Connect with us

Technology

At 50, this classic horror movie is still cinema’s ultimate nightmare

Published

on

At 50, this classic horror movie is still cinema’s ultimate nightmare
Leatherface raises his chainsaw to the sky, a brilliant sun shining behind him, in a still from the original The Texas Chain Saw Massacre.
The Texas Chain Saw Massacre Bryanston Distributing Company / Bryanston Distributing Company

Earlier this week, Variety published a list of the 100 best horror movies ever. Sitting at the top, like an exhumed corpse festering in the brilliant midday sun, was The Texas Chain Saw Massacre. This was not a controversial choice on the publication’s part, not in the year of our unholy lord of darkness 2024. Tobe Hooper’s deranged thriller, which roared into theaters 50 years ago, has been rising in critical esteem for decades, its reputation as a truly great movie — rather than merely a deeply upsetting and effective one — steadily cementing over the last half-century. Time, in other words, has been very kind to a savage, scandalous act of grindhouse exploitation once considered so shocking, it was banned in multiple countries. Yesterday’s outrage machine has become today’s lionized classic.

The Texas Chainsaw Massacre (1974) – Original Trailer (4K)

For as much as the movie deserves every drop of overdue recognition it’s increasingly earned, it’s still a little unusual seeing The Texas Chain Saw Massacre canonized by mainstream arbiters of taste. The next two films on Variety’s list, The Exorcist and Psycho, have more commonly wrestled for the nebulous title of horror’s pinnacle. Both of those movies were plenty shocking and controversial in their time, of course. But like most historic hair- and knuckle-whiteners, they’ve lost a little of their transgressive power over the decades since, as the standard of what gets under the skin of the average moviegoer evolves. Generally speaking, they don’t traumatize like they used to. They’re safer — which, in a sense, makes them easier to enshrine as the Mona Lisas of their video store aisle.

The Texas Chain Saw Massacre is different. This is not a safe movie. Though it’s now widely recognized as a masterpiece, it’s not something you appreciate from a respectful distance, admiring its historic qualities like an anthropologist of B-movie artifacts. It’s an experience, undiminished by everything that’s come after it. The primal immediacy of Hooper’s achievement — the sheer demented intensity of his 83-minute assault on the senses — has not waned. The Texas Chain Saw Massacre will still mess you up. If it doesn’t, there might actually be something off about you.

5 friends sit in a van in The Texas Chain Saw Massacre.
Bryanston Distributing Company

John Larroquette provides the faux-true-crime narration of the opening scene — a dryly ominous introduction that frames the events to come as reenactments of real unspeakable crimes, which the wildly successful marketing campaign exploited. This is not a true story in any literal sense, though Hooper did base some of the violence on the very real mayhem of the serial killer Ed Gein. In a much more general sense, few films have felt more in touch with the madness of American culture, the evil lurking in our country’s heart and its forgotten corners.

Part of what remains so unnerving about the film, five decades later, is how it seems to straddle the line between a harsh, scraggly, almost documentary realism and something more hallucinatory. Even as Hooper rubs our noses in forensic evidence (retrospective glimpses of the horror to come — a devious device for triggering our dread early), he also begins to pull at the fabric of the reality he’s establishing, washing out the images, drowning out the audio with droning, atonal music. It’s as if the insanity of the Sawyer clan was already polluting the movie’s style, minutes before we’ve met a single one of them.

Advertisement
A skeleton rests on a gravestone in The Texas Chain Saw Massacre.
Bryanston Distributing Company

Rewatching the film, it’s striking how much its opening act functions as one long premonition of doom. Over and over again, Hooper seems to erect an existential “Turn back now” sign, giving his van of unlucky city slickers numerous warnings that something awful waits down the road they’re traversing. Hell, one of the abominable killers himself tries to warn them, in his own way, in a gas station scene that would become a cliché of the 1980s slasher movies Texas Chain Saw helped inspire. The early stretch of the film is littered with bad omens: roadkill, reports of violence on the radio, the roar of what just might be a chainsaw in the distance. Even the daily horoscope seems to be beaming in a red alert from the universe: “There are moments where we cannot believe what is happening is really true,” one of the kids reads aloud. She’ll grasp the meaning of those words when she’s hanging from a meat hook later in the afternoon.

