Connect with us

Technology

Sony Bravia 7 TV review: superb brightness and color, but…

Published

on

Sony Bravia 7 TV review: superb brightness and color, but...
Sony Bravia 7 Review

Sony Bravia 7

MSRP $2,299.00

“Insanely great picture quality comes with a big caveat.”

Pros

Advertisement
  • Bright and vivid
  • Excellent black levels/contrast
  • Extremely accurate HDR/Color
  • Top-tier motion/upscaling
  • Easy to use

Cons

  • Limited viewing angle
  • Poor reflection handling

The Sony Bravia 7 is a popular TV. It’s a mini-LED TV that, while still fairly expensive, costs far less than the flagship Bravia 9. And because it’s a Sony TV, we can expect that it will be pretty awesome. And in many ways it is.

But it’s also a curious TV. I don’t know if I’ve ever reviewed a TV that aced so many exams and yet still had to fight for my recommendation.

In most ways, the Bravia 7 is a big upgrade over last year’s Sony X90L. And while it isn’t quite the aggressive performer that Sony’s set-up Bravia 9 is? It is indeed an awesome TV.

Yet, the number of people I’m going to recommend the Bravia 7 to is … well, relatively small.

Advertisement

How do we square that up? Let’s get into it.

Video review

Sony Bravia 7 specs

Size 55, 65, 75, 85 inches
Display type Mini-LED
Backlight Type
Full Array Local Dimming
Operating system Google TV
Screen resolution 4K
HDR support HDR 10, Hybrid Log-Gamma (HLG), Dolby Vision
Refresh rate 120Hz
Audio support 7.1 channel linear PCM: 32/44.1/48/88.2/96/176.4/192kHz 16/20/24bits, Dolby Audio, Dolby Atmos, DTS, DTS Express, DTS-HD Master Audio, DTS-HD High Resolution Audio, DTS:X
Connectivity 4 HDMI ports (2 HDMI
2.1), 1 LAN, 1 ARC, 1 RF Antenna, 1 Optical Digital Audio
Output, 2 USB
Networking Wi-Fi, Ethernet
Tuner ATSC 3.0

Out of the box

Sony starts out with a big win. This TV is so easy to set up.

Not only can the feet be placed at multiple widths and at multiple heights, but when it comes to putting the feet into the TV, they just slot right in. You don’t have to screw them in. If you want enough height to accommodate the soundbar, you do have to adjust some screws in the feet. But most folks are gonna be able to get this TV out of the box, pop the feet into the bottom of the TV, and plug it in with minimal hassle and in record time.

Fit and finish

And the Bravia 7 looks and feels great, too. It has “class” written all over it.

Advertisement

Basic day-to-day use

Dig below the surface and you’ll find a TV that is super easy to use. Sony has created a customized UI that sits over Google TV that, at least for now, is my favorite among TV manufacturers (although, to be fair, I haven’t gotten to the new Panasonics that just landed in the U.S. so whether Sony remains my favorite, it’s easily better than the competition).

This TV is so easy to set up.

Of course, you can only spend so much time rooting around in the settings, which Sony tries to minimize by automating a lot of things. And the good news here is that this TV has run Google TV darn near flawlessly for me thus far. It looks like there was a problem getting custom picture settings to stick when the TV was in its basic mode, but that was fixed with a recent software update.

Sony Bravia 7 Review.
Zeke Jones / Digital Trends

The remote — which isn’t backlit — is not rechargeable like the Bravia 9. But you will notice it looks a bit different. This isn’t a new finish, per se. That’s not paint splatter. The remote is now made with Sony’s SORPLAS recycled plastics material, which Sony now uses in a bunch of its products to lower its carbon footprint. That’s a yay, from me, for the planet.

