Entertainment
10 Most Ambitious TV Shows of All Time
Maybe there was a time when TV was seen as inferior to cinema, and maybe overall, it still is (it does kind of depend on what you’re after, entertainment-wise), but there are undoubtedly shows now that rival movies. Some shows rival great books, too, which might be the better medium to compare television to, since a book – or a series of books – can take hours upon hours to get through, and the same goes for a multi-season-long TV show.
Some of the following shows helped further the idea of television being great/cinematic art, beyond something more disposable that you might’ve tuned into weekly for light entertainment. These all rank among the most ambitious TV shows ever made, and while that’s not exactly the same as singling out the best TV shows ever made, there is, undeniably, quite a bit of crossover between two such rankings.
10
‘Deadwood’ (2004–2006)
There probably isn’t a Western series better than Deadwood, though calling it a TV Western and leaving it at that is also doing it a disservice, since it works as a fantastic crime/drama series as well (one that just so happens to be set during Old West times. It has some basis in history, with Deadwood being a real town and many of the characters being based on people who actually lived there in the 1870s.
Of course, that’s far back enough that not everything was documented, so Deadwood isn’t – and doesn’t try to be – 100% historically accurate. It’s fantastically written and acted, and then on a technical front, it’s also very impressive, putting that HBO money/production value to good use (and it’s definitely not going to be the only HBO show mentioned here).
9
’24’ (2001–2010)
24 ran for eight full-length seasons, each 24 episodes long, and each one of those episodes covered an hour in real-time… for the most part. Commercial breaks meant the episodes weren’t literally an hour long, but whenever it would cut to commercials, the events of the show would continue playing out, albeit off-screen. And so much would happen within every single season/day.
There was a ninth season called 24: Live Another Day, and that was 12 episodes long, but still retained the real-time storytelling, just with a time skip right near the season’s end. 24 was also pretty boundary-pushing in terms of its content, being very violent and dark for a network TV show, and also surprisingly willing to bump off major characters who weren’t Jack Bauer (he was kind of the only person with permanent plot armor) at just about any time.
8
‘The Rehearsal’ (2022–2025)
It’s a bit hard to summarize The Rehearsal, even more so than was the case with Nathan Fielder’s Nathan for You, which is similarly funny and clever, but not nearly as mind-bending. The Rehearsal is about as good as meta comedies have ever gotten, at least on television, with the second season (about airline safety… just go with it) being especially mind-blowing.
The first season of The Rehearsal felt a bit looser, like the direction of it was sort of made up as things went along, but the second season does feel more purposeful, albeit in a way that still feels spontaneous, at least at times. That’s very in line with Nathan Fielder, to not know whether you’re seeing something scripted, completely real, or in the middle somewhere, but The Rehearsal (and especially the second season) has him pushing all that to extremes that really do feel quite groundbreaking.
7
‘Twin Peaks’ (1990–1991, 2017)
The history of Twin Peaks, in terms of how and when it aired, is quite unconventional, which is fitting, considering the sort of show it was. Twin Peaks is noted for being an initial phenomenon, despite being – or maybe because it was – unlike anything else on TV at the time, owing to the whole thing being surreal, dark, sometimes funny, and ambitious with how many characters it followed.
There was a strong mystery that likely hooked a lot of people, and then that mystery was resolved effectively, but too soon, and then the show was canceled after two seasons… all before being brought back for a third season, dubbed Twin Peaks: The Return, over a quarter of a century later. And Twin Peaks: The Return really is one of the most out-there and groundbreaking pieces of television ever, feeling like pure undiluted David Lynch (plus Mark Frost, who was the co-creator of the show who sometimes gets overshadowed by Lynch), for better or worse.
6
‘Buffy the Vampire Slayer’ (1997–2003)
As far as special effects went, Buffy the Vampire Slayer did its best, for the time and with the money it had. It’s not as technically dazzling as many of the other shows being mentioned here, but it having a go at bringing so many different supernatural creatures to life, pretty much weekly, counts for something. But in any event, it’s really what Buffy the Vampire Slayer was going for narratively and thematically that makes it stand out as notably ambitious.
Honestly, Buffy the Vampire Slayer was pretty much every genre, at one point or another, across seven seasons.
It’s a show that initially took place in high school, and then had its characters graduate, with the show’s back half being about young adulthood. So, it’s a coming-of-age narrative that spans more time than most coming-of-age stories, and then it touches upon a huge number of topics throughout, all the while balancing so many genres all at once. Honestly, Buffy the Vampire Slayer was pretty much every genre, at one point or another, across seven seasons, and the balancing of all that stuff throughout was immense.
5
‘Cowboy Bebop’ (1998–1999)
Speaking of shows that can count themselves as part of every genre, at one point or another, here’s Cowboy Bebop, which manages to do all that genre-hopping within a single season of 26 episodes. It’s about a crew of bounty hunters traveling throughout the Solar System, essentially, so with every new target, there is the chance to go somewhere fresh and mix things up tonally, but Cowboy Bebop does manage to have an overall narrative at the same time.
There are character arcs and one central antagonist, and that main storyline – though not touched upon in every episode – is incredibly compelling, and balanced well against some amazing episodes of a more standalone nature. Cowboy Bebop really does feel ideal in terms of having single episodes that stand out and an amazing ongoing storyline, and that it does all that while having incredible (and varied) animation/music alongside homages to so many different genres and types of movies out there really does make it an all-timer, whether you want to judge it among anime or all TV shows more generally.
4
‘Lost’ (2004–2010)
Twin Peaks, Buffy the Vampire Slayer, and 24 were all incredibly groundbreaking by the standards of network television, but it was Lost that arguably pushed what you could do on a non-cable show to its absolute limits. It began as a TV show about people trapped on an island after their plane crashed there, though before too long, it turned out Lost was about much more than just survival in a Lord of the Flies kind of way.
