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Brand New Day’ Sets All-Time ScreenX, 4DX Box Office Record In Just 33 Days Overtaking Avatar 2

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LOS ANGELES — Sony Pictures’ “Spider-Man: Brand New Day” has become the highest-grossing film of all time across the premium ScreenX and 4DX theatrical formats, generating more than $104 million in combined global box office in just 33 days, according to CJ 4DPlex, the entertainment technology company behind both immersive cinema formats.

The Tom Holland-led superhero film surpassed the previous all-time CJ 4DPlex global box office record set by “Avatar: The Way of Water,” which had accumulated $103 million across a considerably longer 228-day theatrical run. The speed at which “Brand New Day” reached the milestone marks a dramatic acceleration compared with the prior record holder, reaching the same benchmark in roughly one-seventh the time.

CJ 4DPlex Americas CEO Don Savant characterized the achievement as evidence of the growing commercial power of premium theatrical formats within the broader film industry.

“This record demonstrates the tremendous opportunity premium formats create across the theatrical ecosystem,” Savant said. “For studios and filmmakers, ScreenX and 4DX provide differentiated ways to showcase their biggest films, create excitement and drive incremental box office. For exhibitors, they provide a premium experience audiences actively seek out and are willing to pay more to enjoy.”

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Savant also credited Sony Pictures directly for embracing an unconventional production approach that helped make the record possible.

“Most importantly, we are incredibly grateful to Sony Pictures for embracing our vision for ‘Shot for ScreenX’ and working with us to make it a reality,” Savant said. “Their partnership and commitment were instrumental in achieving this historic success.”

CJ 4DPlex separately extended gratitude to the film’s creative team for helping pioneer the new production approach.

“We are incredibly grateful to Sony Pictures, Destin Daniel Cretton and the entire filmmaking team for embracing this new creative approach and helping demonstrate what is possible when premium formats become part of the filmmaking process from the beginning,” the company said.

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“Spider-Man: Brand New Day” is the first Hollywood film produced using CJ 4DPlex’s “Shot for ScreenX” technology, meaning the film was designed with ScreenX presentation in mind from the earliest stages of production, working closely with Sony Pictures rather than adapting existing footage after the fact. The film also marked the first Hollywood release to expand its ScreenX presentation beyond the traditional side screens to include a ceiling-mounted display, creating a four-sided viewing experience intended to maximize audience immersion.

According to CJ 4DPlex, the film achieved a record 40% average occupancy rate across its ScreenX and 4DX screenings, a figure the company said demonstrates extraordinary audience demand for the premium formats. The film also set opening-weekend records for ScreenX in 36 countries and for 4DX in 22 countries. As of the announcement, “Brand New Day” was playing across roughly 1,200 ScreenX and 4DX screens in more than 70 countries worldwide, with cumulative global attendance across those premium formats surpassing 6.7 million moviegoers.

South Korea in particular showed strong demand for the film’s premium presentations. As of Sept. 3, ScreenX screenings of “Brand New Day” had drawn more than 472,000 admissions domestically in South Korea, accounting for roughly 5.5% of the film’s total cumulative South Korean audience of approximately 8.645 million moviegoers, a share that underscores the significant role premium formats have played in the film’s performance in that market specifically.

CJ 4D Plex CEO Byoung-jun Bang addressed the significance of the milestone from an industry-collaboration perspective, framing the achievement as evidence of an evolving relationship between filmmaking and premium format technology.

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Bang said the film’s success as the first “Shot for ScreenX” production represented a meaningful evolution in how filmmakers, studios and premium format technology developers collaborate, suggesting the achievement extended well beyond simple box office performance to point toward a broader shift in how future blockbusters might be conceived and produced with immersive formats built in from the outset.

The record adds to an already historic overall theatrical run for “Spider-Man: Brand New Day” since its July 31 release. The film has climbed into the all-time top tier of global box office performers, officially surpassing “Avatar: The Way of Water’s” $2.33 billion lifetime worldwide haul to become the third highest-grossing film of all time globally, trailing only “Avatar” and “Avengers: Endgame.” Industry trackers have projected the film’s eventual worldwide total could land somewhere between $2.5 billion and $2.7 billion by the end of its theatrical run.

Domestically, the film has also mounted a serious challenge to a long-standing North American box office record. With a domestic total approaching $900 million, “Brand New Day” has continued closing in on “Star Wars: The Force Awakens’” 11-year-old North American record of $936.7 million, with some industry analysts suggesting the film could realistically break that mark before its theatrical run concludes.

