Entertainment
10 Greatest Sci-Fi Shows That Are Only 5 Seasons
For sci-fi fans looking for a quick binge-watch session, there are plenty of excellent shows with less than five seasons. And for those looking for a longer commitment to enjoy over the course of several months, there are also many with more than five. But when it comes to science fiction, for some inexplicable reason, five seasons—the exact number of seasons that several of the genre’s best TV series have—seem to be the sweet spot.
From campy classics, like Quantum Leap, to shows which aired their final season far more recently, like Stranger Things, the number of legendary sci-fi shows with exactly five seasons is too large to be considered a pure coincidence. Not so short that they can be watched in a single sitting, but also not so long that watching the pilot feels like a huge commitment, they’re right in the delightful middle ground.
1
‘Quantum Leap’ (1989–1993)
There are plenty of cheesy ’80s sci-fi shows that somehow still hold up, and Quantum Leap is easily one of the most iconic. Starring the always-incredible Scott Bakula and Dean Stockwell, this cult classic combined sci-fi with humor, romance, and social commentary masterfully throughout its entire run, delivering a timeless experience that’s aged like fine wine.
It’s the kind of brilliant sci-fi series that kept coming up with inventive ways of refreshing itself, which made its five-season run consistently exciting—and ensured that it went out with a bang instead of fizzling out like many shows of its kind often do. Well-acted, nostalgic, and often surprisingly dramatic for a series that so often has pretty silly premises, it may not be perfect, but it sure provides a good time.
2
‘Orphan Black’ (2013–2017)
Bolstered by Tatiana Maslany‘s masterful star-making performance as several characters, Orphan Black is one of the greatest Canadian TV shows ever made, let alone Canadian sci-fi shows. It’s not just the quality of its lead performance: This is one of those rare sci-fi shows that are perfect from start to finish, the kind that only kept getting better with each passing season.
For people who love clone and doppelgänger science fiction, Orphan Black is a must-see. It’s a wild ride full of pulsating suspense, layered character work, and thought-provoking themes and commentary on the moral and ethical implications of human cloning. It’s a deeply complex show that never lets its innovative premise run out of steam, and by the time it came to an end, it had already solidified itself as one of the highest-quality sci-fi shows of the 2010s.
3
‘Spider-Man: The Animated Series’ (1994–1998)
The very first Spider-Man animated TV series started airing in 1967, and since then, the Wall-Crawler has become one of the most familiar faces in the realm of animated superhero fare on the small screen. It wasn’t until 1994, however, that audiences were exposed to just how great Spidey shows could truly be, all thanks to Spider-Man: The Animated Series.
It’s the second highest-rated Spidey show on IMDb, and it isn’t hard to see why. The animation is vibrant and has aged well, the rogues gallery that Spider-Man faces throughout the show’s run was top-tier, and the several story arcs that each season contained were always an entertaining delight. It truly feels like a comic book run pasted on the small screen in all the right ways.
4
‘X-Men: The Animated Series’ (1992–1997)
It was X-Men: The Animated Series which proved in 1992 just how great Marvel cartoons could really be. To this day, it’s still widely regarded as one of the most perfect superhero shows ever made, and it’s the whole reason many people fell in love with the X-Men from childhood. It’s not just nostalgia: This is children’s television at its very best.
The show is perfectly episodic while still feeling like a larger adventure overall, supported by some excellent visuals and voice acting. Sure, it may look and feel a bit dated here and there, but that only adds to its charm the vast majority of the time. All in all, it’s still the best possible introduction to superheroes for kids, and just as engrossing of a show for grown-ups who love Marvel.
5
‘Fringe’ (2008–2013)
Before Lost had come to a close, J. J. Abrams jumped to co-create another sci-fi series: Fringe. Whereas many people think that Lost was a series that started out amazing and then got weaker as it went on, the opposite seems to be the case with Fringe. Following a more episodic, less coherent first season, the show only kept getting better and better as it went on.
It’s one of the most criminally forgotten sci-fi shows of the 2000s and 2010s, an X-Files-inspired gem that never overstayed its welcome. With its dense mythology, mind-bending plots and twists, strong character arcs, and resounding final season, it’s one of the most entertaining network science fiction series of the 21st century.
6
‘Stranger Things’ (2016–2025)
What started out as just a cozy, nostalgic, mysterious sci-fi series that paid homage to the movies and pop culture of the ’80s soon became one of the biggest media juggernauts at Netflix’s disposal: Stranger Things. There’s no denying that the final season left most fans pretty disappointed, but there would also be no point in denying that this was one of the most pop-culture-defining sci-fi shows of the 2010s and 2020s.