Lost had fantasy/supernatural elements, increasingly complex science fiction ideas, mysteries that kept piling upon mysteries, and all the while, it was thrilling as an action/adventure series, too. It was also bold in how it told its progressively wilder story, with flashbacks, flash-forwards, time travel, and eventually some “flash sideways” too. And then it also looked tremendously cinematic, and balanced a greater number of important characters than the majority of long-running TV dramas out there, too.
3
‘The Sopranos’ (1999–2007)
The Sopranos is an obligatory pick here, and not really the kind of show that feels like it needs much of an introduction. That introduction, if it has to be given, can’t help but contain information you probably already know. It ran for six seasons. It was about the mob, therapy, and family drama. It was sometimes very funny. It was extremely creative and surprising. It ended in a way that people still talk about and debate. It has gabagool.
And then lots of other things. It’s a towering TV show, and it has to be brought up in a ranking like this because it really helped push forward television as a medium and method of storytelling. Almost nothing in The Sopranos dates it, and the fact that it felt groundbreaking when it was being made – and continues to hold up as something truly special, as far as television is concerned – is very much worth emphasizing.
2
‘The Wire’ (2002–2008)
Though it’s not a mystery show like Lost was, The Wire is another show from the 2000s that gets noticeably larger in scope with every passing season. It’s also comparable to Lost because its premise is a lot simpler than what ultimately happens throughout, because the earliest season of The Wire is mostly about members of the Baltimore Police Department taking part in an operation that aims to take down a drug-dealing organization.
The members of both those groups remain relevant beyond season 1, but then each season beyond the first adds a new area of Baltimore that gets explored, in effect, as The Wire grows to also deal with the docks, the political sphere, the education system, and then the media. The Wire does get compared to a great novel, sometimes, but that’s a fair comparison to make, because what it achieves really does go beyond the bounds of most television (HBO or otherwise).
1
‘Game of Thrones’ (2011–2019)
It didn’t even have to finish all that well to find itself at the end of a ranking like this. Game of Thrones went all-out in terms of often looking better than a good many genuine blockbuster movies, building a unique world as well as Deadwood, but on a much bigger scale. There’s a lack of a protagonist and dozens upon dozens of characters, like with The Wire, but on a bigger scale than “just” a city, as was the case with that HBO series.
Also, though it’s got more to do with the source material paving the way, Game of Thrones is bold on a narrative front, and it establishes itself early on as a show where just about anything goes. It might well have overextended itself, leading to a final couple of seasons that weren’t amazing, but even without a smooth landing, what Game of Thrones did right is enough to make it feel about as ambitious as a TV show has ever felt.
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Ari Fletcher is reminding fans of the special bond she shares with her son, Yosohn. The influencer recently shared a sweet moment featuring the young boy, paired with a heartfelt message that had many reflecting on the love and impact children can have on their parents’ lives.
RELATED: Fans Think Moneybagg Yo & Ari Fletcher Have Already Tied The Knot After He Flexes HUGE Ring (PHOTOS)
Ari Highlights Special Bond With Son Yosohn In New Clip
In a clip circulating on social media, Ari Fletcher appears to capture a relaxing outdoor moment that looks like it could be from a vacation getaway or her own backyard. The footage shows a scenic setting with views of the ocean, outdoor furniture, trees, and a turquoise structure where Yosohn climbs up and sits on top. Ari zooms in on her son as he waves at the camera while rocking a white shirt and yellow shorts.
Ari Opens Up About How Yosohn Changed Her Life
The video also features Jhené Aiko’s song ‘Sun/Son’ playing in the background, while a touching message appears across the clip. Ari wrote, “He changed my entire life and he doesn’t even know it. Everything I am and everything I’ll ever be, wherever I go, whatever I do is all because of him.” The heartfelt post quickly caught attention as fans celebrated Ari’s love for her son and the powerful words she shared about motherhood.
The Comments Had Nothing But Love For Them
Folks quickly made their way to The Shade Room’s Instagram comment section and shared plenty of love for Ari Fletcher and Yosohn’s sweet moment. Some users noted that mother-and-son bonds “just hit different,” while others reminisced about watching Yosohn grow up and remembered when he was just a chunky baby.
This Instagram user @loveejasmineee said, “I love how much she loves her baby and their bond is sooo cute 🥹”
And, Instagram user @prettygirluser07 shared, “He was the cutest chunkiest baby ever😍😍😍”
Meanwhile, Instagram user @iamspanishbadd claimed, “That boy/son mother love just be different!!! IYKYK!!!! 💙✨🥹”
While Instagram user @ky.theprettiest added, “You can tell she does right by him, it shows by how he acts towards her. He adores and respects her so much. ❤️”
And, Instagram user @waxingqueenadventures wrote, “Little man don’t play about his momma! 😍😍🔥🔥”
RELATED: Awww! Yosohn Has Internet Users Tearing Up After Explaining Why He Doesn’t Want Ari Fletcher To Have Another Baby (WATCH)
What Do You Think Roomies?
Larsa Pippen’s latest glamour shot has sparked more confusion than compliments. The “Real Housewives of Miami” star posted a balcony photograph in a navy-blue minidress, but many of her 5.4 million Instagram followers were distracted by how different her face appeared. Fans immediately accused the 52-year-old reality personality of using artificial intelligence or an aggressive filter, although Pippen has not confirmed that the image was digitally altered.
Pippen uploaded the image to Instagram on Thursday. The reality star posed outside on a balcony while modeling a fitted navy minidress. However, her sharply defined jaw and noticeably smaller-looking lips quickly became the focus of the comments section.
“What in the AI is going on here?” one person asked. Another follower coined a new nickname for the Bravo personality, writing, “That’s LarsaGPT.”
Several commenters claimed they struggled to recognize Pippen at all. “Has anyone seen Larsa? Who is this?” one person wrote, while another simply asked, “Girl, who is this?” One follower similarly commented, “lol who is dat!”