The film’s box office dominance has also solidified its status as the highest-grossing Spider-Man film ever produced, surpassing the previous franchise record of $1.9 billion set by “Spider-Man: No Way Home.” Marvel Studios head Kevin Feige has since confirmed plans for additional Spider-Man films following “Brand New Day’s” breakout commercial success, though it remains unclear whether Holland will return for future installments, despite the actor previously expressing willingness to continue in the role.

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The film’s dual achievement, both as the top-performing film in premium theatrical formats and as one of the highest-grossing movies in cinema history overall, reflects a broader industry trend in which studios and technology providers have increasingly collaborated to design blockbuster releases specifically optimized for immersive theatrical experiences from the earliest stages of production, rather than treating premium formats as an afterthought applied to already-completed films.

With “Spider-Man: Brand New Day” continuing to play across theaters worldwide and its box office totals still climbing, both Sony Pictures and CJ 4DPlex are likely to point to the film’s dual record-setting performance as a model for future blockbuster productions seeking to maximize both traditional theatrical grosses and the growing revenue potential of premium format presentations like ScreenX and 4DX.

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(VIDEO) Baby Dolphin Killed By Migrants At Ceuta Beach Sparks Outrage, Formal Complaint To Police In Spain

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Baby Dolphin Killed By Migrants At Ceuta Beach Sparks Outrage,
Baby Dolphin Killed By Migrants At Ceuta Beach Sparks Outrage,
Baby Dolphin Killed By Migrants At Ceuta Beach Sparks Outrage, Formal Complaint To Police In Spain

CEUTA, Spain — A baby dolphin died this week after a group of migrants pulled it from the sea and struck it on the head with a stick at a beach in the Spanish North African enclave of Ceuta, according to local reporting, prompting a formal criminal complaint from an environmental group and widespread public outrage after video of the incident circulated online.

The incident occurred Wednesday afternoon at Trampolin beach, according to local newspaper El Faro de Ceuta, which said a group of migrants noticed the young bottlenose dolphin swimming close to shore and took advantage of its proximity to pull it out of the water. Once the animal was on land, one member of the group struck it on the head with a stick, according to the outlet’s reporting. The blow left the dolphin severely injured and, based on subsequent observations, ultimately proved fatal.

A cleaning worker employed by the company Ecoservicios witnessed the incident while working in the area and warned the group to stop handling the animal, telling them they should instead call emergency services to have the dolphin properly collected. According to accounts of the episode, the group then attempted to return the calf to the sea, but the animal already appeared to be dead by that point.

Video of the incident, verified by El Faro de Ceuta, showed one of the migrants carrying the dolphin away from the shoreline toward a nearby breakwater area, described in some accounts as carrying the animal “like a trophy.” Those who filmed the initial footage lost sight of the group once they moved behind the breakwater blocks, leaving the immediate aftermath of the incident unclear until additional footage and details later emerged.

DAUBMA, a Spanish environmental advocacy group focused on urban forestry, biodiversity and environmental protection, filed a formal complaint with Spain’s Guardia Civil on Thursday over what it described as the animal’s violent death. In a statement, the organization said it had submitted photographs, videos and social media posts to investigators documenting the sequence of events, which the group said showed the dolphin arriving alive and disoriented at the shore before being pulled from the water and attacked by several individuals.

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Dolphins are classified as strictly protected species under regulations in effect throughout the European Union, meaning that injuring or killing one of the animals can carry significant criminal consequences under Spanish and European law. A petition subsequently launched on Change.org calling for those responsible to be identified stated that the incident could not go unpunished, emphasizing that mistreatment of protected marine species constitutes a serious criminal offense under applicable law.

The dolphin incident was not an isolated case of wildlife mishandling reported in Ceuta that same day. Separately on Wednesday, workers with Ecoservicios intervened near a reservoir in the city after observing a migrant who had captured a goose, apparently intending to hunt or capture it for food. A bystander who witnessed that incident reportedly confronted the individual and attempted to detain him until authorities arrived.

Both incidents unfolded against the backdrop of an ongoing migration crisis that has significantly affected Ceuta in recent weeks. The Spanish enclave, located on Africa’s northern coast and bordering Morocco, experienced a large-scale arrival of migrants in late July, with local reporting describing thousands of people entering the territory over a short period. That influx has placed substantial strain on the city’s infrastructure and public services, and has coincided with a series of reported incidents affecting local wildlife, according to accounts from El Faro de Ceuta, which noted the dolphin case adds to a pattern of impacts on Ceuta’s natural surroundings tied to the scale of the recent arrivals, ranging from disturbances to limpets and birds to the dolphin calf’s death.

Trampolin beach, the site of the dolphin incident, has itself become a focal point of the broader crisis in Ceuta in recent weeks. Local authorities cleared an encampment of migrants from the beach on Aug. 20, relocating residents to a separate site in the Loma Colmenar neighborhood, where local reporting has described ongoing tensions, including reports of fights, thefts and overcrowding among the more than 700 people housed in tents at the site.

