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10 Most Ambitious Sci-Fi Shows, Ranked

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The Scarlet Witch in Westview in WandaVision

If there’s any genre that perfectly lends itself to high ambitions, it has to be science fiction. Throughout the entire history of sci-fi television, there have been countless shows that have aimed for the stars—whether they met those aspirations or not. From big chapters in huge multimedia franchises to entirely original series that changed the game, these sci-fi shows are proof of the heights that the genre can reach when done with enough passion.

Whether it’s The Mandalorian bringing Star Wars to the world of live-action television or The Leftovers proving that sci-fi and the world of prestige TV can get along wonderfully, these series have shown that determination and big ideas can be all a show in this genre needs to be great. Ambition doesn’t always equal greatness, but in these shows’ case, that’s certainly what it ended up amounting to.

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10

‘WandaVision’ (2021)

The Scarlet Witch in Westview in WandaVision
Elizabeth Olsen as Wanda Maximoff in WandaVision
Image via Disney+

Proving that a new formula for shows properly and fully connected to the Marvel Cinematic Universe, after the downfall of Netflix’s street-level side of the franchise, could work; paying homage to different eras of the American sitcom format through complex and varied visual tones; delivering a metafictional, genre-bending narrative that prioritized character work over traditional superhero action (most of the time, at least). Those are but a few of the things that make WandaVision ambitious.

Had this series not worked, who knows whether the franchise would have built up the confidence to make the jump to more TV series? But as one of the most perfect sci-fi miniseries ever, WandaVision clearly did work, despite an underwhelming finale. Its aesthetics were the cherry on top of what was already one of the MCU’s most ambitious projects to date, and it all paid off wonderfully.

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9

‘Andor’ (2022–2025)

Genevieve O'Reilly in 'Andor'.
Genevieve O’Reilly in ‘Andor’.
Image via Disney+

A show centered on the deuteragonist of a prequel spin-off where he dies at the end, returning to the focus on space politics that made so many people dislike George Lucas‘ prequel trilogy, leveraging a high budget to deliver a gritty, grounded, mature political thriller that prioritizes complex character study over fan service. Those are but a few of the things that make Andor ambitious.

It’s one of the highest-rated prequel shows on IMDb, and for good reason. It’s Star Wars at its best: Politically charged and refreshingly nuanced, packed with thrilling action sequences, and full of emotionally satisfying character arcs that aren’t without their occasional bits of tragedy. It might just be the best that the franchise has been since the ’80s.

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8

‘The Leftovers’ (2014–2017)

The Leftovers
CHief of police Kevin Garvey (Justin Theroux) stands outside in his police uniform, eyes down at a red book he is clasping in ‘The Leftovers’ Season 3, Episode 1 “The Book of Kevin”.
Image via HBO

Ever-so-subtle uses of science fiction that keep its plot grounded in reality and character work; refusing to ever fully explain its mysterious central premise, instead focusing on the emotional and philosophical effects that it has on the characters and their world; touching on aspects of the human condition so intellectually challenging that most shows wouldn’t dare touch them with a ten-foot pole. Those are but a few of the things that make The Leftovers ambitious.

The best thing about the series is that all of its philosophical, intellectual, and narrative ambitions pay off. It’s one of the best sci-fi shows with zero filler episodes, an engrossing and emotionally raw drama with some of the most intricate thematic work of any HBO show. It’s a modern classic that sometimes doesn’t get nearly as much love as it deserves, and though it may not be all that technically ambitious, its narrative aspirations are sky-high.

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7

‘The Last of Us’ (2023–Present)

Pedro Pascal aiming a gun in the woods next to Bella Ramsey in The Last of Us.
Pedro Pascal aiming a gun in the woods next to Bella Ramsey in The Last of Us.
Image via HBO

Adapting both one of the most acclaimed video games in history and its sequel, one of the most divisive video games of all time; expanding the games’ lore and changing key aspects, trying not to upset fans in the process (sometimes successfully, sometimes not); and translating the many ambitions of both of its pieces of source material into a televisual language. Those are but a few of the things that make The Last of Us ambitious.

For the longest time, video game adaptations on both the big and small screens had a track record bordering on embarrassing. At some point during this century, though, creatives seemed to start figuring things out. By this point, video game adaptations seem to have found in television their ideal home, and few shows prove that better than The Last of Us. It can be scary, it can be exciting, it can be emotionally devastating, and it never fails to be entertaining. Even in the face of a disappointing second season, fans are still hoping for a return to form, so this will likely continue being one of the most-watched HBO shows ever.

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6

‘Star Trek: Deep Space Nine’ (1993–1999)

Worf stands for his trial in Deep Space Nine
Worf stands for his trial in Deep Space Nine
Image via Paramount Television

Constantly breaking the established Star Trek formula to deliver a more serialized, morally grey story; bringing Gene Roddenberry‘s romantic and optimistic view of humanity into question throughout its whole run; making it so that all actions had far more permanent consequences than in any show the franchise had seen before. Those are but a few of the things that make Star Trek: Deep Space Nine ambitious.

