The 150-year-old business says the appointment strengthens its strategic focus on commercial performance, disciplined growth and long-term sustainability.

Vicky previously worked within the business as Supervising QS and returns following a period of wider industry experience, where she further developed her expertise in commercial strategy, contractual leadership and financial governance.

Managing Director Paul Goyea said: “Vicky understands our business, our values and our long-term vision.

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“Her appointment reinforces our direction and positions us strongly for the next phase of growth.

“We’re also delighted to further strengthen greater diversity at senior levels within construction, bringing broader perspectives and stronger outcomes for our customers and teams alike.”

Vicky said: “I am proud to be returning to a business with such a strong legacy and clear direction.

“What excites me most is the opportunity to be involved in such a broad range of projects and clients across Yorkshire – from complex, high-profile refurbishment and restoration schemes to regionally significant new developments that contribute to the strength and character of our varied region.

“I look forward to playing a key role in the company’s continued success and supporting its next phase of growth.”

Alison Millar, head of the abuse team at Leigh Day, said: “We have only recently begun investigating what happened at Bright Horizons Finchley Road Nursery but already we are hearing from parents that they raised concerns about staffing and supervision and the concerning way that the individual perpetrator was interacting with children; however, these concerns were not addressed.

A proposal has also been made calling for the NI Executive to introduce a Basic Income for Artists

A call is being made for a new arts centre to be created at Ballynafeigh at Ormeau Road in South Belfast.

The SDLP have forwarded a motion calling upon Belfast City Council to fund a feasibility study to examine the potential for a dedicated arts and culture space in Ballynafeigh.

The motion, forwarded to the council’s recent monthly meeting of its Standards and Business Committee, states: “Belfast City Council acknowledges the thriving and inclusive arts and cultural scene in Ballynafeigh and the benefits this brings not just to the local area, but to the city and region more widely.

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“It notes the growing aspiration in the community, particularly emerging through the Open Ormeau Community Visioning project which took place in 2025, for a dedicated arts and cultural space in Ballynafeigh.

“It recognises the strong local interest in the arts, music and culture, and the area’s increasing status as a destination for both residents and visitors to Belfast, and therefore agrees to fund a feasibility study to examine the potential for a dedicated arts and culture space in Ballynafeigh, working with Open Ormeau and the local community.”

The item was referred to the council’s City Growth and Regeneration Committee, which will meet next week.

The SDLP also tabled another arts-related motion at the committee, calling for the NI Executive to introduce a Basic Income for Artists scheme, as has been introduced in the Republic of Ireland. This motion will go to the March meeting of the full council for debate.

It states: “The arts, culture and creative sectors are central to Belfast’s social fabric, wellbeing, identity, and local economy. Many artists, performers and creative workers in Belfast and across the North continue to experience insecure, low and irregular incomes, worsened by the long-term impacts of COVID-19 and the ongoing cost of living crisis.

“The Irish Government introduced a Basic Income for Artists pilot in 2022, providing an unconditional weekly payment to artists and creative workers, which has been independently evaluated as improving financial stability, wellbeing, and time spent on creative practice. The Irish Government has now committed to making this scheme permanent, recognising the structural precarity faced by those working in the creative industries.”

The motion adds: “This council believes that artists and creative workers should not be forced out of their professions due to financial insecurity. It believes Belfast’s creative sector is a vital public good, contributing to community cohesion, regeneration, tourism, mental health, youth engagement and cultural life.

“A Basic Income for Artists scheme in the north would help protect creative livelihoods, retain local talent, and strengthen the city’s cultural ecosystem.”

If passed, Belfast Council will call on the Executive to introduce and fund a Basic Income for Artists scheme, modelled on the Irish Government’s programme, to “provide regular, unconditional income support to eligible artists and creative workers.”

