

The country singer’s estranged spouse, Bunnie XO, publicly shared the update regarding his personal life during a recent episode of her podcast. 

Despite the painful breakup, she expressed full support for the musician as they both navigate this new phase of their lives independently.

During the most recent broadcast of her “Dumb Blonde” podcast, the 46-year-old host discussed the fresh path forward for her ex, following their recent split after nearly a decade together. 

Bunnie spoke highly of Roll’s current state, mentioning that he is focused on his wellness and feeling confident. She then explicitly shared that her former partner has officially started meeting new people, noting that he is affectionate and enjoys close companionship.

While she clarified that she is personally not interested in romance right now and wants to focus on her own self-care, she openly encouraged interested women to reach out to the singer online. 

“Don’t be scared, shoot your motherf-cking shot,” she said, per People Magazine. 

The host joked that she would happily embrace the role of the supportive former partner. However, her only condition for his future significant other is that they remain completely honest and respectful.

Additionally, she described his ideal companion as a down-to-earth person who is not focused on social media fame.

“No offense to anybody — his wife, you know — no offense to anybody, but I think he wants the complete opposite of me, which is what he deserves,” she said. 

Jelly Roll Also Publicly Clarified Details About Their Divorce

While Bunnie XO openly encouraged other women to pursue her former partner online, Roll chose to address the situation directly from a concert stage to combat growing rumors. 

Speaking to a massive crowd during a live musical performance in Saratoga Springs, he addressed the widespread public speculation surrounding the official end of his decade-long marriage. 

Directly addressing the crowd from the stage, the vocalist bluntly declared, “While we’re talking about liars, the internet is a liar too.”

The Blast reported that he strongly emphasized that he and his former spouse remain exceptionally close companions and will maintain their tight bond indefinitely. 

Jelly Roll’s Daughter Similarly Slammed The Public Speculation Surrounding Her Father’s Divorce

The intense declarations from the “Wild Ones” singer regarding internet lies match the deep frustration felt within his immediate household as his legal separation remains a hot topic.

According to The Blast, his 18-year-old daughter, Bailee Ann, formally broke her silence regarding the intense scrutiny surrounding her household’s current circumstances. 

The young adult expressed deep disapproval of the public’s massive fixation on her loved ones’ personal situation.

She asked her social media followers to refocus their attention on their own domestic affairs, and firmly concluded her digital update by stating, “I’m not speaking on it – yet.”

The Former Couple Reportedly Ended Their Marriage Due To Clashes In Their Lifestyles 

Amid Ann’s strong disapproval of the public interest in her father’s life, more details emerged regarding the core disagreements that ultimately dismantled the marriage. 

According to an anonymous insider close to the former couple, a combination of ongoing issues placed a major strain on the relationship over an extended period. The friction intensified specifically as the musical artist shifted his attention toward personal well-being and crafted an identity rooted heavily in his Christian faith, per The Blast. 

Furthermore, individuals within their immediate social circle noted a distinct tension as Roll wholeheartedly adopted this faith-based trajectory, while Bunnie XO remained dedicated to growing her famously unfiltered and bold brand. 

Bunnie XO Clarified The Reason For Her Absence From Jelly Roll’s Public Appearances

The fundamental lifestyle differences that strained their bond reportedly ultimately led to a divorce. However, prior to the public disclosure of their separation, Bunnie Xo clarified why she couldn’t make it to some of Roll’s events. 

During a previous episode of her podcast, the host addressed persistent internet chatter about why the pair was rarely seen together. She explained that she had spent half a year undergoing intensive medical procedures to conceive a child with the singer, The Blast reported.

She addressed the speculation by stating, “Someone said the other day, ‘They used to always be together, and now you never see them together,’” before adding, “I’m like, ‘Do you guys not know that for the past six months [that] I’ve been trying to make a baby?” 

By Sean Thiessen
| Updated 18 seconds ago

It can feel overwhelming sifting through the mountain of titles on Netflix in search of a diamond in the rough. The German sci-fi film Paradise is one of those Netflix original gems, and while it may not be perfect, it glimmers brighter than most.