That’s why this is one of those sci-fi series that shouldn’t be remade, underwhelming fifth season notwithstanding. The technical aspects are nigh-faultless, the performances are mostly phenomenal, and the overarching story is as engaging as it is mysterious. Wearing its influences out on its sleeve, Stranger Things proved that the streaming giant could do some fantastic stuff with the sci-fi genre.
7
‘Person of Interest’ (2011–2016)
Yet another piece of evidence that network sci-fi television can be absolutely exceptional when placed in the hands of the right team, Person of Interest is far and away one of the best genre shows of the 2010s. Touching on themes of technology and surveillance that feel even more timely today than they did back then, it’s essential viewing for sci-fi fans even now, a decade after its conclusion.
The series remained amazing throughout its entire run, but it’s its fifth and final season in particular—one of the highest-rated seasons of television on IMDb—that really seals the deal: This is one of the best sci-fi shows of the 21st century thus far. Deep, mysterious, and as emotionally engaging as it is thought-provoking, it’s everything that science fiction should aim to be.
8
‘Samurai Jack’ (2001–2017)
Genndy Tartakovsky‘s magnum opus, Samurai Jack, may not be overt science fiction as often as many of its peers, but it’s nevertheless one of the greatest time travel series ever made—animated or otherwise. Full of striking visuals, adrenaline-pumping samurai action, and the kind of enthralling world-building that Tartakovsky is such an expert at, it’s one of the best animated series of the century so far.
The show was originally canceled after only four short-lived seasons, having left its story without a conclusion. 13 years later, however, Tartakovsky came out with a darker, more mature fifth and final season that enshrined this as one of the best five-season sci-fi shows ever. It’s the kind of animated show that everyone should watch at least once in their lives.
9
‘Babylon 5’ (1993–1998)
It wasn’t just science fiction: American network television as a whole had a “before Babylon 5” era and an “after Babylon 5” era. In a way practically unprecedented for American broadcast television at the time of its airing, the series was designed as a “novel for television,” where each pre-planned season would contain episodes envisioned as “chapters.” This kind of serialized science fiction storytelling had practically never been seen before on American network television, and the genre hasn’t been the same since.
Sure, as a ’90s sci-fi series with a relatively low budget, Babylon 5 looks, sounds, and feels a little dated in certain spots; but this is nevertheless one of those low-budget sci-fi shows better than their big-budget counterparts. The writing is top-notch, the visuals have a timeless charm to them, and the story arc of each season is just as enthralling as the last and the next.
10
‘The Twilight Zone’ (1959–1964)
Saying that The Twilight Zone is one of the most groundbreaking sci-fi shows ever made, and probably the most influential, is such a truism that it goes without saying. Rod Serling‘s creation is a masterclass in how to make a sci-fi anthology series, a show so phenomenal that it contains several of the greatest sci-fi anthology episodes of any show in history.
Inventive, fresh, and sometimes eerily prophetic, The Twilight Zone is just as fun and thought-provoking today as it was back during the ’50s and ’60s. Not all of its episodes hit, as can be expected of any anthology show; but the ones that do are absolutely unforgettable, with some of the coolest production values and writing of any show the genre has ever seen. Five seasons were all that was needed to make this a generation-defining masterpiece.
The Twilight Zone
- Release Date
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1959 – 1964
- Directors
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John Brahm, Buzz Kulik, Douglas Heyes, Lamont Johnson, Richard L. Bare, James Sheldon, Richard Donner, Don Medford, Montgomery Pittman, Abner Biberman, Alan Crosland, Jr., Alvin Ganzer, Elliot Silverstein, Jack Smight, Joseph M. Newman, Ted Post, William Claxton, Jus Addiss, Mitchell Leisen, Perry Lafferty, Robert Florey, Robert Parrish, Ron Winston, Stuart Rosenberg
Entertainment
ABC’s New Florida Detective Series Is a Perfect Rival To ‘The Lincoln Lawyer’ in First Look [Exclusive]
ABC has quite the powerhouse pair of sleuths on Tuesday night, between the hyper-intelligent Morgan Gillory (Kaitlyn Olson) in High Potential and the tireless Will Trent (Ramón Rodríguez) in, well, Will Trent. This spring, however, the network is introducing a new investigator to the lineup who’s a little rougher around the edges and will be tasked with tackling the crime-ridden world of South Florida. He’s also played by a familiar face from the staff of Grey Sloan Memorial Hospital. As part of Collider’s Exclusive Spring Preview series, we’re excited to spotlight the upcoming new series, RJ Decker, with two new images of the main man himself, played by Grey’s Anatomy regular Scott Speedman.
