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Halloween 2024: the best spooky new things to watch and play

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Halloween 2024: the best spooky new things to watch and play

It’s been a pretty good year for horror fans. When it comes to movies, the summer was packed with the likes of Cuckoo, MaXXXine, and Alien: Romulus, while gaming has seen releases such as a Silent Hill 2 remake and the retro Crow Country. So, if you’re looking for something new to play or watch in the lead-up to Halloween, we’ve gathered all of our spookiest coverage here in one place to make things a little easier. (And if you missed it, we did the same thing last year.) So, grab some snacks, turn down the lights, and get ready for a few scares.

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Is the Oura Ring waterproof?

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Is the Oura Ring waterproof?

The Oura Ring is a highly sought-after wearable device available in different styles and price ranges. In fact, Oura just announced its latest model, the Oura Ring 4. It allows users to track their sleep and recovery, stress levels, illnesses, and fitness routines — and it even provides features specific to women’s health. With so many features, you might wonder whether this smart ring is waterproof. Let’s find out.

Is the Oura Ring waterproof?

Technically, the Oura Ring is not waterproof, which is the case for most modern gadgets. Instead, it’s water-resistant up to 330 feet (100 meters). You’ll often find water resistance protection on products, which is good, but it’s not exactly the same as being waterproof. But what does that really mean? We explain below.

Can you go swimming with the Oura Ring?

A promotional image of the Oura RIng 4's different color options.
Oura

The Oura Ring has a certain level of protection that allows you to wear it while swimming, showering, and snorkeling. However, wearing the Oura Ring during scuba diving or when there is a risk of extended water submersion or extreme pressure is not advisable. Oura recommends avoiding wearing the ring in such scenarios to ensure its longevity and proper functioning.

Oura further explains: “The Oura Ring operating temperature ranges from [-10 to 52 degrees Celsius and 14 to 125 degrees Fahrenheit]. You can safely wear your ring in the shower, hot tubs, saunas, ice baths, and cryotherapy tanks. However, extended exposure to extreme temperatures (below 0°C/32°F or above 35°C/95°F) may lead to battery damage.”

How does this compare to other smart rings?

Of Oura’s chief competitors, only the Ultrahuman Ring Air provides similar water resistance. The Oura Ring offers the same level of protection as the Apple Watch Ultra, making it an excellent alternative to smartwatches. However, it surpasses the Apple Watch Series 2 or later and the Google Pixel Watch 3, which can only resist water up to 50 meters. The Samsung Galaxy Ring also stands out as a competitor with its waterproofing, though it’s not up to the same standard as the Oura Ring.

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The Oura Ring 4 costs $349 or more depending on the finish you choose. Preorders are available on the official website and will ship on launch day, October 15.  You can also buy older Oura Ring models at Best Buy and Amazon. The Gen 3 ring is available in two primary styles (Heritage and Horizon) and is available in a number of finishes, including silver, black, stealth, gold, rose gold, and, most recently, titanium.



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OPPO seems to be developing its own smart ring

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OPPO seems to be developing its own smart ring

We’ve seen quite a few smart rings being released in the last year or so. Well, OPPO is looking to throw its contender into the ring too. OPPO is seemingly developing its own smart ring.

OPPO could be developing its own smart ring, as a new patent surfaced

A new patent by the company has been spotted over at the CNIPA website. The device detailed in that patent comes with a detachable holder. The sketches are available in the gallery below.

You can clearly see that there are several different components listed here. The ring itself is one, a ring holder another, and then there’s the integrated electronic component, of course.

What’s interesting here is that the ring holder contains the electronic component of the ring, which should allow the device itself to be considerably thinner than other smart rings.

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OPPO could end up offering different ring holders

This is an interesting approach, and it may even allow OPPO to attach different ring holders to the device, allowing different functionality in the process. This could appeal to a wide range of people. Needless to say, it would also allow you to change the style of the watch.

Do note that this is just a patent at the moment, though. It could never even come to fruition, or OPPO could use some other approach for its smart ring. Chances are that we’ll see a smart ring from the company in the future, though.

Samsung announced its own smart ring this year, the Galaxy Ring. We’ve reviewed it a while back, in case you’re interested. HONOR’s smart ring is expected to arrive at some point this year, while Apple seemingly ditched its smart ring project.

HONOR’s smart ring is coming, while Apple cancelled its own

HONOR promised to deliver a smart ring this year, and we expected to see it at IFA 2024, at the latest. That did not happen, however, so we’ll just have to wait and see what will happen with it.

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Based on a trusted source, Apple abandoned its smart ring project, mainly because its functionality makes them compete directly with smartwatches.

