Entertainment
John Wayne and Henry Fonda’s 83% RT World War II Classic Still Can’t Be Topped
Over six decades later, The Longest Day still stands out as one of the most well-made World War II movies ever put on screen. It aimed big — telling the D-Day story from not just one side but through the eyes of American, British, French, and German soldiers. To pull that off, producer Darryl F. Zanuck, renowned for his sprawling movies, including the troubled U.S.-Japan co-production Tora! Tora! Tora!, which involved Akira Kurosawa, brought in three directors. Ken Annakin, Andrew Marton, and Bernhard Wicki each helmed a different front of the war. John Wayne and Henry Fonda joined an expansive, star-studded ensemble cast, including Sean Connery, Robert Mitchum, and Richard Burton, to deliver a stunning recreation of the landings in Normandy with spectacle and authenticity.
Featuring real paratroopers, actual battle locations, and veterans guiding the production, the film doesn’t hold back in showing the full reality of war, be it the chaos, the solidarity, the fear, and everything in between. Just like A Bridge Too Far details Operation Market Garden with precision, The Longest Day‘s black-and-white dramatization of D-Day offers the most compelling portrayal of one of World War II’s most pivotal events.
Three Directors and a Cast of Thousands Built One of the Best War Movies Ever Made
More than just a movie, The Longest Day is a full-scale reenactment of D-Day. The story draws from firsthand accounts by veterans who experienced the operation. With a cast of 42 A-list stars and thousands of extras, including real paratroopers leaping from planes over Normandy, the film relies on its sheer cinematic muscle. Adopting an ambitious storytelling approach, with no CGI and no shaky-cam close-ups, the film is one of the most thoughtful and balanced portrayals of the D-Day invasion, presenting the viewpoints of major parties involved. The Longest Day doesn’t try to pull you into the action; it’s just a wide-angle view of the day as it happened, leaving judgment to the viewer.
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The three directors assigned to the project concentrated on the nitty-gritty details of accounts within their jurisdiction: Annakin handled the British and French scenes, Marton directed the American sequences, and Wicki oversaw the German segments. The first hour of the film’s near-three-hour runtime builds tension by following the Allied powers as they strategize and the Axis powers as they wait in anticipation. There’s the Allies’ debate over the timing of the attack in bad weather, French villagers smuggling intel, and German commanders bickering over Hitler’s absence. This sequential, documentary-like approach to the film’s storytelling forms the foundation of its epic action. When the landings do take place, it’s two hours of relentless bursts of gunfire and explosives across multiple fronts, revealing not just the war’s carnage but its chaos as well. From the air to the sea, The Longest Day captures the invasion of Normandy in painstaking detail.
John Wayne and Henry Fonda Contribute to Performances That Define a Genre and Technical Mastery
In a film where most actors have limited screen time, John Wayne and Henry Fonda are among the few given more prominent roles. John Wayne plays Lt. Col. Benjamin Vandervoort, the real-life figure who broke his ankle during the landing and ended up becoming a war hero for how he and his unit defended the town of Sainte-Mère-Église. For the few minutes he is on-screen, Wayne plays Vandervoort with his typical larger-than-life screen presence. He urges his troops to march on, motivating them with his speeches and lived experience (although Vandervoort was almost twice as young as Wayne’s 55 years during the war). Henry Fonda, on the other hand, portrays Brig. Gen. Theodore Roosevelt Jr., the president’s son who refuses to sit out of front-row action and history just because of his name. However, the film doesn’t treat them — or anyone else — as typical heroes you’d often find in a character-driven drama. Its focus is on showing the events as they really happened.
With an 84% rating on Rotten Tomatoes, The Longest Day continues to earn respect for its lasting power. Whether you’re coming back to it out of nostalgia or watching it for the very first time, its scale and ambition still command awe. In its three hours, the film proves why it’s a monument to historical cinema.
The Longest Day
- Release Date
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October 4, 1962
- Runtime
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178 minutes
- Director
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Andrew Marton, Bernhard Wicki, Ken Annakin
- Writers
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Cornelius Ryan, David Pursall, Jack Seddon, James Jones, Romain Gary
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Henry Fonda
Brig. Gen. Theodore Roosevelt Jr.
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Lt. Col. Benjamin Vandervoort
Entertainment
Kevin Costner’s 8-Part Civil War Spy Thriller Debuts New Sneak Peek [Exclusive]
Swinging in to cure your winter blues, Prime Video’s upcoming series, The Gray House, blends a pulse-pounding espionage plot with the darkest and most dismal days of the Civil War to bring historical drama fans something completely new. Welcoming Emmy and Golden Globe winner, Mary-Louise Parker (The West Wing, Weeds), back to the episodic fold, the captivating tale of Union spies doing their best to undermine the South’s advances sets the stage for a binge-worthy arrival with all eight episodes hitting the platform on February 26. Today, as part of Collider’s Exclusive Preview event, where we’re showing off the most hotly anticipated titles to make their return in the approaching weeks, we’ve got a sneak peek of the project backed by producers Kevin Costner and Morgan Freeman.
Daisy Head (The Syndicate) is on a top-secret mission in our exclusive first look at The Gray House. Under the cover of night and a costume that conceals her true identity (complete with a fake mustache), her character slips into a party unnoticed and makes her way to the second floor. Upon her arrival upstairs, she finds the woman she’d been looking for but not the answers she was hoping for.
In addition to Parker and Head, Prime Video’s newest period drama also features the talents of a call sheet that includes Amethyst Davis (Happily Ever After), Ben Vereen (Jesus Christ Superstar), Keith David (The Thing), Paul Anderson (Peaky Blinders), Colin Morgan (Merlin), Ian Duff (We Own This City), Hannah James (Mercy Street), Christopher McDonald (Thelma & Louise), Robert Knepper (Prison Break), Catherine Garton (The War Between the Land and the Sea), Sam Trammell (True Blood) and more.
