Several BBC stars came to the same conclusion when discussing Clare Balding

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Having been with the BBC for over three decades, Clare Balding has built a formidable reputation in sports broadcasting.

Since starting her career with the corporation in 1994, Balding has collaborated with numerous sports personalities and has maintained her esteemed status over the years.

Currently leading the coverage of the 2026 Winter Olympics, the 55-year-old continues to play a crucial role in British sports broadcasting and is greatly admired by many who have worked with her.

Among those expressing admiration for Balding is former Team GB downhill skier Chemmy Alcott, who has partnered with her at the Milano Cortina Games. After retiring in 2014 and transitioning to TV presenting, Alcott spoke about the pressures of live broadcasting and praised Balding and the opportunity she’s had to work with her.

Speaking exclusively to The Sun, the ex-skier said: “It’s live. Anything can go wrong or you can have the ride of your life. These are all the same attributes I had to deal with as an athlete… except now I’m doing it next to Clare Balding. She’s an icon and, I’m proud to say, a good friend.

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“So to be working with her on TV is always a ‘pinch me’ moment. I’m just hoping that Clare and I don’t talk about The Traitors the whole time because we absolutely loved it. I became obsessed.”

Balding’s three-decade-plus tenure with the BBC hasn’t been entirely free from controversy, as she found herself facing criticism from viewers during her swimming coverage at the 2024 Paris Olympics.

Whilst interviewing two-time gold medallist Rebecca Adlington, Balding appeared taken aback by the former swimmer’s revelation that Olympic athletes never came to her school during her youth.

Surprised by this disclosure, Balding replied: “What? No (Olympians) visited your school?” Her astonished response prompted backlash from audiences who turned to X to criticise the presenter, with one writing: “Watching the Olympic swimming and Clare Balding said something in such an incredulous tone which summed up the establishment perspective and how their experience differs.

“Because of course Balding thought it TOTALLY NORMAL for Olympic medal winners to visit schools because being privately educated and descended from nobility and privilege this kind of thing is part of the cultural experience they expect.”

Fellow BBC presenter Gabby Logan came to Balding’s defence and expressed her affection and backing for her colleague. Logan’s statement read: “I’m sure lots of what you say may be true about private school experiences, but it’s certainly not true about the whole of the BBC.

“I went to a state school nobody visited, teachers were striking in the 80s, and no school trips. Also to be clear I love my colleague and she’s a great broadcaster. But a sweeping statement about the BBC needed addressing. Look at our Olympics line up across the day, we are a mixed bag from different backgrounds bringing all our many experiences to the way we communicate.”

Balding’s exceptional professionalism saw her entrusted with leading the Wimbledon coverage following Sue Barker’s exit from the BBC. The former tennis professional inadvertently revealed this during the Action Women Awards in 2022 before an official announcement was made.

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Whilst addressing the audience, Barker said: “I just want to say, leaving Wimbledon, it’s incredibly… I’ve loved it all my life. I know I’m leaving it in the safest hands, it’s absolutely wonderful to leave it with Clare. But also Clare, this year at Wimbledon, myself, you and Isa Guha. To have three women presenting Wimbledon for the first time ever.”

Balding also spearheaded the coverage for the 2020 Tokyo Games, working alongside ex-Arsenal and Lionesses player Alex Scott, who delivered a heartfelt tribute to her colleague after concluding her two-week assignment in Japan’s capital.

Sharing a collage of photos with Balding in the BBC studio, Scott penned: “Balders & Scott, to @clarebalding the support/encouragement that you have shown me over the last couple weeks, the highs and the lows, you kept me smiling and loving it all the way to the very end #thankyou. xx. First Olympics with BBC complete.”

Concern for their safety was raised with North Wales Police on Wednesday, February 18. A large-scale operation was launched across the mountain, also known as Yr Wyddfa, involving Llanberis Mountain Rescue Team, Aberglaslyn Mountain Rescue Team, RAF mountain rescuers, search dogs and a coastguard helicopter.

The organisers behind a tribute act known as K-Pop Forever! were forced to respond to rising backlash after droves of dismayed fans ditched a recent show.

The sold-out event took place at the SSE Arena in Belfast on Thursday, with two more shows lined up for this Monday, February 23 and Saturday, May 16.

The official description promises the audience a ‘truly one of a kind, all-action concert’, with smash hits from Blackpink, BTS, Twice, Soda Pop and chart-topper Golden as well as ‘songs inspired by the record-breaking film K-Pop Demon Hunters’.

Described as ‘the ultimate non-stop party for all ages’, the performers include four live vocalists and four ‘world-class dancers’.

Those who attended the show, however, have documented a very different experience.

One viral TikTok from user tara_conaboy, showed a glimpse of the audience all sat on their seats, largely in silence – far from the party atmosphere promised.

