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NYT Strands today: hints, spangram and answers for Thursday, November 7

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NYT Strands today: hints, spangram and answers for Saturday, September 21

Strands is a brand new daily puzzle from the New York Times. A trickier take on the classic word search, you’ll need a keen eye to solve this puzzle.

Like Wordle, Connections, and the Mini Crossword, Strands can be a bit difficult to solve some days. There’s no shame in needing a little help from time to time. If you’re stuck and need to know the answers to today’s Strands puzzle, check out the solved puzzle below.

How to play Strands

You start every Strands puzzle with the goal of finding the “theme words” hidden in the grid of letters. Manipulate letters by dragging or tapping to craft words; double-tap the final letter to confirm. If you find the correct word, the letters will be highlighted blue and will no longer be selectable.

If you find a word that isn’t a theme word, it still helps! For every three non-theme words you find that are at least four letters long, you’ll get a hint — the letters of one of the theme words will be revealed and you’ll just have to unscramble it.

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Every single letter on the grid is used to spell out the theme words and there is no overlap. Every letter will be used once, and only once.

Each puzzle contains one “spangram,” a special theme word (or words) that describe the puzzle’s theme and touches two opposite sides of the board. When you find the spangram, it will be highlighted yellow.

The goal should be to complete the puzzle quickly without using too many hints.

Hint for today’s Strands puzzle

Today’s theme is Extremely online”

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Here’s a hint that might help you: actions you do while connecting online.

Today’s Strand answers

NYT Strands logo.
NYT

Today’s spanagram

We’ll start by giving you the spangram, which might help you figure out the theme and solve the rest of the puzzle on your own:

Today’s Strands answers

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  • COMMENT
  • FOLLOW
  • POST
  • TWEET
  • REPOR






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One solar stock to buy after Trump’s win hit the sector, analysts say

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Why Amazon, Disney, and others are pushing employees back to the office

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Why Amazon, Disney, and others are pushing employees back to the office

Today, we’re talking about work. Specifically, where we work, how our expectations of working remotely were radically changed by the covid-19 pandemic, and how those expectations feel like they’re on the verge of changing yet again. For many people, the pendulum has swung wildly between working fully remote and now a push to return to the office from their bosses, and there are a lot of theories about what might be motivating big companies to try and bring everyone back.

Here on Decoder, I’ve talked to lots of CEOs about the benefits of working fully remote versus hybrid or having everybody back in the office over the past several years, and I’ve heard the full spectrum of responses. Some executives are adamant that people need to be in the office, and others are equally adamant that fully remote is the way to go. We’ll play some of those answers for you as we go so you can get a sense of the enormous range of opinions here.

If you look at the surveys, it’s basically 50/50 — quite a lot of people want to work remotely, and they can be pretty loud online. But there are a lot of people, who are often quieter, who want to go back to the office for pretty good reasons. Some folks just don’t have the space to work from home, or they’re simply tired of making video calls in sweatpants all day and never really leaving the house. I know some people who really like just being able to leave work at the office when they head home for the day, and I’ve heard from a lot of younger people who are struggling to get face time with the more senior and experienced people at their companies in order to build relationships and grow their networks.

The messy middle of all this is what quite a few companies have settled on: hybrid work, which allows for a combination of in-office and remote work. This is how The Verge runs, and I quite like it — but it’s not perfect. Like so many people who work in a hybrid environment, there are days where I go into a mostly empty office and then sit on Zoom in a phone booth, and there are days when I realize I’m the only one in a meeting sitting at home because everyone else has gone into the office. 

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Figuring out how to make hybrid work is a long-term cultural project that we really only started in 2020. While there are some obvious benefits, it’s not clear if anyone’s really cracked it in a way that scales across different kinds of companies.

Now, some companies have decided the nuance just isn’t worth it. In September, Amazon mandated that all employees would return to an office five days a week starting in January. In the memo announcing the change, CEO Andy Jassy argued that the company had “observed that it’s easier to learn, model, practice, and strengthen our culture,” that “collaborating, brainstorming, and inventing are simpler and more effective,” and that “teams tend to be better connected to one another” when everyone is in the office.

