TV
Seven’s Andrew O’Keefe coverage turns ugly as goading cameraman crosses a line | Amanda Meade
The media has been capturing former TV star Andrew O’Keefe’s fall from grace in agonising detail, including his recent community corrections order after he was found guilty of “violent and degrading” domestic attacks.
The Daily Mail has published at least one story a day about the former The Chase Australia and Weekend Sunrise host this month alone.
But a story broadcast on Seven News this week featuring a cameraman repeatedly verbally abusing, insulting and goading the 52-year-old appears to have crossed a line with viewers who have called it “unprofessional” and “harassment”.
Cameraman to O’Keefe: “Big weekend mate?… You’re a degenerate mate. You’re a fucking degenerate. That’s what you are. You’re a degenerate man.”
O’Keefe returns fire, telling the cameraman he is making a living out of “leeching off people”.
Cameraman: “Go and abuse some women mate.”
In the video O’Keefe takes off and then reverses his car and returns to the police station to report the altercation, only to be arrested for breaching his bail conditions and sent to jail.
When Seven posted the video on social media the comments were overwhelmingly negative: “But, what dirty, grubby behaviour from that paparazzo … seemingly taking glee at a once stable star’s free fall. You should be ashamed.”
Seven’s new director of news, Anthony De Ceglie, declined to comment and the video remains online.
Closed book
The books editor of the Age and Sydney Morning Herald, Jason Steger, is one of the more experienced journalists to leave the publishing arm of Nine Entertainment, which has shed 85 editorial staff. Another big loss is investigative reporter and author Ben Schneiders, a Walkley award winner and a four-time winner of the industrial relations reporting award.
Steger had been in the role since 2000 and is known to viewers of The Book Club on the ABC, which he co-hosted with Marieke Hardy and Jennifer Byrne until 2017.
“I have been very lucky to have had what I consider the best job in journalism, and would like to thank my colleagues at the Age/SMH and every author, publisher, bookseller, publicist and reviewer for making my work so enjoyable,” Steger told the trade press.
Weekly Beast understands Steger will continue to write his weekly newsletter The Booklist as a freelancer but he will not be replaced. The reviews and interviews will be shared among exisiting Spectrum staff.
Nine publishing declined to comment.
Dean there, done that
The Australian Financial Review has parted ways with columnist Rowan Dean, who hasn’t had a piece published since 2 August. Dean appears not to have survived the departure of former editor-in-chief Michael Stutchbury who was a fan of the so-called satirist.
Stutch didn’t blink when Dean wrote a controversial column several years back inspired by the Rich List, which he called the “Poor Me List”.
Of the seven people he targeted, three were Indigenous: Nova Peris, Stan Grant and former AFL star Adam Goodes.
Dean, who has described climate change as a “fraudulent and dangerous cult”, still has a program on Sky News Australia where he has been found by broadcasting authorities to have breached codes for fairness and for failing to distinguish opinion from fact.
New leash on life
Nine Radio – home to 2GB and 3AW – threw Peter Gleeson a lifeline last June after the Courier-Mail columnist and former News Corp editor left his Murdoch home after multiple instances of plagiarism were uncovered.
After apologising for breaching News Corp’s code of conduct, Gleeson was also sacked by Sky News.
His short-lived radio career as host of Brisbane’s 4BC Drive show ended abruptly this month after his ratings fell to just 3.7 % of the audience from 4.2%. Former Drive host Neil Breen’s ratings had more than 5% when he left in June last year.
Gleeson announced on air he was leaving 4BC to take up a new appointment as chief executive of Queensland’s $85m Q greyhound complex.
“I will be leaving 4BC, with much heartache and regret,” Gleeso said. “I’ve taken on a role that is right in my wheelhouse. I’ve been appointed CEO of the new greyhound facility at Yamanto,” Gleeson said.
“It was a tough decision – but in the end, I went to my first greyhound meeting when I was five and I’ve been involved in the industry ever since.”
Gleeson’s love of greyhounds went deep. He often used his platform as an opportunity to promote the sport, writing about it in the Courier-Mail and talking it up on Sky.
In 2019 on Sky News he snapped at fellow Sky host Janine Perrett when she said she didn’t like greyhound racing.
“You know what? Maybe you should work at the ABC,” he said.
Fast forward five years and Perrett is standing in for Paul Barry as host of ABC TV’s Media Watch while he is on leave. Perrett is one of the people being considered to replace Barry when he steps down at the end of the year.