The titular RJ Decker initially started on the wrong side of the law. As a disgraced former newspaper photographer, ex-con, and all-around public mess, he’s decided to embrace the life of a private investigator to start fresh, though he’s not quite prepared for what he’s about to face. Decker is thrust into a world filled with unpredictable cases that range from a little odd to completely bonkers, embodying the colorful spirit of the locale. Fortunately, he won’t be working alone, as he’s partnered up with his journalist ex and her police detective wife, as well as a mysterious benefactor with ties to his past and motives that are unclear. She may have the leverage to be Decker’s greatest asset, but it’s just as likely she’ll land the trailer park-dweller behind bars once again.
Our images show Speedman at work, doing some digging on his laptop alongside another ABC alum from the Grey’s Anatomy extended family — Station 19‘s Jaina Lee Ortiz. Ortiz stars as the aforementioned benefactor, Emi Ochoa, who is the daughter of a wildly corrupt senator with a lot of sway within the state of Florida. Although she’ll be an unpredictable presence in the series, she and Decker appear to be more than fine working side by side. The other shot, meanwhile, shows Decker all dressed up in his suit and appearing far more nervous. He’s sitting in what seems to be a courtroom, which could mean he’ll be at real risk of being sent back to jail from the get-go. Needless to say, this new life is not going to be easy for Decker.
‘RJ Decker’ Adapts a Hit Crime Novel for Broadcast Television
RJ Decker is based on the 1987 novel Double Whammy, which follows Decker into the surprisingly shady world of competitive bass fishing to expose a cheat and solve a murder. Mixing mystery, comedy, and action thrills alike, it’s the second novel from acclaimed author Carl Hiaasen, honing his eccentric, typically Florida-based style. The show will now look to expand on that original story and capture a similar energy to Will Trent and High Potential under Elementary creator Rob Doherty. Also joining Speedman, who was also recently seen on television with Peacock’s 2024 horror series Teacup, are Adelaide Clemens, Bevin Bru, and Kevin Rankin, in addition to Ortiz.
RJ Decker premieres on Tuesday, March 3, at 10 PM ET. Stay tuned here at Collider throughout the week for more sneak peeks at the hottest upcoming shows as part of our spring preview event.
- Release Date
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March 3, 2026
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Ellen Marguerite Cullivan
Lawyer
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Scott Kasics
Picture Driver
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Kyle Justin Leatherberry
Clem Crayshaw
Entertainment
Hilary Duff Reacts to Lizzie McGuire Costar Robert Carradine’s Death

Hilary Duff is mourning the loss of her Lizzie McGuire costar, Robert Carradine.
“This one hurts. It’s really hard to face this reality about an old friend,” Duff, 38, wrote via Instagram early Tuesday, February 24, alongside throwback photos with her former on-screen dad. “There was so much warmth in the McGuire family and I always felt so cared for by my on-screen parents. I’ll be forever grateful for that. I’m deeply sad to learn Bobby was suffering. My heart aches for him , his family, and everyone who loved him. 💔”
On Monday, February 23, Carradine’s family confirmed his death at age 71 following a battle with bipolar disorder.
“It is with profound sadness that we must share that our beloved father, grandfather, uncle, and brother Robert Carradine has passed away,” the Carradine family said in a statement to Deadline. “In a world that can feel so dark, Bobby was always a beacon [of] light to everyone around him. We are bereft at the loss of this beautiful soul and want to acknowledge Bobby’s valiant struggle against his nearly two-decade battle with Bipolar Disorder.”
The statement continued, “We hope his journey can shine a light and encourage addressing the stigma that attaches to mental illness. At this time we ask for the privacy to grieve this unfathomable loss. With gratitude for your understanding and compassion.”
The actor’s brother, fellow screen star Keith Carradine, opened up about Carradine’s struggles with bipolar disorder in his own statement to Deadline.
“We want people to know it, and there is no shame in it,” Keith Carradine said. “It is an illness that got the best of him, and I want to celebrate him for his struggle with it, and celebrate his beautiful soul. He was profoundly gifted, and we will miss him every day. We will take solace in how funny he could be, how wise and utterly accepting and tolerant he was. That’s who my baby brother was.”
Carradine was best known for playing Sam McGuire, Lizzie’s dad, in Disney Channel’s hit comedy starring Duff from 2001 to 2004. He reprised his role in 2003’s The Lizzie McGuire Movie. He was also set to return as Sam in a Disney+ reboot which was ultimately scrapped in 2020.