The ins and outs

TV enthusiasts already know this, but Sony doesn’t make its own system on chip (SOC), although it does program that chip with its secret sauce. But that SOC is part of a whole board that includes the inputs and outputs. That means that you only get two HDMI 2.1 inputs, and one of those is the eARC port, which for a lot of folks will be taken up by a soundbar or A/V receiver. Sony would very much like you to occupy that port with an HDMI cable leading to its Bravia Theater Quad system (a move I whole-heartedly endorse, by the way). This isn’t going to be a problem for most folks. But for anyone with both the latest Xbox and latest PlayStation, or one of those consoles and a gaming PC they want to hook up … only one of those devices can connect to the TV for full-on 4K 120Hz gaming.

Advertisement
Sony Bravia 7 Review.
Zeke Jones / Digital Trends

But don’t yell at Sony about this. Yell at MediaTek to make a next-gen SOC with four HDMI 2.1 inputs and a chip that is more or less the same as the Pentonic 1000 so Sony doesn’t have to rewrite all its code (again) and we don’t have to suffer the growing pains with Sony (again) just to have four HDMI 2.1 inputs.

Sound quality

For sound quality, the Bravia 7 gets a thumbs up from me. However it’s not two enthusiastic thumbs up — like I’ve been giving some of Hisense’s TVs — but one well-earned thumbs up for crystal clear sound with good balance and reasonably high fidelity. It’s a little light on bass and presence, but these days, if voices sound intelligible, it gets my nod of approval.

Like the X90L, the sound is not good enough for me to want to set up Sony’s acoustic center sync with the Bravia Theater Quad. The Theater Quad’s phantom center is very convincing, and the Bravia and TV’s speakers will only be a distraction. So skip it.

Picture setup tips

Before getting into picture quality, I’ll share an interesting experience I had when getting this TV ready for evaluation. On Sony TV’s, I instantly switch the picture mode to “professional” and make adjustments from there. This means the TV is going to be dialed in for its most accurate picture — not necessarily its most bright, but that’s easy to adjust. I’m used to seeing a dimmer picture in SDR when choosing professional mode, but in the case of the Bravia 7, even in its out-of-the-box standard picture mode, cinema mode, and professional mode, the SDR picture seemed really dim. So if you get this TV, expect to make adjustments to taste.

A step further on this: The Bravia 7 counts a Prime Video calibrated mode as well as a Netflix calibrated mode among its features. And while it’s cool that these picture modes are available, I don’t support them being turned “on” by default. Turns out, this was Amazon Prime Video’s decision — not Sony’s — and it’s a problem for Sony TV owners.

Many of you will be happiest with the local dimming setting on “high” and the peak brightness setting on “high.” You can then evaluate whether to boost the brightness level. The TV may seem dim out of the box, but don’t worry: This TV has all the brightness you need and want, and then some. You just need to do a little work for it.

Advertisement
Sony Bravia 7 Review.
Zeke Jones / Digital Trends

Also, I got a software update while I was reviewing the Bravia 7 — one that I think also went out to the Bravia 9. The description promises to fix, among other things, “an issue where the screen brightness may increase when subtitles are shown.” So, make sure to check for an update when you set up this TV. It should be applied automatically during initial setup, but, as I like to say from time to time: trust, but verify.

Numbers for Nit Nerds

If you are a Nit Nerd, then you already know that this TV is gonna ace almost every measurement, right? It does. But, as usual, we’ll start with brightness, which is where most of the interesting results came in anyway.

I can’t recall what this TV’s default SDR brightness setting was in professional mode — it may have been 20, but by the time I got started on it, it was up at 30. Regardless, I have numbers for the brightness set at 20, 30, and 50 with all other settings at default, which means that local dimming was at medium and peak brightness was off.

Sony Bravia 7 Review.
Zeke Jones / Digital Trends

At a setting of 20, SDR peak brightness on the Bravia 7 was 265 nits. At 30 it was 375 nits. At a maxed-out 50, it measured 522 nits, which is fairly bright, but far lower than I was expecting. After turning the peak brightness and local dimming to high, I reached the 1,800 nit territory — which is absolutely insane. (I like that Sony gives you a broad range of control to dial the TV in just how you need it to be.)