Higher calling
For Sharri Markson having the support of Lachlan Murdoch and Sky News boss Paul Whittaker for her fight against antisemitism is important. But the Sky News host claims she has the backing of an even higher power: “Rabbis give me blessings to keep doing what I’m doing.”
Markson made the statement in an interview with the Jewish Independent, telling Vic Alhadeff she is “extremely fortunate to have an opinion program which gives me the platform and ability to speak out against antisemitism”.
“Being a fighter for what’s right is intrinsic to my personality,” she said.
Markson says she feels driven to put pressure on our leaders to stand up to antisemitism, and after Sky aired a documentary on antisemitism in May, Markson applauded the program with tears in her eyes.
“I also have to say as a Jewish Australian, a huge thank you to my bosses here on Sky News.”
Position vacant
The Australian Broadcasting Corporation is not only looking for a new host of Media Watch. The hunt is on for a new managing director, and the ad for the position was published in the Australian Financial Review on Friday.
After a 35-year career at Aunty and a year into his second five-year term as MD, David Anderson resigned last month.
“At the core of success for the next Managing Director will be the ability to capture the aspirations of the Australian public, whilst positioning the organisation for the future through modernising and implementing an audience focussed enterprise,” the ad says.
“The role of Managing Director also encompasses the function of ‘Editor-in-Chief’ and holds ultimate editorial authority and responsibility for all content published by the Corporation. “
The deadline for applications is 1 October.
ABC of diversity
The Labor government has made changes to the selection criteria for an ABC board member which it hopes will promote diversity.
No, there is no requirement for the candidates to be diverse, but they will in future be expected to have “the ability to credibly represent the communication needs of Australia’s diverse society”.
Greens senator Mehreen Faruqi highlighted the lack of diversity on the ABC board in a letter to the communications minister, Michelle Rowland, last month.
A spokesperson for Rowland said the change was intended to reflect the role of the ABC under its charter to provide programs that contribute to a sense of national identity and inform and entertain, and reflect the cultural diversity of the Australian community.
“The changes were informed by the government’s review of options to support the independence of the national broadcasters, and in consultation with the ABC and SBS,” the spokesperson said.
Credlin’s Liberal links
A federal court defamation trial has given the public an insight into the role Sky News host and columnist for the Australian Peta Credlin continues to play in Liberal politics.
Tony Abbott’s former chief of staff might call herself a journalist, even winning or being shortlisted for awards, but she is considered a “Liberal party mentor” by at least one Victorian MP.
The revelation came during independent MP Moira Deeming’s evidence in the case she brought against Victorian Liberal leader, John Pesutto, for allegedly falsely portraying her as a Nazi sympathiser.
Deeming’s run-in with the Liberal party started when she helped organise and spoke at the “Let Women Speak” rally last year, which was gatecrashed by neo-Nazis.
The trial has heard evidence Credlin was advising Deeming on how to handle her dispute with the party.
Asked by Matthew Collins KC, for Pesutto, if Credlin was a journalist, Deeming, who was expelled from the parliamentary party in May, replied: “I viewed her mostly as a Liberal party mentor”. Deeming remains a member of the broader Liberal party.
Credlin has spoken about the trial on her Sky News show, referring to all the emails and text message exchanges she had with Deeming.
“As was made clear in the court today, based on my emails and text messages, my motivation in helping Moira has always been about justice and fairness,” Credlin said.
TV
Watch: Amy Dowden responds to suggestion she’s ‘back home’ on Strictly | Culture
Amy Dowden said she was “so happy I could burst” as she made an emotional return to Strictly Come Dancing on Saturday night (21 September).
The 34-year-old Welsh ballroom dancer, who first joined the cast of Strictly in 2017, was too ill to compete in last year’s series as she recovered from treatment for stage three breast cancer.
Dowden has been paired with JLS singer JB Gill for this year’s series.
“I’m so happy I could burst,” she said after her first performance, responding to Shirley Ballas’s suggestion that she is “back home” on Strictly.
The couple were awarded 31 points during the first live show, securing their high score after they waltzed to “When I Need You” by singer Leo Sayer.
TV
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TV
From Mick Jagger to Crossroads: the pioneering career of Cleo Sylvestre | Stage
Although named after a Shakespeare heroine, Cleopatra Sylvestre – more often known personally and professionally as Cleo – had to wait until very late in a long career to play one of the playwright’s women on a major stage. Last year, she was cast at Stratford-upon-Avon as Audrey in As You Like It, in a touching production using the conceit of older actors recreating a Royal Shakespeare Company show they appeared in decades before.