The council would request that the Minister for Communities lead on the development of the scheme, in partnership with the Department for the Economy and the Department of Finance, “engaging directly with the arts and creative sectors in its design” and treating it “as a priority within the Executive’s Programme for Government and budget-setting process.”

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The Conversation UK is delighted to announce the appointment of Professor Paul Boyle, Vice-Chancellor of Swansea University, as the new Chair of its Board of Trustees.

Professor Boyle succeeds Professor Sir Nishan Canagarajah, Vice-Chancellor of the University of Leicester, who stepped down in December 2025.

Professor Boyle has been Vice-Chancellor of Swansea University since 2019. Prior to this, he was President and Vice-Chancellor of the University of Leicester, and formerly Chief Executive of the Economic and Social Research Council (ESRC), the UK’s largest funding agency for social science research. He has recently completed a nine-year term as Vice-President of the European University Association, which represents over 800 universities in 48 countries, and eight years as a UUK Board Member. He has previously served as International Champion of Research Councils UK, with responsibility for international strategy across all seven UK research councils, and as President of Science Europe, representing over 50 European funding agencies.

A Fellow of the Learned Society of Wales, the British Academy and the Academy of Social Sciences, Professor Boyle currently chairs Jisc, the not-for-profit organisation providing digital services and solutions to the UK’s higher and further education sector, the British Council Wales Advisory Committee and the UKSA’s Research Accreditation Panel.

Dr David Levy, Deputy Chair of The Conversation UK, who has chaired the Board in the interim, said: “Following a wide search process, the Board was extremely impressed by Paul’s vision for The Conversation and his deep understanding of the challenges and opportunities facing UK Higher Education. He is the right leader to guide us through the next phase of our development, and we’re thrilled to welcome him.”

Chris Waiting, Chief Executive of The Conversation UK, said: “I’m delighted by Paul’s appointment. His experience spanning research funding, university leadership and international collaboration makes him uniquely placed to champion The Conversation’s mission to make research accessible. I’m looking forward to working with him as we continue to evolve and expand our impact.”

Stephen Khan, co-founder and Editor-in-Chief of The Conversation UK, said: “Since we launched in the UK in 2013, The Conversation has grown into a critical international channel for taking academic knowledge direct to the public. Paul joins us at a key moment, and his combination of research leadership and deep roots in UK higher education makes him a fantastic person to help us shape what comes next.”

Professor Paul Boyle said: “The Conversation is an organisation that I have long admired, and it is a privilege to take on this important role. At a time when universities face unprecedented challenges, The Conversation has a critical mission in connecting research with new audiences and demonstrating the real-world value of academic expertise is vital to the UK Higher Education sector; I therefore very much look forward to the opportunities ahead.”

Professor Boyle will join the Board in May 2026.

About The Conversation

The Conversation is the world’s largest platform for public engagement with research, transforming how universities share knowledge with society. Launched in the UK in 2013, it is now part of a global network of ten editions reaching more than 40 million readers each month.

The Conversation connects academic expertise with public understanding, working with researchers across the UK Higher Education sector and a team of professional editors to produce rigorous, accessible journalism that shapes public debate, informs policy and drives social change. It is funded by more than 90 university members across the UK, Ireland, Sweden, Italy, the Netherlands and Germany, as well as through grants from UKRI, Research England and Medr, and reader donations. All content is freely available and republished under a Creative Commons licence.

York Stage has announced its biggest-ever theatre giveaway, in partnership with Heritage Collection Travel, as part of its upcoming production of Come From Away which will run at the Grand Opera House from April 10 to 18.

Every ticket holder will be automatically entered and the winner will be revealed live at the end of one of the performances.

A Golden Seat moment will take place at the Grand Opera House York. (Image: York Stage)

One seat in the auditorium will be randomly selected in advance, and whoever is physically sitting in that chair on the night will win return flights for two to St. John’s, Newfoundland in Canada.

The prize is being gifted by independent York-based travel company Heritage Collection Travel, known for its personalised service and strong roots within the local community, as part of a unique local partnership with York Stage.