Carradine was also known for his role in 1984’s Revenge of the Nerds.
He is survived by his three children, including Handmaid’s Tale actress Ever Carradine, and his extended family, which includes brother Keith and niece Martha Plimpton.
Carradine’s on-screen son, Jake Thomas, opened up to Us Weekly earlier this year about working with the actor on the set of Lizzie McGuire.
“Bobby Carradine and Hallie Todd, who played my parents. They have always been and will continue to be like an aunt and uncle to me,” Thomas, 36, said, noting that he still saw his on-screen parents from “time to time.”
“They’re basically like family at this point, from going through an experience like that that was so influential in my life and in everybody else’s lives too,” the actor said. “It makes us, in a way, a family that can never be separated.”
Entertainment
All 5 Robert Redford Western Movies, Ranked
For someone who was quintessentially American, as an actor/presence on screen, it’s a little surprising that Robert Redford didn’t star in more Western movies throughout all the decades he spent in front of the camera (and he spent a bit of time behind the camera, too, Clint Eastwood-style, since Redford was also fairly prolific as a director). But for what it’s worth, some of his earliest roles on television, before he was a movie star, came from one-off appearances in Western shows like Maverick, The Deputy, and Tate. And then it’s also been pointed out that his final on-screen appearance was a cameo role in another Western show: Dark Winds. That cameo was alongside George R.R. Martin, both of them playing a game of chess, and the episode in question aired in 2025, about half a year before Redford passed away at the age of 89.
Going back a few decades, though, what follows is a look at all the Western movies Robert Redford starred in. There were four made between 1969 and 1979, when Redford was arguably at his peak as an actor. Quite neatly, the 1980s marked the exact point he started directing as well as continuing to act in some films, since 1980 was when he made his directorial debut: Ordinary People. So, there are four “classic era” Redford Westerns, and then one from the late 1990s that’s less of a traditional Western, but should probably still be counted. It’s a quality over quantity thing, maybe, since Redford didn’t star in a ton of Western movies, but at least a couple are all-timers within the genre (and it should be stressed that Redford thrived in plenty of other genres throughout his time as an actor).
5
‘The Horse Whisperer’ (1998)
Almost missed this one, to be honest. The original approach here was ‘All 4 Robert Redford Westerns, Ranked,’ because Letterboxd cites four movies of his as Westerns, or Westerns alongside other genres, and didn’t include The Horse Whisperer among them. But, no, it should be here. It should be counted as at least a neo-Western. Sorry, Letterboxd, but you’re wrong. And then it was still tempting to just pretend The Horse Whisperer didn’t exist, truth be told, because there isn’t much to say about The Horse Whisperer beyond saying that it’s sort of competent, and Redford directed it on top of starring in it, and it’s also way, way, WAY too long.
It’s a film that feels more old-fashioned than you’d expect a release from 1998 to feel, and there’s a reason why it’s been a little forgotten in time.
The Horse Whisperer comes close to being three hours all up, but doesn’t really justify such a runtime with an epic story or lots of characters or just enough stuff happening generally to warrant such a runtime. It’s a movie about a horse trainer helping a young girl overcome her fears of riding, and also helping out her horse, and then said horse trainer also starts developing feelings for the mother of the young girl, because of course he does. It plods along, and maybe if you’re into how it looks, or if you just like looking at Robert Redford, or both, there’s something here, yet if you don’t fit into such a camp, there’s not that much here. It’s a film that feels more old-fashioned than you’d expect a release from 1998 to feel, and there’s a reason why it’s been a little forgotten (or has become somewhat obscure) a little over a quarter of a century later.
4
‘Tell Them Willie Boy Is Here’ (1969)
The most obscure of the Robert Redford Western movies would have to be Tell Them Willie Boy Is Here, which came out the same year as Robert Redford’s most iconic and well-remembered Western. Further, Katharine Ross had a supporting role in both, and the two movies shared a cinematographer: Conrad Hall. All that’s probably giving away which movie is going to appear in the #1 spot here, but whatever. The rambling also inadvertently shows that it’s hard to know what to say about Tell Them Willie Boy Is Here, to only a slightly lesser extent than it was to know how to talk about The Horse Whisperer. Redford is not the titular character here, that much can be said. He’s kind of the antagonist, but also, this is a revisionist Western, so it’s not really as easy to say one person’s good and the other’s bad.
