“This is just not the right pathway forward,” Isaacman said.

A senior NASA official, speaking on background to Ars, noted that the space agency has experienced hydrogen and helium leaks during both the Artemis I and Artemis II prelaunch preparations, and these problems have led to monthslong delays in launch.

“If I recall, the timing between Apollo 7 and 8 was nine weeks,” the official said. “Launching SLS every three and a half years or so is not a recipe for success. Certainly, making each one of them a work of art with some major configuration change is also not helpful in the process, and we’re clearly seeing the results of it, right?”

The goal therefore is to standardize the SLS rocket into a single configuration in order to make the rocket as reliable as possible, and launching as frequently as every 10 months. NASA will fly the SLS vehicle until there are commercial alternatives to launch crews to the moon, perhaps through Artemis V as Congress has mandated, or perhaps even a little longer.

Is Everyone on Board?

The NASA official said all of the agency’s key contractors are on board with the change, and senior leaders in Congress have been briefed on the proposed changes.

The biggest opposition to these proposals would seemingly come from Boeing, which is the prime contractor for the Exploration Upper Stage, a contract worth billions of dollars to develop a more powerful rocket that was due to launch for the first time later this decade. However, in a NASA news release, Boeing appeared to offer at least some support for the revised plans.

“Boeing is a proud partner to the Artemis mission and our team is honored to contribute to NASA’s vision for American space leadership,” said Steve Parker, Boeing Defense, Space & Security president and CEO, in the news release. “The SLS core stage remains the world’s most powerful rocket stage, and the only one that can carry American astronauts directly to the moon and beyond in a single launch. As NASA lays out an accelerated launch schedule, our workforce and supply chain are prepared to meet the increased production needs.”

Solid Reasons for Changing Artemis III

NASA’s new approach to Artemis reflects a return to the philosophy of the Apollo program. During the late 1960s, the space agency flew a series of preparatory crewed missions before the Apollo 11 lunar landing. These included Apollo 7 (a low-Earth-orbit test of the Apollo spacecraft), Apollo 8 (a lunar orbiting mission), Apollo 9 (a low-Earth-orbit rendezvous with the lunar lander), and Apollo 10 (a test of the lunar lander descending to the moon, without touching down).

With its previous Artemis template, NASA skipped the steps taken by Apollo 7, 9, and 10. In the view of many industry officials, this leap from Artemis II—a crewed lunar flyby of the moon testing only the SLS rocket and Orion spacecraft—to Artemis III and a full-on lunar landing was enormous and risky.

The Artemis II crew rehearse a walkout from the Neil A. Armstrong Operations and Checkout Building at NASA’s Kennedy Space Center.Photograph: Joe Raedle/Getty Images

from the good-deals-on-cool-stuff dept

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Filed Under: daily deal

from the competition-is-a-dirty-word dept

Earlier this year we noted how the Trump FCC, at the direct request of wireless phone giants, destroyed popular phone unlocking rules making it easier and cheaper to switch wireless carriers. The rules, applied via spectrum acquisition and merger conditions after years of activism, required that Verizon unlock your phone within 60 days after purchase so you could easily switch to competitors.

Verizon, as we’ve long established, hates competition, and early last year immediately got to work lobbying the Trump administration to destroy the rules (falsely) claiming, without evidence, that the modest phone unlocking requirements were a boon to criminals and scammers.

The pay-to-play Trump administration quickly agreed, killed the rules, and shortly thereafter Verizon started telling wireless customers on its many prepaid phone brands (including Tracfone) they had to wait a year before switching phones after purchasing one from Verizon:

“While a locked phone is tied to the network of one carrier, an unlocked phone can be switched to another carrier if the device is compatible with the other carrier’s network. But the new TracFone unlocking policy is stringent, requiring customers to pay for a full year of service before they can get a phone unlocked.”