The caption read: ‘May aswell of burned the £250 spent on our 5 tickets… The most confusing, underwhelming, boring load of dribble I’ve ever witnessed in my 42 years!’

Other clips circulating online show whole groups of people streaming out of the arena during the show.

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Meanwhile, one parent of a seven-year-old attendee told BBC News that some sections seemed ‘raunchy’ and ‘inappropriate’, and another added it was ‘just horrendous’.

One attendee, Steven Hunter, told Irish News: ‘We knew we were going to a tribute show for the genre, so we understood there would be songs that were unknown to us.

‘Overall, the show was a shambles, from poor sound quality, microphones cutting in and out throughout the show.’

And another, Laura Matthews, said her daughter wanted to ‘leave as soon as it started’.

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Following the backlash, Aiken Promotions and the SSE Arena said in statement that the ‘show played in Belfast tonight as part of a world tour, and the content, design and choreography has been built to represent the full K-Pop genre,’ reiterating the content promises listed on the site.

It concluded: ‘Whilst the majority of customers enjoyed the show, we understand that this was not what some expected; however, we are content that the show delivered this evening was an arena-standard tribute to the entire K-Pop genre.

Several onlookers have come to the defence of the show, saying people should have properly read what was involved and managed their expectations.

‘This is K-Pop music at a K-Pop concert. Hope this helps,’ TikTok user Joanna__ wrote after watching one video.

‘Genuinely wondering what she thought the K on K-Pop stood for,’ another echoed.

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‘I feel so bad for the performers that worked so hard on this just to get complaints,’ odie shared.

‘You went to a tribute show with tribute performers for the entire K-Pop genre. This is on you,’ Derby Pascal pointed out.

The tribute act has global shows planned across 2026, including in Ireland, France, Germany and the Netherlands.

The genre has seen an explosion in popularity in recent years, and is especially loved among a younger demographic.

Hype is already skyrocketing for the long-awaited return of BTS, who are about to embark on a world tour.

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The 2026 Six Nations continues this afternoon, with England hosting Ireland in a tie which could prove pivotal for both sides’ campaigns. England come into the tie off the back of a humbling Calcutta Cup defeat at Murrayfield, which brought the mood in the camp down considerably after they had trounced Wales on matchday one. Ireland, meanwhile, have momentum on their side after they came from behind to beat Italy last time out with a gritty, if imperfect, performance.

Gardai are trying to identify the man following the incident in the heart of the Irish capital’s nightlife district.

An appeal has been launched to identify a man with a distinctive Scottish tattoo who has been left fighting for his life following an alleged attack in Ireland. Emergency crews rushed to Cope Street, just off the old Central Bank building in the Temple Bar area of Dublin, at around 12.30am on Wednesday morning, February 18.

Two men, aged in their 20s and 30s, were arrested on Friday evening in connection with the alleged attack in the heart of the Irish capital’s nightlife district.. The victim was allegedly repeatedly kicked and stamped in the head before an E-bike was dropped on his neck.

The Irish Mirror reports that one of the attackers, who had walked away, allegedly came back and stood over the lifeless victim, who was in the middle of the road, stripped him of his shoes and lobbed them over a fence.

The as-yet unidentified man remains in a critical condition in Beaumont Hospital, where he is being treated for extensive head injuries. In a press release on Thursday, gardai have made the unusual step of asking the public for their assistance in identifying the man – by describing a tattoo on his forearm.

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On Friday evening, Gardai shared an image of the man’s tattoo, which is described as the saltire flag with the words ‘Ceol is Beatha’, meaning ‘music is life’, in the hopes that someone may be able to help identify him. Gardaí are continuing to appeal for any witnesses to this incident to contact them.

“Anyone who was in the area of Cope Street between midnight and 1:00am, and who may have any information about the incident is asked to contact investigating Gardaí,” a Garda spokesperson said.

“Gardaí can be contacted at Pearse Street Garda Station on 01 666 9000, the Garda Confidential Line on 1800 666 111, or any Garda Station. Investigations are ongoing.”

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Asked if he meant that UK and other European allies’ forces should go to safe parts of Ukraine now to “flip a switch”, he said: “Yes, I think, you know, if we are willing to do it in the context of a ceasefire, which of course puts all the initiative, all the power in Putin’s hands, why not do it now?

From February 2026, most dual British citizens will need to use a British passport to travel to the UK. Presenting only a non-British passport will no longer be sufficient for boarding flights or ferries, unless it carries a certificate (costing £589) that confirms right of abode.

The rule was introduced to align dual nationals with the UK’s new electronic travel authorisation (ETA) system and to prevent confusion in border checks.