It is in celebration of the show’s powerful true story and its real-life connection to Newfoundland.

Come From Away is a musical that tells the true story of 7,000 airline passengers who were unexpectedly diverted to the small town of Gander, Newfoundland on 11 September 2001, and the extraordinary kindness shown by the local community.

In the following days, the people of Gander opened their homes, schools and halls to complete strangers. Lifelong friendships were formed. Annual reunions began. Many of those stranded passengers returned to Newfoundland years later to say thank you. What started as an emergency response became a global example of humanity at its best.

The ripple effect of that kindness has continued ever since, inspiring countless pay it forward moments around the world.

York Stage says the Golden Seat giveaway is their way of continuing that legacy.

Nick Briggs, producer and director at York Stage, said: “Come From Away is a story about strangers helping strangers.

“It’s about compassion when it’s needed most. The kindness shown in Gander didn’t stop when the planes left. It created a ripple effect that’s still felt today. The Golden Seat is our way of paying that forward and giving something meaningful back to our own community.”

Kevin Coundon, marketing director at York Stage, said: “This production is about more than what happens on stage. It’s about real people, real places and real acts of generosity. Partnering with Heritage Collection Travel allows us to connect York directly to Newfoundland in a tangible way. We hope this moment inspires people to carry that spirit of kindness beyond the theatre.”

Tickets for Come From Away are selling quickly, making it one of York Stage’s fastest-selling productions to date.

Michael Davies, managing director of Heritage Collection Travel, said: “As a local independent business, supporting initiatives that bring people together is

incredibly important to us. The story of Gander is one of humanity and hope. We’re proud to gift this prize in conjunction with York Stage and help send one l lucky audience member to experience Newfoundland for themselves.”

The Golden Seat performance will be pre-selected before the run begins, with the winner announced live during the show.

Tickets re available via the Grand Opera House York website.

​The proposed introduction of a permanent order prohibiting the overnight parking of motor caravans in Sandsend and North Bay in Scarborough has divided coastal councillors.

​It comes as an “overwhelming” portion of responses to North Yorkshire Council’s (NYC) consultation on its Experimental Traffic Regulation Order (ETRO) objected to the scheme.

​At a meeting in Whitby, councillors said the scheme had successfully addressed issues caused by an “unacceptable level” of motorhomes using certain streets, including impacts on visual amenity and safety.

​Cllr Janet Jefferson said it was a “relief to not get texts and messages every weekend about the number of campervans, which had started to look like a shantytown”.

​Speaking at the Scarborough and Whitby Area Committee on Monday (March 2) Cllr Eric Broadbent added that the number of emails he received had “halved because a majority were complaints saying that too many motorhomes are parking on Marine Drive”.

​​However, since its introduction, thousands of residents have reportedly also complained about the “displacement effects” of the order.

​Cllr Rich Maw said that the ban “doesn’t remove demand, it displaces it” and that his email inbox was “stacked out with correspondence”.

​He told the meeting: “I have received volumes of complaints, I’ve held public meetings and raised these concerns, but I’m not being heard.

​“The campervans are relocating to residential areas, and locals are waking up to campervans outside their windows, disposing of grey water, and hanging up laundry on their hedges.”

​He added that “the more proportionate response would be to reinstate parking with charges, police distances, generate revenue, and allow enforcement while protecting residential amenity.

​“We need to ask if we’re solving the original issue or just displacing the problem.”

​The ​ETRO was introduced to restrict overnight parking at Sandsend, Royal Albert Drive, and Cayton Bay, ​but the council has not been able to use data from the latter location as signs at Cayton Bay were subjected to vandalism.

​Cayton division councillor, Roberta Swiers, said: “In my area, my emails have doubled, the number of photos I’m getting has doubled, and obviously it’s not been a success.”

