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How social media algorithms shape speech

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How social media algorithms shape speech
BBC Hands around a mobile phone displaying binary code and a megaphoneBBC

Social media algorithms, in their commonly known form, are now 15 years old.

They were born with Facebook’s introduction of ranked, personalised news feeds in 2009 and have transformed how we interact online.

And like many teenagers, they pose a challenge to grown-ups who hope to curb their excesses.

It’s not for want of trying. This year alone, governments around the world have attempted to limit the impacts of harmful content and disinformation on social media – effects that are amplified by algorithms.

In Brazil, authorities briefly banned X, formerly known as Twitter, until the site agreed to appoint a legal representative in the country and block a list of accounts that the authorities accused of questioning the legitimacy of the country’s last election.

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Meanwhile, the EU has introduced new rules threatening to fine tech firms 6% of turnover and suspend them if they fail to prevent election interference on their platforms.

In the UK, a new online safety act aims to compel social media sites to tighten content moderation.

And in the US, a proposed law could ban TikTok if the app isn’t sold by its Chinese parent company.

The governments face accusations that they are restricting free speech and interfering with the principles of the internet as laid down in its early days.

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In a 1996 essay that was republished by 500 websites – the closest you could get to going viral back then – US poet and cattle rancher John Perry Barlow argued: “Governments of the Industrial World, you weary giants of flesh and steel, I come from Cyberspace, the new home of Mind. On behalf of the future, I ask you of the past to leave us alone. You are not welcome among us. You have no sovereignty where we gather.”

Adam Candeub is a law professor and a former advisor to President Trump, who describes himself as a free speech absolutist.

Social media is “polarising, it’s fractious, it’s rude, it’s not elevating – I think it’s a terrible way to have public discourse”, he tells the BBC. “But the alternative, which I think a lot of governments are pushing for, is to make it an instrument of social and political control and I find that horrible.”

Professor Candeub believes that, unless “there is a clear and present danger” posed by the content, “the best approach is for a marketplace of ideas and openness towards different points of view”.

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The limits of the digital town square

This idea of a “marketplace of ideas” feeds into a view of social media as offering a level playing field, allowing all voices to be heard equally. When he took over Twitter (now rebranded as X) in 2022, Elon Musk said that he saw the platform as a “digital town square”.

But does that fail to take into account the role of algorithms?

According to US lawyer and Yale University global affairs lecturer Asha Rangappa, Musk “ignores some important differences between the traditional town square and the one online: removing all content restrictions without accounting for these differences would harm democratic debate, rather than help it.”

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Getty Images A town square set against a backdrop of binary codeGetty Images

Elon Musk has compared X to a ‘digital town square’ – but some argue that is distorted by algorithms

Introduced in an early 20th-Century Supreme Court case, the concept of a “marketplace of ideas”, Rangappa argues, “is based on the premise that ideas should compete with each other without government interference”. However, she claims, “the problem is that social media platforms like Twitter are nothing like a real public square”.

Rather, argues Rangappa, “the features of social media platforms don’t allow for free and fair competition of ideas to begin with… the ‘value’ of an idea on social media isn’t a reflection of how good it is, but is rather the product of the platform’s algorithm.”

The evolution of algorithms

Algorithms can watch our behaviour and determine what millions of us see when we log on – and, for some, it is algorithms that have disrupted the free exchange of ideas possible on the internet when it was first created.

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“In its early days, social media did function as a kind of digital public sphere, with speech flowing freely,” Kai Riemer and Sandra Peter, professors at the University of Sydney Business School, tell the BBC.

However, “algorithms on social media platforms have fundamentally reshaped the nature of free speech, not necessarily by restricting what can be said, but by determining who gets to see what content”, argue Professors Riemer and Peter, whose research looks at why we need to rethink free speech on social media.

“Rather than ideas competing freely on their merits, algorithms amplify or suppress the reach of messages… introducing an unprecedented form of interference in the free exchange of ideas that is often overlooked.”

Facebook is one of the pioneers of recommendation algorithms on social media, and with an estimated three billion users, its Feed is arguably one of the biggest.

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When the platform rolled out a ranking algorithm based on users’ data 15 years ago, instead of seeing posts in chronological order, people saw what Facebook wanted them to see.

Determined by the interactions on each post, this came to prioritise posts about controversial topics, as those garnered the most engagement.

