Los Angeles, you’re cordially invited to the ceremony of the century! Collider is thrilled to partner with IMAX and Warner Bros. to offer our readers the opportunity to catch an advance screening of Academy Award-nominated writer and director Maggie Gyllenhaal’s The Bride! ahead of its official opening day. In addition to seeing the movie early, we’ll get to experience this highly anticipated take on the timeless classic the way it’s meant to be seen, in the wholly immersive IMAX format. Read on for more information on how you can enter for your chance to win free tickets.

Starring Academy Award nominee Jessie Buckley and Academy Award winner Christian Bale, The Bride! begins its bold tale in the 1930s, where a forlorn Frankenstein (Bale) has made his way to the streets of Chicago in search of a companion. He’s sought the help of the groundbreaking Dr. Euphronius (Annette Bening), a scientist capable of creating his counterpart. To do so, Frankenstein and Dr. Euphronius bring a murdered young woman back to life, reborn as The Bride (Buckley). Together, the pair set off on an unexpected journey of murder and possession as outlaw lovers. The film also stars Peter Sarsgaard, Academy Award nominee Jake Gyllenhaal, and Oscar winner Penélope Cruz.

Don’t Miss ‘The Bride!’ in IMAX

As part of the Filmed For IMAX program, Gyllenhaal worked closely with IMAX throughout filming, beginning with pre-production, to collaborate on bringing her vision to life in a fully immersive way. Together, they conducted camera tests and regrouped at IMAX headquarters to best utilize IMAX’s Expanded Aspect Ratios to support the storytelling of The Bride!. With Gyllenhaal’s careful eye, IMAX is crafted into the writer-director’s creative language, used specifically and technically to bolster the narrative.

In total, the film features 72 minutes of IMAX’s exclusive Expanded Aspect Ratio (EAR), coming to almost half of its runtime. Each frame of the movie is enhanced with IMAX’s Digital Media Remastering (DMR) technology for innovative detail and clarity. Additionally, The Bride! also features a sound mix optimized specifically for IMAX theaters to complement the electrifying industrial rock score that you can feel, amplifying the movie’s energy.

You can’t miss out on The Bride! in IMAX for the full experience. Select theaters, with Laser locations, will be treated to certain sequences that expand to IMAX’s towering 1.43:1 aspect ratio, providing the largest image area available in the world.

‘The Bride!’ IMAX Screening Details

Mark your calendars, Los Angeles! If you’re looking to experience The Bride! in stunning IMAX presentation, we guarantee this special screening event is one you won’t want to miss. Join us near LAX on Wednesday, March 4th, with the screening kicking off at 7:00 p.m.

How to Get ‘The Bride!’ IMAX Tickets

This special IMAX screening is expected to fill up fast, and seating is limited, so don’t wait to reserve your spot! For your chance to win free tickets to see The Bride! early in theaters in IMAX, hit this link to provide us with your email address. Be sure to claim your seats while they’re still available, and let us know if you plan to bring a guest. RSVP as soon as possible to secure your spot! Winners will be contacted in the days leading up to March 4th, and only confirmed RSVPs will be admitted.

The Bride! premieres in theaters and IMAX on March 6th. Be sure to check out Collider or more special event screenings.

Image via Warner Bros. Discovery

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Release Date

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March 6, 2026

Runtime

126 Minutes

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Kris Jenner
Slams Ray J For ‘Publicly Terrorizing’ Kim

Published
February 23, 2026
10:50 AM PST

Dressing myself in the early spring can be a real challenge. The transitional weather goes from one extreme to the other — and while I’m freezing in the morning, by the afternoon, I’m in a pool of my own sweat. After ten years of living through the moody New York City weather, I’ve finally curated the best transitional wardrobe for this finicky time of year.

Lightweight sweaters, angular jackets and trusty denim jeans have become the backbone of my closet. Not only do these pieces feel timeless, but they help me stay comfortable through the breezy spring season. If you want to emulate the most fashionable NYC girls, keep reading to discover my tried and true transitional fashion finds.