Meet the Creatives Behind ‘The Gray House’
Freeman will produce The Gray House under his Revelations Entertainment banner with his business partner, Lori McCreary, while Costner operates under his Territory Pictures. The title also hails from Paramount’s Republic Pictures and Leslie Greif’s Big Dreams Entertainment. Greif, who previously collaborated with Costner on Hatfields & McCoys, co-penned the Civil War-centered project alongside Darrell Fetty and John Sayles, with Roland Joffe (The Killing Fields) directing. Additionally, the soundtrack features an all-star lineup of musicians like Willie Nelson, Shania Twain, Killer Mike, Yolanda Adams, and more, adding their voices to the project, while Jon Bon Jovi holds co-writing credits for one of the title’s songs.
Check out our new look at The Gray House above and stay tuned for more to come from Collider’s Exclusive Preview event. Tune into Prime Video on February 26 to stream all eight episodes of the wartime drama.
- Release Date
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February 26, 2026
- Network
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Prime Video
- Directors
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Roland Joffé
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Daisy Head
Elizabeth Van Lew
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Paul Anderson
Stokely Reeves
-
Amethyst Davis
Mary Jane Richards
-
Entertainment
Ryan Coogler’s Historic BAFTA Win Fuels Oscar Buzz
Ryan Coogler enjoyed another triumphant awards night as he scooped up the Best Original Screenplay BAFTA for “Sinners.”
The “Black Panther” director’s vampire horror flick has enjoyed both massive commercial success and widespread critical acclaim since its release in April 2025.
That winning momentum carried over to the 79thBritish Academy Film Awards, where “Sinners” walked away with a total of three trophies.
Coogler’s personal triumph proved especially significant, marking a history-making moment for a black filmmaker at the BAFTAs.
Almost immediately, industry watchers began predicting similar success at the upcoming Academy Awards.
“Sinners” heads into the Oscars with an impressive 16 nominations, with the ceremony scheduled for March 15, 2026.
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Ryan Coogler Becomes First Black BAFTA Winner For Original Screenplay

Coogler’s victory for the Best Original Screenplay at the 2026 BAFTAs was the first ever by a Black filmmaker.
Woody Allen holds the record for the most wins (four) in the category, recognized for scripts including “Broadway Danny Rose” and “Husbands and Wives.”
Other notable past winners include Nora Ephron for “When Harry Met Sally,” Quentin Tarantino for “Pulp Fiction,” and Paul Thomas Anderson for “Licorice Pizza.”
As he received his trophy, Coogler admitted that he hadn’t expected the win, while also paying tribute to his fellow nominees.
“I’m nominated with some incredible writers,” he said. “I’ll share this with y’all… Y’all already won by being here.”
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‘Sinners’ Triumphs As Wunmi Mosaku Takes Best Supporting Actress
As well as Coogler’s Best Original Screenplay, another big win for “Sinners” on BAFTAs night saw Wunmi Mosaku crowned as Best Supporting Actress.
In the film, Mosaku portrays Annie, a hoodoo practitioner who is also the estranged wife of Smoke, one of Michael B. Jordan’s twin characters.
During her acceptance speech, the Nigerian-born actress reflected on the deeply personal connection she felt to Annie, comparing the character’s journey to her own experience as an immigrant in Britain.
“I found a part of myself in Annie,” she said. “A part of my hopes, my ancestral power and connection. Parts of myself I thought I’d lost or tried to dim as an immigrant trying to fit in.”
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Fans Quickly Turn To Oscar Predictions For ‘Sinners’

“Sinners” also secured the BAFTA for Best Original Score, with Swedish composer Ludwig Göransson taking home the accolade.
With those three major wins in the bag, speculation quickly shifted towards the upcoming 98th Academy Awards, where the film heads in with an impressive 16 nominations.
Coogler, Mosaku, and Göransson are all nominated at the Oscars in the same categories as those they conquered at the BAFTAs.
Writing on X, one user confidently predicted a similar outcome for the director: “Ryan has that screenplay Oscar in the bag.”
Coogler is also nominated for Best Director, while the film itself will compete for the night’s top honor – Best Picture.
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Ryan Coogler Honors Black Filmmakers Who Inspired Him
As Coogler makes history with his BAFTA win for “Sinners,” the director has also taken time to acknowledge the Black filmmakers who shaped his journey.
In a recent interview with Deadline, Coogler mentioned the names of other directors who have influenced his storytelling voice.
“I look up to them and their work, specifically Spike [Lee], Ava DuVernay, Nia DaCosta, Steve McQueen, Barry Jenkins, Jordan Peele,” he said. “These are all filmmakers that I get inspired by, and I feel like it’s beautiful that I get to make things in the time that they are making them.”
Coogler also spoke about a deep “sense of connectedness and inspiration” from trailblazers like John Singleton, who paved the way for the generation that followed.
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Ryan Coogler Shifts Focus To ‘Black Panther 3’ After ‘Sinners’ Success

While “Sinners” continues to stand out among 2025 films, Coogler is already looking ahead to his next project.
During a panel at Deadline’s Contenders Film event in November 2025, the “Black Panther” writer and director confirmed that a return to Wakanda is next on his slate after “Sinners.”
“Black Panther 3” is currently scheduled for release in 2028, though plot, casting, and production details remain largely under wraps.
However, Denzel Washington hinted during a 2024 appearance on “Today Show Australia” that Coogler had written a special role for him in the upcoming installment, a revelation the director later confirmed.
Entertainment
‘Vanished’s Kaley Cuoco Explains Why Alice and Tom “Can’t Come Back” From That Surprising Final Reveal
[Editor’s note: The following contains major spoilers for Vanished.]
