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Biden’s climate legacy in focus as US prepares for Trump’s return

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Welcome back. Donald Trump’s presidential election victory is a major development for the energy transition and the broader response to climate change, in the US and globally.

The Trump campaign has said he would once again pull the US out of the Paris Agreement, which commits nations to efforts to keep global warming below 2C. That prospect last week caused UN secretary-general António Guterres to raise the prospect of a “crippled” Paris accord.

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Trump’s team has also drafted an executive order that would remove the US from the UN convention on climate change altogether, according to a report by Politico. His impending return will cast a thick shadow over the UN’s COP29 climate summit, which starts in Azerbaijan on Monday (we’ll be there reporting from the ground, as usual).

Trump’s likely approach to domestic clean energy policy has been a subject of heavy speculation. He’s promised to reverse key elements of President Joe Biden’s clean energy policy, which he’s labelled the “green new scam” — notably, pledging to withhold funds not yet deployed under Biden’s green-orientated Inflation Reduction Act.

But given the disproportionate benefits that Republican-led states have received under that legislation, it’s far from a given that the Trump administration will gut the IRA completely. And — while shares in the sector plunged in pre-market trading this morning — it’s worth remembering that US renewable energy investment grew strongly during Trump’s first term, despite similar anti-green rhetoric from the White House.

In today’s newsletter, Patrick helps us make sense of where US energy policy stands as the Biden administration approaches the finish line. We’ll be back in your inbox on Friday. — Simon Mundy

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US climate policy

The legacy of Biden’s landmark climate legislation

As Joe Biden starts preparing to hand back the White House to Donald Trump — who is likely to take a radically different approach to energy policy — it’s a good moment to take stock of the outgoing administration’s record on this front.

While the US energy and transport sectors have been the biggest contributors to US emissions during Biden’s administration, the president’s efforts have taken square aim at these industries. Faster permitting has helped investment in grid-level battery storage to jump sixfold since 2020, supporting the growth of renewable generation. The IEA projects that renewables will make up 34 per cent of the energy mix by 2028, up from 22 per cent in 2023.

The centrepiece of Biden’s climate policy was the 2022 Inflation Reduction Act that allocated $369bn to spur green infrastructure and decarbonisation. Two years on, at least 3.4mn Americans have taken advantage of the law’s tax credits for energy efficiency, according to the White House, and companies have announced more than $265bn in clean energy investments. Since January, more than 250,000 Americans have claimed electric car tax credits.

However, some projects set to benefit from Biden’s policies, including the IRA and Chips Act, have not yet come to fruition. Up to 40 per cent of the biggest US manufacturing investments announced in the first year of the flagship industrial and climate policies have been delayed or paused, the FT reported in August.

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The largest projects on hold include Enel’s $1bn solar panel factory in Oklahoma, LG Energy Solution’s $2.3bn battery storage facility in Arizona and Albemarle’s $1.3bn lithium refinery in South Carolina. But the IRA will not be the only lasting part of Biden’s legacy.

The $1.2tn bipartisan infrastructure law, signed in November 2021, included $11.3bn for cleaning up abandoned mines and another $1bn for capping abandoned oil and gas wells across the country. Abandoned wells such as these leak methane, a greenhouse gas far more potent than carbon dioxide.

“Under the Biden administration tremendous progress was made in determining just how big the problem of oil decommissioning is in the US,” Javiera Barandiarán, a professor and co-director of the Center for Climate Justice at the University of California, told me.

“The Biden administration provided funding that has helped map the scale of the decommissioning challenge, which deserves to be front-and-centre in climate change and energy transition policies,” Barandiarán said.

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Still, aspects of Biden’s climate policies have been hampered by the US’s creaky infrastructure. 

“The largest thing left unfinished . . . is really around permitting, interconnecting and transmission,” William Anderegg, director of the Wilkes Center for Climate Science and Policy at University of Utah, told me.

Despite Biden’s focus on climate policy, some Democrats quietly acknowledge that his administration’s work on clean energy have had limited impact on the electorate. Just 37 per cent of voters ranked climate concerns as “very important,” according to a September survey from the Pew Research Center.

“Very few Americans know that the IRA is the most significant climate policy the US has ever seen,” Alexis Abramson, dean of the engineering school at Dartmouth College, told me. “Remarkably, our country passed this legislation at a time when political polarisation has deepened.”

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“Most [people] do not realise that there are elements of the policy that help ensure that more disadvantaged areas of the country disproportionately can take advantage of incentives and subsidies,” she said. For example, there were energy tax credits for renewable energy projects in areas that had been economically reliant on fossil fuels, she said.