Kirk stands in a house doorway in The Texas Chain Saw Massacre.
Bryanston Distributing Company

So much has been written over the years about Leatherface’s iconic first appearance, that moment when he stumbles into a doorway without prelude or fanfare, and clocks someone dead with a hammer, before slamming the metal door behind him. It happens so fast, you can almost miss it. It’s like the “We’re gonna need a bigger boat” scene in Jaws, the multiplex phenomenon that opened a year later: a jump scare so unexpected and so off rhythm — a moment you can’t possibly anticipate — that it scrambles your sense of security. Nearly half a century earlier, Boris Karloff got a star’s entrance as Frankenstein’s monster, slowly turning to face the camera and reveal his hideous face. The Texas Chain Saw Massacre seemed to announce a scary new era of sudden lunacy, when the monster simply blips into our line of sight, too obscene for formal introduction.

Pam walks to a big house in The Texas Chain Saw Massacre.
Bryanston Distributing Company

The scene almost plays like a hole has been torn in the fabric of time and space, depositing something horrible and beyond reason. Who in their right mind thought we needed an origin story (nay, two!) for this brute? Leatherface is so much scarier as an evil that’s just suddenly there. Not a single one of the sequels, prequels, and remakes is essential. They all give us more than we need of this awful place, these unknowable monsters. They try to bring psychology into the matter, when the Sawyers — bloodthirsty emblems of American derangement — exist beyond the purview of diagnosis. The Texas Chain Saw Massacre is a complete thing. To continue what passes for its story is futile, because its power can’t be replicated. Hooper seemed to realize that, and took his own over-the-top sequel, the best one, in the only direction that made sense: black comedy.

Leatherface grabs a girl in The Texas Chain Saw Massacre.
Bryanston Distributing Company

All the mythology those mostly dire follow-ups would build upon is largely implied in the original. No one ever even identifies the Sawyers as cannibals; a couple ominous close-ups of cooking meat at the BBQ pitstop says it all, though, doesn’t it? That goes for the movie’s politics, too. The Texas Chain Saw Massacre is one of the most witheringly resonant movies ever made about the violent spirit of America, but it doesn’t do the interpretative work for you, the way so many modern festival-feted creepshows do. There’s a world of sociopolitical meaning in the one-line revelation that the Sawyers used to be factory workers before automation put them out to pasture. British censors certainly got the message, warning that the film might inspire something in the working class. Fearmongering? Of course. But you can’t say this isn’t a political movie. It just keeps its ideas draped in nightmare logic.

Jerry looks at a meat hook in The Texas Chain Saw Massacre.
Bryanston Distributing Company

Another thing that’s easy to forget, if you haven’t seen The Texas Chain Saw Massacre in a while, is how elegant it is — especially for a film made on a shoestring budget and with such savage, unpretentious aims. The slaughterhouse ambiance of the film looms large in the imagination, but there’s nothing artless about how it’s put together; you could go shot for shot through Chain Saw Massacre, like Roger Ebert used to do with Citizen Kane and other art-house milestones in lecture halls, and find something to admire after every cut. It’s such a carefully, brilliantly assembled movie — maybe the ultimate example of how the best horror movies work your nerves with the how as well as the what of their dark vision.

The Texas Chainsaw Massacre (1974) – The Dinner Scene (4k)

It’s in the last half hour that the movie starts to feel truly wrong, like something you shouldn’t be watching, like something that short-circuits that old “it’s only a movie” rationale we use to get us through rough sledding. It’s not the violence, which never gets all that explicit (to the point where Hooper hilariously reasoned that he might be able to secure a PG rating for the film, can you even imagine?). It’s the way The Texas Chain Saw Massacre devolves into pure, primal emotion, as Sally runs and screams and pleads for what feels like a grueling eternity, all while her tormentors buffoonishly giggle like Hee Haw bit players. 