White balance came in excellent. It was a little hot on the red, but that is easily fixed with a couple of clicks in the 2-point white balance menu. Stock professional mode came in with a max delta E at about 2. Respect.

It was a similar story with the 20-point grayscale. Excellent performance in the pro mode. Only the brightest whites were above a delta E of 2, and only by a touch. More respect.

Advertisement

The Bravia 7’s picture quality is superb.

All colors in the color gamut test were under a delta E of 2. And the very challenging color-checker test? The Bravia 7 aced it, with a max delta E of 3.8 and an average of 1.8 — that is awesome for a stock picture mode.

Color saturation and luminance tests in SDR were also aced.

When it comes to HDR (and I may have already spoiled the peak brightness news), in a 10% window it was around 1,900 nits — it was testing 2,000 nits at one point. Bumping the window size up or down brought the peak brightness number down, often closer to 1,600 nits for me, and 1,300 at default settings, and full screen brightness can be as high as 700 nits.

Advertisement
Sony Bravia 7 Review.
Zeke Jones / Digital Trends

A real-life HDR test shows peak HDR highlights are probably hanging out closer to 1,100 nits, which is enough to accurately reproduce most of the HDR content you can lay your eyes on.

The Bravia 7 follows the EOTF curve like a true champion — about as perfect as it gets. You can choose picture modes that overbrighten HDR if you want, though. But, in a professional mode, this is what you wanna see. Mad respect.

The HDR color checker is also super impressive. It is so rare to see a TV get all of these right. (Sony continues to be the standard setter for color accuracy, and I am here for it!)

Sony Bravia 7 Review.
Zeke Jones / Digital Trends

DCI P3 color gamut coverage came in at 97% — a passing grade, but expected. And BT-2020 coverage came in at a delightful 80%, which is great for a mini-LED TV — although a reminder: the Hisense UX hit 83%.

One other nit-nerd specific thing. I checked the Bravia 7 for near-black chrominance overshoot, which seems to be a known issue on some other Sony TVs that use the Pentonic 1000 SOC, like the A95L and Bravia 9. There may be a little here, but I really struggled to see it.

Picture quality

Here’s what you need to know about the Bravia 7’s picture quality, starting with the good stuff and ending with two problematic things.

Advertisement

In short, the Bravia 7’s picture quality is superb. It’s so clean and crisp, and vibrant and accurate. The colors just look right, even without a frame of reference. (I know a Sony picture the instant I see it, and the Bravia 7 has all that swagger.) Sure, the Bravia 9 is technically better, but most folks likely wouldn’t see the difference even when it’s pointed out.

Sony Bravia 7 Review.
Zeke Jones / Digital Trends

The Bravia 7’s picture quality is noticeably better than the Hisense U8 and TCL QM8. And, I would put it above the Samsung Q90D in several respects as well.

Let’s break the picture quality down:

Brightness

The Bravia 7’s brightness capabilities are stunning. By the numbers, it doesn’t measure as the brightest TV — that honor goes to the Hisense U8 and TCL QM8. But in real life, the perceived brightness of this TV is right on par with those other light cannons. It’s truly incredible — when TV is set up to do it.

Advertisement

Contrast

The backlight control on this TV is very good. I sometimes wish it were a little more speedy so that any visible halo following objects moving around the screen disappeared faster. But that’s when I’m looking for that kind of error. When I relax and just enjoy content and get caught up in the story? I notice none of that. And neither will most of you. Again, the Bravia 9 is technically better, but the Bravia 7, with fewer zones, beats most of its mini-LED competition for real-life viewing.

Sony Bravia 7 Review.
Zeke Jones / Digital Trends

Any halo or blooming is barely visible from dead-on. However, off-axis is another story. But black levels and contrast are superb. The one caveat: slight noise in super dark blacks. They aren’t crushed, but you get a little noise and banding in really challenging dark scenes.