As the programme noted that this was the RSC debut of Sylvestre, who has died aged 79, it was clear the framing device was fake. And, given the talent and success of an actor who made her West End debut aged 19, the belated bestowal of such a role is a measure of the obstacles that actors of colour long faced in the UK.
The gaps are even more striking because Sylvestre’s career had initially seemed fast-tracked. The daughter of a Yorkshire dancer, she turned the family kitchen table in north London into her first stage, dancing on it as a child, and enrolled at the Italia Conti juvenile theatre school. Aged 16, she bunked off from double biology to record a song with the Rolling Stones. A cover of To Know Him Is to Love Him, it was released in 1964, under the name Cleo. This proved a false start artistically, but Sir Mick Jagger reported being “so sad” at the death of his “old friend”, who stands in pop history as the first woman to record with the Stones.
There were also other striking early breakthroughs. In 1967, aged only 19, she acted alongside Sir Alec Guinness in the London West End in Wise Child, the first play by Simon Gray. Two years later, she became the first black woman to play a lead role at the National Theatre – in Peter Nichols’ comedy, The National Health – and, in the same period, achieved the equivalent of that landmark in a major TV soap opera, with a recurring role in ATV’s Crossroads.
In a 2015 letter to The Guardian, after the death of the TV show’s creator, Hazel Adair, Sylvestre wrote: “It was not long after Enoch Powell’s “rivers of blood” speech. At a time when racial tension was quite high, especially in places such as Birmingham where the show was based, the decision to introduce a main character who was black was unprecedented and a brave decision for a soap that was sometimes ridiculed.”
Through no fault of her performances, much ridicule also attended her other launch platforms. In Wise Child, Guinness played a criminal blackmailed into pretending to be the mother of a young man. Gray, who had a sideline in diaries and articles about his playwriting disasters, reported customers demanding their money back in the interval as Guinness did not seem to be in the play. One couple, who had realised he was playing the heroine, shouted, “Sir Alec, how could you?” as they walked out.
But, though playing a role that the dramatist himself dismissed as “a simple-minded cockney West Indian”, Sylvestre impressed enough to receive an acting award nomination and a dressing room visit from Sir Laurence Olivier, artistic director of the National Theatre, who gushed, she would recall, in the perfect “Larry” imitation that all actors of her generation had: “Oh, Miss Sylvestre, I’d just like to congratulate you on the most wonderful performance.”
Two years later, she was at the National in Nichols’ comedy about the NHS. In both The National Health and Crossroads, Sylvestre played nurses. This would now be seen as stereotyping – although it reflected one of the great contributions of immigration to the UK – but the point was that the roles were of a size being written at the time only for white actors.
In interviews, Sylvestre continued to be grateful to Olivier for the break. It is not clear, though, if she was aware of a shocking complication in his patronage. Published in 2013, The National Theatre Story, the organisation’s official history, endorsed a story told in Nichols’ Diaries 1969-1977 (2000). Using language that would have appalled many then and is completely abhorrent now, Olivier is reported to have said, after the first night of The National Health: “Much as I admire the negro races, I’m not great admirer of their histrionic abilities … D’you think the regular girls in the company should black up?”
Such attitudes may explain why, in theatre, Sylvestre never subsequently developed quite the momentum that her early successes suggested, although later National Theatre administrations treated her much better. In 2021, she sparkled in a stage version of Dylan Thomas’s Under Milk Wood and former NT boss Sir Nicholas Hytner cast her, in 2018, in Alan Bennett’s hospital-set play, Allelujah, at his Bridge Theatre, where she had graduated from nurse to patient.
On TV, Sylvestre was in regular demand for character parts from Z Cars in 1967 via Grange Hill in 1979 to Platform 7 and All Creatures Great and Small as recently as last year.
In an interview late in her career, she was asked for advice for the next generations of her profession and replied: “To young actors, I would say acting must be a passion; there will be rejection, but that ‘dream job’ is waiting around the corner.”
It was a characteristically generous response from someone who – due to the slowness of cultural change in British showbusiness – faced much rejection and was denied many of the dream jobs that her pioneering achievements make possible for those who follow her.
TV
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TV
Strictly’s first blind contestant Chris McCausland says he and pro partner are ‘winging it’
Strictly Come Dancing’s Chris McCausland has revealed how the BBC production team have been supporting him as the show’s first blind contestant.
