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10 Most Perfect Beatles Songs, Ranked

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Arguably one of the most iconic and popular musical acts of all time, The Beatles changed pop and rock music forever the moment they hit the scene. Maintaining the top spot as the best-selling music act ever, the boys from Liverpool made their mark thanks to their incredible songbook. Documenting the evolution of music through their own changing style over time, The Beatles‘ ability to shape music with their artistry and songwriting.

Each of their 12 official studio albums is stacked with incredible songs from top to bottom. But with hundreds of songs, which are their very best? It’s time to name the most perfect songs. Every fan of the band will likely have a different lineup, but for the purposes of this list, “perfect” will be defined by songwriting, musical construction, overall influence, and the song’s impact on the band’s musical evolution. This list is a celebration of four great artists and their very best work.

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10

“I Want to Hold Your Hand” (1963)

The song that put The Beatles on the map in America was none other than “I Want to Hold Your Hand.” First dropping on Meet the Beatles! in the U.S. after not appearing on the UK version, With the Beatles, the John Lennon and Paul McCartney track exemplified the power of a bright and breezy two-minute pop song. Light and fluffy, and to the point, “I Want to Hold Your Hand” thrives through its catchy hook and universal lyrics of blossoming romance. With a two-bridge model and both Lennon and McCarthy taking the lead and singing in unison and harmony, “I Want to Hold Your Hand” resonated, knocking off their previous hit, “She Loves You” off the top of the podium. The song has been covered countless times and has infiltrated pop culture. Even when the song was reworked into a ballad for the jukebox movie musical Across the Universe, it highlighted the brilliance of the lyrics. At the end of the day, it’s about longing.

The track was met with an extremely warm welcome in the States. The song spread like wildfire with its infectious beat. Specifically crafted to appeal to an American market, “I Want to Hold Your Hand” succeeded at its mission, becoming the first number-one hit in America. Thanks to “I Want to Hold Your Hand,” the British Invasion officially began. Though, compared to the more complex songs that emerged during their musical evolution, the timing of “I Want to Hold Your Hand” was crucial, as it scratched the itch of music fans.

9

“Yesterday” (1965)

Beatlemania took over the world. So much so that the quartet was dropped into other media to maximize their presence. Between 1964 and 1970, they appeared in five major motion pictures, the second of which was Help! To tie into the film, the album included 14 tracks, seven of which appeared in the film. The other side of the album featured new songs, one of which included the most-covered song in music history, “Yesterday.” A song that came to McCarthy in his sleep, “Yesterday” was the first song to only feature a single member of the band, as McCarthy was joined by a string quartet as he sang and played acoustic guitar.

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A melancholic song, “Yesterday,” shines through its simplicity, allowing McCarthy’s lyrics to be the star. Always tinkering with the song until it was included on the album, McCartney perfected it to the point that it became one of the greatest pop songs in history. Quite a sad breakup song, yet there is still a sense of hope in the lyrics and in McCartney’s vocals. That said, part of the song’s meaning may have been misinterpreted. During an episode of the A Life in Lyrics podcast that dissected this particular song, McCartney revealed that the lyric “I said something wrong, now I long for yesterday” may have been inspired by her mother.

8

“While My Guitar Gently Weeps” (1968)

Ah, the infamous White Album. Though it’s officially called The Beatles, it’s the album cover that helped it earn its name. The ninth studio album, and the only double album, is notorious for its diverse range of genres that produced wall-to-wall hits. The White Album is also known for some behind-the-scenes controversy, including Yoko Ono subverting the band’s policy of excluding wives and girlfriends. Nevertheless, leave it to George Harrison to use his talent to serve as a comment on the band’s disarray and lack of harmony. Harrison’s pain gave rise to the hauntingly beautiful “While My Guitar Gently Weeps.”

Having written the song following the band’s trip to India, the journey’s influence was present. With Harrison with double-tracked vocals and acoustic guitar, he credited Eric Clapton, who played lead guitar on the track, for helping him create the Beatles’ monumental track. Perhaps Harrison’s greatest composition, which served as his coming-of-age as a songwriter, the song was a staple on US rock radio. Why? It contains one of the greatest guitar solos. A strong showing from all four members of the band, even with the groundbreaking collaboration, “While My Guitar Gently Weeps” remains a shining gem.

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7

“All You Need Is Love” (1967)

The moment you hear the first few bars of the French national anthem, “La Marseillaise,” you are easily transported into a mindset of joy and love. One of the most beloved tracks in the Beatles’ songbook, “All You Need Is Love,” has become a universal anthem through its song and message. Deliberately simple, the song garnered universal appeal. Written as Britain’s contribution to Our World, the first live global television production, the song reflected the utopian ideals mirroring the Summer of Love. An anthem for the counterculture’s embrace of the flower-power philosophy, “All You Need is Love” was a celebration that linked back to the aura of the last album, Sgt. Pepper’s Lonely Hearts Club Band.

A mostly Lennon contribution, the song utilized simple chord and line progression; the only experimental aspect of the track is found in the change in metre. The final reversal of “All you need is love” into “Love is all you need” became the perfect vocal button before the glorious cacophony of spontaneous ad-libs, which ranged from Glenn Miller‘s “In the Mood” and the band’s own, “She Loves You.” Because of the song’s musical accessibility, it became an anthem dedicated to universal love. Favoring idealism through its positive, uplifting atmosphere, the song continues to serve as the enduring motto for peace. Written for a moment, “All You Need Is Love” remains timeless.













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Collider Exclusive · Oscar Best Picture Quiz
Which Oscar Best Picture
Is Your Perfect Movie?

Parasite · Everything Everywhere · Oppenheimer · Birdman · No Country
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Five Oscar Best Picture winners. Five completely different visions of what cinema can be — and what it can do to you. One of them is the film that was made for the way your mind works. Ten questions will figure out which one.

🪜Parasite

🌀Everything Everywhere

☢️Oppenheimer

🐦Birdman

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🪙No Country for Old Men

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01

What kind of film experience do you actually want?
The best movies don’t just entertain — they leave something behind.





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02

Which idea grabs you most in a film?
Great films are driven by a central obsession. What’s yours?





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03

How do you like your story told?
Form is content. The way a story is shaped changes what it means.





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04

What makes a truly great antagonist?
The opposition defines the protagonist. What kind of opposition fascinates you?





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05

What do you want from a film’s ending?
The final note is the one that lingers. What do you want it to sound like?





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06

Which setting pulls you in most?
Where a film takes place shapes everything — mood, stakes, what’s even possible.





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07

What cinematic craft impresses you most?
Every great film has a signature — a technical or artistic element that makes it unmistakable.





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08

What kind of main character do you root for?
The protagonist is the lens. Who you choose to follow says something about you.





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09

How do you feel about a film that takes its time?
Pace is a choice. Some films sprint; others let tension accumulate slowly, deliberately.





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10

What do you want to feel walking out of the cinema?
The best films leave a mark. What kind of mark do you want?





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The Academy Has Decided
Your Perfect Film Is…

Your answers have pointed to one Oscar Best Picture winner above all others. This is the film that was made for the way your mind works.