Youth Is A Currency

Paradise is set in a dystopian future where a genetics research company is cracking the code on eternal youth. Unfortunately, in order to conduct their research, they must take the youth of others. People donate years of their life, aging their bodies forward while their youth is essentially transplanted into another person.

It sounds like a way to make some quick cash, like donating plasma. Not great, but it won’t kill you immediately. Of course, where there is power, there is corruption.

The procedures in Paradise are used to keep the rich young, but youth becomes a currency and, in the case of the film’s main characters, a debt to be paid. This Netflix original follows Max (Kostja Ullmann) and Elena (Corinna Kirchhoff), a married couple who must fight for Elena’s life after a financial disaster leads to a bank taking 40 years of her life.

What follows is a thriller packed with twists and turns. Max and Elena discover the procedure that took her youth can be reversed. They set out to reclaim the life that was stolen by any means necessary.

A Harrowing Take On The Class War

The movie unravels its bizarre sci-fi concept in fascinating ways, all while keeping its characters racing against the clock of their mortal coils. Paradise hit Netflix on July 27, 2023, to middling reviews; it carries a 50 percent Tomatometer score on Rotten Tomatoes, and a 59 percent Popcornmeter score.

Despite low averages, many reviews praise Paradise for its inventive story, exciting visual effects, and powerful cast. Netflix audiences have embraced the film for its originality, a quality that seems to be cherished more and more in a market saturated with franchises and reboots. Paradise is also a rather scathing critique of the rich, commenting on class struggle and wealth disparity in a creative and pointed way.

Paradise is not a film built on stars but rather on a cast of solid actors, most of whom found prior success in the German film and television landscape. The film was directed by the trio of Boris Kunz, Tomas Jonsgarden, and Indre Juskute. It was written by Simon Amberger, Peter Kocyla, and Boris Kunz.

Paradise Is Part Of Netflix’s Popular German Content Slate

Paradise is far from the first Netflix original to break out from Germany. Last year, the streamer released All Quiet on the Western Front, which was also Germany’s submission for the Academy Awards. It won four Oscars out of the nine it was nominated for.

More closely related to Paradise is the popular Netflix original series Dark. This German science fiction show is a complete and total mind-bender that meddles with time. Many have come to call the series a darker and more complex version of Stranger Things.

Netflix has created a path for several films and shows from other countries to break out in the United States. Paradise and Dark are some, but programs like Squid Game, Okja, and Roma are all popular award-winners from around the globe that have found a much wider audience thanks to Netflix.

Paradise is a fresh and fun sci-fi thriller that, if you can manage subtitles, is worth the ride. The film is streaming now on Netflix, so why wait? After all, no one is getting any younger.

By Doug Norrie
| Published 59 seconds ago

Step back in time to the Prohibition era with the rustic, bootlegging drama, Lawless. Currently available for a nostalgic stream, this moonshine-soaked tale gives you a glimpse into the rebellious Bondurant brothers and their illicit endeavors. Leading the pack is none other than the ever-versatile Shia LaBeouf, who delivers a performance as intoxicating as the family’s signature brew. So, grab your flapper dress or fedora, and prepare for a wild ride through Virginia’s backwoods!

It Takes A Family …

Lawless, set against the backdrop of the Prohibition-era American South, unravels the tale of the Bondurant brothers, a defiant trio that made and sold moonshine, challenging the law and any rival bootleggers who dared to tread on their territory. With the gritty hills of Virginia as their backdrop, the brothers battle it out with authorities, rival gangsters, and their own inner demons.

Shia LaBeouf shines as the youngest of the brothers, Jack Bondurant. Eager to prove his worth and step out of the shadows of his tougher older siblings, Jack gets tangled in the more dangerous aspects of the bootlegging business, craving both respect and riches. His passionate ambition often leads him down treacherous paths, but Shia ensures that Jack remains an endearing figure throughout the narrative.