Followers Beg The Reality Star To ‘Stop’
Some fans made it clear that their criticism was not intended as an attack on Pippen herself but rather on the dramatic appearance of the photograph. “Larsa no… come on! I love you, but this has to stop,” one follower wrote.
Another person blamed a heavy filter for the reality star’s altered appearance. “That filter is working overtime, honey. Not hating but damn,” they commented.
Others were less gentle with their reactions. “Girl, which face are we on now?” one person asked. “Larsa or whoever you are…please just stop it lol,” another wrote.
The image even inspired a joke involving Pippen’s “Real Housewives of Miami” co-star Adriana de Moura. “I see you let Adriana start editing your pictures,” the commenter quipped.
Despite the flood of criticism, at least one follower kept the reaction positive and wrote, “Great Picture.”
Larsa Pippen Is Focused On Raising Four Children
Away from the social media scrutiny, Pippen is a mother to four children with her former husband, NBA legend Scottie Pippen. The exes share sons Scotty Jr., Preston, and Justin, as well as daughter Sophia.
Although their marriage ended, Larsa has said that she and Scottie remain aligned when making decisions involving their children. “I feel like we’re both the same when it comes down to parenting our kids,” she told Bravo’s “The Daily Dish” in 2023.
“We’re both pretty understanding with our kids, and we both have the same parenting goals for our kids. So I think it, like, works for our family,” Larsa continued.
The former couple married in 1997. At the time, Scottie was already the father of four children from previous relationships. They welcomed Scotty Jr. in November 2000, followed by Preston in 2002 and Justin in 2005. Their youngest child and only daughter, Sophia, arrived three years later.
Larsa Pippen Encourages Her Children To Follow Their Own Paths
Scotty Jr. and Justin have pursued basketball careers, while Sophia has entered the fashion and modeling world. Preston played basketball in high school but is now building his own future after graduating from college. Larsa has emphasized that she wants each of her children to pursue whatever genuinely interests them.
“I want my kids to do the things that make them feel good,” she said. “I feel like if they’re comfortable doing whatever passion or whatever they want to pursue, I feel like I’m excited to help.”
Scotty Pippen Jr. Followed His Father Into Basketball
During the 2011 premiere of “The Real Housewives of Miami,” Larsa described her oldest child as “just like his dad, super, super competitive.”
Scotty Jr. played basketball at Sierra Canyon School before continuing at Vanderbilt University. In July 2022, he began his professional career after signing with the Los Angeles Lakers. “Having a father in the NBA definitely puts a target on your back. So, I think just being able to endure all that and finally say ‘I made it,’ is a good feeling,” Scotty Jr. told PEOPLE.
He acknowledged that comparisons to his celebrated father created additional expectations. “I would say there are higher expectations because people expect me to be like my dad, but I don’t really let that get to me because that’s just what people think I should be or should not be,” he continued, describing the opportunity as “a dream come true.”
By Chris Snellgrove
| Updated
Riddle me this, Bat-fans: what is the most iconic story to ever feature the Caped Crusader? There are many more obscure tales that might be the best Batman story (personally, I’m partial to Grant Morrison’s Arkham Asylum: A Serious House on Serious Earth), but those aren’t the ones that completely changed this character’s trajectory. For my money (which admittedly doesn’t go nearly as far as Bruce Wayne’s), the most iconic story featuring the Dark Knight is Knightfall, which pitted this character against familiar foes and someone relatively new: Bane, a genius whose one and only goal is to break the Batman.
This was a comic that put Batman through the wringer and gave the center stage to Bane, who became such a prominent villain that he’d later headline Christopher Nolan’s The Dark Knight Rises. While that film captured some of the coolness of Knightfall, it only had surface-level similarities to the original comic. Eventually, many fans like myself despaired that we’d never see a faithful, onscreen adaptation of this iconic ‘90s tale. Fortunately, DC is here to prove us wrong: an animated Batman: Knightfall movie is dropping on August 25, and judging by the trailer, this is one film no Dark Knight fan will want to miss.
He Is The Knight
The premise of Knightfall is that a juiced-up genius, Bane, learns that Batman is secretly Bruce Wayne. He becomes obsessed with breaking the vigilante, but he decides to soften the Dark Knight up first by releasing almost all of his rogues’ gallery from Arkham. Batman is forced to fight a gauntlet of his worst foes, and waiting at the end of this gauntlet is the seemingly unstoppable Bane. The villain actually defeats our hero, leaving him broken. Bruce appoints an unstable new guy, Jean Paul Valley, to be the new Batman while he recovers. When Bruce returns, though, he discovers his replacement has become far scarier than any of the villains he fights.
In the original DC Comics, this story was split into three parts: Knightfall (showing how Bane breaks Batman), Knightsquest (showing Bruce recovering while Jean Paul learns to be Gotham’s hero), and KnightsEnd (where Bruce returns to claim the mantle of the Bat from his crazy replacement). That’s why this movie’s full name is Batman: Knightfall, Part I: the studio will be releasing two more movies that will presumably fill out the rest of the story. This first film will be focusing entirely on the earliest arc, where Batman must fight all the escaped Arkham villains and then fight, guano a gunao, with Bane.
The Bane Of Batman’s Existence
Judging from the trailer, it looks like the upcoming film will translate this arc very faithfully. It should be a real crowdpleaser, too, because the story is filled with one showdown after another between Batman and his most famous foes. As such, the original comic didn’t have that much of a story, and what little we got was primarily meant to give context to all the nonstop fighting. Still, Knightfall is notable for illustrating the toll that Batman’s endless crusade is having on his body and mind, and the trailer emphasizes the damage our hero has endured and how much his friends and family worry about him.