Color

When it comes to color, and SDR and HDR? The Bravia 7 is an A++++++++++++++. Valedictorian. Magna Cum Laude. Sony wins, period.

Advertisement

Motion

As for motion, Sony is the king. LG is not far behind. Panasonic, I suspect, will give Sony a run for its money, but Sony’s processing helps ensure it is the best at motion.

Upscaling

Sony’s upscaling and low bitrate content clean-up is as good as it gets. Again, LG is close. But you aren’t going to do better than Sony. Upscaling 720p is hard — and even the great Sony can only do so much — but again, nobody else does it better.

Advertisement
Sony Bravia 7 Review.
Zeke Jones / Digital Trends

Gaming

I’m a very casual gamer. I don’t care about 144Hz. I do care about getting VRR just because I want that feature, but most of the games I play don’t offer it. I’m playing 4K/60 most of the time, and that suits me just fine.

The cons: off-angle performance and reflection handling

Now for the bad news. The off-angle performance is not good. I’ve been willing to forgive much less expensive TVs here, but this expensive Sony Bravia 7 doesn’t get that pass. Samsung is out there with some awesome off-angle viewing tech. Sony, you can do it too. Please do.

For anyone out there who wants to criticize Sony for not using an ADS Pro panel, understand that, as far as I’m aware, BOE, the top provider of ADS Pro panels — like the one you see in some Hisense 75-inch models — is only available in 75 and (I think) 85-inch sizes. So, ADS Pro and its naturally superior off-angle viewing, while still maintaining good contrast and color, is not an option for the 65-inch size. And it could be that Sony is not a fan of that panel for other quality reasons, which is why we may not see it used in the 75- and 85-inch versions of this TV.

Sony Bravia 7 Review.
Zeke Jones / Digital Trends

But, an off-angle improvement filter is something I would like to see on a TV like the Bravia 7.

For now. If you have a big enough screen size of the Bravia 7 TV, it may not be a problem. But if you are serving a big room with a sectional couch using a 65-inch TV, the folks on the side seats will get a washed-out picture. Actually, you don’t have to be that far off to the side for the picture to suffer. That’s why I am so disappointed.

Advertisement

Also, the anti-glare, anti-reflection treatment on this TV? It has me bewildered, because I can see there is something in use here but it doesn’t seem like it is doing much. Anything that is illuminated behind you — not just direct light sources — is going to show up on the screen when viewing medium to dark scenes. This TV can get bright enough to battle back ambient light, but I can’t stand behind it as a daytime living room TV when it is a dark mirror like this. I’m pretty bummed about that.

Sony Bravia 7 Review.
Zeke Jones / Digital Trends

One other annoyance. I know the professional mode is meant to act like filmmaker mode — that it is meant to be viewed in a pitch-black room and express the creator’s intent. But I feel like sometimes this TV is too dark. Dolby Vision Dark is especially trying. It seems like the average picture level is too low. My experience doesn’t square up with the measurements and it is too dim too often. I rarely settle on Dolby Vision Bright because it lifts the brightness across the board. But on this TV I have to, because Dolby Vision dark is just unwatchable for me.

Final verdict

The off-angle performance and the poor reflection handling are two big hits for a TV at this price — and it is super frustrating given that nearly every other performance point on this TV is just state-of-the-art awesome, bar-setting quality. Otherwise the Bravia 7 is so, so, so good. And just enjoyable. You don’t have to be an enthusiast or purist to see how awesome the picture is — all in a really attractive package with an easy-to-use experience built in.

But, at the end of the day, I feel like this TV belongs in dedicated entertainment spaces where light control is built in and other accommodations can be made for the reflective screen. And sadly, that makes for a pretty niche group of folks for whom this TV would be my top recommendation. The average American living room is just not the right spot for this TV, I think.