Summary
In the MGM+ original series Vanished, Alice (Kaley Cuoco) is determined to uncover what happened to her boyfriend Tom (Sam Claflin), after he disappeared aboard a train to the south of France. The couple’s trip to spend some much-needed time together in Paris turns dark when the doctor involved in humanitarian work seemingly vanishes, leaving behind his very confused archaeologist girlfriend. Uncovering shocking secrets that put her in danger don’t stop Alice from wanting to know the truth, as she realizes the man she thought she loved, she never really knew at all.
Collider recently got the opportunity to chat one-on-one with Cuoco about how her love of true crime helped draw her to this series, what she found most interesting about Alice, the dynamic between Alice and Tom, the nightmare of having someone you love just disappear, the special bond that Alice forms with Hélène (Karin Viard), the frustration in realizing that you sometimes you really just don’t know a person no matter how well you think you do, the moment Alice has decided that she’s had enough, Cuoco’s own input into the “Dear Tom” note, and whether there could be another season. She also discussed her upcoming HBO comedy series Kansas City Star and revealed why she’s so excited about it.
As a Big True-Crime Fan, Kaley Cuoco Understands Her ‘Vanished’ Character’s Drive for Answers
“I would want to know what happened.”
Collider: The characters that I’ve talked to you about previously, in The Flight Attendant, Role Play, and Based on a True Story, have all had other things going on with them than what it seems on the surface. And with Vanished, things are happening to Alice more than they’re happening because of her. As an EP on this, were there things that you wanted this character to be and qualities you wanted her to have that you thought would make her interesting to explore?
KALEY CUOCO: Yeah. I keep thinking, actually, because some people are saying, “Well, if you love The Flight Attendant, I think you’ll love this,” with Cassie in The Flight Attendant, so much was happening to her because of her. She was an unreliable narrator. She was an absolute disaster. A disaster with a heart of gold. Things happened a lot because of her behavior. And I feel like with Alice, she’s actually a pretty grounded person. She has her life together. She’s very organized. She loves her career. Her boyfriend and her have a really specific lifestyle. They meet in these different places, they travel the world, they have no kids, they just have this really cool lifestyle. She has a great career. She’s organized as hell. And so, I think that made it even more terrifying that she was so duped by this man, even though, possibly, you can look at it like he was doing this for technically the greater good.
She’s a step ahead of everybody. Cassie was always a step behind, and Alice is a step ahead. I think that’s even more terrifying when you’ve got your shit together, and you still have this big moment of betrayal. How do you move forward? How do you trust again? Is your curiosity so intense that you have to figure out what happened? I asked myself this through the whole process. I kept thinking, “God, if this happened to me, would I crumble and just get a flight home? Would I just run home?” But I’m so obsessed with true crime and answers that I think I would probably stay. I wouldn’t almost get myself killed, but I would want to know what happened. God forbid, what if something really did happen to him? How would you forgive yourself? There was a lot of push and pull that I thought was an interesting self-reflection on what I would do if I was in this situation.
To jump right into spoilers, Tom feels like a tricky character because this is a guy who’s been with Alice for years and she’s never suspected anything. So, what made Sam Claflin the right actor for Tom?
CUOCO: Well, two parts [to that]. Because of their lifestyle, they were really never together for long periods of time. They’ve been together for years and years. We know that they both have very global jobs, or careers. They meet up in these amazing countries. They have these two-week whirlwinds, and they separate again. It was believable that maybe he could be doing something totally different than what he’s telling her. What’s so lovely about Sam is that he’s so charming and endearing and authentic and just lovely. And then, he can play the, “Wait a minute, is there something else going on here?”
I like, with the flashbacks, that they start out with such rose-colored glasses and, as time goes on, they start to shift for her where she’s like, “Wait a minute, maybe I’m not remembering this the way that [it happened].” We’ve all done that. We’ve all romanticized so many different things and realized, “Oh, God, maybe that’s not exactly what it was.” So, he was perfect for this because he’s so lovable, and you believe that he wants to be with this woman, and he’s in this relationship. But there’s an edge there, and maybe he is lying. And how is he getting away with this? You see why maybe she never suspected anything, because he’s really innocent on the surface, and he’s doing all this good, saving children and [being] this global ambassador. You want to believe that that’s this wonderful trait that this man has.
Kaley Cuoco Searches for a Beloved Hunger Games Star in First Trailer for New Mystery Series
Matthias Schweighöfer also stars in the series.
I thought it was really interesting to have him disappear on a train while he’s taking a phone call while they’re in between stations. It makes a situation that already seems unbelievable that much more difficult to understand and explain. Do you feel like that really helped add to the feeling of desperation and panic since she’s essentially trapped on this train? She can’t even go out and look for him.
CUOCO: It’s literally my worst nightmare. This is my favorite part of the show, to literally wake up from a nap on the train, you look over, and your boyfriend’s gone. Okay, maybe he’s in the bathroom. Okay, maybe he’s walking around. You’re on a train, [which is] a moving vehicle. Where did this man go? It’s terrifying. Unless he magically disappeared, how the hell did he get off this train? It’s a terrifying thought. She’s in a country she doesn’t know, and he’s literally gone. That’s horrifying. She innocently goes to the police, and then they start to look at her weirdly. Who can she trust? Now she’s thinking, “Oh, my God, what if they blame me for something?” They know, deep down, she’s not a part of this, but is she getting framed? She has no one there to protect her. It’s terrifying.
