The Team USA men’s hockey team felt Johnny and Matthew Gaudreau’s spirits when they took home the gold at the 2026 Winter Olympics.

“Johnny and Matty should be here and that is still the biggest loss that all of us at USA hockey, their families [and] our family, has gone through,” Dylan Larkin told reporters after the Sunday, February 22, gold medal game. “Johnny [is] family first.”

Team USA beat Team Canada 2-1 in a sudden-death overtime win on Sunday, the American squad’s first gold medal victory since 1980’s famed “Miracle on Ice.”

“I think part of the puck not going in our net was somehow, that he’s standing there doing something,” Larkin, 29, said, adding that he pictures Johnny and Matthew laughing as they “just somehow they put a spell around [the Team USA] net where that puck didn’t go in.”

Related: Johnny Gaudreau Honored by USA Men’s Hockey After Olympic Gold Medal Win

Team USA men’s hockey kept the late Johnny Gaudreau in their hearts when they officially became gold medal champions at the 2026 Winter Olympics. Team USA beat Team Canada 2-1 in the gold medal game on Sunday, February 22, where they sweetly honored Gaudreau upon their victory. (The American victory marks the first time that […]

Johnny and his brother, Matthew Gaudreau, were struck and killed by an alleged drunk driver while biking in New Jersey  in August 2024, just days before their sister Katie Gaudreau’s wedding. The brothers were 31 and 29, respectively.

The siblings are survived by their parents, two sisters and respective wives and children. Matthew was married to Madeline Gaudreau, with whom he shared son Tripp. Johnny, for his part, is survived by his wife, Meredith Gaudreau, and their three children.

Meredith attended the gold medal game with her kids and in-laws.

“You should be here, John, and I’m so sorry you aren’t,” Johnny’s widow wrote via her Instagram Stories on Friday, February 20. “So proud of you and your legacy.”

As Team USA celebrated their victory, they held up an Olympics jersey with Johnny’s last name and invited his kids Noa, 3, and Johnny Jr., 2, onto the ice to celebrate with the team. (Johnny and Meredith also shared son Carter, who was born in April 2025.)

Larkin, for his part, told reporters that “just felt right” to invite Johnny’s kids onto the ice.

The Olympic victory also coincided with Johnny Jr.’s birthday.

“2-22 is baby Johnny’s birthday!! Special date picked by his daddy due to travel at the time,” Meredith wrote via Instagram on Saturday, February 21. “Happy 2nd birthday to our baby Johnny boy! We love you so much. I am so proud of you. Couldn’t think of a better way to spend your 2nd birthday than for a fun day tomorrow.”

Related: Johnny Gaudreau’s Family Cheers on Team USA Men’s Hockey at 2026 Olympics

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Team USA had the full support of the Gaudreau family at the 2026 Winter Olympics. Johnny Gaudreau’s widow, Meredith Gaudreau, and his parents were spotted in the crowd during the men’s hockey semifinal matchup against Slovakia on Friday, February 20. (Team USA ultimately won the game, advancing to the gold medal championship round against Canada […]

Johnny’s mom, Jane Gaudreau, subsequently responded in the comments section.

“Happy Birthday Baby Johnny! Mom-Mom & Pop-Pop love you so much and we can’t wait to spend the day with you,” Jane wrote. “Love you to the moon and back!”

Johnny was a forward for the Columbus Blue Jackets and had ambitions to represent Team USA at the Olympics ahead of his death.

“He was determined to earn his spot on that Olympic roster,” the Gaudreau family wrote in a social media statement earlier this month. “While it breaks our hearts that John won’t be there to live out that dream, we know he will be so very present with Team USA and all of his close friends competing throughout these games. Though the Olympics will be bittersweet for our family, we find comfort knowing that in the hearts of his teammates, friends, and everyone who loved watching him play, John will be right there.”

Katherine Heigl will never forget her former Grey’s Anatomy costar Eric Dane after his tragic death at 53.