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Parasite

You are drawn to films that operate on multiple levels simultaneously — that begin in one genre and quietly, brilliantly migrate into another. Bong Joon-ho’s Parasite is a film about class, desire, and the architecture of inequality that manages to be darkly funny, deeply suspenseful, and genuinely shocking across a single extraordinary running time. Your instinct is for cinema that hides its true intentions until the moment it’s ready to reveal them. Parasite is exactly that — a film that rewards close attention and punishes assumptions, right up to its devastating final image.

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Everything Everywhere All at Once

You want it all — and this film gives you all of it. The Daniels’ Everything Everywhere All at Once is one of the most maximalist films ever made: action comedy, multiverse sci-fi, family drama, existential crisis, and a genuinely earned emotional core that sneaks up on you amid the chaos. You are someone who responds to ambition, who doesn’t want cinema to choose between being entertaining and being meaningful. This film refuses that choice entirely. It is overwhelming by design, and its overwhelming nature is precisely the point — because the feeling of being crushed by infinite possibility is exactly what it’s about.

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Oppenheimer

You are drawn to cinema on a grand scale — films that understand history not as a backdrop but as a force, and that place their characters inside that force and watch what happens. Christopher Nolan’s Oppenheimer is a film about the terrifying gap between what we can do and what we should do, told with the full weight of one of the most consequential moments in human history behind it. You want your films to feel important without feeling self-important — to earn their ambition through sheer craft and the gravity of their subject. Oppenheimer does exactly that. It is enormous, complicated, and refuses easy comfort.

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Birdman

You are drawn to films that foreground their own construction — that make the how of the filmmaking part of the what it’s about. Alejandro González Iñárritu’s Birdman, shot to appear as a single continuous take, is cinema examining itself through the cracked mirror of a fading actor’s ego. You respond to formal daring, to the feeling that a film is doing something that probably shouldn’t be possible. Michael Keaton’s performance and Emmanuel Lubezki’s restless camera create something genuinely unlike anything else — a film that is simultaneously about creativity, relevance, self-destruction, and the impossibility of ever truly knowing if your work means anything at all.

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No Country for Old Men

You are drawn to cinema that trusts silence, that refuses to explain itself, and that treats dread as a form of meaning. The Coen Brothers’ No Country for Old Men is a film about the arrival of a new kind of evil — implacable, arbitrary, and utterly indifferent to the moral frameworks we use to make sense of the world. It is one of the most formally controlled films ever made, and its controlled restraint is what makes it so terrifying. You want your films to haunt you, not comfort you. You are not interested in resolution if resolution would be dishonest. No Country for Old Men is honest in a way that most cinema never dares to be.

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6

“In My Life” (1965)

Music is meant to have purpose and significance. If there is one song that epitomizes this, it’s “In My Life.” With Lennon taking on the lyrics, the introspective song reflects a poetic look into his own past and relationships. Emotionally deep and artistically precise, the Rubber Soul track’s meditation on adolescent relationships diverged from the simplicity of the pre-Rubber Soul love tracks. “In My Life” marked a major and important shift for the band, reflecting their artistic maturity. Lennon referred to the song as his “first real major piece of work” because it was the first time he wrote about himself. And yet, the universal messaging resonated, making it feel personal to us all.

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Though the song has been disputed over full musical authorship, it makes sense that Lennon and McCartney would want full credit, as the song is sensational. The instrumental bridge was one sticking point for Lennon, so George Martin composed something on piano that had shades of Baroque sounds, which ultimately, through playback at double speed, was reminiscent of a harpsichord. A song that has been used to mark milestones, “In My Life” is one of the band’s most sentimental songs that’s bound to elicit melancholy.

5

“A Hard Day’s Night” (1964)

As previously discussed, The Beatles appeared in films during their heyday, with the first being A Hard Day’s Night, which inspired the title track. The title, which originated with a passing statement from drummer Ringo Starr, launched an era for the band. A Ringo-ism became a hit for the band, topping the charts in both the United Kingdom and the United States upon release. Written on a night by Lennon during a long-running competition for the A-side song, “A Hard Day’s Night” begins with the iconic chord played by Harrison. Strong and effective, it opens both the film and the soundtrack and has become one of the most recognizable openings in pop music.

The song is about the narrator’s devotion to his lover, working hard in order to buy the things she wants. He may be tired, but his lover perks him up through love. Following a verse-verse-bridge-verse structure and adopting a major-minor feel within that bridge, “A Hard Day’s Night” was revered for its energy. A triumph of the band’s early era, “A Hard Day’s Night” represented the perfect marriage of commercial appeal and musical innovation.

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4

“Blackbird” (1968)

The White Album truly produced some of the greatest songs in music history. Inspired by the call of a blackbird in Rishikesh as well as the civil rights movement, “Blackbird” is a top-tier song that many consider their very best. Written by McCartney, serving as his solo number, “Blackbird” served as a voice for the discriminated. A wonderfully poetic dissertation open to interpretation, the song serves as a metaphor for an awakening. Beautifully pleasant and strikingly tranquil, McCartney ensures that the lyrics are the defining element of the track. All you need is McCartney’s sweet vocals, the strum on the acoustic guitar, and the foot-tapping to be instantly hooked into the resilient message.

An empowering anthem with profound lyrics, “Blackbird” is one of McCarthy’s shining moments prior to his solo career. A pure moment of maturity, “Blackbird” is a call for unity, even despite the fracture within the band at the time. The song continues to transcend time. The song has been covered by many artists, ensuring the legacy of the song continues today. Understanding the significance of its meaning, when Beyoncé covers the song for Cowboy Carter, you know it’s a remarkable piece of music.

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3

“Let It Be” (1970)

Let It Be marked the end of an era, as it was the final studio album from the quartet, coming a month following the group’s public breakup. Some of the most resonant tracks were on this album, but the title track left an everlasting impression. A simple song of acceptance despite a moment of contention within the band, “Let It Be” resonated on a variety of levels. A straightforward composition with a 4/4 rhythm and a simple four chords, “Let It Be” brought peace in a time of trouble. A mantra that became a coda for the band’s storied career, “Let It Be” was grounded in humanity.

There is a profound essence of hope and resilience in McCartney’s lyrics. Sung solely by McCartney, when you hear “Let It Be,” you stop and listen. One of the strongest ballads in their repertoire, “Let It Be,” seemed like the song that the band needed to go out on. Looking back, it’s almost a prophetic song, knowing there would never be reconciliation. Even with a remarkable songbook like very few other bands, “Let It Be” was a fitting way to remember the band fondly.

2

“Come Together” (1969)

There are many songs by the band whose opening bars transport you into a specific memory or space. The opening riffs are instantly recognizable. One such case was “Come Together.” The opening track on Abbey Road, “Come Together,” put the rock in rock and roll. A reactionary track that became a protest anthem against the Vietnam War, “Come Together” was a sonic sensation of musical complexity. With a tinge of blues and funk seeping through the laid-back vocals, precision on guitar, hypnotic bass, and swampy drums, “Come Together” showcased an expanse of the band’s musical vocabulary. Each member of The Beatles contributed something so distinct to the orchestration that, as cheesy as it sounds, when they came together, it became perfect.

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Lyrically, the song is abstract. Still in the hazy drug era, it didn’t matter what was said before the chorus because the chorus was the statement. The feel was more important than anything. The nonsensical lyrics only contributed to the mood “Come Together” evoked. Of course, there was much controversy over the use of Chuck Berry‘s “You Can’t Catch Me,” with the copyright infringement case settled out of court. Yet, it didn’t deter the song’s success and lasting legacy. Many have tried to cover it, but no one can sing it quite like John Lennon.