The Transitional Fashion Finds You Need From March to May

1. For the In Between Days: When the temperatures are chilly in the morning and extra warm by afternoon, I opt for a short-sleeved sweater. This one, with its etched flower design, is pretty on its own or layered with a light jacket.

2. Preppy Vibes: ‘90s-inspired short sleeve cardigans are going to be all the rage this spring — especially since Love Story: John F. Kennedy Jr. & Carolyn Bessette premiered — but to be honest, I’ve been wearing this buttery soft pick for years.

3. The Best Transitional Basic: My signature transitional piece is this lightweight wool blend tank. It beautifully hugs my body and looks professional without being stuffy. I wear it everywhere!

4. Fun Pockets: My latest denim finds — like this affordable silhouette — are much more fun than styles from years past, thanks to fun patchwork pockets, wide waistbands and a slightly flared hem.

5. Go Light: I tend to store my dark wash denim away once March comes around in favor of lighter wash jeans. The hue of this wide-legged pair matches the refreshing springtime energy. Plus, they go with everything!

Related: I’m Over Winter — I’m Shopping These Spring-Ready Fashion Staples Now

It’s only a matter of time until the cold temperatures and snow is gone for good, which means you better have spring-ready pieces on standby for that first warm day. Luckily, Amazon is filled with tops, dresses, bottoms, shoes and bags that are ideal for the transitional weather and new season. The must-shop pieces we […]

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6. Pop of Color: Who says you can only wear blue denim? These ivy green Levi’s are an easy way to incorporate color into your transitional wardrobe. The wide-legged silhouette is also extremely flattering.

7. The Ultimate Midi: Want to look model tall? This ribbed midi dress elongates your frame, while the expertly placed back tie cinches your waist. This is something I’ll wear with sneakers, boots and even sandals as the weather gets warmer.

8. Denim Days: While most denim dresses are extra thick and form-fitting, this one is light and breezy with a feminine babydoll silhouette. I’ll be wearing this to brunch all the time.

9. Who Needs an Excuse? I live in dresses from the moment it becomes spring. This high-neck drop-waist design from Abercrombie has already become a wardrobe staple due to its versatility.

10. Upgraded Denim: Blue denim jackets might be classic, but this burnished brown pick adds depth to any outfit.

11. 21st Century Trench: Long, timeless trench coats have their time and place. However, the NYC girls are obsessed with cropped trench coats, and I can’t deny they look tres chic!

12. Bye Bye Chill! On those random cold spring days, I have a short wool-blend coat on hand. This sharply-tailored one from Abercrombie is less bulky than a long jacket and a bit boxy for that model-off-duty look.

13. Suede Baby: The one thing I’m dying to add to my transitional closet is a utilitarian suede coat. All the cool girls wore it last season, and I know the style is going to be even more popular this year.

Related: 18 Easy-to-Style Sweaters That Are Perfect for Transitional Weather

One minute it’s crisp and cold — the kind of chill that calls for a sweater the second you step outside — but the next? Spring is fully staging a takeover, and your heavy knits suddenly feel like overkill. Sound familiar? That’s where lightweight sweaters come in. Not quite bulky, not quite breezy, these in-between […]

The 98th Academy Awards are fast approaching, and to celebrate, Rotten Tomatoes is taking a look back at some classic Oscar nominees and what contemporary critics said about them. What was the critical consensus on films like Jaws, Apollo 13, and Crouching Tiger, Hidden Dragon? You’re about to find out, because Collider is proud to exclusively reveal that Rotten Tomatoes has unearthed more than 850 reviews for the Best Picture nominees of 1976, 1996, and 2001.

As part of their commitment to the preservation and promotion of film criticism, Rotten Tomatoes has established RT Archive, a site that takes a look back at the film reviews of the past. They’ve chosen to spotlight three excellent years for movies — 1975, 1995, and 2000 — with a bevy of reviews steeped in historical context. If you want to see what The Village Voice thought of Steven Spielberg‘s Jaws, before it ushered in the era of the summer blockbuster, or read New York Magazine‘s review of the counter-cultural touchstone One Flew Over the Cuckoo’s Nest, they’re all there.