The trailer is filled with cool character moments and action sequences, and the animation looks beautiful (none of the stilted movement that ruined The Killing Joke). To me, what stood out the most was the voice work. Anson Mount (most famous for Star Trek: Strange New Worlds) is doing his best as Batman to channel the late, great Kevin Conroy (of Batman: The Animated Series fame). In his brief appearance, Pablo Schreiber does a great, broody job as Jean-Paul Valley. Unfortunately, Michael Mando’s Bane is pretty “meh:” his voice is neither deep nor goofy, and he sounds like a D&D DM doing a poor attempt at a creepy voice.
Bad Bane voice acting aside, the trailer for Batman: Knightfall, Part I looks very solid. Fans of the original comic can look forward to finally getting a faithful adaptation, and everyone else can get a stylish new introduction to this iconic story. Will this film successfully scratch the itch for fans as we wait for updates about DCU’s upcoming Batman film? We’ll find out together when Batman: Knightfall, Part I releases on digital on August 25.
Lisa Hochstein’s ex Lenny Hochstein, a plastic surgeon, is facing three separate lawsuits from former patients who claim his allegedly negligent care left them with infections, deformities, and chronic pain. The women’s complaints were filed in Florida’s Eleventh Judicial Circuit Court in Miami-Dade County and also name Hochstein’s North Miami Beach Surgical Center as a defendant.
Morgan & Morgan, the law firm representing the plaintiffs, says the women are seeking accountability for injuries they allegedly suffered after undergoing abdominal and breast procedures at Hochstein’s clinic. The allegations have not yet been proven in court.
Each complaint centers on a different patient’s experience under Hochstein’s care. One 46-year-old woman alleges that substandard treatment connected to an abdominal procedure caused multiple infections, scarring, deformity, and continuing pain.
A second woman claims her breast augmentation left one breast so distorted that another plastic surgeon had to perform corrective surgery.
The third plaintiff underwent an initial breast augmentation in 2022 and a revision surgery with Hochstein in 2023. She alleges that both procedures ultimately left her with breast deformities and chronic pain.
“These women trusted Dr. Hochstein with their health and their bodies,” Morgan & Morgan founder John Morgan and plaintiffs’ attorney Jack Cook said in a statement with PEOPLE. “Our clients deserve accountability, and we will fight to ensure they receive justice.”
The firm previously filed another lawsuit against Hochstein on behalf of a patient in June 2025.
Patient Claims She Developed Infections After Abdominal Surgery
The first plaintiff underwent multiple procedures on May 27, 2025, according to her complaint. Hochstein allegedly performed a tummy tuck, liposuction, fat grafting, a breast lift, and a breast augmentation involving implants.
The woman said she was discharged from the clinic that same day but subsequently developed “worsening symptoms.” She described pain and tightness throughout her abdomen, along with swelling and discoloration near her surgical incisions.
On June 17, 21 days after the operation, the patient sought treatment at a wound-care center in California. She alleges doctors discovered accumulated fluid and dead tissue. According to the complaint, the condition required “painful and invasive wound management” that allegedly resulted in “scarring” and “deformity.”
She is accusing Hochstein and his clinic of providing care that fell below the appropriate medical standard.
Another Patient Alleges She Was Not Warned About Mesh
The second plaintiff underwent breast augmentation surgery with Hochstein on May 6, 2025. She alleges that he used Meso-Biomatrix mesh without adequately disclosing that it would be implanted “in an off-label manner.” Her complaint claims the consent documents did not explain that the material “lacked FDA approval for breast surgery” or outline the alleged risks and alternatives associated with that use.
Following the procedure, the woman allegedly informed Hochstein that a drain inserted to remove excess fluid had become dislodged. According to her filing, he told her that nothing could be done. The patient also claims Hochstein observed a “change in breast position” and acknowledged that she might require corrective surgery, but “no corrective intervention was undertaken.”
On July 15, 2025, she visited a Long Island clinic while allegedly suffering from “breast pain, droopy breasts, implant rippling, nipple and areola concerns and asymmetry.” Another plastic surgeon performed a revision procedure in September.
The patient alleges that she “continues to suffer from permanent…distortion, pain and the likelihood of future corrective surgeries.”
Third Woman Claims Revision Surgery Worsened Her Condition
Hochstein performed a breast augmentation and lift on the third plaintiff on March 15, 2022. The woman claims she later developed “breast asymmetry, cleavage distortion and early symmastia.”
Symmastia is a rare condition in which the breasts move together toward the middle of the chest. It can occur naturally or as a complication of breast augmentation when implants shift toward the breastbone, potentially creating the appearance of a single breast.
Hochstein performed a revision surgery on the patient in April 2023, but she alleges that the procedure made the symmastia worse. According to her complaint, she “remained in pain, continued to experience swelling and fluid accumulation, and continued to exhibit breast distortion, despite her compliance with all postoperative restrictions.”
The woman said other surgeons later advised her that she would need a third operation to address the complications. She claims Hochstein’s surgeries left her with permanent “breast deformity” and “chronic pain.”
Attorneys Describe An ‘Added Layer Of Emotional Damage’
Morgan and Cook said the intimate nature of the patients’ alleged injuries made the emotional effects particularly severe. “When injuries like these occur, ones that involve intimate parts of the body tied directly to a person’s identity, it creates an added layer of emotional damage,” they told PEOPLE.
“Every one of these patients has suffered, and continues to suffer, emotional harm from the sense that the trust between surgeon and patient was broken,” the attorneys added.
Speaking to CBS News, the lawyers said the women are pursuing compensation for medical expenses, missed work, hospitalizations, and future corrective procedures. “These women are seeking monetary damages, that’s what the system allows,” they said.
“A lot of them have a lot of medical bills, some of them have had lengthy hospital stays, a lot of them had to be removed off of work, and all of them are kind of left with permanent issues,” they added. “Just about every one of them needs future surgeries, to try to repair a lot of the damage.”