Amazon isn’t alone in wanting employees back at their desks. Companies like Disney and Salesforce have also pushed for employees to come back to the office at least four days a week, making similar arguments. Other companies, like Apple, have been steadily pressuring workers to come back for quite some time — that beautiful new spaceship office in Cupertino wasn’t built to stay empty. 

But is the return to office really about building company culture and being more creative and productive? I have to tell you, there is a huge chunk of The Verge and Decoder audience that is absolutely convinced that any big return-to-office policy change is actually just a layoff in disguise — we get emails making this case virtually every time one of these moves is announced.

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Jassy even addressed this directly, just a few days ago, in an all-hands meeting. Responding to claims that the return-to-work mandate is a quote “backdoor layoff,” he told employees that that is simply not true. We’ll come back to that later on. 

So I wanted to know what’s been going on, what the real reasons behind return-to-office might be, and where this is all headed next. To explain it, I caught up with two experts on the subject: Stephan Meier, a professor of business strategy at Columbia Business School, and Jessica Kriegel, the chief strategy officer at workplace culture consultancy Culture Partners. 

We dive into what’s been happening to the nature of work today, and you’ll hear both of them lay out some of the key reasons behind the return-to-office push. We also try to figure out whether Amazon is just an outlier or, as you’ll hear Jessica say, “the tip of the spear” in what could be something much bigger.

Here are some of the news stories, surveys, and studies we discussed in this episode, if you’d like to learn more:

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  • Amazon is making its employees come back to the office five days a week | The Verge
  • Amazon CEO Andy Jassy denies that 5-day office mandate is a ‘backdoor layoff’ | CNBC
  • Bob Iger tells Disney employees they must return to the office four days a week | CNBC
  • A quarter of bosses admit return-to-office mandates meant to make staff quit | Fortune
  • More Americans now prefer hybrid over fully remote work, survey finds | Axios
  • Google tells staff: stay productive and we’ll stay flexible | Business Insider
  • The list of major companies requiring employees to return to the office | Business Insider
  • Thinking Inside the Box: Why Virtual Meetings Generate Fewer Ideas | Columbia
  • Duolingo CEO Luis von Ahn wants you addicted to learning | Decoder
  • The CEO of Zoom wants AI clones in meetings | Decoder
  • Sundar Pichai on managing Google through the pandemic | The Vergecast

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What will power the future of digital commerce?

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What will power the future of digital commerce?

Today, digital commerce is a primary business driver for retailers, brands, and distributors. According to an analysis of US Census Bureau data by research firm Stratably, 2024 revenue from digital is projected to grow 8.4% in the U.S. market compared to in-store growth of 1.2%.

As digital commerce has grown in importance there has been a corresponding explosion of downstream channels where brand manufacturers must send content, from retail stores to marketplaces to social shopping and direct-to-consumer websites. Each of these channels has distinct rules for the product data they will accept and these rules change often; Target, Walmart and Amazon changed their data ingestion requirements nearly 1,000 times combined in 2023. The reasons for these changes vary: differing regional regulatory requirements, unique merchandising opportunities the channel requires, or varying rates of digital maturity between the channels.

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Will you benefit from the Apple TV’s new 21:9 aspect ratio?

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Will you benefit from the Apple TV's new 21:9 aspect ratio?

Apple this week released the latest developer beta of tvOS 18.2, the software that powers the company’s Apple TV 4K streaming media devices. As previewed during the WWDC 2024 keynote, the new software includes support for 21:9 and several other aspect ratios that are wider than 16:9, which has become the dominant shape for modern TVs.

Why does that matter?

Most of us have experienced letterboxing or pillarboxing — that’s when a set of horizontal or vertical black bars frame the content on our TVs. It happens when there’s a mismatch between the aspect ratio of a movie or show and the aspect ratio of your screen.

A lot of modern content, especially shows and movies developed for streaming services like Netflix, Max, Paramount+, or Apple TV+, is shot in 16:9, so letterboxing that content on 16:9 TVs isn’t necessary. On the Apple TV 4K, even the user interface is formatted for this ratio, which keeps things looking good.