However, if you’re looking for a killer TV for your entertainment room, home theater, or game room, the Bravia 7 is superb. It’s a step up for Sony, and I’m glad they made it (well, I’m glad with 90% of it).

Advertisement






Source link

Advertisement
Continue Reading
Advertisement
Click to comment

You must be logged in to post a comment Login

Leave a Reply

Technology

Netflix’s The Electric State trailer shows off cartoony robots and oversized VR headsets

Published

on

Netflix's The Electric State trailer shows off cartoony robots and oversized VR headsets

Netflix has released the first trailer for , a post-apocalyptic road from Marvel (and Community) mainstays The Russo Brothers. The adaptation of Simon Stålenhag’s 2018 graphic novel is set in a retro-futuristic version of the ’90s after a robot uprising. It tells the story of Michelle, an orphaned teenager (Millie Bobby Brown) who ventures across the west of the US to look for her younger brother with a smuggler (a mustachioed Chris Pratt) and a pair of robots.

The movie’s look draws heavily from , right down to the oversized VR helmets. The robots, in particular the one accompanying Michelle, have a cartoon-inspired aesthetic that wouldn’t look out of place in Fallout. A large teddy bear robot can be seen as part of a parade of machines, while our heroes appear to face off against a massive one that looks a little like Sonic the Hedgehog.

Meanwhile, the whole “slowed down iteration of a popular song in a movie trailer” thing might have jumped the shark with the version of Oasis’ “Champagne Supernova” that plays over the top of this. It fits the ’90s setting, of course, but I couldn’t help but laugh as soon as I recognized it.

The movie has a hell of a cast. Alongside Brown and Pratt, it stars Ke Huy Quan, Jason Alexander, Woody Harrelson, Anthony Mackie, Brian Cox, Jenny Slate, Giancarlo Esposito and Stanley Tucci. The Electric State hits Netflix on March 14.

Advertisement

Source link

Continue Reading

Technology

Zyphra’s Zyda-2 dataset enables small enterprise model training

Published

on

Zyphra’s Zyda-2 dataset enables small enterprise model training

Join our daily and weekly newsletters for the latest updates and exclusive content on industry-leading AI coverage. Learn More


Zyphra Technologies, the company working on a multimodal agent system combining advanced research in next-gen SSM hybrid architectures, long-term memory and reinforcement learning, just released Zyda-2, an open pretraining dataset comprising 5 trillion tokens. 

The offering comes as the successor of the original Zyda dataset. It is five times larger in size and covers a vast range of topics and domains to ensure a high level of diversity and quality – which is critical for training robust and competitive language models. 

But, that’s not the user profile of Zyda-2. There are many open datasets on Hugging Face for training cutting-edge AI models.

Advertisement

What makes this dataset unique is that it has been distilled to possess the strengths of the top existing datasets and eliminate their weaknesses.

This gives organizations a way to train language models that show high accuracy even when operating across edge and consumer devices on a given parameter budget.

The company trained its Zamba2 small language model using this dataset and found it to be performing much better than those trained with other state-of-the-art open-source language modeling datasets on HF.

What does Zyda-2 bring to the table?

Earlier this year, as part of the effort to build highly powerful small models that could automate a range of tasks cheaply, Zyphra went beyond model architecture research to start constructing a custom pretraining dataset by combining the best permissively licensed open datasets – often recognized as high-quality within the community.

Advertisement

The first release from this work, Zyda with 1.3 trillion tokens, debuted in June as a filtered and deduplicated mashup of existing premium open datasets, specifically RefinedWeb, Starcoder C4, Pile, Slimpajama, pe2so and arxiv. 

At the time, Zyda performed better than the datasets it was built upon, giving enterprises a strong open option for training. But, 1.3 trillion tokens was never going to be enough. The company needed to scale and push the benchmark of performance, which led it to set up a new data processing pipeline and develop Zyda-2.