The Star Trek franchise as a whole is one of the most ambitious multimedia sci-fi franchises in history, and all of its television installments have made sure to aim for the stars. But even though it may not be the most popular Trek show, Deep Space Nine is one of the only installments in the franchise mainly known precisely for being ambitious. Its commitment to giving the Star Trek franchise and all the traditions it had built up a refreshing spin remains admirable almost three decades after its conclusion, and it always made it so that this was one of those sci-fi shows that gets better every season.

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5

‘Dark’ (2017–2020)

Louis Hofmann as Jonas in 'Dark' on Netflix Image via Netflix

Diving deep into a tale about time travel and parallel universes in a way so layered that viewers practically need a notebook to keep up; telling a pre-planned three-season story while always remaining true to the original thematic and tonal vision; having to pay far more meticulous attention to detail than most sci-fi series, lest a plot hole seep in through the cracks and bring the whole house of cards crashing down. Those are but a few of the things that make Dark ambitious.

For the mere fact that it was Netflix’s first-ever German-language show alone, Dark could have already been labeled ambitious. But on top of that, there’s everything that makes it one of the most nearly-perfect sci-fi shows ever: Profoundly intricate plotting, several jaw-dropping twists, satisfying character arcs, and flawless production values. It’s an entirely unique masterpiece of a show.

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4

‘The Mandalorian’ (2019–Present)

Din Djarin (Pedro Pascal) and Peli Motto (Amy Sedaris) in The Mandalorian.
Din Djarin (Pedro Pascal) and Peli Motto (Amy Sedaris) in The Mandalorian.
Image via Disney+

Being the very first live-action TV show in Star Wars history, after 42 years of the franchise’s existence; bridging the gap between the beloved original trilogy and the divisive sequel trilogy; giving fans Easter eggs to be excited by while establishing new characters (some of which ended up being among the best Star Wars TV show characters ever); and revolutionizing the visual effects industry with the introduction of StageCraft, a.k.a. “The Volume.” Those are but a few of the things that make The Mandalorian ambitious.

Underwhelming third season notwithstanding, The Mandalorian ended up being one of the best things that Disney has done for Star Wars since their purchase of Lucasfilm, expanding the lore and world-building of the galaxy far, far away in all sorts of thrilling ways. It would have been very easy for the House of Mouse to just haphazardly put a cash-grab together and call it a day, but instead, they allowed Jon Favreau and Dave Filoni to aim as high as they wanted.

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3

‘Lost’ (2004–2010)

Jack Shephard (Matthew Fox) and Kate Austen (Evangeline Lilly) talking to Charlie Pace (Dominic Monaghan) on a beach in Lost
Jack Shephard (Matthew Fox) and Kate Austen (Evangeline Lilly) talking to Charlie Pace (Dominic Monaghan) on a beach in Lost
Image via ABC

Breaking the conventions of network television by blending a high-budget cinematic aesthetic with a complex, serialized mystery structure, having an ensemble of more characters than one can count, while giving each one of them their fair share of time under the spotlight, and constantly aiming higher and higher with its fractured narrative structure and “mystery box” storytelling. Those are but a few of the things that make Lost ambitious.

Throughout the show’s run, it felt like everyone and their grandmother were watching Lost and talking about it. And if its divisive finale achieved anything, it was at least ensuring that the series would remain a part of the pop-culture conversation for many more years. It’s one of the most ambitious drama shows ever, and regardless of whether it stuck the landing in the end or not, the fact that it never stopped swinging for the fences is worthy of props.

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2

‘Doctor Who’ (1963–Present)

Alex Kingston stands behind Peter Capaldi and looks worried in Doctor Who.
Alex Kingston stands behind Peter Capaldi and looks worried in Doctor Who.
Image via BBC

Constantly refreshing itself by allowing its main character to change their appearance and personality every time they die; finding ways not to run out of creative ideas after over 60 years on the air (hiatus not counted); transforming itself as society has changed over the years since 1963. Those are but a few of the things that make Doctor Who ambitious.

Technically, Doctor Who consists of the original show and two revivals, all three shows having different pages on IMDb; but with the series holding a Guinness World Record as the longest-running sci-fi TV show ever, it can all be considered a single iconic show. There has probably never been a television series better at reinventing itself than Doctor Who, which was originally devised as an educational show for children, but has since evolved into one of the biggest pillars of sci-fi pop culture ever. It’s one of the best sci-fi shows with over five seasons, perfect for fans of the genre looking for a long commitment.

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1

‘Babylon 5’ (1993–1998)

babylon-5-sheridan-delenn
Commander Sheridan running the show.
Image via Warner Bros. Television

Revolutionizing American broadcast television by telling a serialized pre-planned five-year story arc at a time when such a thing was virtually unprecedented; being the first-ever TV show to use CGI as its primary method for VFX; covering a wide range of themes far more complex than what most sci-fi shows were tackling at the time; and doing all this with a fraction of the budget of most of its contemporaries. Those are but a few of the things that make Babylon 5 the most ambitious sci-fi show in television history.

Saying that Babylon 5 broke the mold would be an understatement. Sci-fi television would probably not be what it is today without it, and the world certainly would be a far sadder place. Not all of its elements have aged gracefully, as can be expected from a mid-budget ’90s sci-fi show, but that has never been a problem for fans. Babylon 5 was, and still is, utterly historic.