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Mash-up of Grand Theft Auto and Hamlet is coming to theaters in the US

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Mash-up of Grand Theft Auto and Hamlet is coming to theaters in the US

Mubi has secured the US rights and global SVOD rights to Grand Theft Hamlet. In this documentary, two out-of-work actors attempt to stage an entire production of William Shakespeare’s tragedy Hamlet within the game world of Grand Theft Auto Online during the Covid-19 pandemic. According to , Mubi plans to give the film a release in early 2025, and Mubi’s own posts on X say that it will be in “US theaters and streaming globally.”

The movie is composed of more than 300 hours of GTA footage. Sam Crane and Mark Oosterveen might be the main drivers of making the play the thing, but they looped in other random players through in-game auditions to fill out the cast. This piece of theatrical machinima won the documentary feature jury award at its premiere during SXSW. It also currently boasts a 95 percent fresh rating on , so the critics and early reviewers are into this mash-up of iambs and uzis.

The Bard has seen many a retelling over the years, and Hamlet seems to generate particular interest for gaming-flavored interpretations. The Danish prince was in via Google collaboration in 2019, he made an appearance back in 2011, and got to star in in 2010.

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Fujifilm could be making a quirky digital compact that shoots vertically like your phone – and it’s a polarizing concept

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A Fujifilm X-M1 camera resting on a folio

Rumors that Fujifilm is making an all-new camera with a new kind of sensor, tipped for 2025, have plenty of fans excited. Details are thin, to say the least, and initial speculation has been based on what makes most sense according to Fujifilm’s current camera lineup, most plausibly landing on a digital compact with a 1-inch sensor.

That logic would pit the would-be Fujifilm camera against the likes of the Sony RX100 VII, which is one of our favorite premium compact cameras. However, there has recently been a surprising development that suggests this new sensor could, in fact, be a unique vertical one rather than being horizontally positioned like in pretty much every digital camera.

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How social media algorithms shape speech

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How social media algorithms shape speech
BBC Hands around a mobile phone displaying binary code and a megaphoneBBC

Social media algorithms, in their commonly known form, are now 15 years old.

They were born with Facebook’s introduction of ranked, personalised news feeds in 2009 and have transformed how we interact online.

And like many teenagers, they pose a challenge to grown-ups who hope to curb their excesses.

It’s not for want of trying. This year alone, governments around the world have attempted to limit the impacts of harmful content and disinformation on social media – effects that are amplified by algorithms.

In Brazil, authorities briefly banned X, formerly known as Twitter, until the site agreed to appoint a legal representative in the country and block a list of accounts that the authorities accused of questioning the legitimacy of the country’s last election.

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Meanwhile, the EU has introduced new rules threatening to fine tech firms 6% of turnover and suspend them if they fail to prevent election interference on their platforms.

In the UK, a new online safety act aims to compel social media sites to tighten content moderation.

And in the US, a proposed law could ban TikTok if the app isn’t sold by its Chinese parent company.

The governments face accusations that they are restricting free speech and interfering with the principles of the internet as laid down in its early days.

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In a 1996 essay that was republished by 500 websites – the closest you could get to going viral back then – US poet and cattle rancher John Perry Barlow argued: “Governments of the Industrial World, you weary giants of flesh and steel, I come from Cyberspace, the new home of Mind. On behalf of the future, I ask you of the past to leave us alone. You are not welcome among us. You have no sovereignty where we gather.”

Adam Candeub is a law professor and a former advisor to President Trump, who describes himself as a free speech absolutist.

Social media is “polarising, it’s fractious, it’s rude, it’s not elevating – I think it’s a terrible way to have public discourse”, he tells the BBC. “But the alternative, which I think a lot of governments are pushing for, is to make it an instrument of social and political control and I find that horrible.”

Professor Candeub believes that, unless “there is a clear and present danger” posed by the content, “the best approach is for a marketplace of ideas and openness towards different points of view”.

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The limits of the digital town square

This idea of a “marketplace of ideas” feeds into a view of social media as offering a level playing field, allowing all voices to be heard equally. When he took over Twitter (now rebranded as X) in 2022, Elon Musk said that he saw the platform as a “digital town square”.

But does that fail to take into account the role of algorithms?

According to US lawyer and Yale University global affairs lecturer Asha Rangappa, Musk “ignores some important differences between the traditional town square and the one online: removing all content restrictions without accounting for these differences would harm democratic debate, rather than help it.”

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Getty Images A town square set against a backdrop of binary codeGetty Images

Elon Musk has compared X to a ‘digital town square’ – but some argue that is distorted by algorithms

Introduced in an early 20th-Century Supreme Court case, the concept of a “marketplace of ideas”, Rangappa argues, “is based on the premise that ideas should compete with each other without government interference”. However, she claims, “the problem is that social media platforms like Twitter are nothing like a real public square”.

