Scale AI is facing its third lawsuit over alleged labor practices in just over a month, this time from workers claiming they suffered psychological trauma from reviewing disturbing content without adequate safeguards.
Scale, which was valued at $13.8 billion last year, relies on workers it categorizes as contractors to do tasks like rating AI model responses.
Earlier this month, a former worker sued alleging she was effectively paid below the minimum wage and misclassified as a contractor. A complaint alleging similar issues was also filed in December 2024.
This latest complaint, filed January 17 in the Northern District of California, is a class action complaint that focuses on the psychological harms allegedly suffered by six people who worked on Scale’s platform Outlier.
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The plaintiffs claim they were forced to write disturbing prompts about violence and abuse — including child abuse — without proper psychological support, suffering retaliation when they sought mental health counsel. They say they were misled about the job’s nature during hiring and ended up with mental health issues like PTSD due to their work. They are seeking the creation of a medical monitoring program along with new safety standards, plus unspecified damages and attorney fees.
One of the plaintiffs, Steve McKinney, is the lead plaintiff in that separate December 2024 complaint against Scale. The same law firm, Clarkson Law Firm of Malibu, California, is representing plaintiffs in both complaints.
Clarkson Law Firm previously filed a class action suit against OpenAI and Microsoft over allegedly using stolen data — a suit that was dismissed after being criticized by a district judge for its length and content. Referencing that case, Joe Osborne, a spokesperson for Scale AI, criticized Clarkson Law Firm and said Scale plans “to defend ourselves vigorously.”
“Clarkson Law Firm has previously — and unsuccessfully — gone after innovative tech companies with legal claims that were summarily dismissed in court. A federal court judge found that one of their previous complaints was ‘needlessly long’ and contained ‘largely irrelevant, distracting, or redundant information,’” Osborne told TechCrunch.
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Osborne said that Scale complies with all laws and regulations and has “numerous safeguards in place” to protect its contributors like the ability to opt-out at any time, advanced notice of sensitive content, and access to health and wellness programs. Osborne added that Scale does not take on projects that may include child sexual abuse material.
In response, Glenn Danas, partner at Clarkson Law Firm, told TechCrunch that Scale AI has been “forcing workers to view gruesome and violent content to train these AI models” and has failed to ensure a safe workplace.
“We must hold these big tech companies like Scale AI accountable or workers will continue to be exploited to train this unregulated technology for profit,” Danas said.
VC investment into Quantum computing declined by 50% last year according to the ‘State of Quantum 2024’ report, dropping from $2.2bn in 2022 to $1.2bn, with funds switching in favour of Generative AI. However, government spending on quantum was predicted to hit $40 billion over the next decade. Now a new VC European fund hopes to capitalise on that trend.
The idiosyncratically named QDNL Participations has reached a €25 million first close on a proposed €60m global fund for early-stage quantum startups.
However, QDNL plans to expand outside the country and make investments more internationally.
The firm’s previous €15 million fund focused on the Dutch quantum ecosystem, backing startups including Qblox, QuantWare, QphoX, and Q*Bird.
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Speaking to TechCrunch, Ton van ‘t Noordende, General Partner at QDNL Participations, said: “Quantum is a global field. There’s been incredible research done in the past decade or so and we’ve seen the emerging of a new, startup ecosystem, with 600 or more companies coming up. There’s also been more than $42 billion invested by over 20 governments in the last two or three years. So this has built up the infrastructure, the clean rooms, the facilities, and essentially de-risking the technology.”
QDNL’s appearance is the latest sign that the Netherlands is making a play to be a key Quantum computing ecosystem, and the government (with EU financial backing) has already backed an entire initiative called Quantum Delta NL, which also just happens to be an investor in QDNL.
Its team includes quantum computing pioneer Chad Rigetti as venture partner in the US and specialist quantum VC Kris Kaczmarek in London, who joined as investment director from quantum VC firm 2xN. They join advisors, Nadia Carlsten (CEO of the Danish Centre for AI Innovation) and Charles Marcus of the University of Washington.
Quantum computing had a tricky start to the year with both Mark Zuckerberg and Nvidia’s Jensen Huang sounding downbeat on when Quantum would arrive. But Nvidia did a quick about-turn and announced a Quantum exclusive Nvidia Day at its upcoming event in March.