Along with Shia LaBeouf, Tom Hardy, gruffly charismatic as ever, plays the role of Forrest Bondurant, the middle brother and the quasi-head of the family. He’s the silent and stoic type, with a fierce sense of loyalty and a reputation of being indestructible. Hardy’s portrayal provides the grounding force against Shia’s fiery passion, creating a balanced dynamic between the siblings.

Jason Clarke rounds out the trio as the eldest, Howard Bondurant. Wild, unpredictable, and fiercely loyal, Howard ensures the family’s operations run smoothly, often acting as the muscle when things get dicey. The chemistry between the three is palpable, making their fraternal bond the heartbeat of the film.

But Lawless isn’t just about the brothers. Jessica Chastain plays Maggie, a former dancer from the city who becomes entangled with the Bondurants, both business-wise and romantically with Forrest. Mia Wasikowska is Bertha, a preacher’s daughter and the apple of Jack’s eye, offering a softer, romantic subplot amidst the film’s violent undertones.

The cast is further elevated by the presence of Gary Oldman as gangster Floyd Banner and Guy Pearce as the wickedly corrupt Special Deputy Charlie Rakes, who becomes the brothers’ main antagonist.

When Honor And Rebellion Intersect

Directed by John Hillcoat and based on the true story novel The Wettest County in the World by Matt Bondurant (a descendant of the real Bondurant brothers), Lawless delivers a gritty, intense, yet sometimes tender portrayal of family ties and rebellion. The music, setting, and cinematography wrap the audience in a world where honor among thieves was more than just a saying—it was a way of life.

Lawless was met with generally favorable reviews upon its release, with many critics praising its gritty depiction of Prohibition-era Virginia and the palpable chemistry between its ensemble Shia LaBeouf-led cast.

The film’s atmosphere, which successfully captures the era’s tension and volatility, was often cited as one of its strengths. The music and cinematography were particularly lauded for immersing viewers into the world of the Bondurant brothers.

Shia LaBeouf, often recognized for his roles in blockbuster franchises, received a notable amount of praise for his portrayal of Jack Bondurant. Critics noted his ability to balance vulnerability with determination, effectively showcasing the character’s evolution from an ambitious youngster to a more hardened figure by the film’s end.

Shia LaBeouf’s performance was seen as proof that he could hold his own in a more dramatic setting, contrasting his earlier roles in action-packed blockbusters.

However, while Shia LaBeouf’s performance was largely appreciated, Tom Hardy‘s portrayal of Forrest Bondurant garnered significant attention, with some critics opining that he stole the show. His stoic demeanor and subtle depth provided a powerful counterpoint to Shia’s more expressive role.

A Gritty Period Drama Worth Watching

Nevertheless, not all reviews were glowing. Some critics felt that Lawless, while visually engaging and well-acted, sometimes fell into genre clichés and lacked depth in its narrative. There were also opinions that, despite the movie’s potential, it didn’t quite delve deep enough into the moral and emotional complexities of its characters.

In summary, while Lawless had its detractors, the film was generally well-received, and Shia LaBeouf’s performance stood out as one of his more mature and nuanced roles, further establishing him as a versatile actor capable of handling a range of characters and genres.

Lawless stands as a testament to the tumultuous Prohibition era, weaving both historical significance with fictional flair. While it might not be flawless, Shia LaBeouf’s commendable performance, coupled with a captivating ensemble cast, makes this movie a worthy watch for those in search of gritty period dramas. So, if you’ve got a hankering for moonshine, danger, and a dash of Shia LaBeouf, hit play and let Lawless take you for a wild ride.

As of this writing, Lawless is streaming for free on Pluto TV, Sling TV, and Plex.

Tom Hanks may have voiced Hollywood’s most iconic cowboy for more than 30 years, but he apparently still has a thing or two to learn about his own “Toy Story” character.

Ahead of the release of “Toy Story 5,” Hanks was left stunned by a surprising piece of franchise lore involving Woody’s full name and a possible family connection to Jessie.

The actor also teased one of the most heartbreaking scenes in the upcoming installment and weighed in on whether voice actors should have their own Oscar category.