Recently, Verizon implemented a whole bunch of additional restrictions made possible by the Trump administration. More specifically, they imposed a new 35-day waiting period when a customer pays off their device installment plan online or in the Verizon app and wants to take their device to another carrier:

“Payments made over the phone also trigger a 35-day waiting period, as do payments made at Verizon Authorized Retailers. Getting an immediate unlock apparently requires paying off the device plan at a Verizon corporate store.”

So first, they implemented the most draconian restrictions on its prepaid customers, who tend to be lower income and the most impacted from high prices. Now they’re starting to push restrictions onto their more lucrative postpaid (month to month) customers.

Verizon insists (falsely) that these restrictions are necessary to “prevent fraud,” but the real goal is to increase friction when it comes to switching to a competitor. They don’t want the press to outright acknowledge this is anti-competitive in coverage, so they’re engaging in the slow-boiling frog approach that just steadily makes porting your phone out steadily more difficult and annoying.

These unlocking conditions were broadly popular, served the public interest, and took decades of activism and reform advocacy to pass. They ensured that it was easier for consumers to switch between our ever-consolidating, anti-competitive wireless phone giants (consolidation directly made possible by the Trump administration’s past rubber stamping of shitty telecom mergers).

Verizon lobbied the FCC by repeatedly lying, without evidence, that these conditions resulted in a wave of black market phone thefts. FCC boss Brendan Carr, ever the industry lackey, parroted the lies in his subsequent industry-friendly rulings. You know, to make America great again via “populism” or whatever.

Verizon (and Carr) know that there’s a lot going on and the mundanity of a subject like phone unlocking won’t get much attention in the press. Given that the Trump administration has largely lobotomized regulatory independence (at Verizon’s request), there’s very little chance Verizon will see any future accountability, but it’s positively adorable that they’re proceeding cautiously just in case.

Filed Under: brendan carr, competition, fcc, smartphones, spectrum, telecom, unlocking, wireless

Companies: verizon

Xiaomi has officially unveiled the Xiaomi 17 Ultra, and on paper, it has one of the most ambitious camera systems we’ve seen on a smartphone to date.

Built under an expanded co-creation partnership with Leica, the new flagship combines a 1-inch main sensor with a 200MP telephoto lens with mechanical zoom and advanced cinema-grade video tools. Xiaomi is positioning it as its most serious photography phone yet.

At the heart of the setup is a 50MP Leica 1-inch “Ultra Dynamic” main camera using the new Light Fusion 1050L sensor with LOFIC HDR technology. It is designed to boost dynamic range and improve colour accuracy in high-contrast scenes.

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Xiaomi pairs that with a 200MP Leica telephoto camera. This camera offers a 75–100mm mechanical optical zoom range and up to 400mm (17.2x) optical-level zoom without heavy in-sensor cropping.

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The optics themselves lean heavily into Leica’s influence. Xiaomi uses a 1G+6P hybrid lens design with multi-layer coatings to reduce ghosting and colour fringing. Meanwhile, the telephoto module includes Leica’s first APO optical lens in the company’s flagship line-up.

Video gets a notable upgrade too. The 17 Ultra can shoot 8K at 30fps, as well as 4K at 120fps with Dolby Vision. It also supports 4K 120fps Log recording with ACES colour encoding. This gives creators far more room to grade footage in post.

Despite the large sensors and 6000mAh battery, Xiaomi says this is its thinnest and lightest Ultra model yet, measuring 8.29mm thick. It features a flat 6.9-inch HyperRGB OLED display with 2K-level clarity. There is a 1–120Hz LTPO refresh rate and up to 3500 nits peak brightness.

Powering everything is Qualcomm’s Snapdragon 8 Elite Gen 5, paired with up to 16GB RAM and 1TB storage. A 3D Dual-Channel IceLoop cooling system keeps performance stable during extended shooting sessions. Meanwhile, 90W wired and 50W wireless charging aim to minimise downtime.

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Xiaomi is also introducing upgraded Photography Kits, including a Pro version with a built-in 2000mAh battery and Leica-inspired grip.

If Xiaomi’s previous Ultra models were about pushing boundaries, the 17 Ultra looks more focused: bigger sensors, smarter optics, and tools designed for people who actually care about colour science and long-range detail. Whether it lives up to that promise will depend on real-world testing, but the spec sheet alone makes a strong case.