Call of Duty: Black Ops 6 Season 2 launches on January 28
It adds loads of new Zombies content, including new map The Tomb
This is in addition to a new Wonder Weapon, fresh GobbleGums, and more
Call of Duty: Black Ops 6 Season 2 launches on January 28 and brings a wealth of new content for Multiplayer. Black Ops 6 Zombies is also receiving some love, with plenty of big new additions.
The most significant is a whole new Zombies map, The Tomb. Set after the events of the Citadelle des Morts map, The Tombsees protagonists Weaver, Maya, Carver, and Grey venture into a mysterious lost catacomb in the ongoing fight against the Dark Aether.
Throughout the adventure, you will be guided by a comms team of returning favorites S.A.M., Ravenow, Peck, Raptor One, and Strauss. They will be joined by the ghost of Sir Archibald, a deceased explorer from a doomed 1908 expedition into the area.
The map begins at the overground dig site, which soon gives way to ancient Neolithic Catacombs, imposing Tombs, a trap-laden Shrine, and finally a subterranean temple with a doorway to the otherworldly Dark Aether Nexus.
You will have to face off with new enemies, including the Shock Mimic. It can disguise itself as key items, grabbing you for a powerful electric bite if you get too close. The usual legions of hostile zombies have also received a new look, dressed as ancient laborers, worshippers, and guards.
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The Tomb will feature a new Wonder Weapon, the Staff of Ice. It creates a powerful freezing magic attack and can even revive downed teammates with a ranged restorative blast. Those who manage to complete the map’s main quest will obtain the X91 Ice-Pick Wonder Weapon Skin for the staff in addition to 5,000 XP and a unique Calling Card.
Death Perception, a perk machine from Black Ops 4,is also returning. As before it lets you see enemies through walls, but has been augmented by “new abilities” for Black Ops 6. Three new GobbleGums are on the way too. Dead Drop dramatically increases the drop rates for salvage and equipment, while Modified Chaos reduces Ammo Mod cooldowns. Finally, there’s Quacknarok – which doesn’t do anything other than give every zombie a hilarious rubber duck pool lounger.
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Directed Mode, which guides you through the events of the Main Quest, is expected to launch alongside the Season 2 mid-season update.
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Want to give Call of Duty: Black Ops 6 a try? The game is available now for PC, Xbox Series X, Xbox Series S, Xbox One, PlayStation 5, and PlayStation 4.
The 2024 election was the influencer election and inauguration was no different: There were dozens of pre- and post-inaugural parties and balls this weekend, as well as the big event itself. Theo Von sat in front of Jake and Logan Paul under the Capitol rotunda (well, until the podcaster’s chair collapsed). Ben Shapiro, Matt Walsh, and Brett Cooper walked the Turning Point USA red carpet and posed for selfies with fans. Jessic Reed Kraus, writer of the HouseInhabit newsletter, hung out with Robert F. Kennedy Jr. at the Make America Healthy Again ball Monday night.
In August, I published a guide on the Republican and Democratic influencers shaping the 2024 election. The influencers and content creators still matter, and they will be communicating and guiding policy decisions for years to come.
Welcome to Trump 2.0, where these creators have the ears not only of their audiences but of the president as well. Here are some of the ones to keep an eye on over the next four years.
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This is an edition of the WIRED Politics Lab newsletter. Read previous newsletters here.
The Podcasters and Streamers
The 2024 election was the breakout cycle for podcasters in politics. Most of the shows Trump went on catered to the manosphere, a loose network of creators who push misogynistic, racist, and pro-male ideology online. This includes people like Joe Rogan, Andrew Schulz, the Paul brothers, and Adin Ross, who shared their Trump interviews with millions and millions of their fans. There’s a second branch too, made up of creators who have branded themselves as the intellectual wing of the modern Republican party, like Ben Shapiro, Dave Rubin, and Lex Fridman. Fridman’s YouTube podcast reaches millions of viewers every week. Shapiro’s show is one of the most popular ones on Spotify.
These podcasters have amplified Trump and his agenda with very little, if any, pushback. They will likely be key in rallying support for Trump administration decisions.
I spoke briefly with Shapiro on Sunday night, asking what comes next for the GOP and podcasting. “The power continues to grow,” he said. “Legacy media’s completely blown itself out. We’re focused on expanding, not only our brand, but there’s so many other brands that need expansion, I think that it’s gonna be a very rich time for the podcast industry.”