“I debated this post for days. I have never been comfortable grieving publicly,” Heigl, 47, wrote via Instagram on Sunday, February 22. “I share my tears, my stories and my memories with those I’m closest to and, more times than not, I share them only with the heavens alone. But that silence can often look like a lack of care which I could not abide here.”

She continued, “Rebecca, Billie, Georgia … There is so little, if in fact anything, one can say about a tragic loss like yours. All the ‘I’m sorries’ and ‘my prayers are with you’ ring a bit hollow in the midst of so much pain and grief.”

Us Weekly confirmed on Thursday, February 19, that Dane died after a battle with ALS. He is survived by his two daughters, whom he shared with Rebecca Gayheart.

Related: ‘Grey’s Anatomy’ Cast Reacts to Eric Dane’s Death at Age 53

The Grey’s Anatomy cast and crew are mourning the loss of their costar Eric Dane following his death at age 53. The actor’s family confirmed on Thursday, February 19, that Dane died following a battle with ALS. “He spent his final days surrounded by dear friends, his devoted wife and his two beautiful daughters, Billie […]

“I will say the only thing that has ever brought me peace when I’ve lost someone I love,” Heigl wrote in her social media tribute. “It is Robert Frost’s poem ‘Nothing Gold Can Stay,’ of which I have tattooed on my body in my parent’s handwriting, so I will never forget that the moment of gold was worth it. ‘Nature’s first green is gold, her hardest hue to hold. Her early leaf’s a flower; but only so an hour. Then leaf subsides to leaf. So Eden sank to grief, so Dawn goes down to day. Nothing gold can stay.’”

Heigl further revealed that Dane was akin to “gold” in the 1923 poem.

“I will never forget Eric’s gold and I will forever be grateful I got to bask in it for even a brief moment in time,” she concluded. “Thank you for sharing him with us. God Speed my old friend, here’s to your next great adventure.”

Dane and Heigl costarred on ABC’s Grey’s Anatomy as Dr. Mark “McSteamy” Sloan and Dr. Izzie Stevens, respectively. Dane appeared on the medical drama from seasons 2 to 8, while OG cast member Heigl left after season 6.

Related: Eric Dane Died on 20th Anniversary of His 1st ‘Grey’s Anatomy’ Episode

Eric Dane died on the 20th anniversary of his first appearance on Grey’s Anatomy. Dane’s loved ones confirmed his death in a statement on Thursday, February 19, following his battle with ALS, noting that the actor “spent his final days surrounded by dear friends, his devoted wife and his two beautiful daughters, Billie and Georgia, […]

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“We are deeply saddened by the loss of Eric Dane,” a statement from ABC and 20th Television read earlier this week. “His remarkable talent and unforgettable presence on Grey’s Anatomy left a lasting impact on audiences around the world, and his courage and grace during his battle with ALS inspired so many. Our hearts are with his family, friends and colleagues, as well as the many fans whose lives were touched by his work.”

Ahead of his death, Dane was long grateful to have acted on Grey’s for so many years.

“I’m proud of [my career]. All of it got me to where I am today,” Dane said in his Famous Last Words interview, which premiered on Netflix hours after his death. “There was a ton of experience in there. Life experience, personal, professional. I think when I really tried to be good and approached the craft with a certain amount of effort and focus that I was capable of doing some pretty good work.”

Since Season 2 premiered in late 2024, Silo has been a near-constant presence in Apple TV’s rankings. It even surged to the No. 1 spot at various points, holding its ground against heavy hitters like Slow Horses, Shrinking, The Morning Show, and fellow sci-fi standout Severance.

But in a recent shift, the series has seen a dramatic shift in its fortunes, with Hijack claiming the top position. Even lower-profile titles like Tehran and Drops of God are currently charting above it. Now, just months before Season 3 is expected to arrive in 2026, the dystopian sci-fi favorite has been knocked out of the platform’s Top 10 entirely — a surprising shift for one of Apple’s most consistent performers.