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Sabrina Carpenter Is Unrecognizable With Brown Hair, Bangs

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Everything to Know About RHOSLC Alum Jen Shah's Legal Drama

Sabrina Carpenter proved she shines no matter what shade of hair she rocks.

Carpenter, 26, was unrecognizable while posing for Perfect Magazine in a brunette wig on Tuesday, April 7. Her hair, which was much darker from her signature honey blonde mane, was worn down and straightened. Her look was finished with short bangs cut above her eyebrows.

Carpenter complimented her wig with a black manicure and soft makeup, including rosy cheeks, light pink lips and mascara.

Fans went wild over her look via social media. “Omg didn’t even recognize her!! ❤️,” one wrote, while a second added, “ooo the black hair looks good.” A third commented, “Full on shape shifting ❤️.”

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While chatting with the publication, Carpenter, who was styled by fashion editor Katie Eleanor Grand, opened up about her dark makeover, sharing, “I love to play dress up. This shoot was really fun for that reason.”

She added, “We got to really try some looks that I’ve never tried before. Lots of wigs, lots of different makeup for me, lots of shapes that maybe I wouldn’t normally wear. I can just play a little bit more with editorial. It was really fun.”

Carpenter also got candid about her upcoming gig headlining Coachella on Friday, April 10, and April 17, which she manifested two years ago while performing on the same stage.

“Now, two years later, we’re back,” she said. “And I think that’s what makes this show feel really, really surreal: getting to celebrate all the songs that have come after it, and just how many lives they’ve lived since they’ve come out.”

Sabrina Carpenter Hits Back at Critics Who Think She s Too Raunchy


Related: Sabrina Carpenter Poses Nude for ‘Rolling Stone’ After Album Cover Backlash

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Sabrina Carpenter isn’t afraid to strip down. Carpenter, 26, showed off her birthday suit while posing on the cover of Rolling Stone on Thursday, June 12. The singer went completely naked for the photoshoot, covering her body with extra-long, Rapunzel-like locks. Instead of rocking her signature bouncy curls, Carpenter opted for wavy tresses, which cascaded […]

Photographed by Bryce Anderson, Carpenter continued, “When I’m on stage, there’s a button. I think it’s been this way ever since I was young. And when you’re singing these songs, whether these songs be your personal stories or songs you wrote about other people, in that moment, it really becomes a show.”

Carpenter explained, “I’ve always been able to differentiate when I get off stage. I am a human being. I’m a 26-year-old girl. I’m hormonal. I’m emotional. I’m dealing with a lot of stuff. For me, it really just has been compartmentalising the moments where I feel like the show must go on and then moments where I can really allow myself to be a little all over the place and allow that to be OK.”

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Trump To Pause Bombing Amid “Workable” Peace Plan

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Rihanna Seemingly Addresses Baby Rumors, Talks "Little Pouch"

U.S. President Donald Trump said late Tuesday he’s pulling back on his threats to attack Iranian bridges, power plants, and other civilian targets. His decision depends on Iran agreeing to a two-week ceasefire and reopening the Strait of Hormuz. Trump also said Iran has proposed a “workable” 10-point peace plan that could help end the war the U.S. and Israel launched on Feb. 28. Early Tuesday, Trump threatened that “a whole civilization will die tonight,” doubling down on an 8 p.m. EST deadline to reach a deal.

RELATED: Trump Warns “A Whole Civilization Will Die Tonight” As Iran Says 14 Million Are Ready To Defend Nation (UPDATE)

Trump Pulls Back Iran Threat Amid Peace Plan Proposal

In a post on his social media site, Donald Trump said Iran could agree “to the COMPLETE, IMMEDIATE, and SAFE OPENING of the Strait of Hormuz” and said that he’d then “suspend the bombing and attack of Iran for a period of two weeks.” He cited conversations with Pakistani officials as the basis for these negotiations.

The update was shared at 6:32 local Washington D.C. time, about an hour and a half from his deadline. Also, the president said in his post that Iran has presented “a workable basis on which to negotiate.”

“Based on conversations with Prime Minister Shehbaz Sharif and Field Marshal Asim Munir, of Pakistan, and wherein they requested that I hold off the destructive force being sent tonight to Iran, and subject to the Islamic Republic of Iran agreeing to the COMPLETE, IMMEDIATE, and SAFE OPENING of the Strait of Hormuz, I agree to suspend the bombing and attack of Iran for a period of two weeks. This will be a double sided CEASEFIRE! The reason for doing so is that we have already met and exceeded all Military objectives, and are very far along with a definitive Agreement concerning Longterm PEACE with Iran, and PEACE in the Middle East. We received a 10 point proposal from Iran, and believe it is a workable basis on which to negotiate. Almost all of the various points of past contention have been agreed to between the United States and Iran, but a two week period will allow the Agreement to be finalized and consummated. On behalf of the United States of America, as President, and also representing the Countries of the Middle East, it is an Honor to have this Longterm problem close to resolution. Thank you for your attention to this matter! President DONALD J. TRUMP,” the Truth Social post said.

 

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Donald Trump had previously threatened Tuesday that a “whole civilization will die tonight” if Iran fails to meet his latest deadline to strike a deal. His terms include reopening the strait through. During peacetime, a fifth of hte world’s oil is transported through it.