The Meme Pages
DC Draino, the Typical Liberal, RagingAmericans, and Snowflaketears are some of the largest pro-MAGA meme pages on Instagram. Combined, these accounts have over 6 million followers. They act as conduit between GOP leadership priorities and platforms like X and Instagram.
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Think of their accounts as news aggregators for people who otherwise may not be consuming it.
The Organizers
While the Democrats worked with influencers over the last election cycle too, no PAC or campaign organized them as effectively and efficiently as the right. Because of Turning Point USA and its leader, Charlie Kirk, many of the GOP’s most popular creators see each other at least a few times a year at the organization’s summits and trainings. According to interviews with some of the right’s top organizers, that infrastructure is only going to grow over the next four years. The organizers themselves have also become influencers to watch.
I wrote about an influencer party (and victory lap) hosted over Inauguration weekend that was put on by CJ Pearson and Raquel Debono. Pearson, a conservative creator with more than 500,000 X followers, cochairs the Republican National Committee’s youth advisory council. He’s played a key role in the party’s adoption of influencers and is planning additional trainings with organizations like the Heritage Foundation.
Visa has joined African fintech Moniepoint as a new investor. The business banking and payments platform confirmed to TechCrunch that it received a “strategic investment” from the global payments giant as both companies look to drive financial inclusion and support the growth of small and medium-sized enterprises (SMEs) across Africa.
Sources close to the deal say the fintech – which announced a $110 million investment last October, received over $10 million from Visa. The fintech, whose Series C now exceeds $120 million, is reportedly in talks with other investors and may attract more funding in the coming months, all while maintaining its billion-dollar valuation, sources say. Moniepoint declined to comment on the size of Visa’s check or interest from other investors.
Moniepoint provides businesses and individuals with banking accounts, credit, payments, and other financial tools through an app and a network of agents. The fintech now processes over 1 billion transactions monthly, with total payment volumes reaching $22 billion—a growth of over 25% in under three months. Its rapid rise began during Nigeria’s Central Bank cashless drive in early 2023 and has continued steadily, positioning it as an important player shaping the future of digital payments in the country.
Moniepoint has just a fraction of the total market. Nigeria’s digital payment market spans multiple channels, including electronic transfers, ATMs, POS devices, mobile agents, and web payments. In 2023, businesses and consumers completed transactions worth approximately $400 billion, according to the country’s interbank payments switch. Electronic transfers, powered by the instant payments network NIP—comparable to India’s UPI and Brazil’s Pix—dominate the market, accounting for nearly 90% of these transactions, according to data from Stears. Other channels, such as mobile agents, ATMs, and point-of-sale systems, trail far behind.
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While Moniepoint operates across most of these channels, Visa’s investment highlights the fintech’s position and potential in Nigeria’s card value chain as both a major issuer and acquirer.
“We’re present in Nigeria today, leading the chart in merchant acquiring and consumer banking,” CEO Tosin Eniolorunda told TechCrunch. “With Visa as our investor, we can strategically collaborate to continue to grow the payment ecosystem and expand to more countries, which is a key goal for us.”
One way both companies will look to “grow the payment ecosystem” is by introducing contactless payments, Eniolorunda said. “The central bank has indicated the need to drive contactless services to improve accessibility and conduct micro-transactions. So these are some things that we expect from the partnership. It’s progress in the right direction.”
Nigeria’s Central Bank showed its latest intent to drive contactless payment adoption with draft guidelines for transaction limits in 2023. However, implementation will depend on clearer regulations and resolving issues related to privacy, security, and trust. Once addressed, contactless payments could significantly boost transaction volumes and arguably outpace other payment methods in the country.
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Globally, Visa notes that contactless card usage surpasses mobile wallets in many markets. Moniepoint is in that sweet spot to lead this transition in Nigeria by offering contactless-enabled payment terminals to businesses and chip cards to individuals, setting the stage for further adoption.
On the other hand, Moniepoint will leverage Visa’s Cybersource system to gain better visibility into transactions. Additionally, it plans to integrate with Visa Direct for remittances and money transfers as it looks to expand into markets within and outside Africa.