Based on Hugh Howey’s bestselling novels, Silo is set in a future where humanity’s last survivors live in massive underground structures, cut off from the outside world. Anyone who breaks the rules is sent to the surface — supposedly to confirm whether Earth is survivable again. Rebecca Ferguson leads the series as Juliette Nichols, an engineer who finds herself pulled into a conspiracy that shakes the very foundation of her silo. The cast also includes Steve Zahn, Rashida Jones, Tim Robbins, Harriet Walter, Common, Iain Glen, and Tanya Moodie.

How Good Is ‘Silo’?

Collider’s Tania Hussain awarded the second season an 8/10, praising its “uniquely immersive environment” and “razor-sharp writing,” adding that “by grounding its Orwellian elements into tense yet relatable human struggles, Silo continues to surpass the genre… emerging as a masterful exploration of isolation and survival through Ferguson’s nuanced portrayal.” She wrote:

“With its 10 episodes this season, the Silo world is truly expanding and the supporting performances amplify so much of the stakes. Exemplifying a sad and almost heartwrenching portrayal of loneliness with a childlike wonder, Steve Zahn is at his absolute best in a barren playground where his character, Solo, creates the rules. It’s the chemistry he shares with Ferguson that creates a dynamic sort of interplay that contrasts her serious demeanor with a spirited and lively approach. He is every bit a compelling counterpart to Juliette, and one we see most terrifically evolve across the series.”

Silo Seasons 1 and 2 are streaming now on Apple TV. Season 3 has wrapped production, while Season 4 continues to shoot. Stay tuned to Collider for more streaming updates.

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Release Date

May 5, 2023

Showrunner

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Graham Yost

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Kash Patel
Chugs Beer With USA Men’s Hockey Team
… After Gold Medal Win

Published
February 22, 2026
5:49 PM PST

The following article contains spoilers.Ending a television show comes with a tremendous amount of expectation because loyal viewers want to ensure that their time has been rewarded. While a comedy show may only have situational scenarios in which the narrative development doesn’t lead towards a dramatic finale, drama shows can be judged based on whether they are perceived to have a satisfying finale. There’s no better example of this than Game of Thrones; although it was once considered to be one of the best drama shows of all time, it now has a more mixed legacy as a result of its terrible last episode.

The pressure to be successful has grown stronger in the last decade because of the obsessive relationships viewers have with their favorite shows within the streaming era. Here are the best drama television finales of the last ten years, ranked.

10

“Prisoners of War” (Season 8, Episode 12)

‘Homeland’ (2011–2020)

Image via Showtime

Homeland was an uneven series that managed to pull off a great finale with “Prisoners of War” because it ended in a realistic way. It was never possible for Carrie (Claire Danes) to completely escape from her responsibilities to protect the United States from terrorist threats, but “Prisoners of War” at least put a solid finish to her relationship with Saul (Many Patinkin), a character who was her ally, mentor, and occasionally adversary.

“Prisoners of War” was a cleverly named title because it’s shared with the original Israeli television series that inspired Homeland. Although “Prisoners of War” indicated that one chapter of Carrie’s story had come to an end, there’s always the possibility that the series could have a revival, especially given that it has seen a surge in popularity after being made to stream on Netflix, which resulted in a significant uptick in viewership.

9

“Lock and Key” (Season 6, Episode 6)

‘Peaky Blinders’ (2013–2022)

Everett Collection

Peaky Blinders is one of the most satisfying British crime dramas because it was a rare show that seemed to get better with each season. While it began as an underrated BBC series with a niche viewership, Peaky Blinders became a phenomenon when it became available internationally on Netflix, and managed to make an icon out of Cillian Murphy’s Thomas Shelby.

Peaky Blinders ended perfectly with “Lock and Key” because it resolved the succession of the Shelby family and provided a satisfying end to each of the characters, including a clever last-minute twist involving Thomas’ destiny. While it was as great a conclusion as any loyal fan of the show could have asked for, it’s not the ultimate ending, as Murphy and most of the original cast are returning for the spinoff film Peaky Blinders: The Immortal Man on Netflix.