Robert Blake plays the titular character, and he goes on the run after killing someone in self-defense. Further, that someone was the father of his girlfriend, and so she comes along with him, and Redford plays the Deputy Sheriff in charge of the ensuing manhunt. It’s a movie that explores racial tension and conflict in Old West times in what feels like a balanced fashion for the standards of the 1960s, though much of this doesn’t hold up as well today (that can also be said regarding the film’s somewhat clunky – at least nowadays – pacing). For its time, it was okay, though. Probably. Even then, maybe not perfect. But you have to approach certain older movies a little differently, sometimes. And this one is/was mostly fine.
3
‘The Electric Horseman’ (1979)
Before getting to the two Redford Westerns everyone knows, here’s the somewhat more obscure The Electric Horseman. Or if “obscure” isn’t the right word, then maybe “forgotten” is better? Since The Electric Horseman did perform pretty well financially back in 1979, making almost five times its budget… and that budget, of $12.5 million, might not sound like much today, but adjusted for inflation, that’s about $56 million, which is a lot for what’s ultimately a fairly grounded movie. The first Star Wars had a budget of $11 million, for comparison. Anyway, The Electric Horseman feels like one of the final large-scale New Hollywood movies, and so in that sense, it’s almost like a send-off to this era of Redford’s career; one last chance to play a cowboy, albeit here, a modern-day one.
It might’ve felt like a final opportunity for Redford and Jane Fonda to star in something together, too, as they’d also had lead roles in The Chase and (perhaps more memorably) Barefoot in the Park before The Electric Horseman, though they did star in one final film together decades later: 2017’s Our Souls at Night. As for The Electric Horseman, it’s a modern-day Western and something of a romantic dramedy, too, with a loose plot about Redford’s character going on the run with a horse that, rather humorously, is said to cost about the same as what the movie did: specifically $12 million. It’s an unconventional road movie, and as a result, it certainly dawdles and gets a bit messy in places, but there’s a charm to much of it, and it’s also a unique movie. Furthermore, Redford and Fonda always made for a good on-screen duo, so that helps The Electric Horseman’s watchability quite a bit.
2
‘Jeremiah Johnson’ (1972)
A few years before The Electric Horseman, Sydney Pollack (someone else who sometimes acted on top of directing) also directed Robert Redford in another Western: Jeremiah Johnson. This one’s nice and simple on a narrative front, and it’s also close to a one-man show for Robert Redford. Much of the film’s about him indeed playing the titular character, and said character is a man living on his own in the wilderness. There is conflict in the form of a vendetta that some Native Americans in the area have against him, which ups the stakes, though much of Jeremiah Johnson still feels focused on being a movie about surviving the elements.
And all those elements are captured immensely well, since Jeremiah Johnson is up there as one of the best-looking Westerns ever made. It really makes the most of outdoor/on-location shooting, and Redford, though still handsome and charming, isn’t afraid to make himself look a good deal rougher here, exemplified by the fact that the most famous and meme-worthy moment of Jeremiah Johnson (that damn ubiquitous nodding GIF) doesn’t really look like Robert Redford. Or, at least a while ago, you could surprise people by telling them it was Robert Redford, though it seems pretty well-known where the GIF comes from nowadays, even among people who’ve not actually seen the movie in full.
1
‘Butch Cassidy and the Sundance Kid’ (1969)
Butch Cassidy and the Sundance Kid. There we go. That’s your commentary. That’s your explanation for Butch Cassidy and the Sundance Kid being here. It’s Butch Cassidy and the Sundance Kid. One more time, for the people in the back. Butch Cassidy and the Sundance Kid.
Wait, what? That’s not good enough? “You’re still about 100 words off the minimum word count an article like this is supposed to have,” the voice in my head I like to call Ed I. Tor tells me? Fine. Let’s commentate. Butch Cassidy and the Sundance Kid is one of the very best Westerns of all time, so not just the top of the pile if we’re talking Robert Redford ones. It’s the previously alluded to one that Katharine Ross co-starred in and Conrad Hall shot, though you also can’t talk about Butch Cassidy and the Sundance Kid without mentioning how great Paul Newman was here, as Butch Cassidy, paired to great effect with Redford, as the Sundance Kid. It’s one of cinema’s greatest duos, and it makes sense that they re-teamed to star in the also successful The Sting, but it makes less sense how that ended up being the final collaboration. Butch Cassidy and the Sundance Kid is one of those Westerns that’s exciting enough to recommend to people who might not usually like Westerns, and if you wanted to call it one of the greatest American films of its era, that really wouldn’t sound like too much of a hot take to most. It’s just an all-around great movie, you know?
Entertainment
Robert Carradine Dead: Lizzie McGuire Star Dies at 71 After Bipolar Battle
Lizzie McGuire star Robert Carradine is dead at age 71 after a decades-long battle with Bipolar Disorder.