Sally screams at the dinner table in The Texas Chain Saw Massacre.
Bryanston Distributing Company

In the pantheon of scream queens, there is Marilyn Burns and then there is everyone else. No one has seemed as believably destroyed by terror as she does here. The film runs less than an hour and a half, but that dinner table scene — all bulging eyes in extreme close up, all slapstick near-death — seems to go on forever. That’s because Hooper has locked us into Sally’s crucible, and offered a vision of insanity that feels realer than what movies ever offer. It’s hard to think, too, of a more iconic ending to a horror movie — that frustrated chainsaw ballet in the daylight, Sally laughing hysterically with a relief that tells you she’ll never be OK ever again, an abrupt cut to credits denying us the creature comfort of a denouement. 

The Texas Chain Saw Massacre (1974) – The Chainsaw Dance (4k)

Yes, fear is subjective — one person’s phobia fuel is another’s sleeping pill, blah blah blah. You may have your own personal, idiosyncratic choice for scariest movie ever. (For this writer, no single moment in cinema is more irrationally petrifying than the Winkie’s diner scene in Mulholland Drive, which isn’t even a horror movie by the strictest definition.) But if we’re talking about consensus power to unsettle, there’s still nothing like The Texas Chain Saw Massacre. It simply doesn’t operate like a normal movie. It feels inherently touched by death from its opening frames. And it eventually cracks into a madness beyond plot or suspense — a total immersion into blinding panic and fear. It’s possible no movie has ever felt more like a nightmare. You wake up, but it’s still there, twirling like Leatherface in your head.

Advertisement

The Texas Chain Saw Massacre is currently streaming on Peacock, Tubi, Plex, and other streaming services. For more of A.A. Dowd’s writing, visit his Authory page.






Source link

Advertisement
Continue Reading
Advertisement
Click to comment

You must be logged in to post a comment Login

Leave a Reply

Technology

TikTok is reportedly aware of its bad effects on teen users

Published

on

TikTok is reportedly aware of its bad effects on teen users

TikTok’s executives and employees were well aware that its features foster compulsive use of the app, as well as of its corresponding negative mental health effects, according to NPR. The broadcasting organization reviewed the unredacted documents from the lawsuit filed by the Kentucky Attorney General’s Office as published by the Kentucky Public Radio. More than a dozen states sued TikTok a few days ago, accusing it of “falsely claiming [that it’s] safe for young people.” Kentucky Attorney General Russell Coleman said the app was “specifically designed to be an addiction machine, targeting children who are still in the process of developing appropriate self-control.”

Most of the documents submitted for the lawsuits had redacted information, but Kentucky’s had faulty redactions. Apparently, TikTok’s own research found that “compulsive usage correlates with a slew of negative mental health effects like loss of analytical skills, memory formation, contextual thinking, conversational depth, empathy, and increased anxiety.” TikTok’s executives also knew that compulsive use can interfere with sleep, work and school responsibilities, and even “connecting with loved ones.”

They reportedly knew, as well, that the app’s time-management tool barely helps in keeping young users away from the app. While the tool sets the default limit for app use to 60 minutes a day, teens were still spending 107 minutes on the app even when it’s switched on. That’s only 1.5 minutes shorter than the average use of 108.5 minutes a day before the tool was launched. Based on the internal documents, TikTok based the success of the tool on how it “improv[ed] public trust in the TikTok platform via media coverage.” The company knew the tool wasn’t going to be effective, with one document saying that “[m]inors do not have executive function to control their screen time, while young adults do.” Another document reportedly said that “across most engagement metrics, the younger the user, the better the performance.”

In addition, TikTok reportedly knows that “filter bubbles” exist and understands how they could potentially be dangerous. Employees conducted internal studies, according to the documents, wherein they found themselves sucked into negative filter bubbles shortly after following certain accounts, such as those focusing on painful (“painhub”) and sad (“sadnotes”) content. They’re also aware of content and accounts promoting “thinspiration,” which is associated with disordered eating. Due to the way TikTok’s algorithm works, its researchers found that users are placed into filter bubbles after 30 minutes of use in one sitting.

Advertisement

TikTok is struggling with moderation, as well, according to the documents. An internal investigation found that underage girls on the app were getting “gifts” and “coins” in exchange for live stripping. And higher-ups in the company reportedly instructed their moderators not to remove users reported to be under 13 years old unless their accounts state that they indeed are under 13. NPR says TikTok also acknowledged that a substantial number of content violating its rules get through its moderation techniques, including videos that normalize pedophilia, glorify minor sexual assault and physical abuse.