And I think with this much true crime as I watch, and with as many podcasts and documentaries as I’ve seen of people making absolutely insane decisions, that’s why this intrigued me. I was like, “Hell, yeah, this could happen. This could happen.” Would you stay? Would you try and figure it out? Would you go back? When I was reading the end, for a moment, I was like, “Oh, my God, are they really writing this, that she’s going to get back with him?” And then, obviously, she doesn’t. It was like, “I don’t think I could ever trust this man again.” There’s no way, even if he’s like, “I had to do this.” It’s like, “You couldn’t have told me anything? Maybe something small? Come on!”
Kaley Cuoco Sees the Friendship Between Alice and Hélène As the Real Love Story of ‘Vanished’
“That friendship was very special.”
In the first episode, Alice meets Hélène, who offers to help her. By episode two, we learn somehow she knows more than she’s let on. They’re also a lot more alike than either one of them realized. What was it like to figure that relationship out? What did you most enjoy about exploring that dynamic? I thought it was such an interesting pairing that we don’t really get to see.
CUOCO: Yeah, it was. I actually think that was the love story of this story, this friendship. When she’s on the train and Hélène actually starts interpreting for her, Alice grasps onto her because she’s the only person that’s helping. She’s the only person that’s getting in the middle. Then, she sees her again, and it’s like, “Okay, it’s familiar. This woman’s trying to help me.” But now, you’re thinking, “Is she overstepping? This is now feeling weird.” And then, she runs into her again, and it’s a little suspect, but she has no one else to turn to and this woman seems to have information. She’s also extremely chaotic, so she’s like, “How do I trust her?” But I actually love their friendship. And obviously, as time goes on, Alice doesn’t have anyone else but this woman, and she has to put her trust in her. She has to be like, “Okay, this is the only person I have here. I’m totally screwed.” And they end up forming this really interesting, really sweet relationship where they truly help each other out. I love how they become friends in the end. I truly think that was actually the love story that we really wanted to happen. That friendship was very special.
There’s that moment when Alice finally catches up with Tom, and he’s just so cold to her and says, “Sorry, but we’re over.” At that point, why do you think she didn’t just completely lay into him? Did you have conversations about what that reaction would be?
CUOCO: Yes, we did. There were parts of me that [were], just like you said, “How do you not completely lose your absolute mind in that moment? How are you not attacking him and screaming at him?” Remember, she knows that there are people watching her and there are police that are actually still following her. They’ve had their eyes on her, whether they’re framing her or not. If she starts to lose her mind in this public place, it’s going to be done for. She has to be very careful. I also think a betrayal of that deep, you go one of two ways. You go crazy and absolutely lose your mind, or you’re literally speechless and you’re caught off guard so poorly that you can’t even cry. It’s such a shock. You almost seem like you’re in a dream and it’s not real.
So, it was, “Okay, she’s not going to lose her mind in front of all these people.” There are police there. They’re eyeing her. She already was running through the whole city, which is not a big place, by the way. She’s starting to already get known in this place. She had to keep her cool for a second because, even later, she kept thinking, “That’s not him. Something is going on. Something isn’t right.” And her gut was correct. It wasn’t just someone cheating on her or someone who’s left. It’s like, “This isn’t the person that I knew. This is a totally different person. What happened?”
‘Vanished’ cleverly subverts thriller clichés, but is the final revelation a satisfying payoff or a frustrating letdown?
We learn that he isn’t the villain that we’re thinking he could be and that he’s actually Interpol, even though he has done some things that he probably shouldn’t have done. Do you think that at least helps Alice feel like her internal judge of character wasn’t as broken as she thought it was?
CUOCO: Yes, I think that would comfort anyone to know, “Oh, my God, he didn’t just leave me,” and there was a reason. At the same time, it’s too big. You can’t come back from this. I just don’t think you can come back from this at all. It’s too large. It’s too intense. Also, he didn’t just leave her on vacation. She almost dies multiple times. She’s getting kidnaped. She’s getting beat up. She’s fighting people. She doesn’t even know what she’s doing, and she’s totally left to fend for herself. If he was as high up as he said, couldn’t he have sent someone? Couldn’t he do anything to make sure she was okay? He really left her. And to me, there’s no going back from there.
That’s why it’s so interesting to me that there is that moment of the two of them being together. They have sex again one last time before she leaves. Do you think she went into that knowing she was going to leave, or do you think she made that decision after that moment?
CUOCO: I went back and forth with what I thought about that. There are parts of me that like thinking she planned it all along, and she was like, “I’m going to totally mess with him, and I’m leaving him and that’s it.” Another part of me understands the emotional turmoil. Maybe there was a part of her that thought, “Oh, my God, he does love me. I can get past this.” And then, they have this moment together, and she’s like, “No, I can’t get past this,” and it was more of a decision later.
I understand both. The amount of true crime I’ve watched and watched the decisions people have made in these dire situations going, “I don’t know why they did that.” Stress and this horrible circumstance make you do some wild stuff, so I can believe either way. I think she loved him tremendously, and she was holding onto this hope that maybe she could get past this, but she realized very quickly that she couldn’t.
Kaley Cuoco Left Her Own Mark on the “Dear Tom” Letter Alice Writes in the Finale of ‘Vanished’
“He could have made any better decision that would have made this easier on her, and he didn’t.
I love the little dig of her leaving behind this note for him that says, “Dear Tom, at least I had the good manners to leave you a fucking note.” That was really a particularly perfect touch. Was that something that was always there? Was it always in the script? Was it always part of the character? Was that something that got added later?
CUOCO: The note was always there. I added the “fucking.” I added that part in because it’s so simple. It’s like, “You could have done that for me. You could have done anything to make me know, ‘Okay, there’s a reason for this,’ instead of leaving me, literally, ready to die.” He could have done anything. He could have made any better decision that would have made this easier on her, and he didn’t. To me, that’s not true love.
Clearly, he only needed one sentence. That one sentence conveyed everything.
