Some days it can seem as if the whole of the tech world is hanging on the latest update to one graph.

The graph in question is made by a non-profit research institute called METR and it assesses the software development capacities of different AI models.

For many months now, this chart has been provoking excitement and unease in anyone who watches artificial intelligence because it shows a striking exponential trend – that is, a doubling in growth.

According to METR, or Model Evaluation and Threat Research, AI is getting twice as good at the startling rate of roughly every seven months.

The latest results turned the dial from feverish to panicked, because it showed the trend not just continuing, but actually speeding up.

METR tests AIs by assessing their ability to complete longer and longer human software tasks.

The latest model it analysed, Anthropic’s Claude Opus 4.6, broke all previous records.

‘Monstrous leaps’

Many in tech compare the situation to the COVID pandemic because of the deceptive way doubling turns from apparently small increases to monstrous leaps.

“Nothing, nothing, nothing, everything,” was how a UK tech entrepreneur and AI researcher described the situation to me a few months ago, at a time when the METR chart was already looking fairly vertiginous (although, in retrospect, it feels as if we were barely approaching the foothills).

The progress since then makes many feel like we are rapidly approaching “everything”.

After the chart’s release, one METR researcher sent a note to his old college friends, which he posted on social media, saying: “I feel very confident now that it’s going to be totally insane and chaotic, like many orders of magnitude more chaotic than anything the world has experienced in our lifetimes.”

This isn’t even an unusual sentiment in tech right now. The chief executives of leading AI companies make similar statements all the time.

‘Ten times the impact of Industrial Revolution’

Even Demis Hassabis, the most measured of the AI leaders, regularly says that AI will have 10 times the impact of the Industrial Revolution, in a tenth of the timespan.

A widely-shared newsletter responding to the METR chart put it more simply: “When must I start kicking and screaming at you that it is… happening.”

But what exactly is “it”? On closer inspection, it becomes harder to tell.

For a start, look at what the METR chart actually measures.

Read more:
If you have an AI-generated password, you should change it
‘Humanity is cooked’: AIs now have their own social network

The details are technical, but roughly speaking it measures the length of a task that an AI can complete 50% of the time – meaning they fail as often as they succeed.

Some way off full automation

A business which turned its operations over to an AI which could complete a task half the time wouldn’t last very long.

Even 80% success – which METR also measures – wouldn’t be close enough for anything approaching full automation in a corporate environment.

Then there is the precise location of the dots on the chart, which even METR researchers admit they are unsure about.

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“We’re increasingly nervous about the measurements that we’re putting out there,” said Joel Becker, a member of METR’s technical staff, referring to the extremely large range of possible values – the confidence interval – on the group’s Claude Opus 4.6 evaluation.

“We don’t want to hide behind that. I think that’s real uncertainty.”

A key reason behind the uncertainty is that it is increasingly difficult for organisations like METR to find tasks that are hard enough to test the AI properly.

That, in itself, tells a story.

Nevertheless, with markets moving based on small changes in AI assessments, it is important to remember that a few small tweaks in METR’s tests might have changed the result in a meaningful way.

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The rate of AI progress might be speeding up, but it could just as easily be slowing down.

Becker, who said he had stopped paying into a pension since understanding the trend in AI development, told Sky News he believed that AI was not yet able to improve itself, triggering the science fiction fear of an explosion of AI capabilities.

Nevertheless, he said that “it probably is the case today that AI tools are meaningfully speeding up the degree to which AI professionals are able to make progress on building better and better AIs”, which is significant in its own right.

“I want to communicate that the situation is serious, that it’s fast-moving, that it appears not to be slowing down, that it is accelerating,” Becker told Sky News.

“It could be associated with extraordinarily positive possibilities… and on the other side, there may be extraordinary, dangerous things that might follow.”

How is AI affecting employment?

At present, employment statistics in the UK and the US show little sign of any impact from AI.

Adverts for software engineering jobs on the job search platform Indeed are actually rising.

Becker said he thought coders had a future, for a while at least.

“There’s all these AI professionals inside the labs, you know, they’re doing real work. I imagine they’ll keep doing not so similar work for the next year to maybe many more years than that.”