8

“Jedha, Kyber, Erso” (Season 2, Episode 12)

‘Andor’ (2022–2025)

Image via Disney+

Andor is the best piece of Star Wars storytelling since Return of the Jedi, and the series ended on a perfect note that beautifully set up the events of Rogue One: A Star Wars Story, in which Cassian (Diego Luna) sacrifices himself to ensure that the Rebel Alliance gains access to the Death Star plans. While grounded within the mythology of Star Wars, Andor was praised for its timely parallels to real-world politics.

Andor ended on the appropriately bittersweet note, as it was always going to be somewhat depressing that Cassian would not live to see the Empire fall to its knees. However, the twist that Bix (Adria Arjona) was pregnant with his child was an emotional way to signify that his heritage of heroism would continue well into the future, and that the name “Andor” would be remembered throughout galactic history.

7

“Green Queen” (Season 1, Episode 10)

‘The Curse’ (2023–2024)

Image via Showtime

The Curse is one of the weirdest shows of all time because it combined the awkward, psychologically unnerving black comedy of Nathan Fielder with the relentless thrills of Benny Safdie. Although The Curse was a series that hinted at supernatural elements as a conflict that emerged between the white characters and the people of color whom they try to “save,” the finale, “Green Queen,” takes a surprising twist by including something completely fantastical.

The Curse’s ability to take a hard slant into the inexplicable was a daring choice that resulted in an ending that left viewers scratching their heads in a way television hadn’t seen since the ending of The Sopranos. Perhaps the greatest surprise is that Fielder, a comedian at heart, was capable of giving a profound, dramatic performance and proved himself worthy of sharing the screen with Emma Stone.

6

“The Book of Nora” (Season 3, Episode 8)

‘The Leftovers’ (2014–2017)

Image via HBO

The Leftovers is the best show that Damon Lindelof has ever written, and in many ways makes up for some of the mistakes that were made on Lost regarding plot contrivances. The Leftovers may have started as an HBO show that was almost too bleak for its own good, but it evolved into a surprisingly thoughtful, moving expose on the way that people respond to the unexplained facets of life.

The Leftovers dropped any semblance of spectacle in its finale by reverting to focus singularly on the relationship between Nora (Carrie Coon) and Kevin (Justin Theroux), whose romance had been the guiding light of the series. Whether the story that is told within the final monologue should be believed is a debate that fans of The Leftovers still have, which is only further proof that the finale has a lasting power.

5

“START” (Season 6, Episode 10)

‘The Americans’ (2013–2018)

Image via FX

The Americans is one of the best contemporary dramas because it was both a thrilling espionage series and a thoughtful examination of the burdens placed upon a family. Although there was a threat hanging over Philip (Matthew Rhys) and Elizabeth Jennings (Keri Russell) from the beginning that suggested they would eventually have to choose between their loyalties to the Soviet Union and their new home in the United States, “START” forced them to confront this question in the most dramatic way possible.

“START” managed to finally pay off the storyline involving the character Stan, played by Noah Emmerich, in a remarkable performance. It’s even more impressive in retrospect to consider how authentically The Americans was as a depiction of what married life is like, especially since Rhys and Russell became married in real life after forming a bond while shooting the series together.

4

“Hello, Elliot” (Season 4, Episode 13)

‘Mr. Robot’ (2015–2019)

Image via USA Network

Mr. Robot didn’t have the finale that fans of Sam Esmail’s brilliant hacking drama expected because it didn’t center on a major showdown between Elliot Alderson (Rami Malek) and Whiterose (BD Wong), who has commanded the cyberterrorist organization Dark Army. Instead, the “Hello, Elliot” unpacked how Elliot’s various personalities had been born out of his desire to escape childhood trauma, and brought a satisfying conclusion to his relationship with Mr. Robot (Christian Slater).