What Were the Best Picture Nominees of 1976, 1996, and 2001?

1976 saw One Flew Over the Cuckoo’s Nest become the second of only three movies to sweep the “big five” categories of Best Picture, Best Director, Best Actor, Best Actress, and Best Screenplay; the only two others to do it were It Happened One Night and The Silence of the Lambs. Other films nominated that year were Stanley Kubrick‘s historical masterpiece Barry Lyndon, the iconic crime film Dog Day Afternoon, Robert Altman‘s magnum opus Nashville, and Jaws, which ushered in the era of the summer blockbuster. Braveheart won the most Oscars in 1996, but became only one of nine Best Picture winners without a single nomination in the acting categories. Notable nominees that year were the pastoral talking-animal film Babe, Ron Howard‘s astro-disaster Apollo 13, and the dramedy The Postman, whose star and co-writer, Massimo Troisi, died before the film was completed. Also nominated that year was Sense and Sensibility, which won Emma Thompson Best Adapted Screenplay; with her earlier win for Howard’s End, she became the first person to win Oscars for acting and screenwriting.

Gladiator was the big winner in 2001, taking home not only Best Picture, but Best Actor, and three other wins. Steven Soderbergh accomplished the rare feat of competing against himself, with two of his films, Traffic and Erin Brockovich, up for the top prize; neither won, but Soderbergh did beat himself out for Best Director, winning for the former film. Also nominated were Ang Lee‘s lyrical martial arts epic Crouching Tiger, Hidden Dragon, and the Lasse Hallström romance Chocolat.

Rotten Tomatoes has added 850 contemporary reviews from the 1976, 1996, and 2001 Oscar nominees; the reviews are accessible through their RT Archives hub. Stay tuned to Collider for future updates.

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Release Date

June 20, 1975

Runtime

124 minutes

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Writers

Peter Benchley, Carl Gottlieb

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Producers

David Brown

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By Jennifer Asencio
| Published 16 seconds ago

The bidding war over Warner Bros. Discovery isn’t over yet. Thanks to a concession from Netflix, Star Trek’s parent company, Paramount Skydance, has reopened negotiations with Warner Bros. to acquire its extensive library. The seven-day window ends February 23, 2026, and the final vote will take place March 20.

Warner Bros includes Discovery Channel, HBO Max, CNN, and Cartoon Network, as well as Batman owners DC Comics and DC Studios. The DC Universe has especially faced backlash, with a controversial Superman that didn’t perform as hoped at the box office and a new Supergirl movie coming out in which everyone is rooting for Jason Momoa’s Lobo more than the titular heroine. The company has spent the last few years writing off properties for tax purposes, including famously shuttering a completed Batgirl movie.

Three Different Bidders Competing For Control Of WB

Paramount issued the first salvo in September 2025 when new CEO David Ellison made the first of many offers to David Zaslav of Warner Bros, which started at $19 per share. These offers increased through October until they became $23.50, 80% of which they offered in cash rather than other assets like stocks and real estate. On October 21, 2025, Warner Bros formally rejected Paramount’s offer and opened up talks for other bids.

Although Comcast was briefly involved in the bidding, the majority of the competition has been between Paramount and Netflix. Both companies offer significant libraries of content, and whichever of the two manages to snag Warner Bros would establish dominance over mainstream streaming. This would also reduce the market, because the only other major studio is Disney.

Another major player in the bidding war is Ancora Alternatives LLC, a small activist investor that owns shares in Warner Bros. and is holding out in favor of Paramount. On February 11, 2026, the firm announced that it would block the Netflix deal if due consideration were not given to Paramount offers, since existing deals with Netflix allow WBD to consider serious offers, and those made by Paramount qualified. Ancora’s protest prompted the reopening of negotiations by validating Paramount’s accusations of favoritism toward Netflix.