Despite his support for clean energy, Biden has also overseen a surge in US oil production to record levels, and some green groups have attacked his administration’s permissive approach to fossil fuel production from federal lands, and approval of projects such as the Mountain Valley Pipeline running from West Virginia to Virginia.

But for some environmentalists, Biden’s green efforts will go down as the most significant since the US Clean Air Act and Clean Water Act of the 1960s and 1970s. 

“President Biden is the greatest president ever for climate and environmental action,” the Sierra Club said on the day Biden withdrew from the presidential race in July. “Biden’s legacy as the greatest president for climate and environmental action is etched in stone.”

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Given the US’s position as the world’s second-biggest energy consumer, Biden’s approach to energy policy has had a global impact.

After a jump in emissions as the US economy emerged from the Covid-19 pandemic, emissions figures for 2023 showed a decline, returning to a downward trend that had been apparent for years, Anderegg told me.

“Some of [Biden’s] recent climate policy probably is starting to have an impact,” he said, adding that emissions were likely to decrease again in 2024 and continue as long as Biden’s policies remain intact. Biden’s presidency “has been one of the most impactful in terms of climate policy and laying the foundation for transition to a net zero economy in the US,” Anderegg said. (Patrick Temple-West)

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A Question of Freedom theatre review — harrowing play about modern slavery in Sudan and London

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One of the awful ironies of this harrowing play about the Sudanese human rights activist Mende Nazer’s experience of modern slavery is that it wouldn’t exist had she not had the courage to try and escape — and had a couple of brave people not helped her. Being an enslaved person in today’s world means being invisible and voiceless. When Nazer broke free in 2000, it was from a home in north-west London: her plight had gone shockingly unnoticed in contemporary Britain.

Since Kevin Fegan’s play (drawn from Nazer’s 2002 autobiography, Slave, co-written with journalist Damien Lewis) was first staged in 2010, the UK has introduced the Modern Slavery Act. Yet there are currently an estimated 49.6mn enslaved people across the world, according to the Global Slavery Index, and an estimated 130,000 in the UK, according to Anti-Slavery International. Those grim statistics hang over Caroline Clegg’s revival for Feelgood theatre company.

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In 1994, as a young girl, Nazer was snatched by mujahideen raiders, who torched her village in the remote Nuba mountains in Sudan, killed many of the inhabitants, and kidnapped and raped her. The traumatised 12-year-old was then sold to a wealthy family in Khartoum, where she was beaten, brutalised and bullied into submission. About six years later, she was trafficked to relatives of her “master” in London, where a chance encounter finally offered a way out. Even then she was initially refused asylum by the UK government; it would take a vigorous campaign to save her from deportation back to Sudan.

Fegan’s play offers a straightforward, episodic account of events, staged by a versatile ensemble in Clegg’s production, who deploy rich traditional music and dance to whisk us into Nazer’s early childhood and contrast that easy warmth and freedom with the later horrors of enslavement. It’s not a particularly innovative show in style or structure. But that’s not the point of this drama, which is more about conveying the naked facts of modern slavery and its impact.

Watching the excellent Yolanda Ovide, as Nazer, transform from an open-faced, hopeful little girl into a shrunken, cowed young woman is awful. There’s a wonderful performance too from Ebony Feare as her friend, Kheko. That they represent real people, and that their experiences are common to many, is what really hits you. This is theatre as educator and campaigner, admirably shining a light on this most hideous and shameful of trades.

★★★★☆

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Post-Budget gilt rise takes toll on the housebuilding industry

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Post-Budget gilt rise takes toll on the housebuilding industry

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Via Negativa album review — a retro-futuristic ode to analogue synth-pop

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This year is the 60th anniversary of the Moog modular, the first commercial synthesiser. It was invented in the US by the engineer Robert Moog and the composer Herb Deutsch, who wrote the earliest piece of Moog music, a groovy avant-jazz instrumental in which the synthesiser is an otherworldly electronic companion to piano and trumpet. “I was looking for where a new sound could be,” Deutsch has said of the instrument’s creation.

Over the decades his new sound has become an old sound. Analogue synths such as the Moog are no longer redolent of the future but the past. They are prized for their warm, faintly distorted resonance, a product of their appealingly imperfect circuitry.

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According to Sean McBride of electronic music duo Xeno & Oaklander, the peak years for analogue synthesisers came between 1978 and 1984, before digital ones took over. His partnership with Liz Wendelbo inhabits that era with unswerving commitment. They formed in New York in 2004 and were leaders of a scene reviving European cold wave, the post-punk electronic music of the late 1970s and early 1980s. That Brooklyn-centred scene has retreated into obscurity, but the pair march on doggedly with their retro-futuristic synth-pop.