But he cautioned: “Economic statistics are referring to what happens some number of months ago and not what’s happening exactly today.

“And I think some of the extraordinary progress that we’ve seen, especially in software engineering, but also in other fields, from AIs becoming more capable, has happened only in the past few months.”

The speed of development in AI is so fast now it’s becoming extremely hard to measure.

That fact alone is extremely significant.

Emergency services were called to Carlyle Gardens in Haddington on Tuesday, February 10.

A man has appeared in court charged with murder following the death of a man in East Lothian.

Emergency services were called to Carlyle Gardens in Haddington on Tuesday February 10.

A 54-year-old man was found injured in a property and was taken to hospital. Sadly, he died on Wednesday, February 18.

On Tuesday, February 24, Police Scotland confirmed a 41-year-old man had been arrested and charged.

Mark Ingle appeared at Edinburgh Sheriff Court on Wednesday charged with murder.

He made no plea and was remanded in custody to appear again at the court within the next eight days.

Senior Investigating Officer Detective Inspector Ross Duthie, of the Major Investigation Team, previously said: “My thoughts are with the man’s family and friends at this difficult time. We have a dedicated team of officers carrying out extensive enquiries and a police presence remains in Haddington as part of this.”

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She is also arrested on suspicion of assisting offenders, withholding information and preventing a lawful and decent burial

A woman has been arrested on suspicion of the murder of Lisa Dorrian.

Lisa Dorrian was last seen on Sunday, February 27, 2005, in Ballyhalbert, Co Down, at a party in Ballyhalbert Caravan Park, with police believing she was murdered that night or in the early hours of the morning.

A PSNI spokesperson said detectives from the Major Investigation Team, investigating the disappearance and murder the 25-year-old arrested a 40-year-old woman.

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The woman was arrested in Bangor earlier today, Wednesday, February 25, on suspicion of murder, assisting offenders, withholding information and preventing a lawful and decent burial.

She remains in police custody at this time.

Detective Chief Inspector Kerrie Foreman said: “The arrest comes just days before the 21st anniversary of Lisa’s disappearance and murder.

“Lisa was last seen alive on the night of Sunday 27 February 2005 in Ballyhalbert in County Down, and we believe she was murdered that night or in the early hours of the following morning.

“We remain determined to provide justice for Lisa’s family, and I would appeal to anyone with information about her disappearance and murder to contact detectives on 101.”

Alternatively, information can be provided to the independent charity Crimestoppers, anonymously, on 0800 555 111 or online at www.crimestoppers-uk.org

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The man was also staying in the country illegally.

A man who told police he was forced to sell drugs has been jailed. Abdulrahman Hassani, 24, contacted Cambridgeshire Police last month and claimed he “feared for his life” after being exploited by Albanian gangs and was being forced to sell drugs.

However, when Hassani was interviewed by officers, his story fell apart. He was unwilling to give officers access to his phone and unable to tell them who was exploiting him.

He would also often change the subject, and requested free accommodation from police. Hassani was arrested and officers discovered £750 in cash, 19 bags of cocaine and two mobile phones on him while at the police station. Messages on his phone also revealed evidence of drug dealing and no signs of exploitation.

Further investigations revealed Hassani was in the country illegally, having failed several bids for asylum under various names. Evidence also showed he had told the same story in another county.

After later pleading guilty to being concerned in the supply of cocaine, Hassani, of Jopling Way, Hauxton, near Cambridge, was sentenced to one year and eight months in prison at Peterborough Crown Court last Thursday (February 19).

Detective Constable Sam Andrews, who investigated, said: “Hassani clearly thought he could pull the wool over our eyes and secure himself some free accommodation, despite his clear intention and willingness to make money from dealing drugs.

“We take incidents of exploitation incredibly seriously and will always look to support and safeguard genuine victims and bring perpetrators to justice.

“In this instance, Hassani was not a victim, but a perpetrator, and the knowledge and expertise of officers left his story lacking and evidence mounting against him. I’m glad justice has been done, with more drugs and another dealer taken off our streets.”

John Davidson’s life was changed for the better when, at 16-years-old, the BBC first pointed a camera at him for the half-hour documentary John’s Not Mad, which explored his life living with severe Tourette’s syndrome in a small Scottish town. 