Mr. Robot is a perfect example of why planning out a show in advance is a good thing, as Esmail knew exactly how Elliot’s story would end from the moment he began working on it, meaning that all the foreshadowing within the previous seasons paid off perfectly in “Hello, Elliot.” It also featured a staggering performance by Malek, who was able to unpack new layers to Elliot after shocking truths were revealed throughout the fourth and greatest season of the series.

3

“Saul Gone” (Season 6, Episode 13)

‘Better Call Saul’ (2015–2022)

Image via AMC

Better Call Saul ended with a finale that was perfect and seemed to confirm that it was a masterpiece worthy of Breaking Bad, the series in which Bob Odenkirk had first debuted the character of Jimmy McGill, also known as “Saul Goodman.”

Better Call Saul had used a split narrative device since its beginning to show the events that lead Jimmy down a path of corruption and crime, as well as what his life looked like in the aftermath of the Breaking Bad finale, “Felina.” “Saul Gone” not only completed flashing back to the events of Breaking Bad and showing them from Saul’s perspective, but finally forced him to face the consequences of his actions; like Walter White (Bryan Cranston) before him, Saul became a narcissistic anti-hero who was incapable of being redeemed because of his unwillingness to show any change.

2

“Part 18” (Season 3, Episode 18)

‘Twin Peaks: The Return’ (2017)

Image via showtime

Twin Peaks had a rocky road to its finale because David Lynch’s brilliant crime mystery was initially canceled by ABC in 1991, only for him to revive it in 2017 with a third and final season. Twin Peaks: The Return had trapped Agent Dale Cooper (Kyle MacLachlan) in the body of the childish character for the majority of its eighteen episodes, but the ending saw him finally returning in an attempt to save Laura Palmer (Sheryl Lee) in the past before the murder that set up the show.

“Part 18” is among the bleakest hours of television ever aired because Cooper sees the misguided notion of trying to change the past, which inevitably leads Laura to suffer even more. It’s not only a perfect ending to Twin Peaks, but a poignant ending to Lynch’s work as an artist, as he did not direct any other movies or shows before his tragic passing in 2025.

1

“With Open Eyes” (Season 4, Episode 10)

‘Succession’ (2018–2023)

Image via HBO

Succession ended in the only way it possibly could by finally facing Kendall (Jeremy Strong), Shiv (Sarah Snook), and Roman (Kieran Culkin) with the consequences of aspiring to fulfill the legacy of their late father, Logan (Brian Cox). Although the question of who would take control of Waystar RoyCo had been debated throughout the entire show, “With Open Eyes” made a cruel twist; Shiv’s spurned husband, Tom (Matthew Macfadyen), would be placed as the new CEO, even though he had sold out the company to the invasive investor Matsson (Alexander Skarsgard).

Succession ended on a Shakespearean note that confirmed the tragic fates that each of the characters was doomed to after failing to come together to save the company. Nicholas Britell’s score has always been brilliant, but the musical cues he used within the final moments of “With Open Eyes” may be his greatest contribution to the show.

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Succession

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Release Date

2018 – 2023

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HBO Max

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Showrunner

Jesse Armstrong

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Mark Mylod

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Blueface and Nevaeh Akira apparently have a little one on the way, and Karlissa Saffold Harvey has reacted to the news.

RELATED: New Circus Addition? Internet Users Weigh In After Blueface Reacts To Pinkydoll Asking Him To Be Her Valentine (WATCH)

Karlissa Saffold Harvey Reacts To Blueface & Nevaeh Akira’s Apparent Pregnancy Announcement

On Sunday, February 22, Harvey took to her Instagram Story with a reaction to Blueface and Nevaeh Akira’s announcement. Furthermore, Harvey wrote, “Kids are a blessing if he happy I’m happy [heart hands emoji] congratulations to them both and may God bless the baby.”

Afterward, she even shared a follow-up post:

“It’s a girl and I already knew she was coming [crying face emoji]”

More On Blueface & Nevaeh Akira’s Apparent Pregnancy Announcement

As The Shade Room previously reported, on Sunday, Blue and Nevaeh Akira took to a livestream via Twitch. Furthermore, ahead of the stream, Blue reportedly told his fans that he would be sharing whether he and Nevaeh were expecting.