1

“Hey Jude” (1968)

There are so many songs that I wish I could include on this list—“Something,” “Across the Universe,” “Oh! Darling,” “Get Back,” just to name a few—but the ten that made the cut are significant. But no Beatles song is more synonymous with the band than “Hey Jude.” Released in 1968 as a non-album single, the story goes that the ballad evolved from a song McCartney wrote to comfort Lennon’s young son, Julian Lennon, after his father left his wife, Cynthia Lennon, for Yoko Ono. As the lyrics suggest, it was meant to help foster a positive outlook on a sad situation. A song of hope, its beautiful message is one that is bound to get a reaction. Whether it’s tears of triumph or pain, “Hey Jude” is a song meant to make you feel something. It’s what music is all about, after all.

From a music perspective, the song starts out simply stated—McCarthy and a piano. But as the song builds, so does the instrumentation. The second verse adds an acoustic guitar and tambourine. Then it’s the electric guitar and the restrained drum kit. The piano becomes more pronounced. The subtle harmonies float through. McCartney showcases the full scope of his vocal range. And then the coda hits, the 40-piece orchestra wails, and a musical moment is born. Four minutes of “Na-na-na na.” Only The Beatles could get away with it! Whatever emotion you began with, you can’t help but find the triumph and na-na along, banging your head.

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Though the song had connotations of Ono entering John and Julian’s life, it could also be taken as a cry from McCarthy to his bandmate. The lyrics hold so much weight. This was not a nonsensical song. It wasn’t a sappy love song. “Hey Jude” served as McCarthy’s blessing for John’s new relationship, while also acknowledging the loss of a friend and creative partner in the process. “Hey Jude” is an absolute sensation and forever one of the greatest songs ever written. It’s a musical work of art and an important contribution to the world. Reaching number one in several countries, “Hey Jude” proved that music will forever be universal.


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A Hard Day’s Night


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Release Date

July 7, 1964

Runtime

88 minutes

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Director

Richard Lester

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Writers

Alun Owen

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Woman Accused In Rihanna Home Shooting Pleads Not Guilty

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A close up of Rihanna on the red carpet at Rihanna x Fenty Beauty New Product Launch For Fenty Beauty Soft'Lit Naturally Luminous Longwear Foundation

Rihanna is likely still shaken following the terrifying incident earlier this month when a woman fired multiple rounds into her home. 

The suspect, who continues to remain in custody, formally entered her plea in the case during a recent court appearance.

Ivanna Ortiz Formally Enters Not Guilty Plea In Rihanna’s Home Shooting

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According to PEOPLE, on Wednesday, March 25, during an appearance at Los Angeles Superior Court, Ivanna Ortiz pled not guilty to a host of charges connected to her allegedly shooting at Rihanna’s home on March 8 while the superstar and her three children were inside.

Among the charges against her, the most serious is attempted murder, as Ortiz is accused of brandishing an AR-15 rifle and firing off 10 rounds at Rihanna’s home.

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In addition to attempted murder, Ortiz is facing 13 other felony counts, including 10 of assault with a semiautomatic firearm and three of shooting at an inhabited dwelling or camper.

After initially being held on $10 million bail, that amount was reduced to the current sum of $1.875 million. If convicted, Ortiz could receive a sentence of life in prison. 

Ortiz Told Estranged Husband To ‘Renounce’ Rihanna Weeks Before Shooting

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Per TMZ, in court documents in Ortiz’s case, her estranged husband, Jed Valdez Sangalang, shared an email he received from Ortiz on January 26, in which she told him to “renounce” the Fenty Beauty founder.

“I need you to renounce Rihanna and confess that I’m better than her,” Ortiz’s email read. “Let it be done. You gotta let me know so that door can be closed.”

Following the news of the shooting and Ortiz’s arrest, Sangalang has now asked the court for full custody of the former couple’s child and also the designated rights for sole decision-making. 

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The Suspect Has A Lengthy And Bizarre Online History Of Attacking Rihanna

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According to the New York Post, Ortiz’s social media posts targeting Rihanna have been uncovered after she fired multiple shots at the singer’s home, including the most recent post on February 23.

“@badgalriri — Are you there? Cause I was waiting for your AIDS 5-head self to say something to me directly instead of sneaking around like you’re talking to me where I’m not at,” Ortiz wrote on Facebook.

A post on February 17 from Ortiz also mentioned the false claims of Rihanna having AIDS and included Drake in the rant. 

Additionally, on January 5 via her YouTube channel, Ortiz held a Praying Woman’s Journal and used it to rebuke Rihanna’s influence. In the video, Ortiz repeatedly described Rihanna as “corny” and “stupid,” implying that there was spiritual warfare and that people needed to avoid the singer’s negative influence. 

Ortiz also bizarrely accused Rihanna of trying to kill her. 

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“Listen, Rihanna, when you die, God is taking me to my future,” she said. “You want to kill me? Shut the f-ck up. Okay, shut the f-ck up. Yeah, she’s a witch. She’s a witch. I’m a watchman. She’s a witch.”

Ivanna Ortiz Has Documented History Of Mental Illness

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Hal Roen, the attorney of Ortiz’s estranged husband, shared that she was previously placed on an involuntary psychiatric hold, according to TMZ. Roen also revealed that Ortiz was “Baker Acted” in Florida, meaning she was held against her will under state law.

Roen told the outlet that Ortiz is “articulate” and “very believable” despite her mental health issues. “If you sit down with her, she’s very convincing. But she does bizarre things,” he said.

A Florida judge also cited Ortiz’s mental state in April 2024 during a custody battle with ex Sangalang. The court documents obtained by the outlet stated that the legal umpire awarded Sangalang full physical custody of his child with Ortiz.

Despite her attempts in court to deny the allegations, the judge highlighted the “concerning testimony” about Ortiz’s mental health and stripped her of all contact with her child.

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Ortiz was barred from having any in-person, phone, video, text, email, or third-party communication with her child until further order from the court. 

She was also previously arrested for domestic violence, resulting in probation.

Rihanna Left Her Los Angeles Home After The Shooting And Has Not Returned

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A day after the shooting at her home, Rihanna was photographed traveling in a line of black SUVs to the private aviation terminal at Van Nuys Airport on Monday, March 10, according to Daily Mail.

The Fenty Beauty founder and Grammy winner was then said to board a small twin-engine jet to fly out of Los Angeles.

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Comedy Legends Cheech & Chong Set the Date for Their Riotous “Last Movie” on Streaming [Exclusive]

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Comedy legends Cheech Marin and Tommy Chong have been through just about everything together on-screen. They’ve commandeered a van made of weed across the border in Up in Smoke, accidentally sparked The French Revolution in The Corsican Brothers, and, of course, did a lot of joking and toking along the way. However, it’s now time for the stoners’ final road trip to head home. Collider can exclusively reveal that Paramount+ is adding Cheech & Chong’s Last Movie to its catalog on a very fitting day — April 20. It’ll also be exactly one year since their retrospective feature first rolled into theaters to celebrate their favorite holiday.