More than three decades of relentless advocacy work later, at this year’s Baftas, the country looked again — and this time, the spotlight offered a harsh glare. 

Davidson was attending the ceremony where biographical drama, I Swear, about his life and diagnosis had been nominated for six awards, including Best Actor, which Robert Aramayo won for his portrayal of Davidson.

During the evening, John experienced a series of tics, including coprolalia, echolalia and sudden physical movements. Among them was the N-word, shouted while Michael B. Jordan and Delroy Lindo were on stage presenting.

The BBC did not cut the language from the broadcast, despite the show being pre-recorded. 

The fallout was immediate, with many arguing that the outburst reflects John’s beliefs, while others blamed the broadcaster for failing in their duty of care.

Davidson apologised the next day, saying he was ‘deeply mortified if anyone considers my involuntary tics to be intentional or to carry any meaning.’ 

He described a ‘wave of shame’ and stressed that the most offensive word he uttered was one he would ‘never use’ and would ‘completely condemn’ if he did not have Tourette’s. ‘It’s the last thing in the world I believe,’ he said, emphasising that his tics are ‘not an intention, not a choice and not a reflection of my values’.

Lindo later said he and Jordan ‘did what we had to do’ on stage, but added that he wished ‘someone from Bafta spoke to us afterward’. 

Bafta has since issued an ‘unreserved apology’ for the ‘very offensive language’ broadcast, acknowledging the trauma such words carry and accepting responsibility for putting guests in a difficult position.

There are no easy answers to an incident like this, and it goes without saying that no presenter should have to hear a racial slur directed from the auditorium and no viewer should be blindsided by it at home. 

But there is also the question Davidson has posed himself: why, given his well-documented symptoms, was he seated near an active microphone, and why, in a pre-recorded ceremony, was the footage not edited? Could the ceremony have done more to ensure the comfort and safety of all involved? 

These are all meaningful questions, but regardless of the conclusions, watching the 1989 documentary John’s Not Mad makes it clear that the Bafta’s moment is painfully cyclical.

When it aired in 1989 as part of the BBC’s Q.E.D. strand, it introduced viewers to a teenager from Galashiels whose Tourette’s syndrome was so severe he was often too frightened to leave the house.

The programme opened by noting that the condition had once been mistaken for a kind of madness. Spend time with John, it promised, and you would see that John was not mad.

What they saw was a boy in visible torment. ‘Sometimes it’s so bad I just want to kill myself,’ he says early in the film. ‘It’s like someone’s forcing it out of me.’

In one of the most distressing sequences, he presses his hands tightly over his mouth in an attempt to stop the obscenities escaping. The narrator explains that he ‘buttons his lip, almost literally, in an attempt to keep the offending words private instead of public’. The effort is exhausting to watch.

The film makes clear that while the jerks and shouts are clearly involuntary to passerby, the content of his vocal outbursts often appears linked to whatever is happening around him, in a way that makes people question if its truly out of John’s control. 

As an adolescent, much of it is sexual; in one scene he struggles not to call his mother a slut. Later, he reacts to a teacher’s mistake with an insult he cannot hold back, and he is essentially unable to be around young girls without using distressing language. 

But as the documentary makes clear, the taboo nature of the outbursts is symptomatic of the disorder, and is by no means a reflection on John’s character.

An eminent neurologist, Oliver Sacks, observes that Davidson’s manifestation of Tourette’s is particularly socially disruptive, which distresses John, thereby making the tics worse because the disorder feeds on sufferers’ agitation. 

The film also documents the collateral damage of living around so much ignorance about the disorder. He is teased at school, locked in a cupboard by a teacher for disrupting class, and sometimes left to eat lunch alone. 

‘Sometimes it feels like everyone hates you because you got this,’ he says quietly in one moment. ‘You feel like everyone hates you.’ 

The documentary reveals that John’s father refuses to sit at a dinner table with his son. His mother absorbs the strain as relatives suggest that maybe demonic possession is to blame. 

In one truly haunting sequence, John’s mother, a stoic, soft-spoken woman who is a professional nurse, says of John’s disorder’s effect on her marriage: ‘It put a great strain on us to the point where we were ready to break up because of my husband’s attitude to it. 