Cook also alleged that staff members at Hochstein’s clinic downplayed or dismissed the women’s concerns.
Lenny Hochstein has not yet publicly responded to the three latest complaints. For now, the patients’ claims remain allegations that will have to be tested through the legal process.
By TeeJay Small
| Updated
Like many MCU fans, I’ve been following along with the drip-feed of Avengers updates with a mix of cautious optimism and thinly veiled concern since before the Doomsday title was even applied. With each new update, returning cast member, and behind-the-scenes shakeup, I’ve wondered how this film could possibly inspire the same audience turnout as installments like Infinity War and Endgame. Now, it is with great regret, and heaps of sarcasm, that I must admit: My Avengers: Doomsday hype has officially been squashed by the first official trailer.
Can Casual Fans Keep Up?
I’m already aware of the fact that there are millions of fans like me who have mentally checked out on the Disney+ Marvel shows a long time ago. While I enjoyed WandaVision and What If as much as any theatrical MCU experience, I just couldn’t bring myself to care about the barrage of shows we’ve received in the years since. Marvel’s box office stats have also done somersaults in the last decade or so, with outings like Eternals, Ant-Man and the Wasp: Quantumania, and Thor: Love And Thunder serving as box office disappointments, or outright financial bombs. I’m also told that a film called The Marvels was released in 2023, though there’s no record of it in my brain whatsoever.
Despite a general waning of interest in the daily MCU minutiae, I had held on hope that an Avengers team-up would rouse attention from the cultural zeitgeist, especially with the Russo Brothers at the helm. But, after watching the Avengers: Doomsday trailer, I’m left with a sense that the movie will be a who’s who of who cares. Multiple shots within the 145-second trailer left me wondering “should I know who that is?” or “what is the significance of this interaction?” or “does this movie have a plot, or is it more of a My Dinner With Andre situation where dozens of superheroes sit around having thought-provoking conversations?”
The MCU used to be really good at balancing numerous characters around a single, coherent story. Most of the movies leading up to the Infinity saga are designed so brand new fans can keep up, and existing super-fans can enjoy every little easter egg and reference along the way. If the trailer is anything to go off, it looks like Doomsday will be loaded with Disney+ streaming characters that no employed adult would ever have the time to commit to memory. Maybe there’s a mandate that casual fans sit this one out, but it seems strange that Disney would rest their next landmark movie on the backs of Yelena Belova, Bob Reynolds, and Namora.
Better Find A Study Buddy
Ironically, this inability to juggle spinning plates is exactly the reason that nobody attempted to form an expansive cinematic universe like this before 2008. If you pitched the idea of turning the entire Marvel Comics roster into an interconnected sequence of blockbuster films before the success of The Avengers, producers would shut you down because they wouldn’t want to alienate non-comic readers, or shell out millions for an ever-expanding cast of A-listers. These days, it feels like you can’t enjoy a new Marvel film unless you’ve committed to 14 hours of mandatory homework first.
Obviously, it’s way too soon to know for sure if Avengers: Doomsday will be any good. We’ll probably get a few new trailers, some carefully-laid behind the scenes leaks, and an overwhelming media blitz from the 400 cast members before it hits theaters. But for now, my excitement is suspended. That is, unless somebody can confirm that the MF DOOM song “Doomsday” will be used in the movie. That would get me back on board immediately.
Selena Gomez‘s mother, Mandy Teefey, is not in the mood for online critics.
The producer fired back at trolls who questioned her parenting and relationship with her daughters. In a passionate defense, she made it clear that strangers have no right to judge her family dynamic or diminish her dedication as a mother.
Teefey’s outburst comes shortly after she similarly faced backlash for sharing a post fans seemed to think was a cry for attention.
Taking to social media on Friday, 50-year-old Teefey shared a brief look into an online exchange before deleting the post. The mother faced criticism from an internet user who alleged that she was publicly undermining her daughters, Gomez and Gracie, while ignoring their emotional health.
Replying directly to the critique, Teefey sarcastically thanked the individual for attempting to explain her household’s emotional well-being. She highlighted her long-standing dedication to wellness causes, stating that she has dedicated her adulthood and resources toward helping others fight psychological battles.
“No one parents perfectly, and people judge people all day on their choices, so you can think I’m a bad parent,” Teefey wrote.
“What have you done today to make someone’s day better? Ask yourself that, and if nothing, go do that. I’m not the problem. Hate is,” she added, as reported by U.S. Weekly.
Expanding her thoughts in the post’s caption, Teefey explained that while she does not seek approval as a social media parenting figure, she will not stay silent when critics ignore her and her daughter’s sacrifices for public mental health awareness.
Mandy Teefey’s Cryptic Social Media Post Sparked Fan Backlash
The recent wave of online criticism against the entertainment manager seems to have stemmed from a social media update she shared over a week ago. Unfiltered pictures of her two daughters were posted alongside inspirational quotes, including a line that read, “She outgrew what drained her.”
As reported by The Blast, in the caption, the mother praised the sisters as her ultimate life achievements before writing that one day her children would recognize her strength and return her devotion.
The message immediately triggered alarm among devoted followers, who accused the media figure of creating public drama and seeking attention at her famous child’s expense. Concerned supporters urged her to resolve any private disagreements away from social media, warning that the post would invite negative scrutiny toward her daughter.
Mandy Teefey Was Excluded From Playing A Major Role At Selena Gomez’s Wedding
Adding to the ongoing public scrutiny surrounding Teefey and Gomez’s relationship, reports surfaced in September 2025 regarding a major family rift during the pop star’s wedding preparations.
The Blast reported that Gomez made the unexpected choice to have her maternal grandfather, David Cornett, instead of her mother, give her away during her nuptials to Benny Blanco.
Insiders revealed that the decision reportedly left her mother and stepfather completely heartbroken, describing the unexpected choice as a shock move that created significant tension among family members.