Since the war began, Trump has repeatedly imposed deadlines linked to threats, only to extend them. Tehran previously rejected a 45-day ceasefire proposal by Egyptian, Pakistani and Turkish mediators. The nation sought a permanent end to the war.

Iran Vowed To Reciprocate Trump’s Energy

Tehran’s representative at the U.N., Amir-Saeid Iravani, said the threats “constitute incitement to war crimes and potentially genocide.” Iravani also said Iran would “take immediate and proportionate reciprocal measures” if Trump launches devastating strikes.

For context, the U.S. and Israel have battered Iran with attacks targeting its military capabilities, leadership and nuclear program. Iran has responded with a stream of strikes on Israel and Gulf Arab neighbors, causing regional chaos and outsized economic and political shock.

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Early Tuesday, Iran’s president said 14 million people, including himself, have volunteered to fight. The president said his volunteers are ready to sacrifice their lives behind the nation.

Additionally, a general in Iran’s Revolutionary Guard general warned that Iran would “deprive the U.S. and its allies of the region’s oil and gas for years” and expand its attacks across the Gulf region if Trump carries out his threat.

Iran was standing on business, despite Trump saying that U.S. forces could wipe out all bridges in Iran in a matter of hours. Trump also claimed the U.S. could reduce all power plants to smoking rubble in roughly the same time frame.

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“Civilization” Death Threat Caught National And International Heat 

Late Tuesday, Pakistan’s prime minister urged Trump to extend his deadline by two weeks to allow diplomacy to advance. In a post on X, Shehbaz Sharif, whose country has been leading negotiations, also asked Iran to open up for two weeks the Strait of Hormuz.

Before the deadline, airstrikes hit two bridges and a train station. Also, the U.S. hit military infrastructure on Kharg Island, a key hub for Iranian oil production. It was not clear if airstrikes against Iran on Tuesday were linked to Trump’s threats to widen the civilian target list. At least two of the targets were connected to Iran’s rail network. Additionally, Israeli Prime Minister Benjamin Netanyahu said Israeli warplanes struck bridges and railways in Iran. Tehran, Iran, fired on Israel and Saudi Arabia, prompting the temporary closure of a major bridge.

Trump’s shocking threats between Easter Sunday and Tuesday did not seem to account for potential harm to civilians. His words prompted Democrats in Congress, some United Nations officials, French officials and even scholars in military law to say such strikes would violate international law.

In Rome, Pope Leo XIV said Tuesday that the threats were “truly unacceptable” and that such attacks would violate international law. Also, French Foreign Minister Jean-Noël Barrot said that attacks targeting civilian and energy infrastructure could constitute a war crime.

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RELATED: Make What Great?! Marjorie Taylor Greene & Candace Owens Blast President Trump’s Easter Threat To Iran Ahead Of Ceasefire Rejection

Associated Press reporters Bassem Mroue, Jon Gambrell, Mike Corder, Samy Magdy, Seung Min Kim and Michelle Price contributed to this report via AP Newsroom. International-based writers David Rising, John Leicester, Rod McGuirk, Natalie Melzer also contributed. Additional contributors: Farnoush Amiri at The United Nations; and Konstantin Toropin, Joshua Boak and Will Weissert in Washington. 

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RFK Jr. book alleges he was 'cruel' to late wife Mary about her weight, told her 'she had squandered her beauty'

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The new biography used interviews and RFK Jr.’s private diaries to discuss challenges and tragedy with his second wife, Mary Richardson Kennedy.

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Arsenio Hall recalls saving an elderly couple from a house fire with Jay Leno

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In spite of their public feuding in the 1990s, Hall considers Leno a “big brother” after he took him under his wing when he came to Hollywood.

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Lady Gaga Pulls Out Of Concert At Last Minute

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Lady Gaga at 2026 Grammy Awards

After months on the road and nearing the final stretch of her global “Mayhem Ball Tour,” Lady Gaga was set to deliver another high-energy performance in Montreal. But just hours before showtime, everything changed. Lady Gaga abruptly canceled her Monday night concert, leaving fans stunned as she revealed a sudden health setback had forced her off stage at the last minute.

Lady Gaga Forced To Cancel Concert Amid Health Scare

Lady Gaga at 2026 Grammy Awards
ZUMAPRESS.com / MEGA

The Grammy-winning star took to Instagram Stories on Monday to break the news, revealing she is currently battling a respiratory infection that has worsened in recent days. “Hi everyone. I’m so sorry to share that I’m unable to perform tonight and have to cancel the show,” she wrote.

Gaga explained that despite trying to push through, her condition ultimately forced her to step back. “I’ve been fighting a respiratory infection for the past few days and doing everything I can to rest and recover, but it’s gotten worse,” she revealed, adding that her doctor “strongly advised” her not to perform.

She also noted she wouldn’t be able to deliver the level of performance fans expect. “My doctor has strongly advised me not to perform today and to be honest I don’t think I could give you the quality of a performance today that you deserve,” Lady Gaga said.

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She’s ‘Absolutely Heartbroken’ After Canceling Show

Lady Gaga at 2026 Grammy Awards
ZUMAPRESS.com / MEGA

The singer made it clear how difficult the decision was, expressing deep regret over canceling the show. “I know how deeply disappointing this is, and I truly could not feel worse about letting you down,” she wrote. “I’m so sorry to everyone who made plans to be there and support me.”