In legal terms, nothing fundamental has changed. British citizens still have the right to enter and live in the UK. But in practice, the way that right must be demonstrated has shifted. And that shift tells us something important about how citizenship is being reshaped in the digital age.

Over the past three decades, dual citizenship has become widely accepted internationally. In 1990, fewer than a third of countries allowed dual nationality in cases of naturalisation. By 2016, roughly three-quarters did.

This change reflected globalisation. As populations became more mobile, states adapted. Migrants often maintain attachments to more than one country. Dual citizenship is a pragmatic recognition of that reality, allowing people to belong in more than one place without forcing an exclusive choice.

According to the 2021 census, 1.2% of UK-born residents (587,600) were dual citizens with another country, rising from 0.5% in 2011 (231,600). For non-UK-born residents, 6.5% were dual citizens with the UK in 2021 (648,700), up from 5.1% in 2011 (381,200).

The rise reflects broader demographic change, but it also coincided with Brexit. The number of people holding both British and EU passports increased significantly between 2011 and 2021, suggesting that many UK residents sought to retain EU citizenship protections as the UK left the EU, while some EU residents acquired British citizenship to preserve unrestricted access to the UK.

In other words, dual citizenship in the UK today includes longstanding migrant and diasporic communities, but also a growing cohort shaped by recent geopolitical change.

Digital borders

The UK’s new passport rule does not mean the country is less tolerant of dual citizens. But it is a consequence of borders becoming more digitised in recent years.

Borders today are not confined to passport control desks. They operate through airline check-in systems, pre-travel authorisations, biometric databases and algorithmic risk assessments. Airlines are required to confirm eligibility before boarding. Digital systems match names, dates of birth and passport numbers against centralised records. Such systems prioritise coherence and consistency, aiming to eliminate ambiguity.

But dual citizenship, and transnational life more broadly, produce precisely the kind of complexity that digital systems struggle to accommodate. Names may differ across jurisdictions. Marriage can produce surname changes in one country but not another. Accent marks may appear in one passport and not in its transliteration. Children born abroad may be citizens by descent but have never held a British passport.

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There is little room for discretion when border checks are digitised. The administrative solution is to use the British passport when entering Britain. Yet this is not always straightforward. Some dual citizens born abroad have never needed a British passport and must now apply for one in order to travel. Others may consider renouncing British citizenship to avoid the administrative burden — but this option is not available to underage dual citizens.

Dual citizens are not a homogeneous group. They include naturalised migrants who have retained their original nationality; British-born citizens who later acquired another citizenship through residence or marriage; children of mixed-nationality families; foreign-born children of British emigrants who are citizens by descent; and members of long-established Commonwealth communities whose plural affiliations are a result of British imperial history.

For some, the new rule simply means ensuring that their British passport is valid. For others — particularly families living abroad who have never needed a British passport for their children — it introduces an unexpected bureaucratic step.

This is where borders intersect with inequality. Families with easy access to consular services, financial resources and familiarity with UK administrative systems can adapt quickly. Those living further from British bureaucratic infrastructure face greater friction.

The UK’s passport requirement is being introduced during a wider political moment in which states are exerting tighter control over citizenship. In the US, Donald Trump’s administration pledged to restrict birthright citizenship and expand the state’s power to remove citizenship.

In a number of countries, citizenship revocation powers have disproportionately targeted dual nationals, precisely because removing citizenship from mono-nationals would breach international law by rendering them stateless.

What we may be witnessing is not the retreat of dual citizenship, but its transformation. It remains widely tolerated. Yet it is increasingly bureaucratically policed.

The cumulative effect is subtle but significant. Citizenship is no longer just a legal status secured once and for all. It must remain legible to digital border systems and be continuously probed through interconnected databases.

Dual citizenship emerged as recognition that identities and attachments can be layered. Digital borders, by contrast, favour clarity and singular representation. This tension is unlikely to disappear.

The UK’s move signals how, in an era of digital borders and geopolitical uncertainty, the lived experience of citizenship is being reshaped — not through headline constitutional change, but through the quiet reorganisation of administrative systems.

Emergency services were called to a terrace property on Ashfield at around 8.45am yesterday, February 20.

The fire is being treated as arson, and a police investigation was launched.

A fire and crime scene investigator were examining the home on Friday afternoon (Image: NORTHERN ECHO)

Pictures from the scene showed a Durham Police van and a crime scene investigation van outside the property.

Four men, aged between 23 and 34, were arrested on Thursday afternoon and taken into police custody.

In a new update from Durham Constabulary, they have since been released on bail while further enquiries are carried out.

CSI van and fire investigation car on the scene yesterday (Image: THE NORTHERN ECHO)

Residents described the incident as “frightening” as police and fire crews flooded the street during the morning school run.

One man said: “It’s a quiet road. You get the odd stuff which you do anywhere now, but it’s never usually as full as it was with police all over.