Visa has a history of investing in Africa’s payment infrastructure, backing players like Interswitch, Flutterwave, Paystack, and JUMO over the past decade. With Moniepoint, Visa is making its entry into Nigeria’s SME market, aiming to digitize payments for them and partly in hopes of increasing its share of the country’s card scheme market. Currently, it lags behind Interswitch’s Verve and Mastercard in cards. The latter two have also started making inroads in the tap-to-pay opportunity.
“Visa’s investment in Moniepoint is the latest example of our long-standing commitment to advancing digital economies in Africa,” said Andrew Torre, Regional President, Central and Eastern Europe, Middle East and Africa at Visa. “We will enable even the smallest businesses to thrive through innovative payment and software solutions that allow SMEs to scale and open new revenue opportunities while streamlining their operations.”
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Visa will join Moniepoint’s board following its investment. Other prominent backers in the fintech include Development Partners International, Google’s Africa Investment Fund, QED Investors, and British International Investment (BII), among others. Last week, we also reported that an early backer, Oui Capital, recently returned its first fund after investing in the African unicorn six years ago.
Nvidia has commanding lead over rivals in latest Adobe After Effects benchmarks
Even lower-performance Nvidia GPUs outpace Intel and AMD cards
But to Apple’s credit, the M3 Max pulls ahead in 2D significantly despite its laptop form factor
Nvidia‘s GeForce RTX 40-Series GPUs has shown off some significant advantages when it comes to dealing with 3D workflows over comparable Intel and AMD cards, new figures have claimed.
The latest Puget Systems After Effects benchmarks say Nvidia’s flagship GeForce RTX 4090 delivered up to 20 times the performance of Apple’s MacBook Pro M3 Max in 3D tasks; reflecting the card’s technical design focus on GPU-intensive workloads.
The 4090, equipped with 24GB of GDDR6X memory and 16,384 CUDA cores, nearly doubles the performance of its own mid-range RTX 4060 in the Advanced 3D tests that utilize Adobe’s Advanced 3D rendering engine which is heavily dependent on GPU acceleration.
Nvidia RTX 4090 outperforms its rivals
Comparatively, the RTX 4060, featuring 8GB of GDDR6 memory and 3,072 CUDA cores, outpaces AMD’s flagship Radeon RX 7900 XTX, which boasts 24GB of GDDR6 memory and 6,144 stream processors.
Despite its superior memory capacity, the Radeon GPU trails the RTX 4060 by 25% in overall 3D performance.
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Intel’s Arc GPUs, such as the Arc B580 with 12GB of VRAM and 3,456 cores also fall short of Nvidia’s mid-range offerings, trailing the RTX 4060 by approximately 22%.
Apple’s M3 Max, equipped with 40 GPU cores, performs roughly 10 times slower than the RTX 4060 in GPU-accelerated 3D tasks.
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However, while Nvidia leads in 3D rendering, Apple’s M3 Max performs well in 2D workflows due to its CPU efficiencies. The MacBook Pro excels in projects emphasizing 2D layers and effects, where GPU performance plays a secondary role. Nevertheless, for CPU-dependent tracking tasks, Nvidia and Apple systems perform similarly.
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Nvidia owes its dominance in After Effects 3D workflows to its advanced GPU architecture and software integration. The RTX 4090, for instance, comes with technologies like the Ada Lovelace architecture and CUDA framework which optimizes 3D GPU performance.
The one exception to that is the UMG v. Anthropic case, because at least early on, earlier versions of Anthropic would generate the song lyrics for songs in the output. That’s a problem. The current status of that case is they’ve put safeguards in place to try to prevent that from happening, and the parties have sort of agreed that, pending the resolution of the case, those safeguards are sufficient, so they’re no longer seeking a preliminary injunction.
At the end of the day, the harder question for the AI companies is not is it legal to engage in training? It’s what do you do when your AI generates output that is too similar to a particular work?
Do you expect the majority of these cases to go to trial, or do you see settlements on the horizon?
There may well be some settlements. Where I expect to see settlements is with big players who either have large swaths of content or content that’s particularly valuable. The New York Times might end up with a settlement, and with a licensing deal, perhaps where OpenAI pays money to use New York Times content.
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There’s enough money at stake that we’re probably going to get at least some judgments that set the parameters. The class-action plaintiffs, my sense is they have stars in their eyes. There are lots of class actions, and my guess is that the defendants are going to be resisting those and hoping to win on summary judgment. It’s not obvious that they go to trial. The Supreme Court in the Google v. Oracle case nudged fair-use law very strongly in the direction of being resolved on summary judgment, not in front of a jury. I think the AI companies are going to try very hard to get those cases decided on summary judgment.