She also reflected on her time in Montreal, calling her previous shows there “magical and deeply meaningful. To everyone who was coming tonight, I’m absolutely heartbroken and so sorry.”

Lady Gaga Cancels Show As ‘Mayhem Ball Tour’ Nears Finale

Lady Gaga
ZUMAPRESS.com / MEGA TheMegaAgency.com

At the time of her announcement, Gaga had not shared details about rescheduling the canceled show or issuing refunds, leaving fans waiting for further updates. The canceled performance was set to be her third show in Montreal, following appearances on Thursday and Friday.

The cancellation comes as Gaga nears the end of her massive “Mayhem Ball Tour,” which kicked off in July 2025. The global tour, supporting her sixth studio album Mayhem, has taken her across the U.S., Europe, Australia, and Asia before returning to North America for its final leg.

Up next, she is scheduled to perform two shows in Saint Paul, Minnesota, before wrapping the tour in New York City.

‘Mayhem Ball Tour’ Expanded After Overwhelming Fan Demand

Lady Gaga at UK Premiere of "Joker Folie à Deux".
Fred Duval/MEGA

Lady Gaga originally hadn’t planned to extend her run of shows, but fan response quickly changed that. When she announced the “Mayhem Ball Tour” back in March of 2025, Gaga revealed that the “incredible response” to her album Mayhem inspired her to keep the momentum going beyond her initial dates in Singapore.

“We chose arenas this time to give me the opportunity to control the details of the show in a way you simply can’t in stadiums, and honestly, I can’t wait,” she wrote on Instagram. “This show is designed to be the kind of theatrical and electrifying experience that brings MAYHEM to life exactly how I envision it. The MAYHEM Ball Tour is officially coming your way. See you soon, monsters.”

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The 2026 Grammys Performance Almost Didn’t Happen

Lady Gaga at "Joker: Folie A Deux" Photocall - The 81st Venice International Film Festival
Daniele Cifalà / MEGA

While her ongoing tour continues to make headlines, Lady Gaga’s show-stopping 2026 Grammy Awards performance almost didn’t happen. Despite ultimately taking the stage on February 1 with a rock version of her hit “Abracadabra,” and walking away with two trophies, the pop icon came close to skipping the performance altogether due to scheduling challenges.

“There was one point a few weeks before the show that we thought we might have to lose her from the show because she just was like, ‘I just don’t see how I can,’” Grammys executive producer Ben Winston revealed.

At the time, Gaga had just wrapped a series of shows in Japan as part of her “Mayhem Ball Tour,” leaving little to no time for rehearsal. “Unlike everybody else who had time to rehearse offsite or with their dancers or band or creative team, she couldn’t,” Winston explained. “She was literally on stage.”

Lady Gaga’s Last-Minute Grammys Pivot Pays Off Big

Lady Gaga at Netflix's "Maestro" Los Angeles Photo Call
Jeffrey Mayer/JTMPhotos, Int’l. / MEGA

To make it work, Gaga and her team pivoted creatively, ditching a large-scale production in favor of a more stripped-down, rock-inspired performance centered around her at the piano. “It was so different, so original, so spectacular,” Winston said.

The last-minute adjustment ultimately paid off, delivering one of the night’s most memorable performances despite the behind-the-scenes uncertainty.

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From Paris, With Glug: The Alcoholic Star Trek Episode That Gave Us Hope

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From Paris, With Glug: The Alcoholic Star Trek Episode That Gave Us Hope

By Chris Snellgrove
| Published

As a franchise, Star Trek is full of episodes that are hard to understand. Sometimes, this is because of all the weird technobabble. You can only hear someone mention tachyons and deflector dishes so many times before you zone out. More often, though, it’s hard to understand an episode because you don’t understand why a character made a surprising decision. This can make Star Trek feel like a horror movie because you find yourself screaming at the screen, wondering why supposedly smart people are making nothing but dumb decisions from beginning to end.

A prime example of this is “Non-Sequitur,” a Voyager episode where Harry Kim wakes up back on Earth. Instead of being stranded in the Delta Quadrant, he’s engaged to the girl of his dreams and generally living his best life. However, he risks it all to restore the timeline so that his best buddy, Tom Paris, can have meaning in his life again. Kim’s decision to ruin his own life for his friend was baffling to everyone, including the actors. But Kim’s shocking choice perfectly defines what Voyager is all about: standing fast to your ideals, no matter the cost.

The Man Who Had It All

“Non-Sequitur” is an episode where Harry Kim seemingly has it all. After his shuttlecraft starts shaking, he suddenly wakes up in a different timeline where he never joined Voyager’s crew. Instead of enjoying a happily ever after with his old flame (and now fiancée) Libby, however, he becomes obsessed with finding out what happened to him. That obsession reaches a fever pitch when he finds out that Tom Paris never made it to Voyager and has become a drunk, bitter has-been. After getting Paris’ reluctant help, the two restore the timeline and rejoin Voyager on its 70-year mission to get home.