Via Negativa (In the Doorway Light) is the eighth Xeno & Oaklander album. Its title alludes to the split states running through their work, in which the negative and positive terminals of electric circuitry are echoed in their female and male voices, as well as their backgrounds: McBride’s in the US and Wendelbo’s in Europe. There is also a temporal split: the notion of an idealised past being reactivated.

The eight songs use a connoisseur’s collection of drum machines and sequencers. They move briskly through grid-like beats. Minimalism is offset by richly hued textures. Rubbery basslines absorb the push and shove of chunky riffs. Quavering notes aspire towards an electronic sublime. Both vocalists occupy narrow ranges. McBride chants in a low monotone, while Wendelbo sings at a breathy pitch, partly in French. The world ushered into being by the Moog is evoked with a pleasurable hint of Kraftwerkian playfulness.

★★★★☆

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‘Via Negativa (In the Doorway Light)’ is released by Dais

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Stock markets rally after Trump wins US election

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Stock markets rally after Trump wins US election

Stock markets in the UK and across Europe have rallied after Donald Trump won the US presidential election race.

US stocks markets hit record highs this afternoon (6 November) after the historic result, which is being labelled as the “great comeback in political history”.

Markets jumped more than 3% at the news – opening at 42,221.88 before hitting a record 43,514.85.

The US dollar also surged, while the FTSE 100 jumped by 1.5% when markets opened on Wednesday.

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It stayed 1.2% higher when the  was declared that Donald Trump had won the election.

In Europe, initial rises have started to subside due to threats of high tariffs from the incoming Trump administration.

Some economists have warned Trump’s tariff plans would come as a “shock” to the UK economy.

Richard de Lisle, manager of the VT De Lisle America Fund, who has more than 40 years’ experience investing in the US, said: “Donald Trump’s victory is expected to be better for the stock market than for the bond market because of his liberalism.

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“It is estimated that Trump’s economic plans would add a cumulative $7.8 trillion to the national debt over his term, as he cuts taxes and increases deficit spending.

“Such measures are likely to maintain current government infrastructure spending plans, sustain consumption and keep the US economy strong.

“Combined with his fierce threats of tariffs, these measures should benefit domestically focused manufacturers and industrials.

“Trump is also likely to break with Presidential impartiality and proactively encourage the Fed to press ahead with interest rate cuts despite big spending plans.

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“This combination could keep the economy going while stoking slightly higher inflation, which would be good for commodity related companies that can pass on their costs.

“Finally, Trump’s rhetoric around both protectionism and de-regulation will be positive for smaller companies that have more US revenue exposure and that are advantaged by reduced regulatory burdens, allowing them to grow faster.”

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Ancient English forest that starred in two Disney films has roaming deer and unique attraction reopening next year

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Bluebells flower in the Ashridge Estate in the Spring, with Dockey Wood being one of the best places to see the flowers

THE Ashridge Estate in Hertfordshire has been used as a backdrop for several blockbuster films thanks to its ancient woodland.

Managed by The National Trust since 1926, the Ashridge Estate is part of the Chiltern Hills, an Area of Outstanding Natural Beauty.

Bluebells flower in the Ashridge Estate in the Spring, with Dockey Wood being one of the best places to see the flowers

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Bluebells flower in the Ashridge Estate in the Spring, with Dockey Wood being one of the best places to see the flowersCredit: Alamy
Deer were first introduced in Ashridge in the 13th century, with the woodland creatures now roaming freely on the site

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Deer were first introduced in Ashridge in the 13th century, with the woodland creatures now roaming freely on the siteCredit: Alamy

The National Trust still uses livestock to help maintain the diverse habitats, with foresters felling timber to keep the woodland healthy.

With its beech and oak woodlands, fields of bluebells in the spring, and roaming fallow deer, the 5,000-acre site has proved a master in conjuring up wonderful settings.

Disney films such as Angelina Jolie‘s Maleficent and the musical fantasy Into the Woods, starring Meryl Streep, Emily Blunt and James Corden, were all shot in the ancient woodland.

Fantasy movies like Stardust and Harry Potter and the Goblet of Fire were also filmed in the forest.

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And if Ashridge Estate is good enough for Hollywood stars and big-name productions, then it is certainly somewhere Brits should visit for a day out.

This National Trust walk gives some of the best of the autumn colours in the less-trodden areas of the beautiful Ashridge Estate in Hertfordshire.

The 5,000-acre site is home to over 80 miles of pathways, with navigation website Komoot listing 19 different walks – although there are probably many more.

One of those is the Ashridge Estate Boundary Trail – North, a circular walk through the northern half of the site where ramblers pass through Ivinghoe Beacon and Incombe Hole.