Why would it be better for them to win on summary judgment versus a jury verdict?
It’s quicker and it’s cheaper than going to trial. And AI companies are worried that they’re not going to be viewed as popular, that a lot of people are going to think, Oh, you made a copy of the work that should be illegal and not dig into the details of the fair-use doctrine.
There have been lots of deals between AI companies and media outlets, content providers, and other rights holders. Most of the time, these deals appear to be more about search than foundational models, or at least that’s how it’s been described to me. In your opinion, is licensing content to be used in AI search engines—where answers are sourced by retrieval augmented generation or RAG—something that’s legally obligatory? Why are they doing it this way?
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If you’re using retrieval augmented generation on targeted, specific content, then your fair-use argument gets more challenging. It’s much more likely that AI-generated search is going to generate text taken directly from one particular source in the output, and that’s much less likely to be a fair use. I mean, it could be—but the risky area is that it’s much more likely to be competing with the original source material. If instead of directing people to a New York Times story, I give them my AI prompt that uses RAG to take the text straight out of that New York Times story, that does seem like a substitution that could harm the New York Times. Legal risk is greater for the AI company.
What do you want people to know about the generative AI copyright fights that they might not already know, or they might have been misinformed about?
The thing that I hear most often that’s wrong as a technical matter is this concept that these are just plagiarism machines. All they’re doing is taking my stuff and then grinding it back out in the form of text and responses. I hear a lot of artists say that, and I hear a lot of lay people say that, and it’s just not right as a technical matter. You can decide if generative AI is good or bad. You can decide it’s lawful or unlawful. But it really is a fundamentally new thing we have not experienced before. The fact that it needs to train on a bunch of content to understand how sentences work, how arguments work, and to understand various facts about the world doesn’t mean it’s just kind of copying and pasting things or creating a collage. It really is generating things that nobody could expect or predict, and it’s giving us a lot of new content. I think that’s important and valuable.
The U.K.’s Competition and Markets Authority (CMA) is launching “strategic market status” (SMS) investigations into the mobile ecosystems of Apple and Google.
The investigations constitute part of the new Digital Markets, Competition and Consumers (DMCC) Act which passed last year and came into effect in January. The Act includes new powers for the CMA to designate companies as having strategic market status if they are deemed to be overly dominant, and propose remedies and interventions to improve competition.
The CMA announced its first such SMS investigation last week, launching a probe into Google Search’s market share which is reportedly around the 90% mark. The regulator announced at the time that a second one would be coming in January, and we now know that it’s using its fresh powers to establish whether Apple and Google have strategic market status in their respective mobile ecosystems, which covers areas like browsers, app stores, and operating systems.
‘Holding back innovation’
Today’s announcement doesn’t come as a major surprise. Back in August, the CMA said it was closing a duo of investigations into Apple and Google’s respective mobile app ecosystems, which it had launched starting back in 2021. However, the CMA made it clear that this would be more of a pause, and it would be looking to use its new powers to address competition concerns around the two biggest players in the mobile services market.
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In November, an inquiry group set up by the CMA concluded that Apple’s mobile browser policies and a pact with Google were “holding back innovation” in the U.K. The findings noted that Apple forced third-party mobile browsers to use Apple’s browser engine, WebKit, which restricts what these browsers are able to do in comparison to Apple’s own Safari browser, and thus limits how they can effectively differentiate in what is a competitive market.
As part of its new probe, the CMA has now confirmed that it will look at “the extent of competition between and within” Apple’s and Google’s respective mobile ecosystems, including barriers that may be preventing others from competing. This will include whether either company is using their dominant position in operating systems, app distribution, or browsers to “favour their own apps and services” — many of which are bundled by default and can’t always be uninstalled.
On top of that, the CMA said it would look into whether either company imposes “unfair terms and conditions” on developers that wish to distribute their apps through their app stores.
Alex Haffner, competition partner at U.K. law firm Fladgate, said that today’s announcement was “wholly expected,” adding that the more interesting facet is how this new probe fits into the broader changes underway at the U.K. regulator.
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Indeed, news emerged this week that the CMA had appointed ex-Amazon executive Doug Gurr as interim chair, constituting part of a wider shift as the U.K. positions itself as a pro-growth, pro-tech nation by cutting red tape and bureaucracy.