Shaping our speech

Because contentious posts are more likely to be rewarded by algorithms, there is the possibility that the fringes of political opinion can be overrepresented on social media. Rather than free and open public forums, critics argue that social media instead offers a distorted and sensationalised mirror of public sentiment that exaggerates discord and muffles the views of the majority.

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So while social media platforms accuse governments of threatening free speech, is it the case that their own algorithms might also inadvertently pose a threat?

“Recommendation engines are not blocking content – instead it is the community guidelines that restrict freedom of speech, according to the platform’s preference,” Theo Bertram, the former vice president of public policy at TikTok, tells the BBC.

“Do recommendation engines make a big difference to what we see? Yes, absolutely. But whether you succeed or fail in the market for attention is not the same thing as whether you have the freedom to speak.”

Yet is “free speech” purely about the right to speak, or also about the right to be heard?

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As Arvind Narayanan, professor of Computer Science at Princeton University, has said: “When we speak online – when we share a thought, write an essay, post a photo or video – who will hear us? The answer is determined in large part by algorithms.”

Getty Images A supermarket with binary code on the shelvesGetty Images

A ‘marketplace of ideas’ in which everyone is heard equally isn’t possible when billions use social media

By determining the audience for each piece of content that’s posted, platforms “sever the direct relationship between speakers and their audiences”, argue Professors Riemer and Peter. “Speech is no longer organised by speaker and audience, but by algorithms.”

It’s something that they claim is not acknowledged in the current debates over free speech – which focus on “the speaking side of speech”. And, they argue, it “interferes with free speech in unprecedented ways”.

The algorithmic society

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Our era has been labelled “the algorithmic society” – one in which, it could be argued, social media platforms and search engines govern speech in the same way nation states once did.

This means straightforward guarantees of freedom of speech in the US constitution can only get you so far, according to Jack Balkin of Yale University: “the First Amendment, as normally construed, is simply inadequate to protect the practical ability to speak”.

Professors Riemer and Peter agree that the law needs to play catch-up. “Platforms play a much more active role in shaping speech than the law currently recognises.”

And, they claim, the way in which harmful posts are monitored also needs to change. “We need to expand how we think about free speech regulation. Current debates focused on content moderation overlook the deeper issue of how platforms’ business models incentivise them to algorithmically shape speech.”

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While Professor Candeub is a “free speech absolutist”, he’s also wary of the power concentrated in the platforms that can be gatekeepers of speech via computer code. “I think that we would do well to have these algorithms made public because otherwise we’re just being manipulated.”

Yet algorithms aren’t going away. As Bertram says, “The difference between the town square and social media is that there are several billion people on social media. There is a right to freedom of speech online but not a right for everyone to be heard equally: it would take more than a lifetime to watch every TikTok video or read every tweet.”

What, then, is the solution? Could modest tweaks to the algorithms cultivate more inclusive conversations that more closely resemble the ones we have in person?

New microblogging platforms like Bluesky are trying to offer users control over the algorithm that displays content – and to revive the chronological timelines of old, in the belief that offers an experience which is less mediated.

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In testimony she gave to the Senate in 2021, Facebook whistleblower Frances Haugen said: “I’m a strong proponent of chronological ranking, ordering by time… because we don’t want computers deciding what we focus on, we should have software that is human-scaled, or humans have conversations together, not computers facilitating who we get to hear from.”

However, as Professor Narayanan has pointed out, “Chronological feeds are not … neutral: They are also subject to rich-get-richer effects, demographic biases, and the unpredictability of virality. There is, unfortunately, no neutral way to design social media.”

Platforms do offer some alternatives to algorithms, with people on X able to choose a feed from only those they follow. And by filtering huge amounts of content, “recommendation engines provide greater diversity and discovery than just following people we already know”, argues Bertram. “That feels like the opposite of a restriction of freedom of speech – it’s a mechanism for discovery.”

A third way

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According to the US political scientist Francis Fukuyama, “neither platform self-regulation, nor the forms of state regulation coming down the line” can solve “the online freedom of speech question”. Instead, he has proposed a third way.

“Middleware” could offer social media users more control over what they see, with independent services providing a form of curation separate from that inbuilt on the platforms. Rather than being fed content according to the platforms’ internal algorithms, “a competitive ecosystem of middleware providers … could filter platform content according to the user’s individual preferences,” writes Fukuyama.

“Middleware would restore that freedom of choice to individual users, whose agency would return the internet to the kind of diverse, multiplatform system it aspired to be back in the 1990s.”