CUOCO: That’s it! He could have written it. I know! There are so many things he could have done that he didn’t. I liked that little stamp on the end, and her going home and being like, “Okay, I can leave now knowing I did everything I could and this is it.”
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Kaley Cuoco has been gracing our screens for longer than you think!
Would you like to play this character again? Do you think it would be challenging to figure out where to take her story next, or do you think there’s a way you could have her team up with Hélène and stop bad guys all over the world? Because I would watch that.
CUOCO: Anything can happen. I think this is definitely, probably tied up in a bow. It was always meant to just be this. But TV is weird, man. Different things get picked up later. Who knows? I loved the experience, I loved the character, and I loved the people I worked with. So, you just really never know what can happen.
Even though Alice leaves Tom behind, do you think that or do you at least hope that she stayed in touch with Hélène?
CUOCO: Yes. If I could see their future, they are lifers. They are lifelong friends. I think they laugh. I think they talk all the time. I think they’ve become really, really close. I like where their story ended up.
Kaley Cuoco Is Excited To Start Shooting Her Upcoming HBO Comedy Series, ‘Kansas City Star’
“We’re hoping to start shooting that by the end of this year, if not the beginning of ’27.”
It seems like you’re having so much fun with the characters that you’re playing and the stories that you’re telling. You’re getting to do so much. They’re all mixed genre. Do you know what you’re going to be shooting next? You already have something lined up? Are you thinking about what you could create for yourself next?
CUOCO: Definitely next, and I’m really looking forward to it, I have a show with the Hacks team, called Kansas City Star, with HBO, and we’re hoping to start shooting that hopefully by the end of this year, if not the beginning of ‘27. It definitely takes me back to my roots of just pure, ridiculous, make-fun-of-myself comedy with an amazing comedic team, with Paul [W. Downs], Lucia [Aniello], and Jen [Statsky], the trifecta of brilliance behind Hacks. The storyline for Kansas City Star happened from something that happened to me, which was a jumping off point. Eventually, I’ll get to talk about it. That’s going to bring me back to all the stuff that I love, just pure, simple, don’t-take-yourself-too-seriously comedy.
- Release Date
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February 1, 2026
- Network
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Prime Video
- Directors
-
Barnaby Thompson
- Writers
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David Hilton, Preston Thompson
Vanished is available to stream on MGM+.
Entertainment
Mo’Nique Tells Fans To Consider Dangers Of Using GLP-1s
Actress and comedian Mo’Nique Hicks is expressing her concern over the public using various GLP-1 drugs to lose weight.
In an emotional video, a teary-eyed Mo’Nique cautioned those using GLP-1s to achieve their dream physiques to be wary about what they’re putting in their bodies, stating she was skeptical of the potential side effects of the drug.
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Mo’Nique Is Expressing Her Genuine Concern For Those Choosing To Use GLP-1 Drugs To Shed Pounds
In a video shared online, reported by Essence, Mo’Nique questioned whether those using GLP-1s to lose weight were informed enough about the medication that they’re putting in their bodies.
“What is the long-term effects? What will it do to your body? Your mind? What will it do to us five years from now, 10 years from now?” she asked.
Mo’Nique went on to say that while those taking the drug to “look like a million bucks” may feel on top of the world now, the tables could turn at a later point.
“You may get down to that size two or size four or that size eight or whatever that thing is. But I would ask you to research what you’re putting in your body,” she said.
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Mo’Nique Implies That Celebrities And Influencers Have People ‘Caught Up In Trends,’ Claims It’s Doing More Harm Than Good

GLP-1s are a type of medication that helps lower blood sugar levels and trigger weight loss, according to the Cleveland Clinic.
Megawatt celebrities, including Oprah and Serena Williams, are also part of the growing community of public figures endorsing the drug for money.
“They got us caught up in trends,” Mo’Nique said in her video, adding that ordinary people are being influenced by “big stars.”
Continuing, Mo’Nique shared a frightening opinion: “They’re taking away our willpower.” She went on, “They’re taking away our fight. They’re taking away our ability to say, I believe in myself, I’m [going to] trust the process.”
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Mo’Nique Says People Need To ‘Love Themselves Enough’ In The Wake Of GLP-1s Becoming Easily Accessible And Wildly Popular

Elsewhere in the video, Mo’Nique grew emotional and encouraged her viewers to “love yourself enough not to be tricked.”
“Because we’re so easily tricked, especially us,” she said through tears, seemingly referring to Black people.
“I’m not judging nobody’s decision because it is yours, however, I’m talking to the babies out there that is questioning things. Love you enough to trust your process,” she finished.
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Fitness Guru Jillian Michaels Said She Encouraged ‘Eight’ Family Friends To Stop Taking GLP-1s For Weight Loss

Mo’Nique isn’t the only public figure to speak out against the use of GLP-1s for weight loss.
According to PEOPLE, Jillian Michaels from the fitness show “The Biggest Loser,” told the publication that she was able to convince “eight” family friends to stop taking the drug after they reportedly began experiencing unpleasant symptoms.
“They’re getting heart palpitations, they’re nauseous, they feel like sh-t. They feel so awful that it’s motivated them to reverse their type 2 diabetes,” she said.
Michaels also discussed that the rapid weight gain that can occur after individuals come off the drug, calling it the “rebound effect.”
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“So you’re not gaining anything. You get off the drug in a year and go all the way back. You’ve not learned anything. You’ve not built any physical strength or endurance. You haven’t learned how to eat healthy,” she added.
“If a person’s self-esteem is so bound up in how they look, it’s frightening,” the “Titanic” actress said.
What Stars Have Been Candid About Using GLP-1 To Help Them Achieve Their Fitness Goals?

Tennis legend Williams, meanwhile, told PEOPLE that using a GLP-1 helped her reach fitness goals she’d never been able to previously. “It was crazy because I’d never been in a place like that in my life where I worked so hard, ate so healthy and could never get down to where I needed to be at,” she said.