Rather, argues Rangappa, “the features of social media platforms don’t allow for free and fair competition of ideas to begin with… the ‘value’ of an idea on social media isn’t a reflection of how good it is, but is rather the product of the platform’s algorithm.”

The evolution of algorithms

Algorithms can watch our behaviour and determine what millions of us see when we log on – and, for some, it is algorithms that have disrupted the free exchange of ideas possible on the internet when it was first created.

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“In its early days, social media did function as a kind of digital public sphere, with speech flowing freely,” Kai Riemer and Sandra Peter, professors at the University of Sydney Business School, tell the BBC.

However, “algorithms on social media platforms have fundamentally reshaped the nature of free speech, not necessarily by restricting what can be said, but by determining who gets to see what content”, argue Professors Riemer and Peter, whose research looks at why we need to rethink free speech on social media.

“Rather than ideas competing freely on their merits, algorithms amplify or suppress the reach of messages… introducing an unprecedented form of interference in the free exchange of ideas that is often overlooked.”

Facebook is one of the pioneers of recommendation algorithms on social media, and with an estimated three billion users, its Feed is arguably one of the biggest.

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When the platform rolled out a ranking algorithm based on users’ data 15 years ago, instead of seeing posts in chronological order, people saw what Facebook wanted them to see.

Determined by the interactions on each post, this came to prioritise posts about controversial topics, as those garnered the most engagement.

Shaping our speech

Because contentious posts are more likely to be rewarded by algorithms, there is the possibility that the fringes of political opinion can be overrepresented on social media. Rather than free and open public forums, critics argue that social media instead offers a distorted and sensationalised mirror of public sentiment that exaggerates discord and muffles the views of the majority.

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So while social media platforms accuse governments of threatening free speech, is it the case that their own algorithms might also inadvertently pose a threat?

“Recommendation engines are not blocking content – instead it is the community guidelines that restrict freedom of speech, according to the platform’s preference,” Theo Bertram, the former vice president of public policy at TikTok, tells the BBC.

“Do recommendation engines make a big difference to what we see? Yes, absolutely. But whether you succeed or fail in the market for attention is not the same thing as whether you have the freedom to speak.”

Yet is “free speech” purely about the right to speak, or also about the right to be heard?

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As Arvind Narayanan, professor of Computer Science at Princeton University, has said: “When we speak online – when we share a thought, write an essay, post a photo or video – who will hear us? The answer is determined in large part by algorithms.”

Getty Images A supermarket with binary code on the shelvesGetty Images

A ‘marketplace of ideas’ in which everyone is heard equally isn’t possible when billions use social media

By determining the audience for each piece of content that’s posted, platforms “sever the direct relationship between speakers and their audiences”, argue Professors Riemer and Peter. “Speech is no longer organised by speaker and audience, but by algorithms.”

It’s something that they claim is not acknowledged in the current debates over free speech – which focus on “the speaking side of speech”. And, they argue, it “interferes with free speech in unprecedented ways”.

The algorithmic society

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Our era has been labelled “the algorithmic society” – one in which, it could be argued, social media platforms and search engines govern speech in the same way nation states once did.

This means straightforward guarantees of freedom of speech in the US constitution can only get you so far, according to Jack Balkin of Yale University: “the First Amendment, as normally construed, is simply inadequate to protect the practical ability to speak”.

Professors Riemer and Peter agree that the law needs to play catch-up. “Platforms play a much more active role in shaping speech than the law currently recognises.”

And, they claim, the way in which harmful posts are monitored also needs to change. “We need to expand how we think about free speech regulation. Current debates focused on content moderation overlook the deeper issue of how platforms’ business models incentivise them to algorithmically shape speech.”

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While Professor Candeub is a “free speech absolutist”, he’s also wary of the power concentrated in the platforms that can be gatekeepers of speech via computer code. “I think that we would do well to have these algorithms made public because otherwise we’re just being manipulated.”

Yet algorithms aren’t going away. As Bertram says, “The difference between the town square and social media is that there are several billion people on social media. There is a right to freedom of speech online but not a right for everyone to be heard equally: it would take more than a lifetime to watch every TikTok video or read every tweet.”

What, then, is the solution? Could modest tweaks to the algorithms cultivate more inclusive conversations that more closely resemble the ones we have in person?

New microblogging platforms like Bluesky are trying to offer users control over the algorithm that displays content – and to revive the chronological timelines of old, in the belief that offers an experience which is less mediated.