Well, as their stream rolled, the pair ultimately shared a positive pregnancy test with viewers.

“Congratulations, you’re having a Blueface baby!” the rapper told Navaeh as they hugged and shared a kiss, seemingly excited for their new chapter ahead.

Have Chrisean Rock & Jaidyn Alexis Publicly Reacted To The Pair’s Apparent Pregnancy Announcement?

As Blueface and Nevaeh are likely basking in their excitement, the other mothers of Blueface’s children have apparently remained mum on his announcement. Chrisean Rock, who shares a two-year-old son named Chrisean Jr. with Blue, has not yet shared a public message in reaction. This, although she recently shared a post via Instagram earlier this evening.

Additionally, Jaidyn Alexis, who shares Blueface’s eldest children, Journey and Javaughn, has not yet publicly reacted either.

RELATED: Baby OTW! Blueface Seemingly Confirms His Boo Nevaeh Akira Is Pregnant After Test Reveal (VIDEOS)

By Jonathan Klotz
| Published 27 seconds ago

For one glorious moment in time, Baywatch was the most-watched show on the planet, turning Pamela Anderson, Yasmine Bleeth, and Carmen Electra into stars, but even those three paled compared to the popularity of David Hasselhoff. The star of Knight Rider found the perfect role for his second act as Mitch Buchannon, a veteran lifeguard who often said it was the only job he ever had, but secretly wanted to be a detective.

Baywatch Nights, the 1995 spin-off, let Mitch live his dream as a detective straight out of a 1930s pulp novel, solving murders, finding missing people, battling sea monsters, uncovering an alien conspiracy, exploring a parallel dimension, and even going 20 years into the future. Baywatch Nights is a bizarre fever dream that would never, ever get made today. 

Baywatch Nights Is The Strangest Spinoff In TV History

Baywatch Nights is really two shows: the noir crime thriller of Season 1 and the X-Files knockoff it became in Season 2. Hasselhoff’s Mitch wasn’t the only familiar face. Garner Ellerbee (Gregory Allan Williams), the police officer from Baywatch since the beginning, established a private detective agency and brought in his buddy Mitch to help him, alongside Detective Ryan McBride (Angie Harmon’s debut, known today for Law & Order and Rizzoli and Isles). Legendary musician Lou Rawls not only played the owner of the nightclub that housed the new detective agency, but also performed the opening song, “After the Sun Comes Down,” which played over the opening montage of mostly daylit scenes. 

Right away, fans were incredibly confused when the opening montage had Mitch running in his Baywatch red trunks and then fading in wearing a white Miami Vice-style suit. In 1995. Multiple shots of Hasselhoff behind a car were supposed to remind fans of his time on Knight Rider, but it had nothing in common with the campy, light-hearted show it was spinning off from. Faced with cratering ratings as the first season went on, the studio, The Baywatch Company, retooled into a monster-of-the-week format even further removed from the original beachside drama. 

From Noir Detective To Paranormal Investigator

Season 2 of Baywatch Nights is one of the worst shows to ever make it to air. Or one of the best, in practice, this was close to a 90’s version of Kolchak the Nightstalker. There was no myth arc, no character development, and no real point to the series other than that X-Files was exploding in popularity. The lack of commitment went all the way down to keeping Mitch as a character on Baywatch, making him a lifeguard by day and a paranormal investigator by night. 

Episode 4, “Strike” starts off with Mitch saving a young man from drowning when a strange lightning strike causes the two to start sharing their feelings. Spoiler: he’s an alien, and instead of letting himself be captured by the government, he chooses to go back to his home planet. There’s no ambiguity. There’s a bright, white light, and he fades from sight as he teleports back home. Again, this is a Baywatch spin-off. With aliens. 