It’s a standout episode of Star Trek: Voyager and arguably the first really great Harry Kim episode. However, it can be hard to suspend your disbelief when watching “Non-Sequitur,” especially if you put yourself in Kim’s shoes. For most people, being separated from all their friends and family for the better part of a century is one of the worst things that could ever happen to them. This is an episode where Harry seemingly got a second chance at living an infinitely happier life, but he ultimately threw it away to return to the bleak status quo of his existence in the Delta Quadrant.

From Paris, With Glug

Interestingly, both Ensign Kim actor Garret Wang and Libby actor Jennifer Gatti had the same questions about why the heck Kim would ever want to return to Voyager. Eventually, producer Jeri Taylor revealed the answer in an old interview with Cinefantastique: “The big thing is finding his friend Tom Paris is dissolute, because of this whole change,” she said. “Kim may be living a lovely life with his girlfriend, but it is at the cost of his friend’s happiness, and it just isn’t right. He is too much a young man of principle and integrity to indulge himself when it is at the expense of others.”

Arguably, this perfectly encapsulates the values of Star Trek: Voyager. As an idealistic and principled Starfleet officer, Harry Kim couldn’t screw over his best friend just to make his own life better. Just like Janeway couldn’t use the Caretaker to take her ship back home because she knew it would doom the Ocampa. Kim’s moral dilemma isn’t all that unique. In the finest Trek tradition, he must choose between happiness and duty, and he doesn’t hesitate to choose duty.

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Is that message more than a bit cheesy and impractical? Of course. But let’s face it: we watch Star Trek because these characters are aspirational. They give us hope that, hundreds of years from now, humanity will have evolved beyond petty selfishness in the collective pursuit of bettering ourselves.

Harry Kim did something that none of us would have done in his place, and that’s the point. He’s modeling how to be a better man. In this way, “Non-Sequitur” is more than a solid Voyager episode: it’s also the embodiment of this franchise’s greatest ideals, perfectly defining everything that fans love about Star Trek.


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Star Trek Is Less Progressive Now Than It Was 30 Years Ago

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Star Trek Is Less Progressive Now Than It Was 30 Years Ago

By Chris Snellgrove
| Published

Critics and social media pundits have been quick to frame the modern era of Star Trek as the franchise’s most progressive. Often, that’s cited by NuTrek defenders as one of the best reasons to watch each series. Those defenders are wrong. Star Trek has never been less progressive than it is right now.

To find out where the disconnect is, all an objective observer need do is take a look at Star Trek: Deep Space Nine. Before NuTrek started giving itself credit for being open-minded, Deep Space Nine was regarded as the most progressive entry in Star Trek’s canon, and it still is.

Far Beyond Identity Politics

Why is Deep Space Nine Star Trek’s most progressive show? It had the franchise’s first Black captain in a leading role, and the show found clever ways to explore modern issues of race through episodes like “Far Beyond the Stars.”

Compare this to Discovery, which got progressive brownie points for making Michael Burnham the franchise’s first Black, female captain in a leading role. That might sound similar, except Sisko wasn’t treated as a black Captain; he was treated as a great character, being played by a great actor, breathing life into great writing.

That didn’t happen with Michael Burnham. While Sonequa Martin-Green was excellent as Michael Burnham, she was frequently hampered by bad writers who had nothing to say about race or racism but were eager to shout, “Look who we put in the captain’s chair!”

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Adira Tal and Michael Burnham on Star Trek: Discovery

Sisko wasn’t the only progressive character in the series. The prominent Trill character Dax effectively served as an allegory for trans people. Sisko originally knew her as a curmudgeonly womanizer, Kurzon Dax, and their friendship remained the same when she became a beautiful young woman.

Over the course of the show, Deep Space Nine offered surprisingly nuanced allegories exploring what it is like to become another person and how that affects how you are treated. Compare this to Discovery, which introduced an explicitly trans Trill (Gray Tal) and did little with his character, instead focusing on the nonbinary character Adira Tal.

They’re Here, They’re (Secretly) Queer

While it was tough to pull off in the Rick Berman era of Star Trek, Deep Space Nine even managed to squeeze in some bisexual characters in the form of Bashir and Garak. When Andrew Robinson read about Garak introducing himself to Bashir, he decided the Cardassian had a sexual interest in the young doctor and acted very flirtatiously. This created a subtext that the characters were gay (or, as Robinson claimed, “omnisexual”), and Lower Decks even showed alternate universe versions of Garak and Bashir ending up together. 

For DS9 fans curious about these characters’ seemingly mutual attraction, their every interaction was filled with a delightful “will they, won’t they” energy. The queer coding of Bashir also added a frisson of tension to his friendship with Chief O’Brien (especially when, in “Extreme Measures,” Bashir suggests O’Brien likes him more than he likes his wife). Compare all of this sexual tension to NuTrek, which presented gay romance as stable-but-boring (like with Stamets and Culber in Discovery) or loudly one-dimensional (like with Jay-Den in Starfleet Academy).

When Kira agreed to have O’Brien and Keiko’s baby, Keiko pushed her husband to spend intimate time with Kira, including giving her massages. Eventually, O’Brien and Kira developed a mutual attraction that they agreed not to pursue because he’s a married man.

In retrospect, it really looks like Keiko wanted the three of them to become a throuple, and the modern fandom enjoys this (admittedly brief) acknowledgment of polyamory and the ways love and sex might be different in the future. Compare this to NuTrek, whose exclusive embrace of monogamy makes shows like Discovery and Starfleet Academy seem downright conservative. 