‘He tended to go and drink instead of deal with this. And I don’t blame him if I could have done something like that, you know, to escape it.’

In 1989, that hour of television transformed John’s life. According to a BBC News article from 2009, neighbours who had shunned him began congratulating him on his bravery, and he later said it felt as if he had proved he ‘wasn’t mad’ and ‘wasn’t a freak’, but someone with a medical condition. Overnight, he became a spokesman for Tourette’s – effectively its public face in the UK. 

In recent years, however, he has expressed concern that the documentary also helped entrench a misconception: that Tourette’s is primarily about swearing, when coprolalia affects only a minority. 

The Baftas controversy cruelly reinforces that anxiety. After decades spent widening understanding of a complex neurological disorder, he is again reduced to the most taboo word his brain could produce.

None of this erases the harm of racist or homophobic language, nor the right of presenters and guests to feel protected from hearing it. Bafta has issued an unreserved apology for the ‘very offensive language’ broadcast, but the damage is already done. 

Indeed, it’s impossible not to wonder why the broadcaster felt it was necessary to edit the director of My Father’s Shadow, Akinola Davies Jr, acceptance speech, in which he said ‘Free Palestine,’ but not necessary to edit out the shouted slur. 

But regardless of which failures led to this controversy, the Baftas incident is particularly tragic because it lands on old fault lines outlined in John’s Not Mad. 

Davidson has explained that his tics are often triggered by what he sees or hears, meaning they can latch onto whatever is most charged in the environment, and explained to Variety that at the ceremony, he uttered ‘perhaps 10 different offensive words’. 

The most taboo word in the room – the one carrying the greatest historical weight  – is, neurologically, precisely the kind of word Tourette’s may seize upon.

For decades, Davidson has tried to separate himself from the content of his tics. ‘It’s like someone’s forcing it out of me,’ he said as a teenager. This week, he said his tics have ‘absolutely nothing to do with what I think, feel or believe’. The throughline is consistent.

What has changed is the scale of amplification. In 1989, the BBC used a camera to help Britain see that Tourette’s was a neurological disorder, not a moral failing. In 2026, the BBC broadcast his most offensive tic, unedited, to millions – effectively reigniting the very conflation he has spent his life resisting: that the word equals the man.

The tragedy is not only that presenters were placed in an unacceptable position, nor only that viewers heard language that should have been caught. 

It is that a man who once held his own mouth shut in desperation is, once again, defined by words he has spent a lifetime insisting are not who he is. 

Got a story?

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All that stomping around made a trip to the hotel’s luxurious spa, with its 13-metre swimming pool, steam room and sauna (and a well-equipped gym saved for another time), all the more rewarding. Designed to offer opulence, it has a gold ceiling, beautiful lighting and an hour down there made me feel refreshed and ready to socialise. After drinks at the hotel’s incredibly chic bar – which locals evidently come to, dressed up to the nines, dinner was served beneath a striking glass ceiling in the hotel’s all day dining Atelier 7 Brasserie. The menu focuses on seafood, but weaves in Asian and Austrian influences — I had oysters, followed by steak and chips – before a waiter wheels over a dessert trolley with the most incredible-looking (and tasting) delicately handmade puddings. Afterwards, I fell into a crisply made king-size bed and, for the first time in weeks, slept nine silent hours.

It might have been more than a decade since the last episode of Scrubs aired, but fans are as excited to watch the new reboot which got announced last year.

To make matters even better, UK viewers can binge every single episode ahead of its release on Disney Plus tomorrow..

The cult classic that ran for nine seasons is coming back to our screens for an official reunion of the employees at Sacred Heart Hospital.

Sadly, it seems not all of the old crew will be there, as viewers spotted the omission of the Janitor (Neil Flynn) from the newly released trailer.

Given it’s been 25 years since the first series aired, you’d be forgiven for forgetting how the series started and then developed.

Thankfully, viewers in the UK can watch the show that premiered on NBC in 2001 for free, after all nine series were added to the streamer ITVX.

Together, they start as medical interns at the hospital. Through the years we see them develop personally and professionally against a backdrop of hilarious plotlines and emotionally charged moments.