In the absence of that, there could be ways we can currently improve our sense of agency when interacting with algorithms. “Regular TikTok users are often very deliberate about the algorithm – giving it signals to encourage or discourage the recommendation engine along avenues of new discovery,” says Bertram.

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“They see themselves as the curator of the algorithm. I think this is a helpful way of thinking about the challenge – not whether we need to switch the algorithms off but how do we ensure users have agency, control and choice so that the algorithms are working for them.”

Although, of course, there’s always the danger that even when self-curating our own algorithms, we could still fall into the echo chambers that beset social media. And the algorithms might not do what we ask of them – a BBC investigation found that, when a young man tried to use tools on Instagram and TikTok to say he was not interested in violent or misogynistic content, he continued to be recommended it.

Despite that, there are signs that as social media algorithms move towards maturity, their future could not be in the hands of big tech, nor politicians, but with the people.

According to a recent survey by the market-research company Gartner, just 28% of Americans say they like documenting their life in public online, down from 40% in 2020. People are instead becoming more comfortable in closed-off group chats with trusted friends and relatives; spaces with more accountability and fewer rewards for shocks and provocations.

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Meta says the number of photos sent in direct messages now outnumbers those shared for all to see.

Just as Barlow, in his 1996 essay, told governments they were not welcome in Cyberspace, some online users might have a similar message to give to social media algorithms. For now, there remain competing visions on what to do with the internet’s wayward teen.

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iPhone 17 Pro & Pro Max could feature electrically induced battery removal technology

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iPhone 17 Pro & Pro Max could feature electrically induced battery removal technology

Apple is set to introduce a new electrically-induced battery removal technology in the upcoming iPhone 17 series. The innovation promises easier battery detachment with minimal effort.

New battery technology in the iPhone 17 series

According to a recent post by Majin Bu, the entire iPhone 17 lineup, including the iPhone 17, iPhone 17 Air, iPhone 17 Pro, and iPhone 17 Pro Max, will feature a new adhesive technology. This adhesive allows the battery to detach smoothly by applying a small electrical voltage. The change builds on the existing technology seen in the iPhone 16 and iPhone 16 Plus, which also use a similar adhesive mechanism.

This battery removal process lets users detach the battery from the frame with ease. A low-voltage electrical current applied to the adhesive helps the battery come loose quickly. This innovation makes battery maintenance and replacement simpler for users.

Apple first added this technology to the iPhone 16 and iPhone 16 Plus models. It’s a significant upgrade over traditional adhesive methods. The adhesive in these models loosens with a low-voltage current from a 9V battery, USB-C charger, or other power sources.

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The iPhone 16 Pro and iPhone 16 Pro Max models don’t have this battery removal feature yet. But, according to Majin Bu’s report, Apple plans to add this technology to all four iPhone 17 models next year.

This removal enhances usability

The introduction of this new adhesive peel technology in the iPhone 17 series marks a significant shift in how Apple handles battery maintenance in its devices. Majin Bu shared an image of the adhesive in different sizes, hinting that it might cater to the varying models within the iPhone 17 lineup.

While other sources have not yet confirmed this news, the expansion of the iPhone 17 battery removal feature seems like a logical progression in Apple’s product development. The shift could lead to easier repairs and replacements, enhancing the user experience.

Majin Bu, who shared the information about the iPhone 17 battery removal feature, has a mixed track record when it comes to Apple leaks. However, not all his predictions have been accurate, such as the rumored iPad 11 release that never materialized.

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SpaceX successfully catches Super Heavy booster after launching Starship’s fifth flight

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SpaceX successfully catches Super Heavy booster after launching Starship’s fifth flight

SpaceX’s Super Heavy booster successfully returned to the pad after liftoff to be caught by the launch tower’s mechanical arms in an incredible feat Sunday morning. The milestone came during the fifth flight of the company’s Starship, and is a huge step for the rocket’s planned reusability. Starship launched at about 8:25AM ET from SpaceX’s Texas Starbase.

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The first U.S. commercial-scale offshore wind project

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The first U.S. commercial-scale offshore wind project


GREENPORT, N.Y. – Roughly 35 miles off the east coast of Montauk, New York, 12 turbines gently spin in the wind at Orsted’s newly developed South Fork Wind farm. The project, which connected to the grid earlier this year, is the first commercial-scale offshore wind farm in the U.S., providing enough power for 70,000 homes annually.

