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Strictly 2024 leaderboard: The scores from week one of the BBC dance competition

Published

4 hours ago

September 22, 2024

Strictly 2024 leaderboard: The scores from week one of the BBC dance competition

Week one of Strictly Come Dancing was packed with impressive performances that rocketed up the leaderboard.

On Saturday (21 September) all 15 couples performed live for the first time before the voting – and first elimination of the series – happens next weekend.

At the top of the leaderboard this week is JB Gill and Amy Dowden, who made a triumphant return to Strictly after being too ill to compete in last year’s series as she recovered from treatment for stage three breast cancer.

Their classic Waltz to “When I Need You” by Leo Sayer received a standing ovation from the studio audiences. The performance also impressed all four judges, and saw them receive 31 points out of a possible 40.

Closely behind them is Love Island star Tasha Ghouri who stunned the judges with a celebrated Cha Cha to Sabrina Carpenter’s summer anthem “Espresso”. The influencer was left ecstatic after receiving a score of 30.

Miranda actor Sarah Hadland also receives a score of 30 for her Quickstep to “9 to 5” by Dolly Parton – the highest mark a Quickstep has ever received in week one of the competition.

Meanwhile, at the other end of the scale is punk-rock singer Toyah Willcox, with 12 out of 40, and former Arsenal player Paul Merson receiving just 17 for his American Smooth to the football anthem “Vindaloo”.

Chris McCausland and Dianne Buswell perform on ‘Strictly Come Dancing’ (BBC/Guy Levy)

Here is this week’s leaderboard in full, with the individual marks from judges Craig Revel Horwood, Motsi Mabuse, Shirley Ballas and Anton Du Beke:

JB Gill and Amy Dowden (7+8+8+8) = 31

Tasha Ghouri and Aljaž Škorjanec (8+8+7+7) = 30

Sarah Hadland and Vito Coppola (8+8+7+7) = 30

Montell Douglas and Johannes Radebe (6+7+6+7) = 26

Wynne Evans and Katya Jones (6+6+7+7) = 26

Chris McCausland and Dianne Buswell (4+6+6+7) = 23

Sam Quek and Nikita Kuzmin (6+6+6+5) = 23

Tom Dean and Nadiya Bychkova (5+6+6+6) = 23

Jamie Borthwick and Michelle Tsiakkas (6+6+5+6) = 23

Shayne Ward and Nancy Xu (4+6+5+6) = 21

Punam Krishan and Gorka Márquez (4+5+5+5) = 19

Nick Knowles and Luba Mushtuk (3+5+5+5) = 18

Paul Merson and Karen Hauer (2+4+5+6) = 17

Pete Wicks and Jowita Przystał (4+5+3+5) = 17

Toyah Willcox and Neil Jones (2+4+2+4) = 12

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Strictly Come Dancing: Tasha Ghouri reveals how deafness affects Strictly Come Dancing rehearsals

Published

7 mins ago

September 22, 2024

NewsAdmin

Strictly Come Dancing: Tasha Ghouri reveals how deafness affects Strictly Come Dancing rehearsals

Tasha Ghouri has spoken about how her disability has affected her Strictly Come Dancing rehearsals.

The Love Island star, 26, was born deaf and initially fitted for hearing aids before receiving a single cochlear implant just before her fifth birthday. The device assists with Ghouri’s hearing by electrically stimulating her auditory nerve.

Ahead of her first Strictly performance, the reality star discussed her “concentration fatigue” with her professional dance partner Aljaz Skorjanec, who suggested they practice with the show’s live band ahead of their first performance of the series.

When Skorjanec asked Ghouri if Strictly training had been a struggle at any point, the influencer replied: “I think when you grow up with deafness you learn how to adapt.”

She explained: “I can suffer from concentration fatigue from lip reading all day. There may be times when I have a power nap for ten to 20 minutes just to get myself back and re-energised.”

Ghouri admitted: “I would love to take my cochlear implant out to really feel the music. Feel the vibrations. To feel ‘ok this is how it’s going to feel on Saturday night.’”

Skorjanec then suggested he and Ghouri head to the BBC studios where Strictly is filmed ahead of the live show to practice with the live band.

After rehearsing in the studio space, Ghouri said the live music really “elevated the sound” and was eager to film the show.

Tasha Ghouri on ‘Strictly Come Dancing (BBC)

Ghouri and Skorjanec wowed the Strictly judges with their cha cha to Sabrina Carpenter’s summer anthem “Espresso”.

“It felt like just you and me on that dance floor,” Ghouri told her partner following the performance, which scored 30 points out of the available 40.

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“I am blown away,” celebrated one fan on X/Twitter. “She just set the bar up high after that.”

Ghouri is partnered with professional dancer Aljaz Skorjanec (BBC)

Ghouri has faced criticism over her inclusion in the Strictly Come Dancing line up due to her dance background.

Before shooting to fame on Love Island in 2022, the reality star trained as a dancer at Creative Academy and has since competed at major dance events and performed in music videos.