The ninth season still features the iconic cast, but the focus shifts to med school and its students in a move which wasn’t popular with the show’s following.

In a Reddit discussion titled ‘Why is season nine so hated?’, users posted their grievances.

Sal101 said: ‘Scrubs had a fantastic ending, better by far than every sitcom I’ve ever watched.

‘But they reversed so much character development and progression with the majority of the OG cast.’

Viewers like Kakashi168 admitted it would’ve been better if it was a spin-off. He said: ‘There’s not that big of a connection to the original show.’

Metfan722 defended it in part: ‘It’s definitely not as bad as people say but it’s not the Scrubs we had all known and loved for 8 seasons up to that point.’

Although the revival series will feature new talent, Scrubs veterans Aseem Batra and Tim Hobert will serve as showrunners and executive producers.

When is the new season of Scrubs out in the UK?

The highly anticipated new season of Scrubs will be available to watch for viewers in the UK with a Disney+ subscription from February 26.

It will air via ABC on February 25 in the US, before being added to the streamer the following day.

Chalke, who plays Dr Elliot Reid, told the Independent before the show’s release: ‘We were new and we were scared as interns and scared in this new element of medicine and insecure and unsure of what we were doing.

‘So to get to come back, we really have grown and really become great leaders and great teachers.’

Meanwhile, Braff, noted that the aim of the new reboot was ‘to ground it again and start back with the based-in-reality thing that we had in the first couple years of the show’.

Discussing the cast, Ted Lasso creator Lawrence also added: ‘They’re still 12 years old every time they’re together, but they’re also still both leading very big, responsible adult lives. It just felt like it was time to revisit the old gang.’

This article was originally published on February 13, 2026.

The revival of Scrubs will be available to watch from February 26 on Disney+.

Got a story?

If you’ve got a celebrity story, video or pictures get in touch with the Metro.co.uk entertainment team by emailing us celebtips@metro.co.uk, calling 020 3615 2145 or by visiting our Submit Stuff page – we’d love to hear from you.

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Regardless of the result in the Gorton and Denton by-election, the currents of UK politics spell trouble for Labour.

By-elections come and go, but the vote in Gorton and Denton is shaping up to be the most important in a generation.

Labour won the seat comfortably at the general election with a majority of 13,413 and should be a shoo-in.

Some Labour MPs predict they will defy the odds and hold on in a constituency that has swung against their party.

But the Greens and Reform are in the ascendancy and both feel victory is within their grasp.

A loss to either party would be a nightmare for Labour and an ominous portent of an uncertain future.

The campaign in Gorton and Denton shows Labour, regardless of the final result, are losing votes to the Greens on the Left and to Reform on the Right.

Keir Starmer swept to power after putting together a broad base of support, but that coalition is crumbling.

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OPINION

Paul Hutcheon

At a glance, the parties of Nigel Farage and Zack Polanski seem polar opposites and have little in common.

The Greens are anti-capitalist, anti-war and would ramp up the drive to net zero if they had the chance.

Reform are pro-capitalist, pro-Trump and hostile to action to reduce the UK’s carbon footprint.

But the Greens and Reform have more in common than their supporters would ever dare admit, with both proposing simple solutions to complex problems.

Farage ultimately blames immigration for society’s problems, scapegoating minorities for everything from the housing crisis to pressures on public services.

Polanski turns his guns on “billionaires” – a tiny group of powerful people apparently causing havoc around the globe.

The real problems facing democracies – ageing populations, low productivity – barely get a look in.

Their divisive rhetoric – uploaded and shared on social media – fuels the dissatisfaction many feel with twenty first century politics.

It is a recipe for Labour getting hammered in 2029 and falling to below 20pc of the vote.

The shift to the Greens and Reform also has huge implications for the Holyrood election.

An opinion poll on Tuesday showed the SNP – after nineteen years in power – on the cusp of securing an outright majority.

This is in spite of the Nationalist vote share falling markedly compared to the 2021 election.

Reform would be in second place on twenty five seats, with Labour a distant third and returning only fifteen MSPs.

For Labour to stand any chance in May, they need to make inroads into the dozens of first-past-the-post constituencies held by the SNP.