How To Buy An Entertainment Monopoly

Paramount also argued that a Netflix acquisition of the Warner Bros. studios would change the landscape of theatrical releases. Netflix has been notoriously unfriendly to movie theaters, preferring to release movies on its own platform; films like Knives Out theatrical releases were limited to mere weeks at the box office before Netflix hastened to make them exclusively streaming.

However, Paramount ownership presents its own problems. Despite years of corporate magic changing the names of the owners of both Paramount and Warner Brothers, both studios have been around for over a century and have long been rivals, as are their competing prestige cable channels, Showtime and HBO. A merger between the two giants would be suspiciously close to a monopoly.

If any offer is accepted from either company, the next step would be a review by governmental trade regulators around the world. All the companies involved have international reach and would be subject to the trade and monopoly laws of all the countries they hope to stream in. Even though nothing has been finalized about the purchase, various government regulators and watchdogs have been scrutinizing the situation and weighing its potential consequences.

Other various mergers and acquisitions have reorganized television and cable networks, dividing the spoils among streamers. Comcast owns NBC, Paramount owns CBS, and Disney owns both ABC and Fox Entertainment. As how we consume entertainment continues to change, the answer to whoever gets Warner Bros. Discovery will resound across the industry.

Kayce Dutton is trading the Yellowstone Ranch for a badge — but he’s not leaving the cowboy behind. As part of Collider’s Exclusive Spring Preview, we’re debuting a first-look sneak peek at Marshals, the upcoming sequel spin-off of Yellowstone starring Luke Grimes. Our first-look wastes no time establishing what we’re all about: Kayce’s old-school, horseback instincts colliding with the structured world of federal law enforcement. Introduced to an elite U.S. Marshals unit led by Pete Calvin (played by Logan Marshall-Green), Kayce quickly finds himself in unfamiliar territory — even if the terrain itself feels like home.

Calvin’s team includes Belle Skinner (Arielle Kebbel), Andrea Cruz (Ash Santos), and Miles Kittle (Tatanka Means). In the sneak peek, the group heads out to track their next targets — and not by SUV. The mission takes them far off-road. Like, way off-road. Vehicles won’t cut it. They’ll need horses, and who better to lead them than a bona fide cowboy? The moment perfectly encapsulates what Marshals seems poised to explore: the balance between modern federal justice and frontier instincts. Kayce may now carry a Marshal’s badge, but his roots — and his skills — still lie in the saddle. The show’s official logline reads:

“With the Yellowstone Ranch behind him, Kayce Dutton joins an elite unit of U.S. Marshals, combining his skills as a cowboy and Navy SEAL to bring range justice to Montana, where he and his teammates must balance family, duty and the high psychological cost that comes with serving as the last line of defense in the region’s war on violence.”

Who Else Is Involved in ‘Marshals’?

The unit is rounded out by Belle, Andrea, and Miles, while Brecken Merrill returns as Kayce’s son, Tate. Mo Brings Plenty, and Gil Birmingham also reprise their roles as longtime allies from the Broken Rock reservation. However, there’s no sign of Monica Dutton, played by Kelsey Asbille in the main series, which suggests Kayce will be dealing with more than just a new job.

Produced by Paramount Television Studios and 101 Studios, Marshals is the latest entry in Taylor Sheridan’s ever-expanding Western universe. The franchise has already delivered Yellowstone, 1883, and 1923, with more to come, including Dutton Ranch and the Montana-set offshoot The Madison. Sheridan executive produces alongside David Glasser, John Linson, Art Linson, Spencer Hudnut, Ron Burkle, David Hutkin, Bob Yari, Michael Freidman, Greg Yaitanes — and Grimes himself.

Marshals premieres Sunday, March 1, at 9 PM ET on CBS. Check out our previews of the hottest upcoming television and film projects here, at Collider’s Exclusive Spring Preview.

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Release Date

2026 – 2026

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Directors

Greg Yaitanes

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