​​North Yorkshire Council has been undertaking a consultation on the “impacts of the prohibitions and needs” to determine a way forward in advance of the ETRO expiring in May.

​A decision on the future of the scheme will be made in April .

​“With more than 3,000 responses to the consultation, there are many subject matters covered which are outside the scope of the ETRO and the decision whether it should be made permanent,” according to a report prepared for the meeting.

​Richard Marr, a council area manager for highways, said the authority would look at the displaced parking in future parking reviews.

​He added: “There are plans to examine how we identify impacted locations, and rather than a piecemeal approach that pushes parking to the next street, we are considering a wider view to how we deal with motorhomes across the county”.

​“We need to consider this with the council’s tourism department, because there’s quite a strong demand from the motorhome caravan fraternity and there are many benefits as well”.

​Councillors echoed that they did not want Scarborough to have a reputation of being “anti-motorhome because they bring money and investment and we do need to ask, where will they go”.

David Render underwent numerous procedures carried out by consultant orthopaedic surgeon Leslie Irwin between 2018 and 2022.

Mr Irwin practised at Spire Washington Hospital and Sunderland Royal Hospital during that period.

David said several procedures were often carried out during a single operation, leaving him at times unsure “exactly what had been done”.

David Render (Image: SUPPLIED)

On two occasions, he claims screws were left protruding from his fingers following surgery, requiring emergency removal.

He first sought medical treatment in 2017 after damaging his wrists in a fall.

Initially treated by another surgeon, he was referred to Mr Irwin the following year.

Over the next four years, he underwent repeated operations at Spire Washington Hospital on his wrists, fingers and elbows, including extensive tendon and ligament surgery.

Since then, David, from Washington, says he has struggled with daily life.

Leslie Irwin (Image: SUPPLIED)

Once a keen photographer, he has been unable to return fully to his hobby and says ongoing pain and restricted movement in his arms make everyday tasks difficult.

He also believes the physical and emotional toll of repeated procedures contributed to the breakdown of his marriage.

Although he regarded Mr Irwin, who has since been banned from practising by Spire, as his “saviour”, David was contacted unexpectedly last year by Spire Washington Hospital, raising concerns about some of the procedures he had undergone.

Following an investigation into Mr Irwin’s work, Spire acknowledged there had been “no clinical indication” for at least one of David’s operations.

Sunderland Royal Hospital (Image: Stuart Boulton)

Concerns were also raised about the standard of surgery, including the use of a thermal wand, described as a technique not accepted practice, which caused damage to his wrist.

“I honestly thought Mr Irwin was amazing, I worshipped him,” David said.

“I believed things would have been far worse without all the operations he carried out.

“When he did several procedures in one go, I thought he was saving time and money, and I trusted him completely to fix what was wrong.

“But knowing what I know now, it feels very different. It has been such a shock, especially as nothing has actually been put right despite all those operations.

“When Spire contacted me, I assumed it was routine. Finding out what had happened made me very angry. I thought he was a brilliant surgeon and a lovely man. To discover there are so many others affected is awful.”

Mr Irwin who worked for the South Tyneside and Sunderland NHS Trust between 2001 and 2023, retired in 2022, but a selection of his patients have been contacted directly by Spire over potential issues with his work. 

Mr Irwin relinquished his role with the General Medical Council (GMC) in May 2025. 

Spire Healthcare suspended Mr Irwin in August 2023 and withdrew his practising privileges in September 2024.

Spire Hospital in Washington (Image: Stuart Boulton)

The private practice started recalling patients who were operated on by Mr Irwin during his time at Spire Washington Hospital in the summer of 2025.

The South Tyneside and Sunderland NHS Foundation Trust said that it had “liaised with Spire to understand the scale of their patient recall and to help inform our next steps as a Trust”.

A spokesperson for the Trust added: “We are currently working through the details of which patients we may need to review and will contact those people directly and as a matter of priority.”