At the core, Zyphra built on Zyda-1, further improving it with open-source tokens from DCLM, FineWeb-Edu and the Common-Crawl portion of Dolma v1.7. The original version of Zyda was created with the company’s own CPU-based processing pipeline, but for the latest version, they used Nvidia’s NeMo Curator, a GPU-accelerated data curation library. This helped them reduce the total cost of ownership by 2x and process the data 10x faster, going from three weeks to two days.

“We performed cross-deduplication between all datasets. We believe this increases quality per token since it removes duplicated documents from the dataset. Following on from that, we performed model-based quality filtering on Zyda-1 and Dolma-CC using NeMo Curator’s quality classifier, keeping only the ‘high-quality’ subset of these datasets,” Zpyphra wrote in a blog post.

Advertisement

The work created a perfect ensemble of datasets in the form of Zyda-2, leading to improved model performance. As Nvidia noted in a separate developer blog post, the new dataset combines the best elements of additional datasets used in the pipeline with many high-quality educational samples for logical reasoning and factual knowledge. Meanwhile, the Zyda-1 component provides more diversity and variety and excels at more linguistic and writing tasks. 

Distilled dataset leads to improved model performance

In an ablation study, training Zamba2-2.7B with Zyda-2 led to the highest aggregate evaluation score on leading benchmarks, including MMLU, Hellaswag, Piqa, Winogrande, Arc-Easy and Arc-Challenge. This shows model quality improves when training with the distilled dataset as compared to training with individual open datasets.

Zyda-2 performance
Zyda-2 performance

“While each component dataset has its own strengths and weaknesses, the combined Zyda-2 dataset can fill these gaps. The total training budget to obtain a given model quality is reduced compared to the naive combination of these datasets through the use of deduplication and aggressive filtering,” the Nvidia blog added.

Ultimately, the company hopes this work will pave the way for better quality small models, helping enterprises maximize quality and efficiency with specific memory and latency constraints, both for on-device and cloud deployments. 

Teams can already get started with the Zyda-2 dataset by downloading it directly from Hugging Face. It comes with an ODC-By license which enables users to train on or build off of Zyda-2 subject to the license agreements and terms of use of the original data sources.

Advertisement

Source link
Advertisement
Continue Reading

Technology

The top VCs to judge the Startup Battlefield Final at Disrupt 2024

Published

on

TechCrunch Disrupt Startup Battlefield

TechCrunch Disrupt 2024 is just a week away. Our beefed-up Startup Battlefield 200 is a major highlight. Two hundred companies have been hand-selected by the TechCrunch editorial staff to grace the expo hall, 20 of which will launch their company for the first time live on our stage.

Nail-biting pitches live on the Disrupt Stage, make or break hardware and software demos. It’s where legends are made. Throughout it all, we’re incredibly grateful for the expertise of some of the top VCs in the world to tease out the cream of the crop. After an initial, thorough evaluation, five companies are selected to pitch once again in the Startup Battlefield Final on October 30. For this, we enlist the sharpest, most experienced venture capitalists we can find, all of which run a huge fund.

Learn more about these investors below and don’t miss the chance to learn from their expert insights and discover the crucial traits that lead to startup success, only at Disrupt 2024, taking place at Moscone West in San Francisco from October 28-30.

Navin Chaddha, Managing Partner, Mayfield Fund

Navin Chaddha, Managing Partner, leads the firm and drives its Cognition-As-A-Service (CaaS) and GenAI cognitive plumbing focus. This approach emphasizes investing in the infrastructure layers behind AI-driven companies and technologies and draws from his deep experience in previous paradigm shifts as founder of VXTreme /Microsoft Windows Media in the Web era and investor in infrastructure leader Hashicorp in the cloud era.

Under his leadership, Mayfield has raised eight U.S. funds and guided over 80 companies to positive outcomes. During his venture capital career, Navin has invested in over 60 companies, of which 18 have gone public (including Lyft, Poshmark and SolarCity) and 27 have been acquired.