It’s a needed bright spot for the U.S. offshore wind industry, which has faced a number of challenges getting off the ground. Rising interest rates and supply chain snags have changed project economics, forcing some developers to return to the market in search of higher contracted prices. Other projects have been canceled entirely.

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Soren Lassen, head of offshore wind research at Wood Mackenzie, said the U.S. offshore wind industry is going through a needed readjustment, and that while the long-term outlook remains intact, progress has been pushed out. South Fork Wind offers tangible evidence that wind projects can work.

A long-term investment

Traveling by way of a high-speed ferry from Greenport, New York, it takes about two hours to get to South Fork Wind. It’s hard to get a sense of just how large these turbines are until you’re right under one: they tower 460 feet above the water, with blades that are each longer than a football field. And that’s just what the eye can see. Underwater, each tower sits atop a custom foundation drilled into the seabed. Apart from the gentle “swoosh” of the blades – only audible when right next to the turbine – the wind farm is otherwise quiet in the middle of the ocean.

South Fork Wind’s substation, which is connected to the power grid in East Hampton via a subsea and then underground cable.

Pippa Stevens | CNBC

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Each turbine is connected to an offshore substation – the first of its kind built in the U.S. – which is connected to the local power grid in East Hampton, New York, via a 65-mile subsea and underground cable.

South Fork Wind was not without opposition. The waters off the Long Island coast have long been a place for recreational and commercial fisherman alike, some of whom opposed the project. Residents in Wainscott – the summer community where the cable comes ashore – also fought it. This led to Orsted adding extra space between each turbine so that the area remains open both to transit by pleasure and fishing boats, and the company buried the onshore cable beneath the beach and local roads.

Denmark-based Orsted is not new to the area. The company developed the five-turbine Block Island Wind Farm, which is northwest of South Fork Wind, in 2016. And northeast of South Fork Wind sits Revolution Wind – a 65-turbine project that Orsted broke ground on in 2023. In July, Orsted began construction on Sunrise Wind, which is also in federal waters off the New York coast.

Offshore wind projects are long-term investments, with work starting years before a single foundation is even drilled into the seabed. Securing the necessary permits is a lengthy process.

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The Bureau of Ocean Energy Management first awarded the leases for South Fork Wind in 2013, which where acquired by Deepwater Wind. Orsted acquired the company in 2018 and partnered with Eversource Energy to start building the project. Onshore construction began in February 2022, with offshore construction following in 2023. In September, Skyborn Renewables, a Global Infrastructure Partners portfolio company, acquired Eversource’s 50% stake in both South Fork Wind and Revolution Wind.  

South Fork Wind, which is 35 miles East of Montauk, New York.

Pippa Stevens | CNBC

Offshore wind developers typically use power purchase agreements, which are signed ahead of construction. Put simply, it’s a long-term agreement between the owner and a third party who agrees to pay a specific price for the power – oftentimes for 20 years or more. At South Fork Wind, the power is being sold to Long Island Power Authority.

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While this model provides long-term certainty, it can also be a huge obstacle if project costs balloon. Orsted is developing Revolution Wind and Sunrise Wind, but last year it walked away from Ocean Wind 1 and 2, which were slated to be built off the coast of Atlantic City, New Jersey.

“Macroeconomic factors have changed dramatically over a short period of time, with high inflation, rising interest rates, and supply chain bottlenecks impacting our long-term capital investments,” David Hardy, CEO Americas at Ørsted, said in October 2023. “As a result, we have no choice but to cease development of Ocean Wind 1 and Ocean Wind 2.”

In May, Orsted agreed to pay New Jersey a $125 million settlement.

The financial problems are not unique to Orsted. Equinor and BP ended a joint venture to develop a project in waters off the coast of New York in January. Equinor took sole ownership of the project and re-entered the market in search of better prices – securing a deal for Empire Wind 1, but not for Empire Wind 2, which remains on pause.

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High rates, supply chain struggles

The two main obstacles around building offshore wind farms are interest rates and the supply chain. Offshore wind is capital intensive: it takes a lot of money to build one of these projects in the middle of the sea, and as interest rates rose companies’ cost of capital surged. At the same time, raw material and labor costs accelerated out of the pandemic. It’s hard to begin construction without a PPA locked in, but if costs rise significantly above initial estimates, the PPA might not be high enough for the project to be feasible.

Each turbine at South Fork Wind rises 460 feet above the water.