Tom Hanks has voiced the iconic “Toy Story” character Sheriff Woody for more than three decades, but even he is still getting used to some parts of the character’s lore.

While promoting the upcoming “Toy Story 5,” Hanks sat for an interview with BBC Radio 1 alongside his co-star Tim Allen, where critic Ali Plumb informed him that Sheriff Woody has a full name: Woody Pride.

“How did they find this out?” Hanks exclaimed. “I play the guy! I didn’t realize that he had a surname.”

Plumb then dropped another surprise by revealing that Jessie the Cowgirl, voiced by Joan Cusack, also has a full name: Jessica Jane “Jessie” Pride.

“I think that means you’re siblings,” Plumb suggested.

However, Hanks appeared bewildered by the revelation and quickly pushed back on the claim.

“Boy! No!” Hanks replied. “Distant cousins, please!”

Tim Allen Was Already Aware Of The Lore

Also, during the interview, Allen, who voices Buzz Lightyear, said he had previously heard about the information and knew that Woody and Jessie were somehow related.

“There’s something in there. One of the guys on the internet gets these names,” Allen said. “I heard that same thing.”

Perhaps Hanks was hesitant to accept this new relationship because he appeared concerned that Woody and Jessie had some kind of romantic link. However, fans know that Jessie and Buzz have long been presented as a romantic pair, while Woody has always been drawn to Bo Peep, voiced by Annie Potts.

Tom Hanks Teases A Heartbreaking ‘Toy Story 5’ Scene

“Toy Story 5” arrives in theaters on June 19 and will see Jessie take on a central role in a toys-versus-tech plot with the introduction of Lilypad, voiced by Greta Lee.

The story focuses on Bonnie, now 8 years old, and her toys as they grapple with Lilypad, a smart tablet device that threatens to replace creative playtime.

In a conversation with The Hollywood Reporter, Hanks noted that the film features one of the most heartbreaking storylines he has seen throughout the franchise.

“There’s one of the most heartbreaking scenes I’ve ever seen in any of the Toy Story movies,” Hanks explained. “When that little girl is getting her feelings hurt by what other people are texting about her, and she doesn’t understand why. She doesn’t know what she did wrong, but it hurts, and that is a very prescient thing to have in a motion picture today about little kids and toys, don’t you think?”

Woody Shows His Age In ‘Toy Story 5’

However, director and co-writer Andrew Stanton clarified that Lilypad is not exactly the villain, even if fans may see her that way at first.

“She is to the toys because they’re understandably intimidated,” Stanton told Variety. “She’s just the next phase in Bonnie’s life. She’s built like a toy in the sense that she wants to help the kid go forward, but she’s got very different skills and zero experience, whereas Jessie has nothing but experience and is probably unprepared for what to do.”

Meanwhile, one of the biggest surprises in the latest installment is that Woody has aged significantly. Fans may not notice the difference at first, but when the pull-string cowboy removes his hat, they will quickly see that he is balding.

Speaking at a press preview earlier this year, Stanton explained that Hanks’ character is simply enjoying his retirement.

He added, “The bald spot symbolizes that he’s just worn out from not trying to take care of himself so much anymore — just doing whatever dirty work needed to be done to save a toy.”

Tom Hanks Rejects A Separate Voice Acting Oscar

While promoting the new installment in a conversation with Gold Derby, Hanks also weighed in on whether voice actors need a separate category at the Oscars.

Hanks, who has won two Oscars for 1993’s “Philadelphia” and 1994’s “Forrest Gump,” said there is no need for a new category because voice actors should be able to compete in the main acting races.

“I think they have enough categories,” he said, per Variety. “The truth is, truly, a voice actor can win Best Actor. The judgment is ‘any performance that moved you.’”

He continued, “We’ve talked about, for example, Andy Serkis. Even though he does not appear as Andy Serkis, he gives all the raw material to it. There’s been people who have been close to being nominated that do not appear on camera. That could happen to a pure-vocal actor.”

“If they are moved, that means they are moved by a human being’s performance. That’s all the requirement,” Hanks added.