The Care Quality Commission (CQC) confirmed that it inspected Spire Washington Hospital in October last year after concerns were raised with it, and would be publishing its findings in due course.

Mr Render said he had always believed he was receiving the best possible care and, even after the incidents involving screws protruding from his fingers, would “never have dreamed of complaining”.

“Had Spire not contacted me, I would never have known,” he said.

“I would have assumed this was the best outcome I could expect after my accident. I am grateful for their openness and transparency.

“But there are still so many questions, for me and for other patients and for me. We need to understand what happened and why things have gone so terribly wrong.”

David is being supported by law firm Slater and Gordon, which has been investigating cases involving Mr Irwin for several months. An increasing number of former patients are said to have come forward.

Ayesha Hussain, a clinical negligence solicitor representing David, said: “David placed his full trust in his surgeon, as any patient would, believing he was receiving the highest standard of care.

“To discover that this may have fallen significantly short has been devastating for him, particularly given the regard in which he held his doctor.

“He is entitled to answers about what happened and why, and we will support him in seeking those answers.

“This is an extremely concerning situation, and we are hearing from a significant number of people with similar concerns. We would urge anyone worried about their treatment to come forward.”

Spire Washington says they have been in touch with patients and are reviewing specific procedures undertaken by Mr Irwin. 

A Spire spokesperson previously said: “We are currently reviewing specific procedures that were provided to a select cohort of patients of Mr Leslie Irwin, a consultant orthopaedic surgeon who previously practised at Spire Washington Hospital. 

“We are in direct contact with all relevant patients to review their care and offer support. 

“The review is being run in accordance with NHS England’s National Quality Board: Recall Framework, which Spire Healthcare helped to develop.” 

Mr Irwin has not responded to requests for comment by The Northern Echo.

‘The US Mission to Saudi Arabia has issued a shelter in place notification for Jeddah, Riyadh and Dhahran and are limiting non-essential travel to any military installations in the region’

The US Embassy in Saudi Arabia has been struck by multiple missile strikes, authorities have confirmed.

Multiple sources at the scene initially reported witnessing multiple blasts which caused the fire. The attacks have since been confirmed by the Saudi Defence Ministry, two drones attacked the United States Embassy in Riyadh, Saudi Arabia, on Monday night.

Later, US officials confirmed the attacks to Fox News. Also confirmed were two new explosions in Riyadh’s diplomatic quarter following the earlier drone attack against the US embassy.

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Per initial estimates, minor material damage was done to the building, and a limited fire broke out.

The US Embassy Riyadh has issued a statement to American citizens in Saudi Arabia, urging them to shelter in place as the risk of missile attack remains high.

“The US Mission to Saudi Arabia has issued a shelter in place notification for Jeddah, Riyadh and Dhahran and are limiting non-essential travel to any military installations in the region – we recommend American citizens in the Kingdom to shelter in place immediately,” the Riyadh US Embassy statement said. “The US Mission to Saudi Arabia continues to monitor the regional situation.”The embassy urged any Americans who may be in those areas to monitor official information sources and to follow the instructions of local authorities.

The consulate building was empty at the time of the Iranian drone strike, an official has told Fox News. A third drone is en route to US. Embassy in Riyadh, Saudi Arabia, per FOX.

As the widening war between Iran and the US and its allies has entered its fourth day, the Assistant US Secretary of State for Consular Affairs Mora Namdar urged Americans in countries including Iran, Iraq, Jordan, Lebanon and Israel to “DEPART NOW” using any available commercial transportation.

Namdar’s words came as an evacuation order for the US Embassy in Jordan was also issued, with the consulate evacuated “out of an abundance of caution”.

US president Donald Trump has said that strikes against Iran are likely to last four to five weeks but that he was prepared “to go far longer than that”.