Pippa Stevens | CNBC

‘Not disappearing’

Offshore wind port hubs are also popping up, including the South Brooklyn Marine Terminal, the Port of Virginia and Connecticut’s Port of New London. Orsted’s domestic supply chain now spans more than 40 states, and work for South Fork Wind took place in New York, South Carolina, Texas, Rhode Island and Connecticut, among other states.

The U.S. Department of the Interior recently approved its tenth offshore wind project – this one in Maryland – in what it called a “major milestone.” But the Biden administration’s goal of 30 gigawatts of offshore wind power by the end of this decade remains far off.

South Fork Wind’s offshore substation is the first-of-its-kind built in the U.S.

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Pippa Stevens | CNBC

Vineyard Wind, off the coast of Martha’s Vineyard and Nantucket, Massachusetts, is the only other commercial-scale offshore wind project currently powering homes. Developer Avangrid had to pause construction over the summer after a blade broke off and fell into the ocean, with parts ultimately washing ashore on Nantucket beaches. GE Vernova, which made the blade, called it a “manufacturing deviation” related to “insufficient bonding” in the blade.

Two other projects – Block Island Wind Farm and Dominion’s two-turbine Coastal Virginia Offshore Wind Pilot Project – are operational, although they are much smaller, powering 17,000 and 3,000 homes, respectively.

The U.S. does have 58 gigawatts of capacity under development, according to American Clean Power, but some of those projects won’t come online for years, and there is no guarantee all of them will be built. The industry group estimates that $65 billion will be invested in offshore wind by 2030, supporting 56,000 jobs – up from 1,000 today.

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“There are cycles in everything, and now we’re going through a negative cycle,” said Wood Mackenzie’s Lassen, in an interview. “That means that what is now driving the adjustments to price are, instead of success, failures.”

But Lassen is encouraged projects are pushing forward.

“The positive thing is that then there is some readjustment,” he said. “That means the sector is not disappearing. It’s bouncing back, but it is different.”

Orsted’s Block Island Wind Farm. The turbines are supported by jacket foundations, rather than the monopiles used at South Fork Wind.

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Pippa Stevens | CNBC

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This three-person robotics startup is working with designer Yves Béhar to bring humanoids home

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This three-person robotics startup is working with designer Yves Béhar to bring humanoids home

It’s hard to know where to focus when speaking to Christoph Kohstall. The contents of his packed Palo Alto garage compete for attention. To his immediate right stands a tower of electrical components, dotted with flashing lights. To his left is a workbench and the tops of machining tools.

A red industrial girder runs along the ceiling above. For those who’ve spent time in robotics labs, the element is immediately identifiable as a gantry system, used to stabilize robots during the testing phase.

Indeed, at its far end, the top of a robot head is barely visible, peeking over Kohstall’s shoulder as he logs into the meeting. I inquire as to whether the ceiling-mounted system is being used to test his system’s bipedal robot. He answers in the affirmative, before adding that the team has moved on to another, less conventional system: an $80 coat rack.

One thing you can say for certain peering into Kind Humanoid’s chaotic workspace: The spirit of Silicon Valley’s dormant home-brew computing scene may have been mostly priced out, but it isn’t altogether dead.

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Videos posted by the robotics startup are infused with the same charm. Kind’s earliest Mona prototypes appear Frankensteined together, like a prop from an ’80s movie about two kids building a robot for the science fair.   

Image Credits:Kind Humanoid

It’s hard to know what to make of it all at first glance. Kohstall has a Silicon Valley pedigree that would seem to bely the chaotic scene, including, most recently, a year spent working on robotics as part of the now-defunct Google Brain team.

Kind Humanoid’s three-person team recently gained a champion in Yves Béhar. The highly sought-after designer says he first visited Kohstall’s garage in late 2022/early 2023.

“I was immediately fascinated by two things,” he says. “One: To literally see robots emerge out of a small laboratory, to see body parts come out of the 3D printer, and to see motors and actuators and these elements be fitted inside of those parts. The other was a sense of efficiency and speed that I found really exciting.”

Earlier this month, Kind showcased Béhar’s renderings for a humanoid robot. It’s an alien mix of angles and shapes that are every bit as whimsical as the home-brewed robot underneath. The robot is clad in a soft white, with rounded edges to match. It’s as though someone was challenged to construct a human-shaped figure from a collaborative industrial arm.