Some viewers feel that Ghouri’s extensive dance experience will give her an unfair advantage in the competition, but the star has hit back at those claims.

“When you’re in the studio, the glitterballs and the ballroom floor it’s like a whole new world,” she told The Independent and other media.

“Commercial dance is very different to ballroom dance and latin. I’m still having to strip down and relearn, even walking in cha cha step is weird to me.”

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Redmi 65 inch Android TV

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28 mins ago

September 22, 2024

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Buy TV from here at a discount

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Paul Merson dances to iconic football anthem on Strictly: ‘Special’ | Culture

Published

1 hour ago

September 22, 2024

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Paul Merson’s performance on week one of Strictly Come Dancing was described as “special and different” by the judges.

The former Arsenal star danced the American Smooth to Fat Les’s football anthem “Vindaloo” with partner Karen Hauer on Saturday night (21 September).

He scored 2, 4, 5 and 6 from the judges, totting up to 17 in total, but received some nice feedback from the judges.

“This was special, this was different,” Motsi Mabuse said.

Anton Du Beke, meanwhile, described Hauer as a “genius” for her choreography.

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tv – billie eilish (slowed n reverb)

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2 hours ago

September 22, 2024

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https://open.spotify.com/track/40CSn9yrSEoBcZT3QWjqzJ?si=3ad2c2e5cb034dd2

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Apples Never Fall review: Annette Bening drama lacks the crunch of a Pink Lady, but it’s twists and turns galore

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2 hours ago

September 22, 2024

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Apples Never Fall review: Annette Bening drama lacks the crunch of a Pink Lady, but it’s twists and turns galore

There are but a few authors who have their own universes within the modern television landscape. Agatha Christie, of course, gets a new adaptation every Christmas. There’s also David Nicholls and Kate Atkinson, or any number of thriller writers, from Gillian Flynn to the indefatigable Harlan Coben. But none have made quite the impression, in recent years, of Australian author Liane Moriarty, whose books have spawned a number of blockbuster sagas, the latest of which, Apples Never Fall, turns up this week on BBC One.

Joy Delaney (Annette Bening) has gone missing. She has recently retired from the tennis academy she ran with her volatile husband Stan (Sam Neill), and her disappearance sparks the concern of her children: anxious Amy (Alison Brie), macho Troy (Jake Lacy), disenchanted Logan (Conor Merrigan Turner), and unreliable Brooke (Essie Randles). Has somebody murdered their mother? And is that “somebody” their father, given that Joy may have been seeking a divorce? Or is Joy’s vanishing somehow linked to the sudden appearance, many months earlier, of a mysterious young woman, Savannah (Georgia Flood), who becomes a cuckoo in the Delaney nest?

If you know Moriarty’s work, you’ll know where this is going. Twists and turns, misdirection and obfuscation, not to mention lashings of family drama. This is the third big-budget adaptation of Moriarty’s work, beginning with 2017’s Big Little Lies, and followed up by Amazon’s Nine Perfect Strangers as the meat in this hammy sandwich. Though they are unified by A-list talent and high production values, the creative ambitions have been progressively stifled. Where Big Little Lies was shot with a vaguely artistic eye, Apples Never Fall is your run-of-the-mill sepia-infused thriller. Even the title is clunky, and the dialogue is often similarly stilted. “Everyone says they want a doctor in the family,” the sibylline Savannah observes. “But I think having someone in the geosciences around is way more interesting.”

All the same, how bad can a show with Annette Bening, Sam Neill and Alison Brie really be? And that is the key to Apples Never Fall. Each episode follows a different Delaney as they navigate both the family dynamics and the muckraking presence who will resurface long-buried secrets. They all glow in the south-Florida light (a relocation from the novel’s Australian setting, though the series is still filmed there), looking preternaturally beautiful. But that’s something that unifies the Moriartiverse: glamorous people, in glamorous settings, behaving slightly repulsively towards one another. And while no one is departing much from their established archetypes – Lacy is now the go-to Hollywood bro, while Brie has played every bug-eyed neurotic going – it all fits together neatly, like a puzzle.

“It kind of felt easy being a martyr,” Joy confesses, in flashback. “Maybe I let myself down.” And for all that Apples Never Fall delivers reliable tropes – the missing woman, the mysterious stranger, the rival from the past who’s back on the scene – its core concern is how a dysfunctional marriage begets a dysfunctional family. The script, from showrunner Melanie Marnich, is frequently heavy-handed, but there’s enough in the material to keep viewers’ interest for seven episodes. And while it doesn’t stick the landing in the same way as Big Little Lies, the rug-pull in the seventh chapter manages, in tennis terms, to be a comfortable put-away, even if it’s not quite a smash.

Apples Never Fall exists in the middle of a Venn diagram between full-blown murder mystery thrillerdom, and an almost soap operatic depiction of crumbling dynasties. It is an emerging portmanteau genre, designed to unite men and women, young and old, in something mildly exciting, mildly titillating and mildly relatable. The result is a show that lacks the crunch of a Pink Lady, but still has the mellow tones and summer flavourings of a Golden Delicious.

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