With Reform running rampant, Farage’s party is fracturing the pro-UK vote and handing these seats to the SNP by default.

Reform and Green support on the regional lists – where Labour are strongest – is another blow for Anas Sarwar, a double whammy that guarantees electoral failure.

Labour has to take a large amount of responsibility for the rise of Reform and the Greens.

Despite winning by a landslide in 2024, their vote was soft and voters gave them a conditional mandate.

It was incumbent on Starmer to start well, reflect the public’s desire for change and produce a positive vision of the future.

He instead backed a series of politically disastrous cuts and warned the public of tougher times ahead – the last thing voters wanted to hear.

Gorton and Denton is a glimpse of a bleak future and parties on the centre-left need to wake up.

Mark Williams was the last Welshman to win the Welsh Open and he is hoping to be the next, 27 years on.

All the way back in 1999, Williams beat Stephen Hendry in the final in Cardiff to win the Welsh Open for a second time.

It was an incredible run to the title from Williams, which also dates the triumph, as he beat Neal Foulds, Chris Small, Alan McManus, Steve Davis and Ronnie O’Sullivan before downing Hendry 9-8 in the final.

Hendry won a rematch in the 2003 final, but that was the last time a Welshman made it to the final of the Welsh Open.

Now 50 years old, Williams is still going strong and is into the last 16 of the tournament after a 4-1 win over Martin O’Donnell on Wednesday afternoon.

He would love to see a Welsh triumph again, whether it is him or either of the other remaining local heroes: Jackson Page, Jak Jones.

‘I’m still in, last 32 is it? Oh last 16! First I’ve done for a while,’ a briefly confused Williams told BBC Wales. ‘I’m potting a couple.

‘It’s a great place to play and hopefully, if it’s not me, then one of the Welsh boys can get to the final because that’s all we’re missing in this tournament. A Welshman picking the trophy up.’

Ranked number four in the world and with the Xi’an Grand Prix to his name this season, Williams is in contention for the title in Llandudno this week.

‘Possibly,’ he said of his chances. ‘I never would have thought I would have won in Xi’an, in China, that was a tough one to win.

‘If I can get on a run, I can start playing some good stuff. I either seem to go on a little bit of a run or lose first round and go back on the golf course.’

On his near three decade wait for another Welsh Open title, he said: ‘I can’t believe it, it’s so long ago. I had a bit of hair then, now I’m old and going blind.’

Williams was close to getting lens replacement surgery in the summer as his eyesight has been deteriorating in recent years, but after a run to the World Championship final he put the operation off.

With results and performances still good, he continues to kick the can down the road on the eye op.

‘They’re the same. They’re getting worse,’ he said at the recent Players Championship. ‘They’re getting more blurry every year, but I’m still in the same position. While I’m still in the top of the rankings, what do I do? Do I take the chance and have them done or not? I don’t know.

‘They keep phoning me every other week to say, you know, I’m top of the priority list to get it done. If I phone them and say, can I get in? I probably can get it done within a week.’

The eyes will be tested against Barry Hawkins in the last 16 on Thursday atVenue Cymru, which Williams has hailed as one of the best places to play on tour.

‘The crowd is fantastic, great arena,’ he said. ‘It’s one of the best venues we play in and it’s always supported. Even 10 o’clock in the morning there’s 400-500 people in here, you don’t get that in many comps.’

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Poppins’ advice is never to buy a pram or pushchair without trying it out first in-store: “Mamas and Papas or John Lewis have an incredible selection of all the leading brands and styles,” she says.

So, what should new parents look for when hands-on testing a new pram or stroller?

“Consider how easy it is to fold down, for putting in the back of the car or storing at home,” she says. “Compact options are great for lifting in and out of a vehicle, but they can feel harder to push, especially on your wrists and when navigating rough terrain. There is also the risk of the system tipping if you hang a bag or some shopping onto the handlebars. If you know you will be carrying more gear, I would opt for something much sturdier with bigger wheels and a larger base to attachment ratio.”

Taking all these factors into account, my fellow Telegraph Recommended testers and I, all new parents, trialled the latest models. This involved assessing how easy the units were to assemble and switch between formats, how well they folded away for storage and how they performed in different settings: on pavement, grass, gravel and up and down stairs.