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The robot’s end effectors are recognizable as an analogue to human hands. Its feet, however, are more hoof-like. On closer inspection, they appear to be a pair of actuated joints stabilizing the bipedal bot. A diamond-shaped head is mounted atop an impossibly skinny neck. Adding to the render’s dreamlike quality, a small visor-like screen displays a cloudy blue sky.

It’s surreal by design. Béhar borrowed aesthetic cues from Belgian painter René Magritte.

“We use these background images of clouds to start to find ways that we can communicate the robot’s intent, or what it’s going through at the moment. Is it thinking? Is it reflecting? Is it going to give me an interesting or funny answer? This is why a face is important. The way it orients itself gives you a sense of intent and connection.”

Image Credits:Kind Humanoid

The team intentionally avoided making a robot that looks too human, to avoid being tripped up by the uncanny valley effect. The system also offers a marked contrast from the stark, stormtrooper design employed by the likes of Tesla and Figure. In this sense, form follows function. Kind envisions Mona as a home caretaker.

Most humanoid manufacturers are targeting the industrial setting first, with eventual plans to bring the technology into a home setting. There are a number of reasons for this, with many boiling down to simple economics. Carmakers tend to have deeper pockets than caretakers. Corporations can invest these technologies to help them scale toward mass production.

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It’s precisely because other humanoid manufacturers aren’t tackling the home in the near term that Kind’s three-person team is investing its efforts here. “We do not intend to compete in the industrial market, because it is very crowded,” Kohstall says. “Ironically, the argument to build a humanoid is not the strongest in the industrial market. The industrial market is pretty well served in many ways by specialized robots. The humanoid becomes so beautifully potent in a setting where [there’s] diverse locomotion across stairs and cluttered environments.”

Initial customers could include care facilities and homes for older adults looking to maintain independence. Aging in place is a largely untapped market for advanced robotics; most commercial work is focused on bringing humanoids to warehouses and factory floors.

All of this feels almost impossibly far off. Perhaps it’s Kind’s indifference to fundraising, a passive act of defiance as alien to Silicon Valley as rent protection.

Image Credits:Kind Humanoid

“Our team is focused on the innovation part,” Kohstall says, “and that’s not something you just solve by throwing money at it. That just requires experimentation, being capital efficient, and thoughtful.”

He adds that Kind is working on building an initial dozen Mona robots, destined for field tests early next year. It’s a statement that seems every bit as surreal as Béhar’s product design. I gesture to the robot behind Kohstall, noting that there’s still a tremendous amount of daylight between the DIY frankenbots on display in early videos and the Magritte-inspired renders.

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He notes that the sinewy robots that frequent Kind’s videos are the first prototype. He moves the conference call outside, where pieces of the robot are being spray-painted on the ground. These form the robot’s outer shell, bringing the design more in line with the one Béhar dreamed up.

“Most parts are injection moldable,” says Kohstall. “So it can be mass manufactured and built cheaply.”

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Protecting whales from ship strikes

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Protecting whales from ship strikes


Protecting whales from ship strikes – CBS News

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Endangered whale species (like blue whales, humpbacks, and fin whales) face a major threat on the high seas: cruise and container ships that have difficulty avoiding collisions with whales. Correspondent David Pogue talks with a marine ecologist at Woods Hole Oceanographic Institute, whose fleet of autonomous vehicles helps track whales in shipping lanes; and finds out how container ships may be able to reduce striking whales.

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SpaceX launches Starship and catches its Super Heavy booster for the first time

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SpaceX launches Starship and catches its Super Heavy booster for the first time

SpaceX launched Starship for its fifth flight test at about 8:25AM ET from its South Texas launch site. The company succeeded in returning the Starship Super Heavy booster to its landing pad, where it was “caught” using arms on the launch tower that SpaceX refers to as the “chopsticks.”

The catch was a first for the booster, which the company hadn’t returned without incident before its previous flight test in June. The company’s next task is to return Starship, which is expected to splash down in the Indian Ocean, as it did before.

Starship’s booster being caught by its launch tower “chopsticks.”
Screenshot: SpaceX livestream

Liftoff was delayed slightly while it cleared boats out of its launch range, pushing the flight test to the edge of its 30-minute launch window. The Federal Aviation Administration gave SpaceX approval for the test flight on Saturday, October 12th. It had originally expected to clear the fifth Starship test in November, but the FAA and its partner agencies reportedly carried out their assessments faster than anticipated.

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