“I was just leaving the house when they all came, and with the school run and everything, it was really busy.

“I’ve heard everyone is okay, but the house doesn’t look good.”

A police cordon was around the home whilst investigations were carried out (Image: NORTHERN ECHO)

A woman who lives a few doors away said she had initially heard nothing while out on the school run, but was alarmed when she returned.

She said: “We were frightened, as when I was heading back, we didn’t know whether it was ours, but it’s all okay, it’s just that property affected.”

The picture shows the blackened entrance way to the home after the fire (Image: NORTHERN ECHO)

A spokesperson for County Durham and Darlington Fire and Rescue Service said: “We were called at 8.37am today (February 20) to a house fire on Ashfield in Newton Aycliffe.

“Three fire engines from Darlington and Newton Aycliffe Fire Stations attended the incident.

“Firefighters wearing breathing apparatus used one hose reel to put out the fire and a positive pressure ventilation fan to clear the smoke.

“Crews left the scene at 9.41am.”

A spokesperson for Durham Constabulary added: “Anyone with information that could assist the investigation is asked to call Durham Constabulary on 101, quoting incident number 67 of February 20.

“Information can also be submitted anonymously to Crimestoppers on 0800 555 111.”

Burnley, meanwhile, produced a remarkable comeback against Crystal Palace in their last league outing but are still ten points from safety and suffered a shock FA Cup exit at the hands of Mansfield last weekend. Follow the game LIVE below with our dedicated match blog, featuring expert insight and analysis from Dom Smith at Stamford Bridge.

Detective drama, Death in Paradise, has a legion of loyal fans, including one star-struck viewer, who asked if he and his wife could be extras on the show, which is filmed on the stunning island of Guadeloupe

A die-hard Death in Paradise fan has revealed what the stars of the show are really like. Filmed on the stunning island of Guadeloupe, the BBC smash hit, currently starring Don Gilet as detective inspector, Mervin Wilson, has a legion of loyal fans.

Death in Paradise stans, Mike Mitchell and his wife Liz, became so engrossed in the detective drama during lockdown that they hot-footed it to the Caribbean in 2022 and asked producers if they could be extras in the series.

Much to their delight, they were welcomed to the fictional island of Saint Marie with open arms and were soon rubbing shoulders with the stars of the show. Here’s what they had to say about the famous faces from the Honoré police station starting with fan favourite, Selwyn Patterson…

OPINION

Jasmine Allday

READ MORE: BBC Death In Paradise first look teases surprise return and devastating double exit

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Don Warrington – Commissioner Selwyn Patterson

Don Warrington has played Commissioner Selwyn Patterson since Death in Paradise began in 2011.

Speaking to the Express, Mike said he shared a few rums with the famous thespian, who has long list of theatre and film credits under his belt revealing: “We’ve met Don Warrington. Don used to come and join us for a drink in the bar at the hotel in the evening.

“He’d go to the hotel and have a meal, on his own usually, and then he’d come to the bar where we were sitting. We’d sit and drink rum together and tell stories.”

Ralf Little – DI Neville Parker

The couple also met Royale Family star, Ralf Little, who starred as DI Neville Parker from 2020 before leaving in 2024 to be replaced with EastEnders star, Don Gilet.

Revealing Ralf wished him luck before making his debut on the show, Mike recalled: “Ralf came and stood next to us and he said, ‘Good luck. I hope it goes well.’ He was very encouraging. Afterwards we all just had a bit of a chit-chat.”

Ginny Holder – Officer Darlene Curtis

As well as Ralf, Mike and Liz also met with Shantol Jackson (DS Naomi Thomas), Ginny Holder (Officer Darlene Curtis) and Tahj Miles (Officer Marlon Pryce).

Of this group, they stayed in touch with one popular cast member. Mike said: “We stayed in touch with Ginny, she still messages us now. They’re all really nice people.”

Sadly, Ginny is no longer in the series. Accompanied by a compilation of footage from Darlene’s stint on the programme, a statement from the BBC: ” Sadly, we’re saying goodbye to Darlene this series. Ginny Holder has been a much-loved cast member, and we’re hugely grateful to her for bringing her talent, personality, and energy to Officer Darlene Curtis.”

Happily for Ginny’s fans, the star is still acting and appeared in the new series of Midsommer Murders at the beginning of the year.

Following their successful stint in 2022, Mike and Liz later returned to Guadeloupe for a third visit in 2024, this time seeing current lead actor Don, who plays Mervin Wilson, who has been hailed by some as the ‘greatest inspector’ the show has had.

The couple also came across the much-loved Élizabeth Bourgine, who plays bar owner, Catherine Bordey, in the smash-hit show, which is now in its 15th series.

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