A later episode is somehow even stranger: Episode 13, “Frozen Out of Time,” pits Mitch against Vikings, and, of course, it ends with David Hasselhoff getting into a sword fight with a broom. Four episodes later, and the team is hunting down a werewolf. At the same time these episodes are airing, Hasselhoff is still playing Mitch on Baywatch, and somehow the topic of aliens is real, and vampires, and werewolves, and yes, even mummies, never comes up. You’d think “I’m friends with an alien” would make great water cooler conversation at work. 

Baywatch Nights falls solidly into the “so bad it’s good” category. There’s no question that at the time, it was a massive flop and one of the least successful spin-offs of all time. Describing it today will make people question your sanity, and yet, there are more episodes of Baywatch Nights than there is Stranger Things. 

By Jonathan Klotz
| Published 7 seconds ago

You can tell a lot about someone by asking them their favorite spaceship. Ask 100 sci-fi fans, and you’ll get dozens of different answers ranging from Star Trek’s Enterprise-D and Star Wars’ Millennium Falcon to the more offbeat, including Farscape’s Moya and that one Whovian who insists the TARDIS counts. If you’re lucky, at least one person will choose the truly bizarre Lexx from the offbeat late 90’s series Lexx.

A biomechanical ship that resembles a wingless dragonfly, Lexx is the most powerful weapon of destruction in the two universes. It can talk, achieve ludicrous speeds, and has a tail, all of which put together make it the weirdest ship to ever appear on a sci-fi series. 

The Power To Destroy Planets Used to Find A Date

Lexx (voiced by Tom Gallant) was designed by His Divine Shadow as the tool he would use to wipe out humanity and bring all of existence under the insects’ control. That doesn’t quite work out after hapless security guard Stanley (Brian Downey) accidentally kickstarts the spaceship during an escape and becomes Lexx’s captain. Instead of bringing doom and destruction to the universe, Lexx is tasked to use his incredible powers to find planets of open-minded women. Lexx, the series, is very strange with deep lore stretching back thousands of years, but it’s also very horny. 

The biomechanical design of Lexx gives it a unique look on both the outside and the inside, similar to Farscape’s Moya, except it’s considerably more squishy on the inside. Passages are smaller, the crew’s quarters resemble organs, and even the ship controls look like fleshy, bulbous nodules. That’s the controls for everything from the shower to the steering, and the toilets. Instead of a bidet or toilet paper, Lexx’s toilets come complete with a tongue. Yes, it’s a strange show. 

Lexx Is The Strangest Sci-Fi Show In History

Lexx isn’t a great series, but it at least dared to do something different within the sci-fi genre by acknowledging sex exists. That part is obvious within a few minutes of watching an episode. Lexx, the ship, though, you’d think would be super-advanced, maybe thanks to an “organic computer” or accumulated hivemind memories from other insectoid ships, but no, Lexx makes Stanley look smart. The courier/security guard turned captain often has to explain simple concepts to the ship, but once he finally understands, he’s willing to do basically anything Stanley wants. 

The exception is when it comes time for food. Throughout the run of Lexx, Stanley keeps asking for fancy, exotic foods, and each time, the ship provides goop. There’s no fancy technology creating limitless amounts of food here. Only what the carnivorous ship is capable of producing for the rest of the crew, including Zev (Eba Habermann)/Xev (Xenia Seenburg), the rescued love-slave and later her clone, and Kai (Michael McManus), the thousands-year-old undead assassin. Fast, powerful, capable of feeding and taking care of the crew on the inside, Lexx is, thankfully, a one-of-a-kind ship. 

During the four seasons that Lexx was on the air, the quarters and bridge took on different appearances, explained by Lexx himself that he was growing, but in reality, the result of different budget levels for each season, letting the production crew go absolutely wild or, for Season 4, forced to restrain themselves. Throughout it all, Lexx is destroying planets both for noble reasons and Stanley’s selfish impulses, eating other ships and people, and remaining the weirdest ship in sci-fi that could only ever be a part of the strangest sci-fi series.