Using a GLP-1, however, helped Williams lose over 30 pounds, something she said made her really “excited.”
“GLP-1 helped me enhance everything that I was already doing — eating healthy and working out, whether it was as a professional athlete at the top level of tennis or just going to the gym every day. So I think that it’s important for everyone to hear my story. And I feel like there’s a lot of people that can relate,” she added.
Entertainment
Los Angeles Dodgers’ Freddie Freeman’s Wife Expecting Baby No. 4
Los Angeles Dodgers star Freddie Freeman and his wife, Chelsea, are expecting their fourth child via surrogate.
The baseballer, 36, and Chelsea, 34, shared a joint Instagram post on Sunday, February 22, that confirmed the exciting news. “Worth the wait. Baby #4 is on the way and our hearts are already so full,” the post read. “We are incredibly grateful for the amazing woman helping bring our baby into our lives, and we’re choosing to honor her privacy as we walk this chapter.”
The couple, who share three sons, Charlie, born in 2016, Brandon, born in 2020, and Maximus, born in 2021, then playfully asked their social media fans, “What do you think… brother or sister?” The caption accompanied a family photo that saw one of their sons holding up a black-and-white sonogram image.
The news comes after Chelsea spoke to Us Weekly last year about the frightening health emergency that rocked the couple’s family. After Maximus was rushed to hospital in July 2024 as a result of being unable to sit, stand or walk, he was diagnosed with a rare neurological disorder: Guillain-Barré syndrome, an autoimmune disorder where the body’s immune system attacks the nerves.
Chelsea, who described the situation as the most “terrifying thing” she had been through, told Us in March 2025, “He’s been so resilient. It’s been amazing to see. He’s still in [physical therapy] two times a week. It will be a full one-year recovery before he’s back to complete normal.”
She added that the family have looked for a silver lining amid the health scare. “It obviously taught us that health is everything. It was awful. He was fully paralyzed on a ventilator. Seeing him able to play outside, it’s really a miracle for how sick he was,” she explained at the time.
The couple’s fourth child is not the first carried via surrogacy. In 2021, ESPN reported that the Freemans “explored fertility options” after trying to fall pregnant following the birth of their eldest son. After a surrogate was arranged to carry their second child, Chelsea also became pregnant “nearly simultaneously,” per the outlet.
The athlete told the outlet at the time that the pair hoped their story would provide motivation for other hopeful parents. “Every pregnancy and fertility journey is a little bit different for everyone … I think it’s an inspirational story that we have,” he said. “We tried for a couple of years, and it didn’t happen. We were talking with doctors, and they suggested surrogacy. We jumped at that, because we wanted to be blessed with more kids.”
Chelsea added that she had hoped for a large family soon after meeting Freddie. “As long as I’ve known him, he said that since he was a little boy, he always knew he wanted to be a dad,” she told the outlet. “As important as being a baseball player to him is, I think being a dad is even more important.”
Of her own motherhood aspirations, she said, “It was always my dream to have three kids by the time I was 30. When my 29th birthday came around and I still wasn’t pregnant, I never thought it would be possible. I think our story is definitely a story that God always has a bigger plan. Whether a family is looking towards fostering, adoption or surrogacy, children … no matter which way they come, [children] are truly a blessing for any family.”
Entertainment
Broadway cancels Sunday shows due to New York City blizzard
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The original cast of “Operation Mincemeat” was due to take the stage for their final performance.
Entertainment
35 Movies Like ‘Fifty Shades of Grey’ For Even More Steamy Drama
The Fifty Shades series, beginning with Fifty Shades of Grey, was one of the most widely mocked of the 2010s, consisting of three films released between 2015 and 2018, based on three books all published in 2011 and 2012. The novels were considered guilty pleasures by some readers and bafflingly awful by others, though it could well have been the case of there being no such thing as bad publicity, given the notoriety got people talking.
As such, a trashy trilogy of erotic novels became a cultural phenomenon, and then the movie adaptations proved similarly successful (at least when it comes to the box office; neither the book nor the film series did well critically). Whether they’d like to admit it or not, some people are undeniably interested in finding other movies like Fifty Shades of Grey. Movies like the Fifty Shades trilogy are likely to provide more silly romantic drama and thrills, though there are also quality movies based around erotic/sexual themes that more or less show the right way for such things to be handled in film. For fans of Fifty Shades of Grey, or anyone wanting comparable films (because of similar themes, smuttiness, or to scratch a so-bad-it’s-good itch), the following movies may well be worth cautiously recommending.
35
‘In the Realm of the Senses’ (1976)
You know you’re doing something right as a provocative/challenging filmmaker if you direct something in 1976 and, nearly 50 years later, it’s still quite shocking, not to mention worthy of an NC-17 rating. This is the case for In the Realm of the Senses, which could be called an erotic drama in the sense that sex plays a big part in the narrative, but as for whether it’s titillating… well…
In the Realm of the Senses is probably more disturbing than anything else, but one’s mileage may vary. It explores a sexual relationship that begins intensely and only grows more so as the film progresses, with things gradually getting more and more violent, not to mention psychologically harrowing. It’s a lot to take in and then sit with, once the film’s over, but you do have to admire the confidence and commitment found in something like this.
34
‘Summer with Monika’ (1953)
Causing a stir in 1953, but being relatively tame by today’s standards, Summer with Monika is still worth mentioning as a significant film within the category of movies that can be described as “erotic.” It was an early Ingmar Bergman film, and far from one of his best, but nonetheless contains compelling qualities, telling the story of a young man and woman pressured into living together after the latter becomes pregnant.