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In testimony she gave to the Senate in 2021, Facebook whistleblower Frances Haugen said: “I’m a strong proponent of chronological ranking, ordering by time… because we don’t want computers deciding what we focus on, we should have software that is human-scaled, or humans have conversations together, not computers facilitating who we get to hear from.”

However, as Professor Narayanan has pointed out, “Chronological feeds are not … neutral: They are also subject to rich-get-richer effects, demographic biases, and the unpredictability of virality. There is, unfortunately, no neutral way to design social media.”

Platforms do offer some alternatives to algorithms, with people on X able to choose a feed from only those they follow. And by filtering huge amounts of content, “recommendation engines provide greater diversity and discovery than just following people we already know”, argues Bertram. “That feels like the opposite of a restriction of freedom of speech – it’s a mechanism for discovery.”

A third way

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According to the US political scientist Francis Fukuyama, “neither platform self-regulation, nor the forms of state regulation coming down the line” can solve “the online freedom of speech question”. Instead, he has proposed a third way.

“Middleware” could offer social media users more control over what they see, with independent services providing a form of curation separate from that inbuilt on the platforms. Rather than being fed content according to the platforms’ internal algorithms, “a competitive ecosystem of middleware providers … could filter platform content according to the user’s individual preferences,” writes Fukuyama.

“Middleware would restore that freedom of choice to individual users, whose agency would return the internet to the kind of diverse, multiplatform system it aspired to be back in the 1990s.”

In the absence of that, there could be ways we can currently improve our sense of agency when interacting with algorithms. “Regular TikTok users are often very deliberate about the algorithm – giving it signals to encourage or discourage the recommendation engine along avenues of new discovery,” says Bertram.

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“They see themselves as the curator of the algorithm. I think this is a helpful way of thinking about the challenge – not whether we need to switch the algorithms off but how do we ensure users have agency, control and choice so that the algorithms are working for them.”

Although, of course, there’s always the danger that even when self-curating our own algorithms, we could still fall into the echo chambers that beset social media. And the algorithms might not do what we ask of them – a BBC investigation found that, when a young man tried to use tools on Instagram and TikTok to say he was not interested in violent or misogynistic content, he continued to be recommended it.

Despite that, there are signs that as social media algorithms move towards maturity, their future could not be in the hands of big tech, nor politicians, but with the people.

According to a recent survey by the market-research company Gartner, just 28% of Americans say they like documenting their life in public online, down from 40% in 2020. People are instead becoming more comfortable in closed-off group chats with trusted friends and relatives; spaces with more accountability and fewer rewards for shocks and provocations.

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Meta says the number of photos sent in direct messages now outnumbers those shared for all to see.

Just as Barlow, in his 1996 essay, told governments they were not welcome in Cyberspace, some online users might have a similar message to give to social media algorithms. For now, there remain competing visions on what to do with the internet’s wayward teen.

BBC InDepth is the new home on the website and app for the best analysis and expertise from our top journalists. Under a distinctive new brand, we’ll bring you fresh perspectives that challenge assumptions, and deep reporting on the biggest issues to help you make sense of a complex world. And we’ll be showcasing thought-provoking content from across BBC Sounds and iPlayer too. We’re starting small but thinking big, and we want to know what you think – you can send us your feedback by clicking on the button below.

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NYT Mini Crossword today: puzzle answers for Sunday, October 13

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NYT Mini Crossword today: puzzle answers for Saturday, September 21

The New York Times has introduced the next title coming to its Games catalog following Wordle’s continued success — and it’s all about math. Digits has players adding, subtracting, multiplying, and dividing numbers. You can play its beta for free online right now. 
In Digits, players are presented with a target number that they need to match. Players are given six numbers and have the ability to add, subtract, multiply, or divide them to get as close to the target as they can. Not every number needs to be used, though, so this game should put your math skills to the test as you combine numbers and try to make the right equations to get as close to the target number as possible.

Players will get a five-star rating if they match the target number exactly, a three-star rating if they get within 10 of the target, and a one-star rating if they can get within 25 of the target number. Currently, players are also able to access five different puzzles with increasingly larger numbers as well.  I solved today’s puzzle and found it to be an enjoyable number-based game that should appeal to inquisitive minds that like puzzle games such as Threes or other The New York Times titles like Wordle and Spelling Bee.
In an article unveiling Digits and detailing The New York Time Games team’s process to game development, The Times says the team will use this free beta to fix bugs and assess if it’s worth moving into a more active development phase “where the game is coded and the designs are finalized.” So play Digits while you can, as The New York Times may move on from the project if it doesn’t get the response it is hoping for. 
Digits’ beta is available to play for free now on The New York Times Games’ website

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