He said US forces were determined to destroy Iran’s missile capabilities, wipe out its naval capacity, and to stop the country from obtaining nuclear weapons. The President added that the US also seeks to ensure that Iran cannot continue to support allied groups such as Lebanon’s Hezbollah, which fired missiles at Israel, drawing retaliatory airstrikes.

“This was our last, best chance to strike, what we’re doing right now, and eliminate the intolerable threats posed by this sick and sinister regime,” Trump said.

Iran has long threatened, if attacked, to drag the region into total war, including targeting Israel, the Gulf Arab states and the flow of crude oil crucial for global energy markets. All of these came under attack on Monday.

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Meanwhile, Saudi Arabia’s Ras Tanura oil refinery came under attack from drones, with defences downing the incoming aircraft, a military spokesman told the state-run Saudi Press Agency. The refinery has a capacity of more than half a million barrels of crude oil a day.

A drone also targeted an oil tanker in the Gulf of Oman, killing one mariner, the sultanate said, while debris fell on an oil refinery in Kuwait. Several ships have been attacked in the Strait of Hormuz, the narrow mouth of the Persian Gulf through which a fifth of all oil trade passes and where Iran has threatened attacks.

“The attack on Saudi Arabia’s Ras Tanura refinery marks a significant escalation, with Gulf energy infrastructure now squarely in Iran’s sights,” said Torbjorn Soltvedt, an analyst at the risk intelligence company Verisk Maplecroft.

“An extended period of uncertainty lies ahead.”

Today’s Total Lunar Eclipse in Virgo is a chance for reset. It’s a fresh slate for hard truths to be written on.

Aries, Gemini and Cancer, you will realise that something in your life is no longer serving you as it used to. Don’t be afraid to outgrow your past selves.

This is a tough Lunation, but know you have the courage to get through it. Channel the confronting energy and make necessary shifts towards your truest form.

Ahead, you’ll find all star signs’ horoscopes for today: Tuesday March 3, 2026.

Like checking your horoscope every morning? You can now sign up to our free daily newsletter to get a personalised reading for your star sign delivered straight to your inbox.

To download your free Unique Personal Horoscope based on your time, date and place of birth, visit patrickarundell.com/free-birth-chart/.

Aries

March 21 to April 20

The Lunar Eclipse in Virgo shines a revealing light on your work and wellness routines and your to-do list. What is not effective becomes impossible to ignore, whether it is a habit, a health choice or a desire to be perfect that is holding you back. You are offered a chance to release the unrealistic and embrace the sustainable. You do not have to go to extremes to be enough.

Head here for everything you need to know about being an Aries

Taurus

April 21 to May 21

Your zone of creativity, romance and joy is lit up by a major lunation, revealing what is no longer fun or functional. A project may be ready to evolve, or a romantic chapter could shift in surprising ways. This is less about drama and more about divine editing. If it does not light you up, let it go. Reconnect with what brings you pleasure, not just what looks good on paper.

Head here for everything you need to know about being a Taurus

Gemini

May 22 to June 21

The spotlight shines on your foundations of home, family, roots and emotional security. Something you have outgrown in your private life may be ready to depart, whether it is a physical space, an old issue or a dynamic that has quietly worn out its welcome. Let go of the pressure to keep holding it all together. Today’s Total Lunar Eclipse says establish yourself in truth, not obligation.

Head here for everything you need to know about being a Gemini

Cancer

June 22 to July 23

Today’s potent lunation occurs in your communication zone, shaking up how you think, speak and connect. Outdated ideas, habits of over-explaining or mental clutter may be ready to go. It asks if you are being honest or revising for comfort. You do not need all the answers, just embrace novelty over certainty. A conversation, contract or mindset shift could mark a turning point.