TikTok spokesman Alex Haurek defended the company and told the organization that the Kentucky AG’s complaint “cherry-picks misleading quotes and takes outdated documents out of context to misrepresent our commitment to community safety.” He also said that TikTok has “robust safeguards, which include proactively removing suspected underage users” and that it has “voluntarily launched safety features such as default screentime limits, family pairing, and privacy by default for minors under 16.”

Source link

Advertisement
Continue Reading

Technology

ApertureData offers 10x speed to enterprises using multimodal data

Published

on

ApertureData offers 10x speed to enterprises using multimodal data

Join our daily and weekly newsletters for the latest updates and exclusive content on industry-leading AI coverage. Learn More


Data is the holy grail of AI. From nimble startups to global conglomerates, organizations everywhere are pouring billions of dollars to mobilize datasets for highly performant AI applications and systems.

But, even after all the effort, the reality is accessing and utilizing data from different sources and across various modalities—whether text, video, or audio—is far from seamless. The effort involves different layers of work and integrations, which often leads to delays and missed business opportunities. 

Enter California-based ApertureData. To tackle this challenge, the startup has developed a unified data layer, ApertureDB, that merges the power of graph and vector databases with multimodal data management. This helps AI and data teams bring their applications to market much faster than traditionally possible. Today, ApertureData announced $8.25 million in seed funding alongside the launch of a cloud-native version of their graph-vector database.

Advertisement

“ApertureDB can cut data infrastructure and dataset preparation times by 6-12 months, offering incredible value to CTOs and CDOs who are now expected to define a strategy for successful AI deployment in an extremely volatile environment with conflicting data requirements,” Vishakha Gupta, the founder and CEO of ApertureData, tells VentureBeat. She noted the offering can increase the productivity of data science and ML teams building multimodal AI by ten-fold on an average. 

What does ApertureData bring to the table?

Many organizations find managing their growing pile of multimodal data— terabytes of text, images, audio, and video daily— to be a bottleneck in leveraging AI for performance gains.

The problem isn’t the lack of data (the volume of unstructured data has only been growing) but the fragmented ecosystem of tools required to put it into advanced AI.

Currently, teams have to ingest data from different sources and store it in cloud buckets – with continuously evolving metadata in files or databases. Then, they have to write bespoke scripts to search, fetch or maybe do some preprocessing on the information.

Advertisement

Once the initial work is done, they have to loop in graph databases and vector search and classification capabilities to deliver the planned generative AI experience. This complicates the setup, leaving teams struggling with significant integration and management tasks and ultimately delaying projects by several months. 

“Enterprises expect their data layer to let them manage different modalities of data, prepare data easily for ML, be easy for dataset management, manage annotations, track model information, and let them search and visualize data using multimodal searches. Sadly their current choice to achieve each of those requirements is a manually integrated solution where they have to bring together cloud stores, databases, labels in various formats, finicky (vision) processing libraries, and vector databases, to transfer multimodal data input to meaningful AI or analytics output,” Gupta, who first saw glimpses of this problem when working with vision data at Intel, explained.

Prompted by this challenge, she teamed up with Luis Remis, a fellow research scientist at Intel Labs, and started ApertureData to build a data layer that could handle all the data tasks related to multimodal AI in one place. 

The resulting product, ApertureDB, today allows enterprises to centralize all relevant datasets – including large images, videos, documents, embeddings, and their associated metadata – for efficient retrieval and query handling. It stores the data, giving a uniform view of the schema to the users, and then provides knowledge graph and vector search capabilities for downstream use across the AI pipeline, be it for building a chatbot or a search system. 

Advertisement

“Through 100s of conversations, we learned we need a database that not only understands the complexity of multimodal data management but also understands AI requirements to make it easy for AI teams to adopt and deploy in production. That’s what we have built with ApertureDB,” Gupta added.

ApertureDB Dashboard
ApertureDB Dashboard

How is it different from what’s in the market?