Part buddy road trip movie and part documentary, Cheech & Chong’s Last Movie follows two of comedy’s best buds on a long, laugh-filled drive to a place called “The Joint.” Along the way, they reflect on their lifelong friendship, from childhood to the heights of their careers in the 1960s through the 80s and beyond their break-up, also exploring how their counterculture stoner humor evolved into a brand that stands strong over 50 years later with a catalog of movies, packed concerts, platinum-selling records, and even a mobile game. Interspersed are plenty of archival footage, iconic moments from the duo on-screen and on-stage, animations, interviews, and more that add further context to their rise in a landscape that didn’t respect comedians and their impact as blockbuster rock stars of stand-up. Beneath all the laughter is a portrait of a tender bond that’s survived plenty of bumps in the road and is now as strong as ever.

Paramount+ landing this heartfelt and hilarious project is fitting considering it’s where Marin and Chong began their cinematic journey. “We’re coming home,” director David Bushell said about Last Movie‘s upcoming home release. “Cheech & Chong’s first movie, Up In Smoke, was released by Paramount back in 1978. We cannot think of a better partner to premiere Cheech & Chong’s Last Movie on streaming. They Keep Smokin’!” It was Paramount’s release of Up in Smoke that helped cement the duo as forever icons, earning $104 million worldwide on a budget of just $4 million. Bushnell also helped produce the documentary alongside Chong’s daughter, Robbi Chong, with John Paul DeJoria, Gary Haseley, Cleo Segura Sherrel, and Christian Selleron set as executive producers.

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Are You a Sarah Jessica Sharker? — The Collider Movie Quiz!

Today, we’re plunging into the deep ocean that is SJP’s filmography. You’ll need to be a real shark to hunt down the correct answers.

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‘Cheech & Chong’s Last Movie’ Is Riding High With Critics and Audiences

Last Movie was about as heroic a send-off as Cheech & Chong could hope for when it debuted at SXSW in 2024. Bushell’s directorial debut was met with widespread praise and an 87% score on Rotten Tomatoes, thanks in part to the pair’s enduring chemistry when they’re together and the film’s surprisingly touching look back on a lifetime of friendship. Collider’s Jeff Ewing was also high on the feature in his 8/10 review, calling it “a fantastic and revealing celebration of two comedy legends” and praising the light and breezy road trip format that lets the two be vulnerable to each other. Now, at long last, fans will get to see this duo hash it out one last time from the comfort of their homes.

Cheech & Chong’s Last Movie arrives on Paramount+ on April 20. Check out the official trailer in the player above.


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Release Date

April 25, 2025

Runtime

123 minutes

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Director

David L. Bushell

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Savannah Guthrie recounts the moment she found out mom Nancy was missing: ‘She's gone'

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Hoda Kotb had an emotional sit-down with her longtime friend and co-anchor in Guthrie’s first TV segment since Nancy Guthrie’s disappearance.

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Inside Justin Timberlake And Jessica Biel Marriage Strain

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Jessica Biel and Justin Timberlake at the 75th Annual Golden Globes

Justin Timberlake and Jessica Biels relationship is once again under intense scrutiny, with mounting reports suggesting years of strain may finally be catching up to them. 

What once appeared to be a solid Hollywood marriage has been tested by public controversies, legal trouble, career setbacks, and personal challenges. 

While the couple continues to show a united front in public, insiders say the reality has been far more complicated, with Biel now reportedly reaching a breaking point after enduring a series of difficult moments.

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Justin Timberlake Marriage Rumors Intensify As Insiders Speak Out

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Justin Timberlake’s relationship with Biel has reportedly been under pressure for years, with insiders now laying bare just how serious things have become.

“Rumors have been swirling for ages that Justin and Jessica’s marriage could be headed for trouble,” a source told the Daily Mail, pointing to the imbalance in their careers and ongoing personal challenges. 

They cited Timberlake’s last tour, describing it as a “near disaster” and his career as “waned,” as opposed to Biel who has been working on various projects lately. 

The insider didn’t hold back, adding, “There’s only so much she can put up with,” and claiming that “Justin’s almost pushed her to the edge.”

Another source echoed similar concerns, explaining, “Justin and Jessica have had a bumpy marriage, and spending time together hasn’t always been at the forefront for them – which obviously puts a strain on a relationship.” 

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They added bluntly, “His DUI and Lyme Disease issues haven’t helped either.”

Timberlake’s Arrest Forces The Couple Back Into The Spotlight

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Justin Timberlake’s June 2024 DWI arrest in Sag Harbor became a defining moment in the couple’s recent struggles.

During the incident, the singer was seen struggling through field sobriety tests, telling officers they were “really hard tests.” 

He also claimed he had “one martini and I followed my f-cking friends home,” while pushing back on being treated like a criminal and explaining that he was on a world tour.

His legal team initially tried to block the release of the footage, arguing it would expose “intimate, highly personal, and sensitive details” and lead to “public ridicule and harassment,” but a settlement ultimately allowed it to be made public.

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He later pleaded guilty to impaired driving, accepting a $500 fine, 25 hours of community service, and a 90-day license suspension. 

At the time, insiders said Biel was “embarrassed” and hoped the incident would serve as a wake-up call, especially as the couple was forced to relive the moment following the release of the footage.

Justin Timberlake’s Past Controversies Continue To Follow Him

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Long before the arrest, Timberlake had already faced moments that placed strain on his marriage.

In 2019, photos of him holding hands with co-star Alisha Wainwright in New Orleans sparked widespread backlash. 

The singer later issued a public apology, admitting to a “strong lapse in judgment” after drinking way too much, while insisting that nothing happened.

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The following year, he was criticized for speaking about the realities of 24-hour parenting during the COVID-19 pandemic, comments that were widely mocked online.

Then came renewed scrutiny from Britney Spears’ memoir, which included claims that he cheated and that she had an abortion because he “wasn’t ready” to become a father. 

While Timberlake did not directly respond to those allegations, he told fans during a performance that he was “apologizing to absolutely nobody.” 

Each controversy added another layer of pressure to an already complicated relationship.

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Timberlake’s Career Setbacks And Health Battle Add Strain

Justin Timberlake gets back to work after the controversy of being photographed holding hands with his latest co-star.
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Beyond personal controversies, Justin Timberlake has also faced professional setbacks that insiders say have added to the strain.

His Forget Tomorrow World Tour faced significant criticism and setbacks, including multiple cancellations reportedly tied to illness and complaints about lackluster performances. 

Fans took to social media to express disappointment, describing the shows as “an absolute disappointment” and saying everyone hated his mid-performance and overall stage performance. 

Others bluntly stated that “he sucked” and looked like he couldn’t wait to get off the stage!”

Amid the backlash, Timberlake revealed he had been diagnosed with Lyme disease, describing it as “relentlessly debilitating, both mentally and physically.” 

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He admitted he had considered canceling the tour while trying to shed some light on what he had been up against behind the scenes.

While he dealt with these challenges, Biel remained focused on her own career, filming projects in Morocco, Slovakia, and Hungary.

Justin Timberlake’s Future Plans Could Create Even More Tension

Justin Timberlake at Los Angeles Special Screening Of DreamWorks Animation And Universal Pictures' 'Trolls Band Together'
Rudy Torres/Image Press Agency/MEGA

Looking ahead, Timberlake may face new challenges tied to his next moves. Insiders claim a potential NSYNC reunion could become another sticking point. 