“What is more interesting is how this fits into the current sea change which is engulfing the broader organisation of the CMA and in particular the very clear steer it is getting from central government to ensure that regulation is consistently applied with its pro-growth agenda,” Haffner said in a statement issued to TechCrunch. “We can expect this to feature heavily once the CMA gets its teeth stuck into the specifics of the DMCC regime, and its dealings with the tech companies involved.”
Remedies
Today’s announcement kickstarts a three-week period during which relevant stakeholders are invited to submit comments as part of the investigations, with the outcomes expected to be announced by October 22, 2025. While it’s still early days, potential remedies — in the event that Apple and Google are deemed to have strategic market status — include requiring the companies to provide third-parties with greater access to key functionality to help them better compete. It also may include making it easier to pay for services outside of Apple and Google’s existing app store structure.
In a statement issued to TechCrunch, an Apple spokesperson said that it will “continue to engage constructively with the CMA” as their investigation progresses.
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“Apple believes in thriving and dynamic markets where innovation can flourish,” the spokesperson said. “We face competition in every segment and jurisdiction where we operate, and our focus is always the trust of our users. In the U.K. alone, the iOS app economy supports hundreds of thousands of jobs and makes it possible for developers big and small to reach users on a trusted platform.”
Oliver Bethell, senior director for competition at Google, echoed this sentiment, noting that the company “will work constructively with the CMA.”
“Android’s openness has helped to expand choice, reduce prices and democratise access to smartphones and apps. It’s the only example of a successful and viable open source mobile operating system,” Bethell wrote in a blog post today. “We favour a way forward that avoids stifling choice and opportunities for U.K. consumers and businesses alike, and without risk to U.K. growth prospects.”
Claims backers of $500bn initiative “don’t actually have the money”
Sam Altman, Satya Nadella, hit back at Musk claims
The global AI market appears to have descended into a playground battle of insults after Elon Musk, Sam Altman, Satya Nadella, and others all clashed over the launch of Project Stargate.
Revealed earlier this week to huge fanfare as part of the new Trump administration’s plans to boost AI across the US, Project Stargate is reportedly set to see as much as $500 billion invested into data centers to support the increasing data needs of Altman’s OpenAI.
However, X owner and newly-anointed White House advisor Musk has sought to dampen enthusiasm, claiming in a series of online posts that Stargate’s investors (including Microsoft and Softbank) “don’t actually have the money”.
Project Stargate “swindler”
The initial pledges by Stargate’s partners were around $100 billion, part of which is being invested into a data center in Abilene, Texas.
However Musk looked to pour cold water on these claims, posting, “SoftBank has well under $10 billion secured. I have that on good authority.”
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A later post, a reply to a post criticizing Altman, saw Musk say, “Sam is a swindler.”
For his part, Altman was quick to fire back, and in his own X post responding to Musk’s allegation that SoftBank was short of capital, stated “Wrong, as you surely know.”
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“[Stargate] is great for the country. i realize what is great for the country isn’t always what’s optimal for your companies, but in your new role, i hope you’ll mostly put [US] first,” he added.
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In later posts, Altman told Musk, “I genuinely respect your accomplishments and think you are the most inspiring entrepreneur of our time,” later adding, “I don’t think [Musk is] a nice person or treating us fairly, but you have to respect the guy, and he pushes all of us to be more ambitious.”
Altman was not the only figure to fire back at Musk’s claims, as Microsoft CEO Satya Nadella later declined to comment in detail, but did say, “All I know is, I’m good for my $80 billion,” when asked in a CNBC interview at the World Economic Forum in Davos.
We may see OpenAI’s agent tool, Operator, released sooner rather than later. Changes to ChatGPT’s code base suggest that Operator will be available as an early research preview to users on the $200 Pro subscription plan.
The changes aren’t yet publicly visible, but a user on X who goes by Choi spotted these updates in ChatGPT’s client-side code. TechCrunch separately identified the same references to Operator on OpenAI’s website.
Here are the three interesting tidbits we spotted:
There are multiple references to the operator.chatgpt.com URL. This URL currently redirects to the main chatgpt.com web page.
There will be a new popup that tells you to upgrade your plan if you want to try Operator. “Operator is currently only available to Pro users as an early research preview,” it says.