While her mother was reportedly shattered by the choice, the bride’s grandparents were overcome with emotion when invited to take on the prominent role.
Selena Gomez’s Mother Faced Workplace Allegations Surrounding Drug Use
Gomez’s decision to have Cornett walk her down the aisle instead of Teefey came a few weeks after Teefey was allegedly involved in a drug scandal.
At the time, The Blast detailed the allegations against the producer regarding her conduct at Wondermind, the mental health startup she co-founded with her daughter and Daniella Pierson.
According to the report, former staff members came forward alleging erratic behavior and substance use in the workplace, with one employee claiming to have witnessed the businesswoman snort a substance that appeared to be Ritalin inside her office.
Addressing the accusations directly in a statement to the press, the media figure strongly denied the claims regarding workplace substance use, describing the reports as “absolutely” false.
Selena Gomez Is Now Stepping Into New Cinematic Territory
Despite the scrutiny and alleged drug scandal surrounding Teefey, Gomez has managed to keep exploring new heights in her career.
According to The Blast, the actress is reportedly set to star alongside Cate Blanchett and Michael Fassbender in an “X-rated” project directed by Brady Corbet.
While specific plot details remain closely guarded, the filmmaker described the upcoming project as a “genre-defying” film that spans from the nineteenth century to modern times, with a core focus centered on the 1970s.
The Planet Express crew is back at San Diego Comic-Con, baby! Hulu has returned to the event this weekend to once again promote the biggest hits of its Animayhem lineup, from The Simpsons to Bob’s Burgers, Family Guy, and, of course, Futurama, which is just over a week away from blasting off for Season 14. To celebrate the coming premiere, series creator Matt Groening joined showrunner and head writer David X. Cohen, executive producers Claudia Katz and Ken Keeler, and the ever-enduring cast of Billy West, John DiMaggio, Lauren Tom, Phil LaMarr, David Herman, and Maurice LaMarche to preview the next round of zany sci-fi comedy adventures among the stars. That included sharing some world-first footage, along with some other surprises.
Season 14 is out to prove that there are depths of the universe that the Planet Express crew has not yet explored, promising “swaggering space pirates, lab-grown meats, sexy scams,” and much more. Excitingly, it also teases “the shocking return of Dr. Zoidberg’s lost love,” implying that the Hulu revival will finally address the absence of Marianne after her appearance in the final Comedy Central season. Collider was able to share a few images as part of our Exclusive Summer Preview series in May that teased a bit more, like a worrying diagnosis for Professor Farnsworth and a missing Nibbler, but now, the curtain is being properly pulled back. An explosive official trailer was unveiled during the series’ SDCC panel, showing the world once again at risk of destruction.
The footage kicks off with a literal blast from the past when the professor’s time machine, as iconically featured in “The Late Phillip J. Fry,” returns, and this time, it’s idiotproof. Fry will put that to the test, but that’s just the beginning of the crew’s worries. Hermes warns of “the end of civilization” as the world is beset by space pirates, vampires, alien invaders, revolutionary pop stars, and more. Things are dire enough that the Nibblonians once again have to get involved and send Fry, Leela, and the gang on another perilous quest to save everything. From Titanic-like crashes to robot mafia hits, the 20th-century delivery boy and his friends will have their fair share of brushes with death in another season full of as many laughs as there are high stakes.
‘Futurama’ Will Live on After Season 14, But Not as Expected
While Futurama‘s Hulu era has been a massive success so far in terms of viewership and acclaim, Season 14 is the first of the revival to go in without another season already ordered. Cohen even previously mentioned that the coming season finale was written to operate as a series finale if a Season 15 never happened. While it doesn’t appear that another round of episodes is coming at this time, the panel did have some more good news, everyone. Hulu has greenlit three extended-length “XXXL-sized” specials that are now in production, with the first set to debut next year. Not much is known about the new installments at this time, but the first one will be X-Mas themed, meaning Robot Santa is likely coming back for some ho-ho-holiday carnage. More details will be shared at a later date.
Futurama Season 14 debuts with two episodes on Hulu on August 3, while the first of the three XXXL-sized specials will arrive sometime in 2027. Check out the trailer in the player above.
- Release Date
-
March 28, 1999
- Network
-
FOX, Comedy Central, Hulu
- Directors
-
Peter Avanzino, Brian Sheesley, Crystal Chesney, Frank Marino, Edmund Fong, Stephen Sandoval, Bret Haaland, Rich Moore, Ron Hughart, Dwayne Carey-Hill, Raymie Muzquiz, Mark Ervin, Susie Dietter, Gregg Vanzo, Swinton O. Scott III, Ira Sherak, James Purdum, Corey Barnes, Lance Kramer, Ray Claffey, Chris Sauve, Jeffrey Lynch, Pat Shinagawa, Wes Archer
- Writers
-
Eric Rogers, Dan Vebber, Maiya Williams, David A. Goodman, Ron Weiner, Aaron Ehasz, Kristin Gore, Brian Kelley, Evan Gore, Heather Lombard, Jason Gorbett, Michael Saikin
-
Billy West
Fry / Professor Farnsworth / Zoidberg / Zapp Brannigan (voice)
-
If you’re talking great Ridley Scott sci-fi movies, it’s hard to rush right past Blade Runner, but also, you can if you’re not talking about the series it kicked off. There is also Alien, after all, which is similarly legendary as far as decades-old science fiction movies go, but it’s a rather different sort of sci-fi, seeing as Blade Runner is more of a dystopian/thriller sort of thing. The world of Alien is admittedly also quite bleak, but that first movie does revolve around a small group of people having to survive in space. Sequels to it, which weren’t directed by Ridley Scott, scratched the same itch in some ways and ventured into other territory in some other ways, but then Scott himself returned to the series in 2012.