“One of the reasons there hasn’t been an NSYNC reunion is because Justin would have to devote so much time to it which would take him away from Jessica and their family, and she doesn’t like that,” a source explained.

“She feels that he doesn’t have to do a reunion. She doesn’t want him to and would rather he focus on the future,” they added.

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Despite everything, another insider insisted there is still hope, saying “there is still enough love there” and that Timberlake “wants it to work, so that’s why it is right now.”

They added that if the duo were ever to break up and get divorced, it would not be on Timberlake’s watch, but because Biel wants it. 

“He never wants to lose her,” the insider stated, noting that the “Mirrors” singer would rather stay in a miserable relationship with the chance of making it great again than choose divorce.

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Every ‘Scary Movie’ Film, Ranked From Worst to Best

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Jody and Dan Sanders looking in the same direction in Scary Movie 5

The Scary Movie franchise was originally developed by Keenan Ivory Wayans alongside Shawn and Marlon Wayans, with Keenan directing the first two films. The out-of-the-box franchise isn’t exactly what anyone would refer to as “peak comedy,” but it has still managed to withstand time for several decades and reliably keep general audiences entertained for 90 minutes. The movies, most of which star the irreplaceable Anna Faris, Shawn Wayans, Marlon Wayans, and Regina Hall, are silly and absurd, with notable jokes so dumb, lewd, crass, and occasionally corny that many might often feel a tad embarrassed when they find themselves giggling along. These spoof movies mock contemporary horror films such as The Ring, Signs, and What Lies Beneath, as well as other popular films from over the years, like 8 Mile, Thelma & Louise, and Boogie Nights.

They inspired multiple copycats, each worse than the previous one, with none of them coming close to being capable of recreating the original’s unexpected but deserving success. Like so many franchises, the Scary Movie series is inconsistent, chaotic, and irresistible; it ranges from cult comedy classics to noteworthy films that have become a staple in pop culture. However, there is something to be said about its sheer commitment to absurdity and stupidity. When looking at all five films together, it’s not exactly difficult to declare which of the Scary Movies is the best and which is the worst. The series’ early entries are not only the best-received but the most beloved among modern audiences, but is Scary Movie 3 better than Scary Movie or Scary Movie 2? The answer might be more shocking than you think (and timely to discover now that Scary Movie 6 is just around the corner).

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5

‘Scary Movie 5’ (2013)

Jody and Dan Sanders looking in the same direction in Scary Movie 5
Jody and Dan Sanders looking in the same direciton in Scary Movie 5
Image via Dimension Films

It’s not an overstatement to say that Scary Movie 5 is among the worst movies ever made and the worst in the franchise; it makes its predecessors look like masterpieces, and that’s saying quite a lot. This movie has so much contempt for the intelligence level of its viewers, it’s shocking and quite baffling. There’s no sugar-coating it; it’s bad in every possible way. Even dreadful films are usually somewhat aware of the fundamentals of movie-making, like spatial awareness and basic film editing — not Scary Movie 5, which is a movie that fails miserably at even those simplest tasks. Some would think they just didn’t even bother trying in this film and were just doing it based on some contract agreement.

The film attempts to spoof the Paranormal Activity film franchise and other popular films like Guillermo Del Toro‘s psychological thriller Mama and the Oscar-nominated Black Swan starring Natalie Portman, but there isn’t a single laugh to be found or heard among audiences (not even a little giggle). It’s hard to reconcile that people were actually paid pretty good money to make this half-attempt travesty, especially with so many talented artists working their butts off on it to get by. While watching this cinematic train wreck, the average viewer will most likely feel incredibly embarrassed for everybody involved, especially Ashley Tisdale and Simon Rex, two actors who are way too good to be involved in this unacceptable trash. In other words, some movies really shouldn’t exist, and Scary Movie 5 is by far one of them.

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4

‘Scary Movie 2’ (2001)

The main characters of Scary Movie 2 gathered at the bottom of a staircase looking scared.
Scary Movie 2
Image via Dimension Films

While no great feat, Scary Movie 2 alleviates some of the issues that plagued the original Scary Movie, resulting in a fairly decent sequel with some new and familiar talent on board. The film takes place in a spooky mansion where a social experiment is being conducted with Cindy and her friends selected as the lucky few participants due to their previous involvement with the mass murders and paranormal events from the first film. For one, Scary Movie 2 parodies some of the all-time best horror movies, including The Exorcist, The Haunting, Poltergeist, and The Amityville Horror (and randomly a spoof on a Nike commercial, which is pretty entertaining). There is also a very foul-mouthed parrot that adds a bit of derogatory shock value to the film’s overall comedy. It also has the added strength of great comedic actors like the legendary Tim Curry, Chris Elliot, and David Cross, elevating average material. The film also adds in some non-horror films, like the Oscar-winning film, Titanic, and Charlie’s Angels, which mix things up a bit plot-wise compared to the first film.

While not a complete comedy revelation, Scary Movie 2 has a fair number of jokes that are surprisingly decent and occasionally laugh-out-loud funny (“that’s my strong hand!”) The cinematography, sound design, overall acting by a colorful cast, and solid visual effects are a big improvement from its predecessor, mainly because of the large increase in the film’s budget. However, its music and gross-out gags are more overdone in this sequel, often threatening to take the film in uncomfortable and unfunny directions. Like other uneven and overly vulgar comedies, Scary Movie 2‘s quality depends on the mood of whoever is watching it. With that said, viewers should watch it only if they’re already in a good mood or willing to let some over-the-top moments pass.













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Collider Exclusive · Oscar Best Picture Quiz
Which Oscar Best Picture
Is Your Perfect Movie?

Parasite · Everything Everywhere · Oppenheimer · Birdman · No Country
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Five Oscar Best Picture winners. Five completely different visions of what cinema can be — and what it can do to you. One of them is the film that was made for the way your mind works. Ten questions will figure out which one.

🪜Parasite

🌀Everything Everywhere

☢️Oppenheimer

🐦Birdman

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🪙No Country for Old Men

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01

What kind of film experience do you actually want?
The best movies don’t just entertain — they leave something behind.





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02

Which idea grabs you most in a film?
Great films are driven by a central obsession. What’s yours?





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03

How do you like your story told?
Form is content. The way a story is shaped changes what it means.





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04

What makes a truly great antagonist?
The opposition defines the protagonist. What kind of opposition fascinates you?





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05

What do you want from a film’s ending?
The final note is the one that lingers. What do you want it to sound like?





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06

Which setting pulls you in most?
Where a film takes place shapes everything — mood, stakes, what’s even possible.





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07

What cinematic craft impresses you most?
Every great film has a signature — a technical or artistic element that makes it unmistakable.





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08

What kind of main character do you root for?
The protagonist is the lens. Who you choose to follow says something about you.





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09

How do you feel about a film that takes its time?
Pace is a choice. Some films sprint; others let tension accumulate slowly, deliberately.





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10

What do you want to feel walking out of the cinema?
The best films leave a mark. What kind of mark do you want?





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The Academy Has Decided
Your Perfect Film Is…

Your answers have pointed to one Oscar Best Picture winner above all others. This is the film that was made for the way your mind works.