Head here for everything you need to know about being a Cancer

Leo

July 24 to August 23

Your sector of money, values and self-worth is illuminated, bringing financial truths and personal priorities into sharp focus. If something has been draining your resources or dimming your confidence, it is time to cut ties. Let go of impulsive spending or trying to prove your worth through performance. Today’s Moon phase offers an audit, so prepare to embrace your true value

Head here for everything you need to know about being a Leo

Virgo

August 24 to September 23

The Lunar Eclipse in your sign is a mirror reflecting the truth of who you are now, not who you were trying to be. Something personal is coming full circle, such as a habit, identity or narrative that no longer fits, and it may be ready for release. You are allowed to change, soften and rewrite your story. Eclipse energy is potent, so give yourself space to feel before you move into action.

Head here for everything you need to know about being a Virgo

Libra

September 24 to October 23

Something behind the scenes, perhaps a belief, secret or quiet habit, is ready to be liberated. You are wrapping up a chapter that has been running in the background far too long. Let go of guilt, perfectionism or the need to hold it all in. Solitude is sacred, so embrace stillness without apology. A key lunation means insight can arrive through dreams, a hunch or even a brief nap.

Head here for everything you need to know about being a Libra

Scorpio

October 24 to November 22

Your sector of friendships, future goals and group dynamics is lit up, shaking loose what no longer aligns with your vision. A team, goal or social circle may be shifting, and that is okay. Do not cling out of loyalty to outdated plans. Today’s Eclipse energy clears space for meaningful connections and aspirations. It is time to ask whether certain people and pursuits still inspire you.

Head here for everything you need to know about being a Scorpio

Sagittarius

November 23 to December 21

Is a role, goal or reputation you have outgrown ready for retirement? Today’s Moon Eclipse is more about changing course than collapse. You are refining what success means, as this lunar phase clears space for more aligned achievements. Let go of trying too hard or being too nice in your public life. The world does not need a saintlier version, it needs the real you, quirks and all.

Head here for everything you need to know about being a Sagittarius

Capricorn

December 22 to January 20

Something you once stood firmly behind, whether a worldview, a goal or a well-worn truth, may no longer fit your evolving self. This is your celestial cue to release outdated philosophies and make space for a more inspired path. Do not be afraid to admit you have changed. A course of study or mindset shift could be coming to a close, bringing with it a surprising new direction.

Head here for everything you need to know about being a Capricorn

Aquarius

January 21 to February 19

A potent lunar phase dives deep into your sector of transformation, intimacy and shared resources, and the vault of your emotional and energetic investments. Something hidden may come to light and be ripe for release. This is not superficial, but it can prompt deep spring cleaning. Let go of control, trust the process and know that surrender is not weakness, it is wisdom in disguise

Head here for everything you need to know about being an Aquarius

Pisces

February 20 to March 20

The Lunar Eclipse shines its revealing light on your relationships, asking you to get real about what and who you are committed to. A partnership, whether romantic, professional or platonic, may shift, end or evolve in surprising ways. This is not about loss, more about alignment. If something needs alignment, this is your cue to recalibrate. Release the need to fix or be too accommodating.

Head here for everything you need to know about being a Pisces

Your daily Metro.co.uk horoscope is here every morning, seven days a week (yes, including weekends!). To check your forecast, head to our dedicated horoscopes page.

Head here for this week’s tarot horoscope reading, and see what the cards have in store for you!

Check out the tarot horoscope reading for the month of March here.

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Hironobu Sakaguci, one of the creators of the long-running Final Fantasy game series, once observed: “The game itself is fun to play, but its strongest characteristic is the visual entertainment the game provides.”

This aesthetic appeal is a big part of the enjoyment players take from their favourite games. Far from the simple graphics of early games, players can now explore photorealistic forests in Kingdom Come Deliverance II (2025), cross neon-drenched cities in Cyberpunk 2077 (2020), or explore alien planets in No Man’s Sky (2016) – all while taking pictures of them.

Players have long documented their adventures in virtual worlds. The practice of taking “screenshots” – still images captured from the screen during gameplay, like a single frame from a film – predates today’s culture of live streaming. At the turn of the millennium, players were already sharing screenshots on forums and early social media platforms. Some wanted to show how they had overcome a difficult section of the game, while others highlighted interesting locations, or captured funny moments.