That 2012 movie was Prometheus, and it was a prequel to Alien that felt quite different from any of the Alien movies that came before… mostly in a good way, despite what some naysayers might have you believe. Scott made a third movie that tried to split the difference between being a Prometheus sequel and another Alien prequel (of sorts), but one that felt distinctly more like an Alien movie. That film was Alien: Covenant, and it’s another divisive one, though it’s certainly got its moments and delivers some solid horror sequences while being technically impressive, as a sci-fi movie. It’s being taken off HBO Max at the end of July so, at the time of writing, you’ve got a bit under a week to watch it there, or venture elsewhere to give another look to a movie that probably deserves it.
What Happens in ‘Alien: Covenant’
So, for a bit of background on Prometheus, before covering Alien: Covenant, this 2012 film is not chronologically the first in the series, if you want to count Alien vs. Predator and its sequel. But it’s understandable if you don’t want to count those two, so sure, Prometheus is the first “real” Alien movie, chronologically speaking. It takes place near the end of the 21st century, while Alien: Covenant takes place at the very start of the 22nd century, and then the first Alien (from 1979) is set in 2122, about two decades on from the events of Alien: Covenant.
There’s an android from Prometheus, David 8 (Michael Fassbender), who appears in Alien: Covenant, but it’s otherwise a different cast of characters who get wrapped up in some horror stuff.
That means it makes sense why Alien: Covenant bridges the gap between Prometheus and Alien, though it does also feel like there would’ve ideally been a third Ridley Scott-directed Alien movie released post-Alien: Covenant, but it was not to be. Instead, there was Alien: Romulus, which was still neat. Anyway, Prometheus involves the search for the origin of humanity, and that search leads some explorers to stumble upon some vaguely Alien-y things. There’s an android from Prometheus, David 8 (Michael Fassbender, who has two roles in Alien: Covenant, also playing the android Walter One), who appears in Alien: Covenant, but it’s otherwise a different cast of characters who get wrapped up in some horror stuff, including a xenomorph, and you only got a predecessor of one of those very briefly at the end of Prometheus. Hence Alien: Covenant indeed being more of an Alien movie than Prometheus was.
The Ways ‘Alien: Covenant’ Adds to the ‘Alien’ Series
Alien: Covenant does provide closure to Prometheus, to some extent, albeit it kind of speed-runs that stuff. It’s still one of the highlights of the movie, detailing how David’s actions doomed the Engineers (a big part of Prometheus), with that whole flashback also contributing to why David behaves differently in Alien: Covenant than how he did – or seemed to behave – in Prometheus. He was a highlight of that movie, character-wise, but he steals the show to an even greater extent in Alien: Covenant.
It’s also cool how Fassbender gets to act alongside himself, despite (or maybe because) the one big scene David and Walter containing some weird sexual innuendo. Alien: Covenant just goes for it. It doesn’t really care. There is also a shower scene that feels right out of a schlocky slasher movie, and yeah, it’s one of the standout sequences in the whole movie, for better or worse. Alien: Covenant really embraces being a horror movie, and one that’s almost B-grade with its sensibilities, but thankfully A-grade when it comes to production value.
How ‘Alien: Covenant’ Compares to Other Recent Ridley Scott Movies
If you look at Quentin Tarantino, he’s a director who seems very resistant to making too many movies, stressing his intention to retire after directing his tenth feature film. He’s only worth bringing up here because Ridley Scott’s kind of the opposite. Scott just keeps on directing, even though he’s set to turn 89 near the end of 2026, and he’s amassed about 30 directorial credits to date. And a bunch of them have been recent, because since 2017’s Alien: Covenant, he’s also done All the Money in the World (2017), The Last Duel (2021), House of Gucci (2021), Napoleon (2023), and Gladiator II (2024).
This is going to sound like a potentially crazy hot take, but of those, only The Last Duel is better than Alien: Covenant. This really is one of the better Ridley Scott movies from the past decade or so, and there are a good many Ridley Scott movies released in the past decade-ish, so making that claim is worth something (and he has a new movie coming out in 2026, too: The Dog Stars). He’s not the most consistent of directors, but Alien: Covenant is a bit better than some make it out to be, and if you have to search beyond HBO Max in a post-07/31/2026 world to find it, then it’s probably worth the effort to do so.
Alien: Covenant
- Release Date
-
May 19, 2017
- Runtime
-
123 Minutes
- Writers
-
dante harper, John Logan, Jack Paglen, Michael Green
Zach Gilford’s exit from Criminal Minds came as a surprise to some — but could he return in the future?
“Me and [showrunner] Erica Messer, we had this idea of a spinoff,” Gilford, 44, teased exclusively to Us. “I would love to do a spinoff. The hard thing unfortunately is it’s a joint studio. It’s Disney and Paramount. It’s kind of hard to convince them to do it.”
Gilford wouldn’t mind reprising the complex role of serial killer Elias Voit, who went from committing disturbing crimes to helping out the FBI’s Behavioral Analysis Unit.
“It’s just convincing them to make it because no one’s going to give the rights to someone else and they don’t want to own it together,” he continued. “So unfortunately, I doubt it will ever happen, but there are dreams of it. … Let’s start an online movement or whatever we do nowadays.”
Criminal Minds is back with a revival on Paramount+ — but fans have watched the cast change on and off screen since the procedural first debuted. In 2005, viewers were introduced to a group of criminal profilers who work for the FBI as members of its Behavioral Analysis Unit. The crime drama, which was created by […]
After playing Voit for four seasons since 2022, Gilford wasn’t ready to say goodbye.
“We can both hope [my character Voit will return] but all I know is I’m not there filming right now,” he said of his potential return for season 20 of Criminal Minds: Evolution. “It was hard to say goodbye. It definitely was one of my favorite characters I’ve ever gotten to play and partially because what a gift.”
He continued: “Every season I got to do a different side of this character. It wasn’t like I was just doing the same thing every year.”