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Parasite

You are drawn to films that operate on multiple levels simultaneously — that begin in one genre and quietly, brilliantly migrate into another. Bong Joon-ho’s Parasite is a film about class, desire, and the architecture of inequality that manages to be darkly funny, deeply suspenseful, and genuinely shocking across a single extraordinary running time. Your instinct is for cinema that hides its true intentions until the moment it’s ready to reveal them. Parasite is exactly that — a film that rewards close attention and punishes assumptions, right up to its devastating final image.

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Everything Everywhere All at Once

You want it all — and this film gives you all of it. The Daniels’ Everything Everywhere All at Once is one of the most maximalist films ever made: action comedy, multiverse sci-fi, family drama, existential crisis, and a genuinely earned emotional core that sneaks up on you amid the chaos. You are someone who responds to ambition, who doesn’t want cinema to choose between being entertaining and being meaningful. This film refuses that choice entirely. It is overwhelming by design, and its overwhelming nature is precisely the point — because the feeling of being crushed by infinite possibility is exactly what it’s about.

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Oppenheimer

You are drawn to cinema on a grand scale — films that understand history not as a backdrop but as a force, and that place their characters inside that force and watch what happens. Christopher Nolan’s Oppenheimer is a film about the terrifying gap between what we can do and what we should do, told with the full weight of one of the most consequential moments in human history behind it. You want your films to feel important without feeling self-important — to earn their ambition through sheer craft and the gravity of their subject. Oppenheimer does exactly that. It is enormous, complicated, and refuses easy comfort.

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Birdman

You are drawn to films that foreground their own construction — that make the how of the filmmaking part of the what it’s about. Alejandro González Iñárritu’s Birdman, shot to appear as a single continuous take, is cinema examining itself through the cracked mirror of a fading actor’s ego. You respond to formal daring, to the feeling that a film is doing something that probably shouldn’t be possible. Michael Keaton’s performance and Emmanuel Lubezki’s restless camera create something genuinely unlike anything else — a film that is simultaneously about creativity, relevance, self-destruction, and the impossibility of ever truly knowing if your work means anything at all.

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No Country for Old Men

You are drawn to cinema that trusts silence, that refuses to explain itself, and that treats dread as a form of meaning. The Coen Brothers’ No Country for Old Men is a film about the arrival of a new kind of evil — implacable, arbitrary, and utterly indifferent to the moral frameworks we use to make sense of the world. It is one of the most formally controlled films ever made, and its controlled restraint is what makes it so terrifying. You want your films to haunt you, not comfort you. You are not interested in resolution if resolution would be dishonest. No Country for Old Men is honest in a way that most cinema never dares to be.

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3

‘Scary Movie’ (2000)

Bobby, Ray, and Shorty laughing in Scary Movie
A wacky moment from the original Scary Movie
Image via Dimension Films
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Let’s be honest, Scary Movie is a weird but one-of-a-kind movie that spawned a different kind of comedy franchise by spoofing some of the most popular horror films, such as Wes Craven‘s Scream, I Know What You Did Last Summer, and The Sixth Sense. There are plenty of jokes that haven’t aged well and are politically incorrect — maybe even cruel by today’s standards — but it still has some moments that have become iconic among original fans. Whatever you may think, it rises, if not necessarily soars, on the strength of a perfectly chosen cast that vastly improves what’s on paper. Faris and Hall are comedic geniuses, and the heart and soul of the film, and their abilities are on full display in this first installment. However, the supporting cast is equally impressive, with Marlon and Shawn Wayans, Shannon Elizabeth, and Jon Abrahams embracing the film’s unhinged humor.

Still, not everything is great in this first installment. While the film takes from several films, it is primarily a parody of the Scream films. Scary Movie’s biggest failure is that Scream is already a meta-satire of the traditional slasher horror film and a far more clever, funny, and highly memorable one, for that matter. It might seem easy to just discard Scary Movie as the film equivalent of a basic photocopy of a photocopy, but it does have a variety of other films it parodies that help the movie’s overall plot (no matter how ridiculous it may get) stand out a bit. However, there is a level of genuine genius in what it did: launching a profitable franchise, initiating a cinematic movement that marked the nineties’ era, and propelling the careers of many of its stars to new heights. Scary Movie is stupidly brilliant, surprisingly quotable, and annoyingly entertaining. It offers nothing more than what it advertises, and honestly, how many films can truly say that?

2

‘Scary Movie 4’ (2006)

Brenda and Cindy wearing Saw-like traps on their necks and looking shocked in Scary Movie 4. Image via Dimension Films
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Scary Movie 4 is the second film in the humorous franchise directed by legendary spoof filmmaker and director David Zucker, who co-directed some of the best American comedies of all time, including Ruthless People, Airplane!, and The Naked Gun. Scary Movie 4 is so lightweight and breezy that when it ends, it feels like no time has passed at all. It’s a welcome mockery of the J-horror craze of the early nineties, insanely intense and graphic torture porn like the Saw series, and several alien invasion blockbusters, primarily Steven Spielberg’s War of the Worlds starring Tom Cruise. The movie also features several cameos by celebrities, most notably NBA star, Shaquille O’Neal and famed talk show host Dr. Phil, who both find themselves in one of Jigsaw’s vile games.

Iconic comedy actor Leslie Nielsen returns with his legendary spoof credentials to the floor, portraying the incompetent and bizarre President of the United States of America. His scene parodying President George W. Bush’s infamous “My Pet Goat” fiasco is a wild stand-out moment, but it does cross a slight line, which is excusable considering the tone of the film. Faris reliably delivers a stellar performance and remains the funniest attribute of the entire film series. Her wistful inclinations and earnest naivety provide even the silliest jokes with an unusual layer of truthfulness and honesty. Hall’s character, Brenda, also makes a miraculous return after her apparent death in the previous entry, mainly because this series is nothing without her and Cindy, and anything is possible in this franchise. Scary Movie 4 is a relentlessly humorous and entertaining, turn-your-brain-off experience and a more than satisfying end to the Scary Movie saga as fans knew and loved it.

1

‘Scary Movie 3’ (2003)

The President runs over an alien in Scary Movie 3 Image via Dimension Films
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The first film of the series to be directed by David Zucker, Scary Movie 3 is the most consistently funny entry of the entire film franchise. It features ridiculous spoofs of massive pop-cultural hits like The Ring, the Matrix films, 8 Mile, and M. Night Shyamalan’s Signs, and features many welcome additions to the series. Faris’ character, Cindy Campbell, is now a TV journalist investigating a series of cryptic alien crop circles and a mysterious tape that supposedly kills its victims seven days after they view it (sounds awfully familiar).

With the exit of the Wayans Brothers, the entire success of the movie is thrust onto Anna Faris and Regina Hall’s capable shoulders; suffice it to say, they more than delivered, but were helped by some newcomers such as Leslie Nelson, Anthony Anderson, Kevin Hart, and Queen Latifah. Faris has amazing comedic and even romantic chemistry with Simon Rex and spoof veteran Charlie Sheen, who nail their roles as brothers who own a farm, parodying the Mel Gibson and Joaquin Phoenix characters from Signs. The most well-written, tightly paced, and clever of the five Scary Movie films, Scary Movie 3 excels not only as a spoof movie but also as a genuine comedy, thanks to its memorable gags, overall top-notch performances, and its willingness to be something more than just a cheap mockery of horror movies.