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Wildlife and environmental authorities in Spain have repeatedly emphasized that members of the public who encounter an injured, disoriented or seemingly deceased marine animal should avoid touching or attempting to move it themselves, and should instead immediately contact the appropriate emergency or wildlife recovery services. Both the dolphin case and the separate goose incident, officials and advocacy groups noted, illustrate the risks associated with untrained individuals directly handling wild animals, regardless of the animal’s apparent condition.

Spanish national politicians and commentators have seized on the incident amid broader public debate over migration policy in the country, with the episode circulating widely on social media alongside commentary from figures across the political spectrum. The footage has drawn particular attention given its timing amid heightened scrutiny of migration issues in Ceuta and broader debate within Spain over how the government has managed the recent influx of arrivals to the territory.

As of this report, Spanish authorities had not announced whether any suspects had been identified or whether formal charges would be filed in connection with the dolphin’s death, though DAUBMA’s formal complaint to the Guardia Civil is expected to prompt further investigation into the incident. Local environmental officials in Ceuta have not issued an additional public statement beyond the initial reporting from El Faro de Ceuta and the subsequent circulation of verified video footage documenting the events at Trampolin beach.

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Crowdstrike CEO George Kurtz sells $4.16m in shares

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Crowdstrike CEO George Kurtz sells $4.16m in shares

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Sebi approves 3 IPOs of Cosmic PV, Monomark, RKB Global along with NSE

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Sebi approves 3 IPOs of Cosmic PV, Monomark, RKB Global along with NSE
Sebi has cleared three IPOs of Cosmic PV Power, Monomark Engineering and RKB Global, along with the long-awaited public offer plan of the National Stock Exchange. Sebi’s issuance of observations is a key regulatory step that allows a company to move ahead with its public issue process.

Cosmic PV Power IPO

Cosmic PV Power has received Sebi observations for its proposed Rs 640 crore IPO. The company had filed its draft papers with the regulator in March this year. The issue comprises a fresh issue of shares worth up to Rs 540 crore and an offer for sale of up to Rs 100 crore by selling shareholders. The company plans to use the fresh issue proceeds mainly for setting up a planned manufacturing facility in Narmadapuram, Madhya Pradesh, and for general corporate purposes.

Cosmic PV Power manufactures solar photovoltaic modules and is among the fastest-growing solar PV module makers in India, based on revenue CAGR of 125.8% between FY23 and FY25, according to the Care Report cited by the company. It operates across three verticals: solar PV module manufacturing, EPC services and aluminium frame manufacturing.

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Also Read: Mega NSE IPO coming as Sebi approves Rs 30,000 crore public offer


The company is also certified under the Ministry of New and Renewable Energy’s Approved List of Module Manufacturers List-I, with an enlisted capacity of 1.30 GW as of September 30, 2025. This allows it to supply solar modules for government and government-assisted renewable energy projects where ALMM-I sourcing is required.
Monomark Engineering IPO
Monomark Engineering has also received Sebi clearance for its proposed public issue. The IPO will be a fresh issue of 2.7 crore shares.

Monomark Engineering is engaged in industrial operations and maintenance services, metal fabrication solutions and industrial project execution. It serves industrial and infrastructure clients across sectors such as metals, cement, ports, engineering and original equipment manufacturers.

RKB Global IPO

RKB Global has also received Sebi observations for its IPO. The proposed offer comprises up to 1.46 crore equity shares of face value Rs 10 each. This includes a fresh issue of up to 1.26 crore shares and an offer for sale of up to 20.2 lakh shares by selling shareholders.

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The latest approvals come at a time when India’s IPO market is seeing a sharp revival after a slow first half of 2026. The second half has seen issuers returning to the market as investor sentiment improved and recent listings delivered stronger returns.

(Disclaimer: Recommendations, suggestions, views and opinions given by the experts are their own. These do not represent the views of Economic Times)

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Derek Fisher Says Lakers Won’t Crater Without LeBron James Thanks To Luka Doncic Core As Season Nears

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Luka Doncic
Luka Doncic
Luka Doncic

LOS ANGELES — Former Los Angeles Lakers star Derek Fisher believes the franchise is uniquely positioned to avoid the dramatic decline that has historically followed LeBron James’ departure from a team, arguing that the presence of Luka Doncic gives the Lakers a level of stability James’ previous teams lacked once he moved on.