What was initially just a “Summer” begins to look like a lifetime, which naturally causes drama and emotional turmoil for the two main characters. Summer with Monika was daring for its time and still feels pretty effective as a drama about societal pressures and the fragility of love, especially as the latter relates to young people who might still be trying to figure out what they want to do with their lives.
33
‘Room in Rome’ (2010)
If it had been made more recently, Room in Rome probably would’ve caused more of a stir and been more controversial. As it stands, it came out in 2010, and wasn’t seen by very many people either… so, hey, maybe it would’ve come and gone had it been made in 2025, too. As for the plot? There really isn’t any plot. It’s kind of like Before Sunrise, but with gratuitous nudity.
The two lead characters are attractive women who meet in a hotel room and spend a lot of time naked and/or having sex. It’s directed by a man, and that – if not criticized in 2010 – would’ve made Room in Rome open to lots of criticism if made in more recent times. Defenders might call it a purely sensual film, while others might say it’s too close to being a feature-length excuse to show lots of sex and nudity. Does the truth lie somewhere in between? Does anyone care?
32
‘Crash’ (1996)
David Cronenberg has made his fair share of movies appropriate for sickos, with Crash feeling overall like one of his most twisted and provocative. It follows the lives of various people who have what most would consider to be an unusual fetish: that of car accidents; people who seem to become sexually aroused by either the idea of cars crashing, or actually being involved in accidents.
It’s empathetic on top of being disturbing, and there’s an unusual atmosphere present throughout Crash that’s easy to appreciate when you’re watching it, but harder to properly put into words once it’s over. It’s certainly not a film for the faint of heart, by any means, but anyone after a character-focused drama that’s unafraid to explore a darker side of sexuality might well find Crash intriguing.
31
‘Tie Me Up! Tie Me Down!’ (1989)
Antonio Banderas has collaborated with Robert Rodriguez many times, sure, but he’s also been a favorite actor of Pedro Almodóvar. Almodóvar caused a stir with the release of Tie Me Up! Tie Me Down!, which was one of his first films to find some degree of international success, and it also provided a fairly early role for Banderas, who plays a disturbed young man named Ricky.
Essentially, the plot revolves around Ricky kidnapping an actress he once had sex with, and this premise somehow leads to some degree of comedy alongside being more intense/dramatic. Tie Me Up! Tie Me Down! is pretty bizarre and hard to recommend to everyone, though it commits to its premise in an uncompromising and therefore somewhat admirable way, and overall feels like the kind of movie that doesn’t really care what you think. So, good for Tie Me Up! Tie Me Down!
30
‘Zandalee’ (1991)
If you’ve ever wanted to see Nicolas Cage take part in a movie with a similar premise to The Room (and execution that’s honestly not much better), then Zandalee is the movie for you. Cage plays a man whom one woman decides to have an affair with, as she’s gotten bored with her usual partner, which naturally leads to emotional turmoil, melodrama, and chaos.
It’s one of the best bad Nicolas Cage movies, giving the actor ample opportunities to overact while also being ridiculous across the board; not simply because of Nicolas Cage being in it. Zandalee is a mess and a largely forgotten one, at that, but those after a very specific type of overwrought 1990s cheese will likely find a great deal to appreciate here, even if such appreciation is ultimately ironic.
29
‘Cat People’ (1982)
A remake/reimagining of a classic gothic horror movie released exactly 40 years earlier, 1982’s Cat People is very much a different sort of beast, being sleazier, more explicitly violent, and decidedly more in your face. One’s mileage will vary on whether this was the right approach to take when updating an understated and quietly effective horror movie, but at the very least, both Cat People movies stand apart.
Narratively, this Paul Schrader-directed version centers on a woman with a dark past/secret involving large predatory cats, with such an unusual “condition” dramatically affecting her romantic life. Cat People is pretty wild stuff, and the eroticism can be laughably much, but it has a distinct style/feel it’s going for and achieves it all the way, making for a strange but somewhat engrossing viewing experience.
28
‘Killing Me Softly’ (2002)
Definitely not to be mixed up with 2012’s Killing Them Softly, 2002’s Killing Me Softly is quite the infamous title, starring Heather Graham and Joseph Fiennes at a time when they were relatively well-known… though perhaps this film didn’t help their careers going forward. It’s a 21st-century take on the erotic thriller genre, following a woman as she tries to deal with growing suspicions about her husband’s past.
He’s had a complex history with previous partners, leading to paranoia and general distrust, all of which is supposed to grow more intense and passionate… but the execution leaves a lot to be desired. Killing Me Softly is certainly one of the lesser-known erotic thrillers of its time, and has generally been forgotten to time, except by those who’ve survived watching it and have lived to tell the tale.
27
‘The Boy Next Door’ (2015)
The Boy Next Door has a rather generic title, and there’s also little about the premise that inspires a great deal of excitement or anticipation of something unique. Essentially, the main plot focuses on a woman who’s going through problems with her marriage, and what happens when she begins to take an interest in a younger man who’s recently become her next-door neighbor.
Surprising absolutely no one, this man isn’t who he initially appears to be, and that’s before taking into account the fact that having the affair in the first place leads to consequences with the initial marriage. Watching The Boy Next Door, one feels a little bad for Jennifer Lopez being stuck in a leading role like this, because very few people would’ve been able to turn in a good performance with what she (and the other cast members) of the film were given.
26
‘American Gigolo’ (1980)
A couple of years before Cat People, Paul Schrader also directed the rather erotically charged and intense American Gigolo, a film that happened to get a 2022 TV adaptation that sort of came and went. This 1980 film was noteworthy for being one of Richard Gere’s first starring roles, and also for featuring the Blondie song “Call Me,” which nowadays might actually be more well-known than the film itself.