While there are plenty of AI-focused databases in the market, ApertureData hopes to create a niche for itself by offering a unified product that natively stores and recognizes multimodal data and easily blends the power of knowledge graphs with fast multimodal vector search for AI use cases. Users can easily store and delve into the relationships between their datasets and then use AI frameworks and tools of choice for targeted applications.

“Our true competition is a data platform built in-house with a combination of data tools like a relational / graph database, cloud storage, data processing libraries, vector database, and in-house scripts or visualization tools for transforming different modalities of data into useful insights. Incumbents we typically replace are databases like Postgres, Weaviate, Qdrant, Milvus, Pinecone, MongoDB, or Neo4j– but in the context of multimodal or generative AI use cases,” Gupta emphasized.

ApertureData claims its database, in its current form, can easily increase the productivity of data science and AI teams by an average of 10x. It can prove as much as 35 times faster than disparate solutions at mobilizing multimodal datasets. Meanwhile, in terms of vector search and classification specifically, it is 2-4x faster than existing open-source vector databases in the market.

The CEO did not share the exact names of customers but pointed out that they have secured deployments from select Fortune 100 customers, including a major retailer in home furnishings, a large manufacturer and some biotech, retail and emerging gen AI startups.

Advertisement

“Across our deployments, the common benefits we hear from our customers are productivity, scalability and performance,” she said, noting that the company saved $2 million for one of its customers. 

As the next step, it plans to continue this work by expanding the new cloud platform to accommodate the emerging classes of AI applications, focusing on ecosystem integrations to deliver a seamless experience to users and extending partner deployments.


Source link
Continue Reading

Technology

The most interesting unicorns to come out of Japan

Published

on

The most interesting unicorns to come out of Japan

Japan’s startup sector, despite being one of the biggest in the world, has lagged behind other regions like the U.S., China, and the U.K., in terms of the number of unicorns and the scale of venture capital investment. For years, an aging population, overall economic deflation, and salarymen’s inclination to work at traditional, big corporations meant the startup life wasn’t an attractive one for many.

For context: Per a recent IMF report that cites CB Insights data, as of October 2023, the U.S. had about 661 unicorns, China counted 172, and the U.K. had 52. Japan had a mere seven unicorns. (PitchBook pegs the number of Japanese startups at nine, so it’s possible we have more unicorns in the market than these datasets suggest.)

But things are looking up — somewhat. Young graduates are increasingly breaking from the mold, opting to strike out on their own instead of working within existing corporate systems. And the Japanese government is trying to attract interest in the country’s startups once again.

The government’s “Startup Development Five-Year Plan,” for one, was launched in 2022 and aims to help create 100,000 startups and foster 100 unicorns by 2027 by promoting incubators, strengthening funding with a venture fund, diversifying exit avenues, and more. The Tokyo Metropolitan Government earlier this year launched Tokyo Innovation Base, a startup hub that organizes networking events and pitch competitions and offers workspaces for founders. There’s also a Startup Visa that makes it easier for venture capital firms, startups, and accelerators to set up in Japan, and there’s a special tax system for angel investors. It helps that the country is home to about 130 accelerators, which isn’t too bad given the size of the market.

Advertisement

Despite these advantages, most of the venture capital invested in Japan comes from outside it. The IMF report mentioned found that between 2010 and 2023, investors from the U.S. accounted for 50% of investment in Japanese startups, investors from the U.K. made up about 10%, and Japanese investors lagged at only 5%.

For example, Bessemer Venture Partners recently invested for the first time in a Japanese startup, a food-delivery company called Dinii. “Having been fortunate to be a key investor in Toast in the U.S., supporting it to become a $13 billion company, we see a similar element of success in Dinii,” Bryan Wu of Bessemer Venture Partners said at the time.

Japanese startups usually decide to go public sooner in their development than startups in other countries. For example, they may go public after just a couple of funding rounds, thanks to the Tokyo Stock Exchange’s lenient IPO rules. So it’s likely we might see the unicorns listed below doing an IPO sooner than later.

Here are a few unicorns from Japan that are worth keeping an eye on.

Advertisement

Spiber

Total funding raised: $653 million

Last funding round: $65 million (10 billion JPY) in April 2024

Key investors: Baillie Gifford, Fidelity Investments, Goldwin, Kansai Paint, Iowa Economic Development Authority, Shinsei Bank, and the Carlyle Group.