Carradine’s family confirmed the news of his death on Monday, February 23.
“It is with profound sadness that we must share that our beloved father, grandfather, uncle, and brother Robert Carradine has passed away,” they told Deadline in a statement. “In a world that can feel so dark, Bobby was always a beacon on light to everyone around him. We are bereft at the loss of this beautiful soul and want to acknowledge Bobby’s valiant struggle against his nearly two-decade battle with Bipolar Disorder. We hope his journey can shine a light and encourage addressing the stigma that attaches to mental illness. At this time we ask for the privacy to grieve this unfathomable loss. With gratitude for your understanding and compassion.”
An official cause of death has not been confirmed.
Robert’s brother Keith Carradine told the outlet that the family wanted to shed light on what they called the actor’s “valiant struggle” with Bipolar Disorder.
“We want people to know it, and there is no shame in it,” he explained to Deadline. “It is an illness that got the best of him, and I want to celebrate him for his struggle with it, and celebrate his beautiful soul. He was profoundly gifted, and we will miss him every day. We will take solace in how funny he could be, how wise and utterly accepting and tolerant he was. That’s who my baby brother was.”
Robert got his start in the acting word by appearing in projects such as Mean Streets, Coming Home, The Long Riders and brother David Carradine’s series Kung Fu before landing his breakout role as Lewis Skolnick in the 1984’s hit comedy Revenge of the Nerds.
The actor was introduced to a new generation fans after being cast on Disney Channel’s Lizzie McGuire in 2001, starring as Hilary Duff’s dad, Sam. He reprised his role in the 2003 Lizzie McGuire Movie and was set to appear in the Disney+ revival series before it was ultimately scrapped in 2020. Lalaine, Adam Lamberg, Hallie Todd and Jake Thomas also starred.
Earlier this year, Thomas, 36, opened up to Us Weekly exclusively about the bond he shared with his on screen parents.
“Bobby Carradine and Hallie Todd, who played my parents. They have always been and will continue to be like an aunt and uncle to me,” he shared, noting that the trio would still see each other from “time to time.”
“They’re basically like family at this point, from going through an experience like that that was so influential in my life and in everybody else’s lives too,” he continued. “It makes us, in a way, a family that can never be separated.”
Robert’s other TV credits included ER, The Practice, Nash Bridges, Dark Skies, NYPD Blue and many more.
He still had multiple projects in post-production at the time of his death, including The Cowboy Killer, The 3 Killer Pigs, Pay to Die, and The Driver, which have all yet to be released.
Robert is survived by his three children, whom he shares with ex-wife Edie Mani, his grandchildren, brothers, nieces, nephews and “anyone who had the honor of having him in their life,” per Deadline.
Entertainment
Make Me Laugh | With Dove Cameron, Avan Jogia, Karla Souza & Dorian Missick

In this chaotic game of meme-creation, the cast of 56 Days Dove Cameron (Schmigadoon!, Descendants), Avan Jogia (Resident Evil, Zombieland: Double Tap), Karla Souza (How to Get Away With Murder) & Dorian Missick (Southland) do their best to make each other laugh!
Entertainment
Test Your Knowledge With the Collider TV Quiz — February 24, 2026
These films went from 16:9 all the way down to 4:3 (proverbially). How many of these movie-to-TV titles do you know?
Welcome to the Collider TV Quiz! Every Monday through Friday, we’ll give you an opportunity to prove your knowledge in the world of television trivia. We’ll be using the most prestigious, scientifically accurate method for separating 4K devotees from Cathode ray couch potatoes: multiple choice. Sign in to your account to track your daily progress, and don’t forget to play our daily Movie Quiz for even more trivia challenges!
Whether it’s characters or catchphrases, series regulars or guest stars, prime-time hits or late-night gems, a show from 1930-something or a show simply called thirtysomething… we’ll cover it all. So you’ll need to flip through channels upon channels of the useless factoids you’ve accumulated over the years in order to tune in to the correct answer. Today’s challenge: Since we also launched the Collider Movie Quiz yesterday, we thought this would be a great time to remember some feature films that were adapted for the ol’ rabbit ears, so to speak. Click “Start Quiz” below for the cold open!
Entertainment
‘Lizzie McGuire’ Cast: Where Are They Now?
Hilary Duff’s breakout role on Lizzie McGuire yielded years of success for the actress that continues today, while her costars chose slightly different paths.