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However, some folks own projector screens or widescreen monitors with non-16:9 aspect ratios. For these people, all Apple TV 4K content ends up with those pesky black bars because the device’s signal is formatted for 16:9. When tvOS 18.2 arrives for everyone in December, the software should automatically detect the ratio of your display, and reformat itself to match.

tvOS 18.2 Aspect Ratio settings.
Sigmund Judge / X via FlatpanelsHD.com

If that detection fails, a new Aspect Ratio settings menu will let you manually select the appropriate one for your setup. Available ratios are 16:9, 21:9, 2.37:1, 2.39:1, 2.40:1, DCI 4K, and 32:9.

It will be the first time that someone who owns a 21:9 projector, or who uses an anamorphic lens to achieve a ratio like 2.39:1, can get the Apple TV 4K to produce a perfectly proportioned and fullscreen image.

So how many people will benefit from the new settings? “It really won’t affect very many,” said Jeff Gosselin, chief experience officer at Cloud 9 AV, a Toronto-based custom home theater installer. “Any new theaters we have done in the past 15 years have all used 16:9 screens. For any ultrawide projection systems, this will be an enhanced viewing experience.”

Pillarboxing will still likely occur when watching 16:9 content on such a screen, but when 21:9 content is available, it should play in fullscreen, with no black bars.

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Presumably, app developers — like the services mentioned above — will have to update their apps to ensure that their content displays correctly under the new aspect ratio settings. But eventually, this will become the norm.






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Trump’s victory could disrupt energy sector. These stocks are likely winners and losers

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Motorola Razr 50s Ultra design unveiled via certification listing

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Motorola Razr 50s Ultra design unveiled via certification listing

Recently, 91mobiles spotted the Motorola Razr 50s Ultra on two certification platforms—Wireless Power Consortium and SGS Fimko Testing & Certification Services.

Motorola launched the Motorola Razr (2024) (review) and Motorola Razr Motorola Razr+ (2024) in the US back in June this year. The models are called the Motorola Razr 50 and Motorola Razr 50 Ultra respectively outside the States. However, the company also appears to be working on two more devices under the Razr 50 series – the Motorola Razr 50s and Motorola Razr 50s Ultra. The Motorola Razr 50s previously appeared on Geekbench with a single and multi-core score of 1040 and 3003 respectively.

Motorola Razr 50s Ultra design and specifications

In the latest news, the Motorola Razr 50s Ultra has appeared on the Wireless Power Consortium with model number XT2451-6. In terms of design, the Motorola Razr 50s Ultra closely resembles the Razr 50 Ultra, featuring a rounded middle frame and a large external display with two distinct cutouts for the rear camera setup.

The inner display features a center-positioned punch-hole cutout for the selfie camera and narrow bezels. This is similar to those on other models in the Razr 50 series. The volume rocker and power button are located on the right edge, with the SIM tray on the left side—similar to the existing models. At the bottom, there’s a USB Type-C port, speaker vents, and a microphone opening.

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The bottom portion appears to have a leather finish and houses the iconic Razr branding.

According to the listing, the maximum load power this device can utilize is ‘15.0,’ which hints at 15W charging support. For context, the Motorola Razr 50 Ultra supports 45W wired charging and 15W wireless charging. In contrast, the standard Razr 50 supports slightly slower 30W wired charging, along with 15W wireless charging support.

The Motorola Razr 50s Ultra could come with a total of six variants

The SGS Fimko Testing & Certification Services listing for the phone reveals a total of six variants for this device: XT2451-1, XT2451-2, XT2451-3, XT2451-4, XT2451-5, and XT2451-6.

Additionally, the ‘Technical data’ and ‘Specific characteristics’ sections list ’11V 4A’, suggesting support for 44W fast charging. This implies that the ‘15.0’ notation on the Wireless Power Consortium listing likely refers to 15W wireless charging support, while the device still offers faster speeds, up to 44W, with wired charging similar to other models in the lineup.

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