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A huge draw for visitors is the deer that roam on the historic estate.

The deer were introduced in the 13th century by Edmund Earl of Cornwall who founded a monastery on the site where Ashridge House now stands.

WOW- National parks roadtrip

A deer park was created next to the monastery, with the woodland creatures remaining on the site for hundreds of years.

Nowadays, deer roam freely on the huge site, with three different species on the site, including Fallow deer, Muntjac deer and Red deer.

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Ashridge Estate is also known for its bluebells, with the flowering attracting large numbers of visitors each year.

The blooming date for bluebells varies depending on the weather, but they’re usually visible in April and May.

Dockey Wood is the best place to view bluebells in Ashridge Estate, with visitors charged a small entry fee of £3.50 to visit last year.

Bridgewater Monument, which is currently closed for conservation works, is set to reopen in Spring 2025.

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Before its closure, 15,000 visitors would climb its 172 steps to the viewing platform every year.

From the viewing platform, visitors can see Wembley Stadium and Canary Wharf on a clear day.

Bridgewater Monument (pictured) will reopen next spring following a renovation project

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Bridgewater Monument (pictured) will reopen next spring following a renovation projectCredit: Alamy

Pitstone Windmill is another top attraction to visit in the woodland.

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It’s thought to be one of the oldest post mills in Britain, with visitors able to explore its inside and learn how it works.

Pitstone Windmill is set to reopen in May for the summer season.

There’s also a visitor centre on-site, with a plant shop and a second-hand bookshop, and a cafe on the site.

Ashridge Estate has a 4.5/5 star rating on TripAdvisor from hundreds of reviews.

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One person wrote: “The Ashridge Estate covers a large area, and there are plenty of walks to explore.”

“There is some really beautiful scenery to enjoy so have your phone or camera ready to capture what you see”

Another person added: “Stunning gardens and a lovely tea room. There is so much to explore that you would want to spend a day here if the weather is good.”

Ashridge Estate is free to enter, with the ancient forest open throughout the year.

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It’s a 90-minute drive from London.

Inside the UK’s free ‘indoor rainforest’

Exploring the Amazon rainforest or going on an adventure in the jungles of Borneo might seem like impossible dreams for some.

But at the heart of a UK city there’s a huge rainforest-like attraction, with hundreds of exotic plant species, that can be visited for free.

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The Barbican conservatory in London is described as both a “utopia” and “a favourite” place for those living in the capital.

The indoor garden is the second largest conservatory in the city, but it doesn’t cost anything to enter, with guests able to meander around its walkways and paths at their leisure.

Small terrapins and exotic fish can be seen swimming in ponds inside, adding to the feeling that you’re in a tropical landscape.

Meanwhile, these camping etiquette mistakes will make other campers hate you.

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And these are the best campsites to visit in the UK.

Ashridge Estate is a 5,000-acre site in Hertfordshire, with more than 80 miles worth of pathways

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Ashridge Estate is a 5,000-acre site in Hertfordshire, with more than 80 miles worth of pathwaysCredit: Alamy

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The Prince of the Pagodas album review — Benjamin Britten’s only full-length ballet score gets brilliant rendition

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Unusually for him, Benjamin Britten suffered from a bout of writer’s block while he was composing The Prince of the Pagodas. The solution came by chance when he heard the haunting, complex music of the gamelan in Bali during a world tour and immediately declared his problems solved.

Britten did indeed go on to complete his only full-length score for ballet, but he never had much affection for it. The work turns up in the theatre from time to time, but the music has become most familiar in the form of a suite that he extracted from the full score.

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This release is only the full ballet’s second complete recording, as Britten’s own cuts 20 minutes of music. As his longest work for orchestra, The Prince of the Pagodas deserves attention and this fine recording will now be the place to go.

In designing his two-hour-plus score, Britten looked for inspiration to the master-composer of ballet, Tchaikovsky. He similarly divides up the music into danceable, bite-sized numbers, guaranteeing fast-moving musical variety, but the deeper emotional pull of Tchaikovsky’s ballets is missing.

The score’s strongest suit is its use of the orchestra. With its biting woodwind, growling brass and orchestral clarity, The Prince of the Pagodas is Britten through and through, and the gamelan-like sounds in the “Kingdom of the Pagodas” scene show the big influence the trip to Bali was to have on his music. The Hallé, under its new principal conductor Kahchun Wong, plays superbly and the recording on the Hallé’s own label brilliantly captures Britten’s coruscating sounds.

★★★★☆

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‘Britten: The Prince of the Pagodas’ is released by Hallé Concerts Society

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