01335436_poster_w780.jpg
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Scary Movie 3

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Release Date

October 24, 2003

Runtime
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84 minutes

Director

David Zucker

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Writers

Craig Mazin, Pat Proft

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Minor’s Claims Drive New Twist In Joseph Duggar Case

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Joseph Duggar

Disturbing new details have emerged in the case against Joseph Duggar, with a minor’s account now forming the center of a growing legal storm. 

According to newly surfaced documents, the allegations date back years and involve incidents that reportedly occurred during a family vacation.

As authorities piece together what happened, statements from family members and insiders are adding layers to an already complex and deeply troubling situation surrounding Joseph.

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Joseph Duggar Accused Of Repeated Incidents During Family Vacation

Joseph Duggar
Washington County Sheriff’s MEGA

Joseph Duggar was arrested last week in Tontitown, Arkansas, following allegations tied to incidents that allegedly occurred in Florida. 

According to an affidavit obtained by PEOPLE, the accuser, now 14, claimed she experienced various incidents of sexual abuse when she was nine years old during a trip to Panama City Beach.

At the time, Joseph and his wife, Kendra, had two children, and she was pregnant with their third.

The young girl told investigators she would often sit on Duggar’s lap, where he would “cradle [her] with his arms.”

As the trip continued, she alleged that his behavior escalated. The former reality TV star allegedly later asked her to sit beside him on a couch, where he covered them with a blanket and began touching her thighs.

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The affidavit states that during these interactions, his hand allegedly grazed her vagina while remaining outside her underwear. 

“Once the parties were covered, the defendant would pull the victim’s dress up and touch the victim’s thighs,” it revealed. 

The incidents reportedly happened multiple times, leaving the child feeling “confused” and “uncomfortable.”

Joseph Allegedly Admitted Actions During Phone Call

After the minor gave a forensic interview to a detective in Arkansas, investigators moved to gather additional evidence. 

According to the affidavit, Deputy Sheriff Darrell Norris requested that the detective and the victim’s father contact Joseph in an effort to obtain a confession.

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During that call, authorities claim the 31-year-old acknowledged what had happened. The affidavit states he “admitted his actions, stating he touched the victim over her clothing” and also “admitted his intentions were not pure.”

That alleged admission became a key component in securing an arrest warrant, which was later executed in Arkansas. 

Officials said the investigation began after a report of past sexual abuse was shared with law enforcement, leading to coordination between agencies in Arkansas and Florida. 

Joseph is now being held as he awaits extradition to face charges tied to lewd and lascivious behavior involving a minor under the age of 12.

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Joseph Duggar Faces Additional Charges Alongside Wife Kendra

Booking photo of Kendra Duggar who is now facing criminal charges alongside her husband, Joseph Duggar, after Arkansas police announced additional counts in the ongoing investigation.
Washington County Sheriffs DMEGA

As the case unfolds, Joseph is also facing additional legal trouble in Arkansas. 

The Blast reported that both he and his wife, Kendra, have been charged with four counts of second-degree endangering the welfare of a minor, as well as four counts of second-degree false imprisonment.

Kendra was taken into custody and released on bond shortly after her arrest, while her husband remains detained. 

Police noted that these Arkansas charges are reportedly not connected to the Florida case, adding another layer of complexity to the situation.

Meanwhile, Joseph’s mugshot, showing him with a thick beard and a serious expression, was released, drawing comparisons to earlier legal issues involving his brother Josh Duggar.

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Joseph’s Family Reacts As Case Sparks Shock And Outrage

The Duggar Family
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Joseph Duggar’s arrest has prompted reactions from multiple family members, many expressing shock while emphasizing support for the alleged victim. 

His brother Josh, who is currently serving a prison sentence, released a statement through his attorney, saying, per the Daily Mail, “Josh understands the stigma of being accused.” 

The statement continued, “He lives with the painful reality of how false accusations can destroy a life. He understands how the targeting of a person for publicity can twist the truth into sensationalized fiction.”

His sister Jill also addressed the situation publicly on her family blog with a post, writing, “We were shocked yesterday evening to learn of Jill’s brother’s [Joseph Duggar’s] arrest.” 

She added, “We strongly condemn abuse. We support the rule of law and hope that justice will be achieved.” 

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The statement continued with support for the alleged victim, noting, “Our hearts go out to the innocent juvenile victim of this unspeakable crime and her family.”

Joseph Duggar Case Draws Strong Words From Cousin Amy Duggar

Amy Duggar at WE Tv's Real Love: Relationship Reality TV's Past, Present and Future
Jaxon / MEGA

Joseph’s cousin Amy Duggar also spoke out, offering one of the most direct responses from within the family. 

As The Blast reported, she described her reaction as deeply emotional, saying she felt “sickened, heartbroken and deeply angry” after learning about the allegations.

Amy emphasized her concern for the alleged victim, stating that the child “deserved to be safe, protected and surrounded by people she could trust.” 

She also highlighted the courage it took for the accuser to come forward, noting that “that bravery deserves to be honored above all else.”

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While she admitted to being “utterly shocked,” Amy added that she was “not surprised that another alleged predator has emerged from this toxic system.” 

She also shared that she has worked to break harmful patterns within her own family.

In addition to her support for the alleged victim, Amy said she is praying for Joseph’s wife and children as they navigate the situation. 

She concluded by expressing hope that “justice will be served to the fullest,” as the case continues to develop.

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Gillian Anderson Teases ‘X-Files’ Reboot Will Be ‘Cool’

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Ryan Coogler on the red carpet.

Gillian Anderson is teasing the upcoming “X-Files” reboot, sparking excitement among fans of the iconic sci-fi/thriller series. The reboot will have filmmaker Ryan Coogler writing and directing the pilot episode, bringing a fresh perspective to the beloved franchise that spawned one revival, two movies, and a spin-off series.

Gillian Anderson Says ‘X-Files’ Reboot Will Be Different

At an appearance at Awesome Con in March, “The X-Files” alum was asked about the new reboot of the sci-fi series and whether she had spoken with the director about the project. Anderson confirmed that she had, indeed, “had a few conversations” with Coogler.

“He’s such a cool guy, and so talented. And the pilot script is really good. I would say, have an open mind and give it a chance, because it’s gonna be f-cking cool. It really is,” Anderson shared with the audience.

Anderson went on to say that the reboot will be “different” and “special” but didn’t divulge other details.

‘The X-Files’ Reboot Is In Development At Hulu

Coogler, most known for directing “Sinners,” “Black Panther,” and “Creed,” has been working on the “X-Files” reboot since 2023. In February, Hulu greenlit a pilot episode for the show, and the first major cast member was announced.

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Anderson and David Duchovny were the stars of “The X-Files,” playing Dana Scully and Fox Mulder, respectively. The two FBI agents, one a skeptic and the other a believer, team up to solve bizarre and unexplained cases as well as investigate government conspiracies that often test their beliefs.

The new series will focus on new characters, and actress Danielle Deadwyler will be taking on the role of one of the agents; her partner has yet to be named. The creator and showrunner of the original “X-Files,” Chris Carter, will serve as an executive producer for the reboot.