The sitcom — starring Duff (Lizzie McGuire), Lalaine (Miranda Sanchez), Adam Lamberg (Gordo), Jake Thomas (Matt McGuire), Hallie Todd (Jo McGuire) and Robert Carradine (Sam McGuire) — aired from 2001 to 2004 and consisted of two seasons and 65 episodes. Duff also played the leading lady in the beloved Lizzie McGuire Movie in 2003 alongside several of her castmates and some new faces.
The show maintained such popularity in the years after its end that Disney+ announced a revival in August 2019. Duff agreed to reprise her role in the sequel series, which was set to follow Lizzie as she tried to figure out life in New York City.
“Lizzie has also grown up, she’s older, she’s wiser, she has a much bigger shoe budget. She has her dream job, the perfect life right now working as an apprentice to a fancy New York decorator,” the Younger star revealed at the D-23 expo at the time. “[She has] the perfect man, who owns a fancy restaurant [and is] getting ready to celebrate her 30th birthday.”
Duff elaborated on her excitement around revisiting the character via her Instagram Stories. “I don’t really have words. It’s crazy. I really missed her,” she said. “I think now is a great time for her to come back in her thirties. She’s everybody’s best friend, and I can’t wait to go on this next chapter with her.”
Todd, Carradine, Thomas and Lamberg later joined the project, while the “So Yesterday” singer teased what fans could expect from the revival.
“Her having a completely different life than Hilary — she doesn’t have kids — I thought it would be a really fun experience to go through it with her,” she exclusively told Us Weekly in November 2019. “I think it’s going to be a really good mix of giving everyone what they want from the show in the past, and also a new fresh show and her at 30, which looks completely different.”
The series hit a roadblock in January 2020 when creator and showrunner Terri Minsky quit. Duff later complained about “limiting the realities of a 30-year-old’s journey under the ceiling of a PG rating” and asked to move the show to Hulu. However, the A Cinderella Story actress announced in July 2020 that she and the streaming platform had “pressed pause” to regroup on their vision.
Duff confirmed in December 2020 that the revival was not moving forward.
“I’ve been so honored to have the character of Lizzie in my life. She has made such a lasting impact on many, including myself. To see the fans’ loyalty and love for her, to this day, means so much to me. I know the efforts and conversations have been everywhere trying to make a reboot work but, sadly and despite everyone’s best efforts, it isn’t going to happen,” she announced via Instagram. “I want any reboot of Lizzie to be honest and authentic to who Lizzie would be today. It’s what the character deserves. We can all take a moment to mourn the amazing woman she would have been and the adventures we would have taken with her. I’m very sad, but I promise everyone tried their best and the stars just didn’t align. Hey now, this is what 2020s made of.”
In August 2022, Duff further opened up about the scrapped project to Women’s Health. “[Lizzie] had to be 30 years old doing 30-year-old things,” the “Coming Clean” singer explained to the magazine. “She didn’t need to be doing bong rips and having one-night stands all the time, but it had to be authentic. I think they got spooked.”
Scroll down to see what the cast of Lizzie McGuire has been up to.
Entertainment
Anna Kepner’s Stepbrother Reportedly Charged With Her Cruise Ship Homicide
Anna Kepner
Stepbrother Charged With Her Homicide Aboard Carnival Cruise, Family Says
Published
Teenager Anna Kepner was killed on a Carnival Cruise during a family vacation last November … and now her 16-year-old stepbrother has been charged with her homicide, according to court documents.
An emergency filing from last Friday obtained by TMZ say her stepbrother was charged with homicide as a minor in connection with Anna’s asphyxiation death in her stateroom aboard the Carnival Horizon on November 7.
Anna was on a Caribbean cruise vacation with her dad, stepmom and three stepsiblings when she died. A housekeeper reportedly discovered Anna’s body underneath her bed — and the ship returned to Miami, Florida, the next day, as the FBI launched an investigation.
In the court docs, the legal team for Thomas Hudson, the stepbrother’s father, says the Kepner family revealed his son’s charges via social media on Feb. 3. The doc reads …. “According to social media from the Kepner family … the Petitioner/Father’s son, TH, was charged by the United States Attorney in the Southern District of Florida for the [redacted] and homicide of Anna Kepner.”
TikTok/@fl.anna18
The emergency filing is part of a custody fight between Hudson and Shauntel Kepner, who are the parents of Anna’s stepbrother. Hudson has asked for sole custody of Kepner’s other stepsibling, identified as BH.
In early February, TMZ reported the stepbrother was arrested by the U.S. Marshals Service and dragged before a judge for a closed-door hearing in a Miami federal court. Since the stepbrother is considered a juvenile, his criminal case has been sealed.
The FBI and U.S. Attorney’s Office for the Southern District of Florida have not publicly commented on the Kepner case.