Game developers noticed, and over time “photo modes” became a standard feature in many games. These allow players to pause the action and take pictures of the game as if they were using a virtual camera.

This feature is implemented in different ways. In Grand Theft Auto V (2013), the player character can equip the camera like any other in-game item. They can frame the shots and tune the settings as in a real camera, and export the images from within the game world. Western game Red Dead Redemption 2 (2018) even equips the player with a period-accurate 1898 Kodak camera.

Other games still provide a photo mode without tying it to the in-game world. A camera appearing in the inventory of the 13th century samurai of Ghost of Tsushima (2020) would be out of place. But with the powerful photo mode, the player can still modify numerous image settings, and also the game world itself, such as time of day, weather and the character’s facial expressions, to get the “perfect shot”.

In-game photography as art

Video games are a visual medium, and promotional screenshots remain central to how they are advertised. But several artists have now turned in‑game photography into a serious artistic practice, with radically different approaches.

British in-game photographer Duncan Harris is a pioneer. Already active in the early 2000s, his photographic works are collected in the blog Deadendthrills. Harris also produces promotional imagery for major games-publishers. His images push game-engines to their limits, often using custom tools to showcase impressive graphics of detailed characters and sweeping vistas.

Other artists have taken more critical or experimental approaches. Dutch artist Robert Overweg takes pictures from impossible angles: inside a wall, underground or inside buildings that are not meant to be accessed by players. His series Flying and Floating, showing visual glitches and the impossible structures of the 1950s Chicago-like city of the game Mafia 2 (2010), was exhibited at the Centre Pompidou in Paris in 2015.

Los Angeles-based artist Kent Sheely adopts a documentary approach and subverts the gameplay accordingly. For his DoD series, inspired by war photographer Robert Capa, he modified the second world war online shooter Day of Defeat (2003). His character carried no weapons, no user interface cluttered the screen, and the “shoot” button was converted into a screenshotting key, as if he were an actual war photographer on the field.

Sheely’s works have been exhibited at venues including the Fotomuseum Winterhur in Switzerland. Ubisoft commissioned his abstract shots, dubbed “Phantom Arrays”, for the Photomode: Out There in Games exhibition in 2022, which showcased what artists can do with the photo mode of their games.

Swiss artist Pascal Greco occupies yet another position between documentary and the avant-garde. A self-taught filmmaker, cinematographer and photographer, Greco has staged live performances in which he plays Death Stranding (2019) while capturing in-game photographs in front of an audience. His photobook Photography, Video Game, Landscape (2025) presents pristine virtual natural landscapes, devoid of human elements, interjected by glitches – fragmented vistas of these landscapes, between the sublime and the abstract.

Questions of authorship

In 2024, the first academic conference dedicated to in-game photography was held in Milan. Among the key topics was authorship. Who owns the rights to in-game photographs: the photographer who takes the picture, or the developers who created the game?

The work of Italian artist Leonardo Magrelli is emblematic in this regard. His photobook West of Here (2021) collects screenshots taken by other players in Grand Theft Auto V. Magrelli edited them into a black-and-white photobook, echoing the traditions of American documentary photography and appropriation work such as Sherrie Levine’s After Walker Evans (1981).

The project provoked strong reactions from online users, who argued that Magrelli had no right to use images he had not personally captured. Subsequent legal enquiries suggested that, in principle, only Rockstar Games – the developer – could pursue legal action regarding the use of its intellectual property. At the time of writing, no such action has been taken.

In-game photography is an innovative artistic medium that sits at the intersection of play, technology and artistic expression. It is not merely an aesthetic exercise, but rather an experimental terrain where the barrier between spectator and creator is removed, and players become artists, chroniclers or archivists of ever-changing virtual universes.