To Explore Strange New Speeches

These examples from Deep Space Nine underscore why modern Star Trek isn’t nearly as progressive as Alex Kurtzman and his supporters think it is. Remember when Spock said that “logic is the beginning of wisdom, not the end”? Well, the storytelling corollary to that is “diversity is the beginning of progress, not the end.” Just throwing someone other than a white, straight, male into a role doesn’t magically make a show progressive unless you use them to tell interesting stories exploring complex ideas.

Star Trek made waves by casting a Black man and a woman in leading roles decades ago, and those shows used those characters to explore questions of race and femininity while pushing back against negative cultural stereotypes. Discovery cast a Black woman in a lead role and made her alternate between crying and giving inspirational speeches. That’s just bad storytelling, and her combination of race and gender doesn’t retroactively make the storytelling any better.

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Tokenism Disguised As Progressivism

Similarly, Discovery and Starfleet Academy prominently featured gay characters but gave them remarkably little to do as a couple. Discovery controversially killed Culber off (don’t worry, he got better after Paramount did the “kill your gays” trope) and focused very little on their relationship. Starfleet Academy focuses even less on Jay-Den’s romantic relationships outside of quick cut shots, instead just putting him in a skirt and calling it a day. It’s tokenism disguised as progressivism, which is offensive on the face of it and infinitely less rewarding than DS9’s more veiled (thanks, Berman) attempts at presenting queer relationships.

All these years later,  Deep Space Nine remains the gold standard of progressive Star Trek storytelling simply because it used its diverse characters to tell exciting stories that challenged the status quo. NuTrek wants credit for being progressive simply because it includes these characters, but these series fail to do anything interesting with them, instead telling bland stories that are mostly Trek in name only. Now that Paramount is moving forward and taking the franchise in a new direction, we can only hope they slingshot into the past and take their storytelling cues from DS9, the decades-old show more progressive than Alex Kurtzman could ever conceive of.


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Everything to Know About RHOSLC Alum Jen Shah's Legal Drama

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Meghan Markle’s ‘Deliberate’ Business Move Raises Eyebrows

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Meghan Markle’s move to trademark As Ever in Australia ahead of a visit with Prince Harry has sparked questions about the lifestyle brand.

Experts say expansion may reflect slower-than-expected U.S. growth, especially after Netflix stepped back.

Despite strong indications of a global expansion, a spokesperson for Meghan Markle’s lifestyle brand remained while addressing the growing speculations.

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Why Filing An Australian Trademark Could Signal Challenges For Meghan Markle’s As Ever

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After recently filing a trademark for her As Ever brand in Australia, just ahead of an upcoming visit with her husband, Prince Harry, Meghan’s latest business move is sparking fresh questions about the state of her lifestyle venture.

Speaking to Page Six, PR expert Kayley Cornelius described the expansion as both strategic and potentially reactive.

“Meghan Markle filing a trademark for her As Ever lifestyle brand in Australia feels like a very deliberate move, but it also points to a bigger picture when it comes to how the brand is currently performing in the US,” Cornelius said.

According to the expert, entering a new market like Australia could suggest the brand isn’t “delivering the level of success” expected in the United States.

She also pointed to reports that Netflix has stepped back from its involvement, which may limit As Ever’s ability to scale locally, particularly when it comes to launching new products or growing the brand in a meaningful way.

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“In that context, branching out into a new market starts to feel less like a choice and more like a necessity to avoid the brand stagnating,” Cornelius added.

Experts Say Australia Holds Big Potential For The Duchess’s As Ever Expansion

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Despite concerns, Australia presents clear potential for Meghan. Cornelius noted that the country’s lifestyle trends and consumer habits align well with As Ever’s identity.

In addition, the public’s perception of Harry and Meghan is generally more neutral, which could make it easier to build trust and connect with a new audience.

“It is a market where they are already well known, but perhaps not as heavily scrutinized,” Cornelius noted.

Timing, too, she noted, appears to play a role. “Launching or introducing the brand in Australia alongside that kind of high-profile exposure is a smart way to generate interest and momentum,” Cornelis said.

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She continued, “It is not just about cracking a new market, it is also about creating an opportunity to bring in new revenue streams and potentially attract further investment at a time when that may be needed.”

Even so, the expert stated that the expansion carries weight. Success in a receptive market like Australia could seemingly open doors for global growth. On the other hand, if the brand struggles to gain traction there, it may raise broader concerns about its long-term direction.

“In that sense, this expansion feels very much like a make-or-break moment,” she added.

As Ever Denies Reports Of International Expansion

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Last month, a spokesperson for As Ever shut down speculation that Meghan was preparing to expand the brand internationally, describing claims of an Australian launch as all “speculation.”

In a statement to Us Weekly, the representative stressed that “no decisions have been made about when or where international expansion might take place.”

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They added that while global growth is part of the brand’s long-term vision, entering new markets requires careful planning.

For now, the spokesperson hinted that developments are still in progress, urging observers to “watch this space.”

Meghan Markle’s Brand Split With Netflix

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The speculation comes at a pivotal moment for As Ever, which is stepping into a new chapter following the end of its partnership with Netflix.