Spiber grabbed investor, and customers’, attention quite quickly with its environment-friendly biomaterials that have a huge array of applications. Companies across the fashion, cosmetics, and automotive industries use Spiber’s materials instead of animal, plant, or synthetic materials, and its customers include Pangaia, the North Face, Goldwin, Woolrich, Shiseido Japan, and Toyota.

Advertisement

In April this year, it raised about $65 million (10 billion JPY) to scale up production of its “Brewed Protein” materials, which have applications in textile production. It has 300 employees, and the company last year set up an office in Paris to promote its business in Europe.

SmartNews

Total funding raised: $479 million

Last funding round: $69.3 million venture debt round in January 2024

Key investors: Atomico, Asian Capital Alliance, Development Bank of Japan, Globis Capital Partners, Japan Post Capital, JIC Venture Growth Investments, SMBC Venture Capital, Social Venture Partners, Princeville Capital, and Woodline Partners.

Advertisement

Founded in 2012, news aggregator SmartNews sought to take a new approach as a news provider: It partnered with publications to offer a personalized and streamlined news feed to users. It launched in the U.S. in 2014 and quickly saw its fortunes burgeon. It became the first news startup to achieve a billion-dollar valuation since 2015, and then in 2021, its valuation shot up to $2 billion.

The startup, however, has found it difficult to retain users as social media platforms like X, Threads, Mastodon, and Bluesky try to position themselves as places to read breaking news. The startup counted 1.7 million daily active users between Q1 2023 and Q3 2023, down nearly 30% from a year earlier, according to SensorTower.

SmartHR

Total funding raised: $362 million

Last funding round: $140 million Series E in June 2024

Advertisement

Key investors: Beenext, Coral Capital, KKR, Light Street Capital, Sequoia Capital Global Equities, Teachers’ Ventures Growth (Arm of Ontario Teachers’ Pension Plan), World Innovation Lab, and Whole Rock.

Co-founded in 2015 by Kensuke Naito and Shoji Miyata, SmartHR has been seeing strong demand for its SaaS platform, which helps enterprises manage and streamline human resources and operations, in the past couple of years. Its ARR hit $100 million in February 2024, up from $80 million in FY 2023. SmartHR joined the unicorn club after raising about $115 million Series D at a valuation of $1.6 billion in May 2021.

Sakana AI

Total funding raised: $344 million

Last funding round: $214 million funding in Series A in September

Advertisement

Key investors: Dai-ichi Life, Fujitsu, Global Brain, Itochu, JAFCO, Khosla Ventures, Lux Capital, Mizuho, Mitsubishi UFJ Financial Group (MUFG), New Enterprise Associates, Nomura, Nvidia, SBI, Sumitomo Mitsui Banking Corporation (SMBC), Sony, Translink Capital, and 500 Global.

Founded in 2023 by former Google AI engineers, Sakana AI focuses on training low-cost generative AI models using small datasets. The company’s co-founder and CEO, David Ha, previously worked as the head of research at Stability AI and was a researcher at Google.

The startup collaborates with Nvidia, the University of Oxford, and the University of British Columbia on research, data centers, and AI infrastructure. Sakana has 20 staff and has garnered good amounts of attention in Japan, which is keen to catch up to the U.S. and U.K. in the AI race — it even managed to secure processing time on one of Japan’s supercomputers. The startup raised a massive Series A round (about $214 million) in September at a valuation of $1.5 billion from major Japanese banks and tech companies.

Preferred Networks

Total funding raised: $152.19 million

Advertisement

Last funding round: $8.1 million Series C in 2018

Key investors: Chugai Pharma, FANUC, Hakuhodo DY, Hitachi, JXTG, Mitsui, Mizuho Bank, Tokyo Electron, and Toyota.

Founded in 2014, Preferred Networks designs semiconductors for use with AI, develops software for them, and builds generative AI foundation models. The company has deep learning and machine learning models for applications in robotics, manufacturing systems, drug discovery, 3D scanning, autonomous driving, e-commerce, and food inspection.