Entertainment
Netflix’s Wild Takeover Given Thumbs Down By Iconic Director
A key figure in Hollywood is against Netflix‘s billion-dollar acquisition of Warner Bros. Discovery, Inc. (WBD).
James Cameron, one of the highest-grossing film directors of all time, penned his grievances about the deal in a recently unveiled letter to Utah Senator Mike Lee.
The creator of the “Avatar” franchise argued that allowing Netflix to take over Warner Bros. Discovery’s film studio and streaming assets would negatively impact Hollywood and the era of theatrical releases.
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James Cameron Stands Against Netflix’s Acquisition Of Warner Bros. Discovery

In a newly released letter dated February 10, 2026, Cameron urged Sen. Lee to join him in opposing Netflix’s acquisition of WBD. The renowned director penned a lengthy letter filled with his arguments against the purchase of the film studio and its streaming assets.
Cameron began by noting his “44-year directing career has been focused on making movies for theatrical exhibition.” On that note, he argued “that the proposed sale of Warner Bros. Discovery to Netflix will be disastrous for the theatrical motion picture business that I have dedicated my life’s work to.”
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Cameron, per the letter obtained by CNBC, noted that seeing movies in theaters is a key part of American culture and “being one of our biggest exports, in purely economic terms.” He strongly believed that letting Netflix have its way would not only destroy a decade-long tradition but also lead to significant losses.
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The ‘Titanic’ Director Says The Merger Will Change The Movie Industry For The Worse

Cameron stressed that Netflix’s business model was “at odds with the theatrical film production and exhibition business, which employs hundreds of thousands of Americans.” He believed many would lose their jobs if the streaming platform acquired WBD.
The director explained that WBD was one of the few remaining major movie studios, releasing about 15 theatrical films each year. If the merger went through, it would “restrict the choices of film-makers looking for studios to invest in their projects, which will in turn reduce jobs.”
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Additionally, Cameron argued that the merger would “remove consumer choice by reducing the number of feature motion pictures that are made.” He noted that the US is still the world leader in movies, but if Netflix took over Hollywood through the acquisition of WBD, that status would “change for the worse.”
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The Oscar Winner Questioned The Platform’s Promises

Cameron reiterated that Netflix should not be allowed to acquire WBD because it would lead to losses in theatrical releases. He called out the platform’s written testimony, in which showrunners vowed to keep Warner Bros. films in theaters for a 45-day window.
Cameron questioned whether those promises would hold after the acquisition, pointing out that Netflix’s “pledge to support theatrical releases (a business fundamentally at odds with their core business model) is likely to evaporate in a few years.”
On that note, Cameron claimed “the theatrical experience of movies could become a sinking ship” if Netflix took over WBD. He stressed that the acquisition shouldn’t be treated as a future problem because “once they own a major movie studio, that is irrevocable.”
Netflix Announced Its Acquisition Of WBD In December 2025

News of Netflix’s move to take over Hollywood first arrived in December 2025, with the streaming giant dropping the bombshell update on X. The Blast covered the story, reporting that the organization had framed the takeover as an opportunity to expand its creative universe.
According to the streaming platform, its merger with WBD would allow it to offer more value for viewers “by uniting Netflix’s member experience and global reach with Warner Bros.’ renowned franchises and extensive library.” Netflix co-CEO Ted Sarandos echoed similar sentiments in a statement.
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Sarandos claimed the acquisition would help Netflix accelerate its longtime mission of entertaining the world and connecting people through great stories. His partner, Greg Peters, agreed, noting that the acquisition would help improve their offer to consumers and accelerate their business’s growth.
Matt Damon Called Out Netflix’s Movie Policies

A month after the acquisition news broke, The Blast reported that Matt Damon had shed light on how Netflix’s movie policies were changing traditional storytelling. He addressed the issue while promoting his new movie, “The Rip,” with Ben Affleck.
According to Damon, the platform’s movie structure, especially for action films, did not follow the typical flow. Instead, Netflix prioritized viewers’ engagement by featuring explosive scenes in the first five minutes and repeatedly reiterating the plot in dialogue.
Damon noted that Netflix preferred this route because its viewers were mostly watching the movie while multitasking and could easily be distracted. His comments implied that the streaming platform preferred simplicity and a fast pace over the traditional drawn-out plots.
Entertainment
Universal boss says 'we'll find a way' to bring Meryl Streep back for “Mamma Mia 3”
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Though Streep’s character died between the first and second films, the actress has said she’s “up for anything” where “Mamma Mia 3” is concerned.
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