The streaming giant had previously supported the brand financially at launch, under a deal separate from Meghan and Harry’s content agreement.

Both sides confirmed the split last month, describing it as a natural progression. A spokesperson for As Ever expressed gratitude for the early support, noting that the brand experienced “meaningful and rapid growth” in its first year and is now ready to stand on its own.

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Netflix echoed that sentiment, highlighting Meghan’s vision for celebrating simple, elevated everyday moments, while emphasizing that independence had always been part of the long-term plan.

Why Meghan Markle’s As Ever Isn’t Landing In The UK Anytime Soon

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Despite the buzz surrounding its products, from signature jams and rosé wines to herbal teas and edible flower sprinkles, As Ever remains accessible only within the U.S., with shipping limited to all 50 states.

That decision has raised questions, particularly in the United Kingdom, where Meghan once lived during her time as a senior royal. However, brand and culture expert Nick Ede believes the strategy may be “deliberate.”

Speaking to the Daily Express, Ede explained that both public perception and market conditions likely play a role. He suggested Meghan’s influence in the UK may not be as strong as it once was, making it a less appealing market for now.

He also pointed out that the British retail space is already saturated with celebrity-backed lifestyle products, particularly in categories like rosé wine, where names such as Kylie Minogue and Lady A have established a firm presence.

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Beyond competition, he noted that some of As Ever’s offerings, like decorative flower sprinkles, may not immediately resonate with UK consumers, further complicating potential demand.

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Kanye West’s Career Comeback In Shambles After UK Ban

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Kanye West has faced yet another fallout tied to his past antisemitic remarks.

The rapper, who had been scheduled to perform at one of London’s biggest festivals, has now had his visa revoked by the UK Home Office.

In the lead-up to the decision, several brands, such as PayPal, had already withdrawn their support for the event. With the ban now in place, the festival itself has been called off.

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Kanye West Was Banned Over His Past Antisemitism Rants

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Fans of Kanye West who were hoping to see him headline London’s Wireless Festival have been left disappointed after the rapper was banned from entering the UK.

The decision appears to be linked to his history of antisemitic remarks, particularly a series of online rants over the past few years.

While the rapper has since issued an apology for his actions, it did little to sway UK authorities, as reflected in comments made by Prime Minister Keir Starmer ahead of the festival.

“Kanye West should never have been invited to headline Wireless. This government stands firmly with the Jewish community, and we will not stop in our fight to confront and defeat the poison of antisemitism,” the government official wrote on X.

He added, “We will always take the action necessary to protect the public and uphold our values.”

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Starmer’s statement was further echoed in an announcement from the Home Office that explained their decision.

“Where individuals pose a threat to public safety or seek to spread extremism, the government has not hesitated to act, and that includes canceling permission to enter this country for extremist preachers and far-right figures,” read the statement.

Several Sponsors Had Already Pulled Out Of The Event

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As a result of the visa ban, the festival was canceled, and refunds were automatically issued by the organizers.

However, even before the ban, the festival had already suffered major losses due to its association with West, as several brands distanced themselves from the event.

The latest was PayPal, a payment provider known to partner with Live Nation UK Festivals.

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Drinks giant Diageo and Pepsi had also already pulled out, although they did not directly cite West as the reason for their decision.

Kanye West’s History Of Antisemitism

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West’s history of targeting Jews with hate speech dates back to October 2022, when he wrote in a tweet that he was going “death con [sic] 3 on Jewish people.”

Even after several brands and partners cut ties with the rapper at the time, and he lost the support of close friends, he doubled down on his remarks in February 2025 with a lengthy rant in which he said he never intended to apologize for his comments about Jews.

He subsequently sold a shirt featuring a swastika and released a song titled “Heil Hitler,” in which he claimed to be a “Nazi.”

The rapper’s longtime partnership with Adidas also abruptly came to an end after he bragged that he could “say antisemitic sh-t” and the shoe giant won’t drop him.

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The Rapper Apologized For His Antisemitism Behavior

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Earlier this year, West took out an ad in which he expressed remorse over his past antisemitic remarks.

He also claimed that his “reckless behavior” was due to a car crash 25 years ago that left him suffering from trauma and bipolar disorder.

“I regret and am deeply mortified by my actions in that state, and am committed to accountability, treatment, and meaningful change,” he wrote.

West added, “It does not excuse what I did, though. I am not a Nazi or an antisemite. I love Jewish people.”

Social Media Divided Over Kanye West Ban Amid Career Comeback

Kanye West and Bianca Censori at 67th Annual Grammy Awards
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Online, the response has been split after the rapper was barred from performing in London, with some seeing it as the right move by the government, while others disagreed despite West’s past actions.

A person wrote on X, “Freedom of speech has consequences. UK said no nazis allowed.”

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Another commented, “Kanye represented negativity against groups of people and forgot that his words would return to bite him in the buttocks.”

“Right decision- you know he’ll be a t-t on stage and incite stupidity amongst the crowd,” a third person noted.

However, a fan of West seemed displeased by the news, asking, “Doesn’t banning a guy from entering a country because he said bad things about jews and then apologized kind of make it pointless to apologize?”

Others seemed displeased that the entire Wireless festival was canceled, wondering why the rapper specifically wasn’t replaced by another headliner.

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