Speaking to The Independent and other media ahead of the show’s launch, the comedian admitted that he and his dance partner are “winging it” since McCausland has never seen the show before, and his professional partner has never taught someone who is blind.
“We’re just gonna have to figure it out as we go along,” he said. “The production team are just being really flexible. My dance partner is figuring out how to teach me. And we are winging it. That’s the best way I think.”
Speaking about his rehearsal experience so far, McCausland explained that adapting to wearing new dancing shoes was the first hurdle.
“The part of the problem for me is wearing shoes that I’m not used to walking in,” he said. “I can’t feel the floor through the shoes properly.”
“There’s a lot of things that are going to make this more complicated,” he laughed. “If it wasn’t on live telly that would be a good thing as well!”
McCausland lost his sight aged 22 due to a hereditary condition called retinitis pigmentosa.
As well as being a comedian on panel shows from Have I Got News for You to Would I Lie to You?, McCausland hosts ITV Saturday morning series The Chris McCausland Show, and is known by younger viewers as Rudi, the market trader, in CBeebies show Me Too!
Discussing his motivations behind joining the show, he said that working in a team is a welcome change from his stand-up work, which can be quite “solitary”.
“The best things I’ve done are the things I’ve really had no experience in and had to learn,” he said. “This is so far out of my comfort zone that it’s gonna be an experience.
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He admitted he was initially reticent about signing up, mainly because he thought it was a silly idea.
“I wasn’t keen on the idea at first,” he said. “Immediately I was like, ‘No, I can’t do that… that’s ridiculous. That’s a stupid question!’ I’m quite resistant to things and then it takes me a while to acclimatise to it and really think it through. But then I just need to process these things.”
In the Channel 4 series Scared of the Dark, he spoke openly about his experience of going blind, explaining that he can “still see light and space” and has “an awareness of the space around me, not in terms of objects and things, but in terms of the room and whether there might be something in front of me”.
Speaking about representing disability on screen, the comedian said that he thinks that it can be more impactful when it is more subtle.
“My attitude has always been to represent by not banging you over the head. I think the best way to represent a disability is to make people forget about it whenever possible. It’s always part of you.”
“But if you can do a show where, say, 80 per cent of it isn’t about being blind, that makes it more impactful and funnier when you do talk about it. I believe in representation within the mainstream.”
McCausland will dance alongside other celebrities including Arsenal’s Paul Merson and Love Island’s Tasha Ghouri on this year’s show, which kicks off on Saturday 14 September. Find the full lineup here.
TV
Sebastián Yatra – TV (Official Video)
Vote for Sebastian Yatra in the ‘Premios Juventud 2022’, Categories:
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Lyrics:
Como hablarte y hacerte sentir diferente,
Algo inteligente, que me invente para hacerte reír locamente,
Ya me iba de frente y justo cuando lo tenía to planeao,
Te acercaste y me dejaste callao,
Enamorau
Quédate esta noche,
Quítate el jean y déjatela G,
Que rico dormir, abrazado de ti,
Y que hagamos lo que viste anoche en la tv
Oh baby si te despiertas en la noche, despiértame que quiero repetir,
Que rico vivir abrazado de ti,
Un amor como el que viste anoche en la tv
Desde esa noche que te vi debí alejarme,
Pero me hablaste, asi eres tú me hipnotizaste,
Yo me lance y justo en el aire me atrapaste,
Yo te iba a dar un beso y tú me lo robaste
Dile a tu papá que te mudas pa ́ medallo conmigo,
Dile a tu mamá que esto es serio que no somos amigos,
Ni camilo, ni rauw estan tan enamorados,
Que me junten varias vidas, me las paso a tu lao,
Enamorao
Quédate esta noche,
Quítate el jean y déjatela G,
Que rico dormir, abrazado de ti,
Y que hagamos lo que viste anoche en la tv
Oh baby si te despiertas en la noche, despiértame que hoy quiero repetir,
Que rico vivir abrazado de ti,
Un amor como el que viste anoche en la tv
Dile a tu papá que te mudas pa ́ medallo conmigo,
Dile a tu mamá que es en serio que no somos amigos,
Dile a tu papá que te amo, que se quede tranquilo,
Dile a tu mamá que la amo por ser chimba conmigo.
#SebastianYatra #TV #OfficialVideo
Music video by Sebastián Yatra performing TV. Universal Music Latino; © 2022 UMG Recordings, Inc.
http://vevo.ly/SyryGX
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