On the page that lists the Plus and Pro plans, OpenAI will add “Access to research preview of Operator” as one of the benefits of the Pro plan.
Bloomberg previously reported that OpenAI was working on a general-purpose agent that can perform tasks in a web browser for you.
While this sounds a bit abstract, think about all the mundane things you do regularly in your web browser with quite a few clicks — following someone on LinkedIn, adding an expense in Concur, assigning a task to someone in Asana, or changing the status of a prospect on Salesforce. An agent could perform such multi-step tasks based on an instruction set.
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More recently, The Information reported that OpenAI could launch Operator as early as this week. With today’s changes, it seems like everything is ready for a public launch.
Anthropic has released an AI model that can control your PC using a “Computer Use” API and local tools that control your mouse and keyboard. It is currently available as a beta feature for developers.
It looks like Operator is going to be usable on ChatGPT’s website, meaning that it won’t interact with your local computer. Instead, OpenAI will likely run a web browser on its own servers to perform tasks for you.
Nevertheless, it indicates that OpenAI’s ability to interact with computers is progressing. Operator is a specific sandboxed implementation of the company’s underlying agentic framework. It’s going to be interesting to see if the company has more information to share on the technology that powers Operator.
Beyerdynamic’s new IEMs come in four specifications, for every band member
The numbers you need to remember are 70, 71, 72 or 73
…Oh, and $499, which is the price
Revered hi-fi brand Beyerdynamic (see the Aventho 300 for the firm’s most recent headphone hit, but that’s just for starters) has released a new line of professional in-ear monitors, and the company wants you to know that every member of the band has been specifically catered for here.
The DT 70 IE, DT 71 IE, DT 72 IE, and DT 73 IE (that’s the full quartet) all feature Beyerdynamic’s own TESLA.11 dynamic driver system, boasting a Total Harmonic Distortion (often abbreviated to THD) of just 0.02%, which is very low indeed – anything below 0.1% is typically considered gifted for an in-ear monitor. Beyer calls it “one of the loudest, lowest-distortion systems available”, but you also get five different sizes of silicone eartips and three pairs of Comply memory foam eartips to achieve a decent fit and seal (nobody wants distractions from the Amazon delivery guy outside while trying to lay down a particular riff).
So what’s different in each set? The acoustic tuning, friend. For example, if you’re a drummer, Beyer knows you need crisp bass and clear treble with just slightly reduced mids, to get what you need from the mix – so the DT 71 IE is the pair for you…
The new Beyerdynamic IEMs will be available in Q2 2025, priced $499.99 per pair, which is around £409 or AU$799, give or take (but those last two figures are guesstimates, rather than official prices).
Which of the Beyer bunch is best (for you)?
So, let’s briefly delve into which of Beyerdynamic’s quartet of IEMs might work best for you.
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DT 70 IE is billed as the ideal set “for mixing and critical listening” with a “precise, linear tuning that follows the Fletcher-Munson curve”. So, it’s the set aimed squarely at the audiophile and the live mixer, with a cable that the company says “minimizes structure-borne noise”, plus a gold-plated MMCX connector for a stable, long-lasting connection.
DT 71 IE is quite simply “for drummers and bassists”with atailored sound signature that Beyerdynamic assures us “enhances low frequencies while ensuring detailed reproduction of cymbals, percussion and bass guitar overtones” with slightly reduced mids (because some vocalists can be a lot).
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Speaking of vocals, DT 72 IE is “for guitarists and singers” with a “subtly tuned bass” that its makers say won’t overwhelm during performance. Beyerdynamic also notes that the frequency response between 200-500 Hz compensates for the “occlusion effect,” which should nix any muffled mixes during the gig.
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Finally, DT 73 IE is the pair for you if you’re an orchestral musician, pianist or keyboard player.Extra care here has been taken with treble overtones (there’s a subtle boost from 5kHz upwards), alongside natural bass and mids. It’s all about hearing intricate harmonic details clearly, but in a non-fatiguing sound profile.
Oh, and you may have spotted acclaimed jazz pianist, gospel artist and producer Cory Henry in the press shots. That’s because he and Gina Miles (winner of The Voice Season 23) will be helping to showcase the new products. How? By performing at select times at Beyerdynamic’s booth at the National Association of Music Merchants (or NAMM) in Anaheim, from (Thursday January 23) through Saturday, January 25. Don’t forget…
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