James informed the Lakers this summer that he would not be returning for the 2026-27 season, ending an eight-season run with the franchise that included one NBA championship. James subsequently signed a near-minimum, two-year contract with the Philadelphia 76ers, where he will join Joel Embiid, Jaylen Brown and Tyrese Maxey as he continues pursuing another title in what will be his 23rd NBA season and fourth different franchise.

Speaking on 97.1 The Fan LA, Fisher, a five-time NBA champion during his own playing career with the Lakers, acknowledged James’ well-documented history of leaving teams in difficult positions after his departures, but argued the current Lakers roster is fundamentally different from those situations given Doncic’s presence.

“You think about the few organizations where LeBron has been, you tell me where their record has gotten dramatically better after he left,” Fisher said. “So it’s not going to fall off that much because Luka is there.”

Fisher expanded on why he views the Lakers’ current backcourt and frontcourt pieces as sufficient to sustain competitive basketball in James’ absence, pointing specifically to the combination of Doncic, Austin Reaves and center Walker Kessler.

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“I think Luka and Austin Reaves are basically an All-Star backcourt that you can roll out every night, and then Walker Kessler is a young developing almost All-Star-ish type of big in terms of his elite defense and rebounding,” Fisher said. “So I think you have a chance … 45 to 50 wins, a lot of things are going to have to go right, but it feels fair to me.”

The Lakers finished last season 53-29, good for fourth place in the Western Conference, with James still on the roster for the full campaign. The team was eliminated in the first round of the playoffs, extending a stretch of postseason disappointment that had already begun to shape questions about the roster’s construction even before James’ eventual departure.

Doncic, who joined the Lakers in a blockbuster trade from the Dallas Mavericks last year, has continued building his long-term future with the franchise since arriving in Los Angeles. He signed a three-year, $165 million maximum contract extension with the Lakers, committing to the organization through 2028 and bypassing the opportunity to test free agency. Doncic averaged 28.2 points, 8.2 assists and 7.7 rebounds per game last season while playing alongside James for the bulk of the year.

The Lakers have also moved to lock up other key pieces of their roster this offseason as they transition into the post-James era. Austin Reaves signed a four-year, $185 million maximum contract extension, cementing his role as a co-star alongside Doncic in the Lakers’ backcourt. General manager Rob Pelinka has also worked to reshape the frontcourt, headlined by a four-year, $130 million deal for center Walker Kessler, addressing a position that had been viewed as a relative weakness for the team in recent seasons.

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Fisher’s assessment stands in contrast to the pattern that has often followed James’ departures from previous teams throughout his career. The four-time NBA champion has left multiple franchises over the years, including two separate stints with the Cleveland Cavaliers and a run with the Miami Heat, with several of those teams experiencing significant on-court decline in the immediate aftermath of his exit. Fisher’s argument hinges specifically on the idea that Doncic represents a genuine, already-established franchise centerpiece capable of anchoring an elite offense in his own right, a luxury James’ prior teams typically did not have readily available once he moved on.

Over his eight seasons with the Lakers, James averaged 25.9 points, 7.9 assists and 7.7 rebounds across 479 games with the franchise, according to statistics compiled by StatMuse, numbers that reflect his continued elite-level production even in the later stages of his tenure with the team.

Beyond Fisher’s public comments, other former Lakers figures have offered mixed assessments of the team’s outlook heading into the new season. Former Lakers forward Trevor Ariza has expressed skepticism about whether the current roster has fully assembled a championship-caliber group around Doncic, suggesting that questions remain about the depth and overall competitiveness of the roster beyond its top-tier talent. Doncic himself has struck a positive tone following the team’s first mini-camp with its revamped roster, expressing optimism about the direction of the team heading into the 2026-27 campaign despite acknowledging there remains significant work ahead.

The Lakers’ transition away from James also arrives amid broader organizational change for the franchise, with ownership undergoing a significant transition this year alongside the team’s on-court roster overhaul, a combination some analysts have noted could complicate the club’s ability to execute a smooth restructuring of its front office and broader franchise philosophy during a pivotal offseason.

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As the Lakers prepare to open the 2026-27 season without James for the first time in nearly a decade, Fisher’s comments reflect a broader debate among former players, analysts and fans over how much the franchise’s fortunes will hinge on Doncic’s ability to replicate, or even exceed, the level of production and leadership James provided during his eight seasons with the team. With Doncic now under contract through 2028 and the Lakers having committed significant long-term resources to both Reaves and Kessler this offseason, the coming season is widely expected to serve as an early test of whether the front office’s bet on a Doncic-centered core can sustain the level of competitiveness the Lakers maintained throughout James’ tenure with the franchise.

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M&G plc (MGPFY) Q2 2026 Earnings Call Transcript

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OneWater Marine Inc. (ONEW) Q1 2026 Earnings Call Transcript