The startup in September landed a significant 69 billion yen (about $463 million) investment from Japanese financial services firm SBI Holdings to develop semiconductors specifically for AI applications. And it has contracted Samsung to build 2-nanometer chips for AI.

Advertisement

OPN

Total funding raised: $222 million

Last funding round: $120 million Series C+ funding in May 2022

Key investors: JIC Venture Growth Investments, Mars Growth Capital, MUFG, and Sumitomo Mitsui Banking Corp.

OPN, a fintech startup formerly known as Synqa, first started its business in Bangkok, Thailand, in 2014. OPN offers a range of services, including mobile payments, online payments, and virtual cards, to over 7,000 merchants. Its customers include Toyota as well as Thai firms such as duty-free store operator King Power, telco company True, and online insurance provider Roo Jai.

Advertisement

The company now operates in Japan, Singapore, Indonesia, Malaysia, the Philippines, and Vietnam. In 2022, the company acquired U.S.-based MerchantE for about $400 million to establish a presence in the U.S. Most recently, the company announced a strategic partnership with BigPay, a Malaysian e-wallet platform that was recently launched in Thailand.

Source link

Continue Reading

Servers computers

SERVER: Dell PowerEdge R910 ,16Bay,2.5" small and corporate business machine

Published

on

SERVER: Dell PowerEdge R910 ,16Bay,2.5" small and corporate business machine



https://qaisar-itr.com +971 52 8708704

Dell PowerEdge R910 is an Intel based 4-Socket, 4U Rack mount Server machine with 4-Way scalability,

1- Recommended for small Business and corporate business for mission critical applications in Corporate Data Centers (CDC) and where workloads needing highest performance and reliability.

2- It support max. 2TB memory DDR3 that can be fix in 8 Riser memory modules consisting of 08 slots each

3- Front Accessible 16 Bays 2.5”

4- Hot-Swap Power Supply 4 X 1100 Watt

5- Gigabit Ethernet 04 Ports

6- Max. weight 47.6 KG with full configuration.

#Dell-R910-Server #Used Servers parts #BuyDellServer in UAE #IT Hardware #Network-Infrastructure .

source

Continue Reading

Servers computers

Dell M1000e Blade Center – 16 servers, 1tb Ram and 10gb ethernet in a tiny cube!

Published

on

Dell M1000e Blade Center - 16 servers, 1tb Ram and 10gb ethernet in a tiny cube!



Qain and Wendell take a look at the Dell M1000e bladecenter: https://teksyndicate.com/videos/big-compute-dell-m1000e-bladecenter
Music: http://bit.ly/Trk2ik, Merch: http://epicpants.com
Game Deals: https://teksyndicate.com/gamedeals
Though this equipment is about 3 years old, this setup has 1.5 terabytes of ram and 12 hyper-threaded cores per blade in 16 blades. Each blade in a bladecenter is a fully functional Xeon server, and the bladecenter houses up to 16 of these blades.

Full article over at https://www.teksyndicate.com

Join the community: https://teksyndicate.com/user/register
You can create a new account or join using your google, steam, facebook, openID, twitter, linkedin, yahoo, etc.

If you have questions, comments, suggestions, or if would like to use a portion of this video please email us: inbox@teksyndicate.com

For marketing (sponsorship opportunities) inquiries email info@teksyndicate.com

Social:
Twitter: https://twitter.com/teksyndicate
Logan’s Twitter: https://twitter.com/Logan_RTW
Facebook: https://www.facebook.com/teksyndicate .

source

Continue Reading

Servers computers

What are Mainframes?

Published

on

What are Mainframes?



Mainframe computers, also known as “big iron,” power things from credit card processing to airline ticketing. How do they work, and what makes them different from other large-scale devices like supercomputers?

TunnelBear message: TunnelBear is the easy-to-use VPN app for mobile and desktop. Visit http://tunnelbear.com/linus to try it free and save 10% when you sign up for unlimited TunnelBear data.

Follow: http://twitter.com/linustech

Join the community: http://linustechtips.com

Thanks to Connor Krukosky for his assistance with this episode.

License for image used: http://creativecommons.org/licenses/by/2.0/legalcode .

source

Continue Reading

Trending

Copyright © 2024 WordupNews.com