Narratively, American Gigolo concerns an escort whose clients are generally older women, and what happens when he finds himself the suspect in a murder he swears he had nothing to do with. Perhaps it’s somewhat of an erotic thriller, but American Gigolo also emerges as something of a crime/mystery movie as a result of this plot development; not a great one, sure, but it’s got style, and the bold early 1980s aesthetics certainly pack a punch, too.
Entertainment
Exclusive look at “Survivor” exhibit items on display at the Paley Museum
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Check out the goods!
Entertainment
Jennifer Lopez Honors Twins Max and Emme on Their 18th Birthdays
Jennifer Lopez shared a touching tribute to her two children, twins Emme and Max Muniz, on their 18th birthdays.
Lopez, 56, who shares Emme and Max with ex-husband Marc Anthony, took to Instagram on Sunday, February 22, to celebrate the milestone through words and a video filled with photos and footage. “You were born in the middle of the night, in the midst of the biggest, most beautiful snowstorm NY had seen in years!!” Lopez began. “I remember riding in the car and looking out the window, where everything was twinkling and covered in white that night, as I held you both in my belly for the last few moments before I gave birth to you.”
The “Waiting For Tonight” singer continued, “It was as if God was making sure you would enter a world full of pure magic!! In my heart, I knew that’s how your life would always be!!”
Lopez then reflected on how her world was forever altered when Emme and Max arrived. “When I would hold you as infants, I honestly felt as if I were holding two angels sent straight from heaven above,” she wrote. “My life was changed forever. I cannot believe you are now adults … 18 years old! You are both so kind-hearted, generous, and loving.”
The musician’s tribute video included photos from a professional shoot taken when the children were newborn babies, plus snaps from later photo shoots where she appeared in full glam. At-home clips included in the edit also showed her children laughing and playing with mom, cuddling up to mom and accompanying her both backstage and on-stage during performances across the globe.
“How lucky the world was on this day 18 years ago when God decided to send you here with all of your talents and spirit and heart to make this world a better place, because that is what you do for me and anyone who is lucky enough to know you both every day,” Lopez continued. “‘I love you’ could never encapsulate the depth of feeling, affection, and care that I have for you, my coconuts. It has always been the three of us!”
The tribute concluded, “We have been on this journey together. We have always had each other to hold on to and be that steady presence in the middle of any snowstorm. And I promise you, my beautiful coconuts, no matter how big you get, that’s how it will always be. Always remember, Lulu, you are my sunshine … and Max, you’re amazing just the way you are!! I love you, I love you. Happy 18th Birthday, my wonder twins!!!”
Ahead of Max and Emme attending college in 2026, Lopez told Entertainment Tonight in January that she felt “really good” about watching her children embark on new chapters. “I’m like, [I] can’t believe we’ve gotten here, you know, just the three of us. It’s been a journey for all three of us through this life [because] I was a single mom since they were 3 years old,” she told the outlet at the time. (Lopez and Anthony, 57, announced their split in July 2011 and the twins were born in 2008.)
Lopez added, “People have come in and out of my life, but it really has just been the three of us. To see how they’re kind of, like, thriving right now and the adults, like, young adults that they’re growing into … they’re so ready for their life. They’re so ready to get out there and I remember what that felt like [at] 18.”
Entertainment
Janet Jackson’s Glow Steals The Show In New All-White Look
Whew! Janet Jackson just reminded the world why she’s a legend. Recently, the queen hit Instagram serving full star power, effortless style, and unmatched confidence. And, her look had fans stopping mid-scroll and showering her with praise.
RELATED: There She Is! Social Media Is Goin’ OFF With Questions While Trying To Identify Man Spotted With Janet Jackson At NFL Game (PICS)
Janet Jackson Slays In Off-White Pearl Perfection
In a series of photos, Janet stunned in an off-white, pearl-colored ensemble that could either be a chic pantsuit or a flowing dress—opinions are still split. She paired the outfit with matching heels, dangling earrings, stacked rings, a bracelet, and a flawless face beat. And, her signature reddish hair was pulled back into a braided bun, completing a look that radiated elegance, confidence, and pure star power.
Fans Losing It Over Janet’s Timeless Glow
Fans wasted no time flooding TSR’s Instagram comment section after Janet’s post dropped. Some called her the ultimate blueprint, proving how a true icon carries herself through every decade. Others shook their heads at her exes for fumbling her in the past. Meanwhile, a loyal few were straight-up gushing about wanting to age like Janet—smooth, classy, and like a fine wine.
One Instagram user @theofficialrazorchic said, “Yassssssssss miss Jackson❤️🔥”
This Instagram user @waxingqueenadventures added, “The way I just gagged! She looks sooooo good 😍🔥”
And, Instagram user @ishymael1997 wrote, “Mind you she’s almost 60 too😍 age like fine wine“
Then Instagram user @cosmic_journey shared, “😍 Still can’t believe J. D fumbled her“
Meanwhile, Instagram user @armenterellis added, “God please let me age beautifully like her😍😍😍😍😍”
Lastly, Instagram user @bentjoyeth said, “Janet is who she thinks she is 🔥🔥🔥❤️”
Could The Legend Be Going On A Secret Date?
Is Miss Jackson trying to look cute for somebody special? A few months ago, Janet Jackson was caught seated in the stands at a football game, rocking sunglasses alongside an unidentified man, sparking curiosity about who might have caught her eye.
As previously reported, the photo was taken at the Dallas Cowboys vs. New York Jets matchup at MetLife Stadium on October 5, 2025. While the mystery man’s identity remains under wraps, fans were buzzing, speculating whether Janet is enjoying some low-key quality time or just flexing her iconic style in the stands. Either way, her effortless cool and iconic energy have everyone talking.
RELATED: Oop! D.L. Hughley Reacts To Janet Jackson’s Comments About Vice President Kamala Harris
What Do You Think Roomies?
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