Advertisement

Navin has been named a Young Global Leader by the World Economic Forum and has ranked on the Forbes Midas List of Top 100 Tech Investors fifteen times, including being named in the Top Five in 2020, 2022, and 2023. Navin’s investments have created over $120 billion in equity value and over 40,000 jobs.

An alumnus of Stanford and IIT Delhi, Navin is a philanthropist supporting various causes and a serial entrepreneur with notable startups like VXtreme and iBeam Broadcasting.

Chris Farmer, CEO, Partner, and Co-founder, SignalFire

Chris Farmer is the CEO, Partner, and co-founder of venture fund SignalFire, a $2.1 billion AI-native early-stage venture firm.

A decade ago, Farmer pioneered the use of data and AI would let VCs source better investments while scalably helping portfolio companies. So Farmer built Beacon, SignalFire’s in-house AI platform, with the help of Google veterans, Stanford AI PhDs, and feedback from 500 founders on what they really needed. Now Beacon crunches a half trillion data points to rank over 650 million people in the tech ecosystem on talent and hireability to assist portfolio companies with recruiting and go-to-market.

Advertisement

At SignalFire, Farmer has led investments in companies like Grammarly, Frame.io, ClassDojo, and Stampli. The firm writes lead checks from seed to Series B with a focus on sectors including health and life sciences tech, developer tools, cybersecurity, and vertical AI SAAS.

Previously, Farmer was a successful entrepreneur, spearheading the turnaround of wireless-enabled SaaS company Skybitz, preparing it for its acquisition by Telular Corporation. Farmer built one of the first technologies for startup investment sourcing while at Bessemer Venture Partners in 2007 to track the new Apple App Store. He then joined General Catalyst, where he led seed investing in iconic companies like Alation, Coinbase, Discord, Fivetran, Getaround, Segment, Stripe, and Zapier.

Most recently, Farmer launched SignalFire’s AI Lab to handpick high-potential founders and partner them with top corporations in their sector as design partners, pilot customers, and training data providers.

Dayna Grayson, Co-founder & General Partner, Construct Capital

Dayna Grayson is Co-founder and General Partner of Construct Capital, an early-stage venture firm that invests in extraordinary founders building technology to transform the most foundational industries of our economy from manufacturing to mobility. Dayna was one of the first venture capitalists to turn her attention to transforming these sectors of our economy through software-based models. She backed companies creating new advances in manufacturing, automation, and vertically integrated consumer brands. During her time as a partner at NEA (2012-2020), she was the lead investor from the earliest stages and was on the board of companies including Desktop Metal (2015 – today), Tulip (2017 – 2020), Onshape (acqd by PTC) (2013-2019), and Framebridge (acqd by Graham Holdings) (2014-2020) among others. She also led investments in Guideline, Formlabs, Evenly and Neuralmagic.

Advertisement

At Construct, along with her co-founder Rachel Holt, Dayna is exclusively focused on early stage investments and investing behind the accelerating changes in foundational industries that together make up half our economy’s GDP are failing to meet customer expectations. Some of their investments include Copia, Veho, Hadrian, The Rounds, and Verve Motion.

Dayna started her career in product development and led design efforts at Blackbaud [BLKB], the leading global provider of software to nonprofit organizations, as the company grew to over $130 million in revenue and completed a successful public offering and was an investor at North Bridge Venture Partners from 2007-2012.

She is a graduate of the University of Virginia (Systems Engineering) and Harvard Business School, where she serves as a venture partner today.

Ann Miura-Ko, Co-founding Partner, Floodgate

Known for her inception stage investments that range from marketplaces to highly technical companies, Ms. Miura-Ko’s investments have earned her repeat appearances on the Forbes Midas List and The New York Times list of top twenty venture capitalists worldwide. At Stanford University—where she received her Ph.D. for her work on mathematical modeling of cybersecurity—she is a lecturer in engineering, teaching on topics from blockchain to intelligent growth for startups. In addition, she is a co-director of the Stanford Mayfield Fellows Program, which helps train undergraduates to become technology leaders.