Projectors usually fall into one of two buckets: cheap models that look underwhelming the second you turn them on, or premium ones that feel great until you see the price. This deal lands in a very appealing middle ground. The XGIMI HORIZON Ultra is down to $998.98 for a limited time, which is a big drop from $1,699.99. That’s a 41% discount on a projector that’s clearly aimed at people who want a real living-room upgrade, not a toy for occasional use.

What you’re getting

The HORIZON Ultra is a 4K projector with Dolby Vision, 2300 ISO lumens, and dual light technology that combines LED and laser light sources. XGIMI also lists 3840 x 2160 resolution, built-in Bluetooth, and a set of smart image features like auto focus, auto obstacle avoidance, and auto screen alignment.

This isn’t a barebones projector where you’re expected to do all the work yourself. XGIMI says it uses its Intelligent Screen Adaption 3.0 system to adjust screen correction, handle wall color, and make setup smoother. That matters because the difference between “I use this all the time” and “this was a fun idea” often comes down to how annoying setup is.

It also includes 2 x 12W Harman Kardon speakers, plus Wi-Fi and Bluetooth, which makes it easier to use as an all-in-one entertainment device instead of immediately needing to add more stuff to your cart just to make things happen.

Why it’s worth it

This deal works because the HORIZON Ultra checks the boxes people actually care about. It’s bright enough to be practical, it supports premium HDR-friendly viewing with Dolby Vision, and it has the kind of built-in intelligence that makes everyday use feel easier instead of fiddly. That is exactly what you want if this projector is going in a living room, media room, or shared space where people want to press play, not troubleshoot.

The 2300 ISO lumens spec is the part that helps this feel more serious than the flood of bargain projectors online. It gives you more flexibility for rooms that aren’t perfectly dark, which is important in the real world, where not everyone is building a blacked-out theater cave. And the 200-inch image potential is the kind of thing that reminds you why projectors are fun in the first place: this can create a much bigger-feeling setup than most TVs, especially for movies and sports.

The bottom line

At $998.98, the XGIMI HORIZON Ultra feels like the sweet spot version of a premium projector buy. You’re getting 4K, Dolby Vision, strong brightness, smart setup features, and built-in speakers in a package that now costs hundreds less than usual. If you’ve been waiting for a home theater upgrade that feels substantial without going fully overboard, this is a very easy deal to like

Alongside a global launch for Xiaomi’s 17 Ultra (read about that right here), the company announced a further deepening of its relationship with Leica. The CEO of Leica, Mattias Harsch, took to the stage to announce a new Leitzphone, which appears to be an even deeper collaboration than 17 Ultra by Leica, which is a different phone. Confused? That’s fair.

Design-wise, Leica has shifted back to a single tone body color, which looks more “Leica” to this camera dilettante’s eyes. And if you’re thinking you’ve heard of the Leitzphone before, you probably have: it was a series of phones made by Sharp that launched in Japan in 2021. They all had a 1-inch camera sensor and yes, as does Xiaomi’s first Leitzphone. It also gets a customizable ring to control camera settings.

The camera interface is also designed by Leica. with the aim of being as intuitive as possible, with a new Essential mode within the camera app for stripping away all those modes and labels, showcasing whatever you’re looking to shoot.

The regular Xiaomi 17 Ultra and Leica edition have a Snapdragon 8 Elite Gen 5 chip and a 6.9-inch 120Hz display that can reach up to 3,500 nits of peak brightness. While cameras are the focus, it’s a flagship device by pretty much any metric — and the Leitzphone seems to have a very similar specsheet. We’ll be taking a closer look at what’s different when we get to test it out very soon.

After years of collaboration (and cute little badges), this may be the first pure “Leica phone” manufactured by Xiaomi but sold directly by both companies. It’s priced at €1,999 (roughly $2,362), but it’s not known yet whether this phone will launch in the US.

This is a developing story…