For Gilford, Criminal Minds was the perfect challenge, adding, “To give this guy some redemption and go out on a good guy note — so to speak — was nice. It’s weird. You wrap a show and a lot of times you’re like, ‘I don’t know if I’m coming back next year and if we’re going to have another season in general.’ On this, I did know that it was the end.”
Gilford told Us he struggled to say goodbye to Criminal Minds.
It is never easy to unexpectedly say goodbye to your favorite characters — and 2026 has featured an influx of shocking departures on our TV screens from Grey’s Anatomy to Virgin River. Virgin River fans were surprised when showrunner Patrick Sean Smith confirmed multiple characters were written off the show after season 7. Marco Grazzini addressed […]
“It was a bummer and I am really like, ‘I’m not good with emotions,’” he shared. “So I literally — before they even officially wrapped — I had a feeling it was the last take. I just left. I didn’t say goodbye to anyone. I just snuck out. They’re like, ‘Zach, where are you? Where’d you go?’ And then a few people saw me driving out of my car. I’m like, ‘Bye, I’ll see you later.’”
While the Thursday, July 23, season finale of Criminal Minds hinted at Voit’s exit, the door was left open for a return. Gilford, however, has remained booked and busy.
“I’ve been working since I left for the most part. I’ve had some downtime with my kids, which is always the best. But I got to do a Christmas romcom, which was so fun,” he teased. “It was just so nice to do something nice and cute. Then I went and did an Evil Dead movie, which was the complete opposite.”
Criminal Minds is now streaming on Paramount+.
There are three constants in life: death, taxes, and one of Stephen King‘s books being adapted for film or television. Firestarter, The Shining…all of these books have leaped from the page to the screen, with varying results. But the one King book series that’s always seemed to have the biggest hurdles in making it to the screen is The Dark Tower. The universe-hopping western has often been described as King’s “magnum opus,” and yet it’s hit wall after wall. Even a 2017 film adaptation starring Idris Elba and Matthew McConaughey fell far, far short of expectations.
However, there may be hope on the horizon. A television series is in the works with Mike Flanagan at the helm, with Prime Video as a potential streamer, though there’s no confirmation on where it might actually land. Unlike other attempts to bring The Dark Tower to screens, this might actually stick. For one thing, Flanagan is no stranger to adapting King’s work — he previously directed adaptations of Gerald’s Game and Doctor Sleep, and the reception those received was enough for King to give him his stamp of approval for the Tower series. But more importantly, television is the one medium that The Dark Tower is perfectly fit for.
The Scale and Scope of ‘The Dark Tower’ Fits Television
The Dark Tower series centers around the adventures of Roland Deschain, the last living gunslinger. Deschain is seeking vengeance against Walter o’Dim — whom he knows as the “Man in Black” — as Walter had an affair with his mother and attempted to manipulate his life. Walter seeks to reach the titular Dark Tower, a nexus point for all realities, and claim its power so that he can become a god. Along the way, Roland forms a group of companions known as a ka-tet and travels to multiple worlds while grappling with the trauma of his past. If you hadn’t already guessed, this is a sprawling, epic story that spans the course of seven books. You couldn’t possibly hope to capture all of that on film.
That kind of scope and scale has proven to work like gangbusters when applied to the medium of television. From Game of Thrones and His Dark Materials on HBO to Shadowhunters on Freeform, television has allowed for these shows to stay faithful to their source material. It’s also proven to be a second chance of sorts for books that had poorly-received film adaptations. Both His Dark Materials and Shadowhunters were previously adapted for the screen, and fared far better in televised form. A similar approach could work wonders for The Dark Tower.
‘The Dark Tower’ Features Plenty of Connections to King’s Previous Works
Another feature that The Dark Tower could take advantage of is the connection to all of King’s previous works. The Man in Black is also the malevolent Randall Flagg, who served as the evil force terrorizing the world in The Stand. Father Callahan, the doomed priest from Salem’s Lot, also encounters Roland and his ka-tet.
“Roland’s story is my Jupiter — a planet that dwarfs all the others… a place of strange atmosphere, crazy landscape, and savage gravitational pull,” King wrote in the afterword for Wizard and Glass. Those words took on a whole new meaning in the final novel, where Roland is implied to meet someone who bears a shocking resemblance to King. Yes, The Dark Tower ends with its protagonist literally meeting his maker. Given the rise of the interconnected universe in storytelling, Flanagan could use these references as a way to enhance the story and also provide a jolt of serotonin for King’s readers.
However, this approach may be blunted by the fact that another show — and one based on King’s work, no less — took a similar approach. The Hulu series Castle Rock attempted to blend together themes and characters from King’s novels into one setting. Some examples include the Shawshank State Penitentiary being a primary location, as well as the characters themselves. Diane “Jackie” Torrance (Jane Levy) is the niece of The Shining protagonist Jack Torrance, and Lizzy Caplan cameos as a young Annie Wilkes, aka the nurse-turned-murderer from Misery. If Flanagan is going to attempt to reference the other books in King’s library, he may have to tread with caution.
Will This Version of ‘The Dark Tower’ Get Off the Ground?
Flanagan’s vision for The Dark Tower is not the first time that the series has been considered for a television adaptation. J.J. Abrams and Damon Lindelof, riding the then-high of Lost, attempted to develop a television version of The Dark Tower that never got off the ground. And Prime Video considered doing an adaptation with The Walking Dead‘s Glen Mazzara at the helm, only to shelve the project in 2020. Flanagan has recently given an update that proves the series is still in early development. He told Entertainment Weekly that the series is one of the “most complicated properties to get started.” He added, “Getting the green light on Dark Tower is a much longer and more involved process than anything else I’ve ever approached in my life.” Flanagan has a long road ahead of him still, but a long journey never stopped Roland, so why should it stop Flanagan?
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