Advertisement

Ms. Miura-Ko is a co-founding member of AllRaise, an organization dedicated to increasing the success and prevalence of female funders and founders. Ms. Miura-Ko received a B.S. in electrical engineering from Yale. As an alumna, she has served on the School of Engineering & Applied Science Leadership Council and as a non-trustee member of the Corporation Committee on Investments. She was elected an alumni fellow in 2019.

Hans Tung, Managing Partner, Notable Capital

Hans Tung is a Managing Partner at Notable Capital and has invested in early-stage investments across the global digital economy. He has partnered with top founders from everywhere in e-commerce and fintech where the US is a key end-user market. Hans’ consumer internet portfolio has included notable companies like Airbnb, Coinbase, Ibotta, Peloton, Poshmark, Quince, StockX, and TikTok.

Don’t miss the battle at Disrupt 2024!

The Startup Battlefield winner, who will walk away with a $100,000 equity-free prize, will be announced at Disrupt 2024 — the startup epicenter. Join 10,000 attendees to witness this groundbreaking moment and see the next wave of tech innovation.

Register here and secure your seat to witness this epic startup battle. Bring a +1 and get the limited-time Expo+ 2 for 1 Pass for half the rate of one.

Advertisement

Source link

Continue Reading

Technology

Instagram adds new guardrails to protect teens against sextortion

Published

on

Instagram adds new guardrails to protect teens against sextortion

Instagram is launching several new features designed to protect teens from sextortion scams, which occur when scammers threaten to share intimate images of victims unless they receive a payment or more photos.

One guardrail that’s rolling out soon will prevent people from screenshotting or screen recording disappearing images or videos sent in a private message. If the sender enables replays of the image or video, Instagram will block people from opening them on the web. This won’t stop scammers from capturing the image or video by recording it with another device, however.

Starting today, Instagram will begin using certain indicators, like how new an account is, to detect scammy behavior as well. The platform will then prevent these accounts from sending follow requests to teens by blocking their request or moving it to the teen’s spam folder.

It’s also testing a safety notice in Instagram and Messenger that will alert teens if the person they’re talking to is located in a different country, as sextortion scammers often lie about their location.

Advertisement

In addition, Instagram will now start blocking suspicious accounts from viewing the following or followers lists of their victims, which sextortion scammers can use for blackmail. Instagram will similarly prevent suspect accounts from seeing the lists of accounts that have liked a target’s posts, the photos they’re tagged in, and other users tagged in their photos.

To protect kids from viewing obscene photos, Instagram is launching a feature that will automatically detect and blur nude images for users under 18. Instagram started testing this filter in April, and it will be enabled for teens globally by default. Other safety measures coming to the platform include an option to chat with the Crisis Text Line in the US if users report sextortion or child safety issues. It will also show an educational video to teens in the US, UK, Canada, and Australia to spread awareness about sextortion scams, which are on the rise.

This suite of features comes as part of Meta’s broader efforts to make its platforms safer for kids. Last month, Instagram announced that it would start putting all teens into more private accounts with certain safety settings enabled by default, like restricted DMs and Sleep Mode to silence notifications at nighttime.

Source link

Advertisement

Continue Reading

Science & Environment

JPMorgan says buy power producers as AI data centers shift electric demand

Published

on

JPMorgan says buy power producers as AI data centers shift electric demand




Source link

Continue Reading

Technology

Unity 6 will allow developers to create games more quickly and efficiently, and it’s now available worldwide

Published

on

The Unity logo displayed over an image of someone using a mouse and keyboard.

Unity has announced that Unity 6, the latest version of its cross-platform game engine, is now available worldwide.

Unity 6 can be downloaded here, and is the company’s “most stable and best-performing version of Unity” yet that has been built, tested, and refined in partnership with game developers around the world.

Source link

Continue Reading

Trending

Copyright © 2024 WordupNews.com