Ryan Coogler Wants To Create Something ‘Scary’

Ryan Coogler on the red carpet.
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Coogler spoke about his vision for the “X-Files” reboot in April 2025 during an appearance on “Last Podcast on the Left.” The filmmaker expressed his excitement over the project, adding that he was “fired up” to work on it.

“Some of those episodes, if we do our jobs right, will be really f-cking scary,” Coogler noted, adding that he wants to pay homage to the original series but also create something new. “We’re gonna try to make something really great and really be something for the real X-Files fans, and maybe find some new ones,” he explained.

In another podcast, “Happy Sad Confused,” Coogler revealed that he took on the project, as he used to watch the show with his mother. “It’s one of the most beautiful American television shows ever made,” he said, adding that in the reboot, he intends to include “monsters of the week and also the overarching conspiracy.”

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Gillian Anderson Has Shown Interest In The Reboot

Gillian Anderson at Chlo show during Paris Fashion Week
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As Anderson said, she has been in contact with Coogler regarding the reboot and has been optimistic about the revival of “X-Files.” While promoting the movie “The Salt Path” in April 2025, Anderson briefly spoke about the reboot, saying that he thinks Coogler is the “perfect person” for the job and wished him the “best of luck.”

However, she also expressed her interest in appearing in the show, saying, “At some point, if the phone rings and it’s good and it feels like the right time, perhaps.” While addressing the filmmaker, she said, “Call me.”

Coogler shared that he has spoken to Anderson, saying, “She’s incredible, and fingers crossed there.”

In 2024, Duchovny was asked about his thoughts on the new “X-Files,” and he responded, “I don’t really have any thoughts on it. It seems to be a whole separate project. I wish them luck.”

Inside The ‘X-Files’ Franchise

“The X-Files” first aired in 1993 and ran for nine seasons, concluding in 2002. The show was later revived in 2016 for an additional two seasons, with Anderson and Duchovny reprising their roles as Scully and Mulder. The revival concluded in 2018.

In addition, two “X-Files” films were also released, the first in 1998 titled “The X-Files,” which premiered between seasons five and six, and the second, “The X-Files: I Want to Believe,” released in 2008 after the original run ended.

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The “X-Files” universe was further expanded with two spin-offs, “The Lone Gunmen” and ” Millennium,” each exploring new stories within the same world.

The pilot shoot for Coogler’s reboot is scheduled to start in May.

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Jessica Alba’s Oscars Blowout Stayed Flawless With This $28 Spray

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Us Weekly has affiliate partnerships. We receive compensation when you click on a link and make a purchase. Learn more!

Jessica Alba’s red carpet hair always hits that sweet spot between polished and touchable — and for the Vanity Fair Oscars Party, it was all about soft, bouncy volume with movement. Celebrity hairstylist Brittney Ryan created the look by spraying Innersense Organic Beauty I Create Finish Finishing Spray onto a paddle brush, then brushing through Alba’s hair to sculpt that airy, lifted blowout without locking it into place.

This isn’t your typical “set it and forget it” hairspray. The formula is designed to be flexible and buildable, which means you can shape, brush through and refine your style without hitting that stiff, overdone point. It lets your blowout keep its bounce — the volume stays lifted, but the movement never disappears.

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Get the Innersense Organic Beauty I Create Finish Finishing Spray for $28 at Amazon! Please note, prices are accurate as of the publishing date but are subject to change.

Plus, it feels incredibly lightweight. The mist is ultra-fine, so it disperses evenly and never concentrates in one spot, which is often what causes that crunchy texture. You can layer it at the crown for lift, through the mid-lengths for structure, or lightly at the ends for a polished finish — all without weighing the hair down or dulling its natural shine.

Amal Clooney at the


Related: Amal Clooney’s Glossy Hair Secret Is a $30 Shine Spray

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If there’s one person who consistently delivers that impossibly sleek, expensive-looking beauty vibe, it’s Amal Clooney. Whether she’s stepping out on a red carpet or a gala, her hair always looks glossy, smooth and totally rich. It’s the kind of shine that makes Us do a double-take, and wonder what she’s using. Turns out, her […]

This finishing spray also adds a subtle smoothing effect that makes hair look more intentional and refined. Flyaways are tamed, ends look a bit more defined and everything just falls into place a little easier. Rather than giving that overly glossy, lacquered finish, it creates a soft sheen that reads healthy and expensive, like your hair just naturally behaves this well.

One Amazon reviewer raved: “This Innersense I Create Finish spray is honestly the best hairspray I’ve used — it gives great hold without feeling crunchy or sticky. I love that it’s clean, non-toxic, and still keeps my style in place all day.”

If your usual finishing spray makes your hair feel stiff or overworked, this is the kind of upgrade that changes the entire end result. Shop the spray for a red carpet-ready blowout today!

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Get the Innersense Organic Beauty I Create Finish Finishing Spray for $28 at Amazon! Please note, prices are accurate as of the publishing date but are subject to change.

Looking for something else? Explore more finishing sprays here and don’t forget to check out all of Amazon’s Daily Deals for more great finds!

LOS ANGELES, CALIFORNIA - FEBRUARY 20: Hilary Duff attends her


Related: Get Hilary Duff’s Cool-Girl Waves With This $34 Texture Spray

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Hilary Duff is coming clean. The pop artist, who is currently promoting her comeback album luck… or something, recently sat down with Alex Cooper of “Call Her Daddy,” discussing everything from details from her discography to what it was like growing up in the spotlight. While Duff definitely spilled some tea about the behind-the-scenes of […]

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10 Forgotten War Movies That Are Still Masterpieces Today

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A group of soldiers in The Bridge

Some of the biggest blockbusters and most beloved classics are war movies. It’s a genre that always seems to fascinate people, for understandable reasons. However, there are also plenty of great war films that are not as famous or successful, but which are certainly still worth checking out.

The titles on this list look at war from unusual angles: through the eyes of children, reluctant soldiers, opportunists, or men trapped inside systems they cannot escape. These films may lack the scale or recognition of bigger titles, but they often offer something far more intimate and unsettling.

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‘The Bridge’ (1959)

A group of soldiers in The Bridge Image via Deutsche Film Hansa

“You must hold the bridge at all costs!” Set in the final days of World War II, The Bridge follows a group of German schoolboys who are conscripted into the army as the Third Reich collapses. Filled with naive patriotism and a desire to prove themselves, they are assigned to defend a small, strategically meaningless bridge. However, reality soon shatters all their illusions. Gunfire rains down, and casualties mount. Director Bernhard Wicki, a major figure of German postwar cinema, builds this premise into a harrowing anti-war statement, critiquing military propaganda in particular.

It’s also simply a tragic coming-of-age story, a portrait of innocence destroyed. At the beginning, the boys treat war as an adventure, but in the end, it’s little more than a nightmare. There are no grand victories for them; only confusion, fear, and irreversible loss. The combat is chaotic, frightening, and stripped of glory. The aesthetic is restrained and realistic, making the message hit all the harder.

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‘Overlord’ (1975)

A soldier in Overlord Image via Criterion

“I’ll probably be dead before tomorrow.” Overlord is another bleak but powerful World War II movie, full of food for thought. It centers on Tom Beddows (Brian Stirner), a young British soldier preparing for the D-Day invasion during World War II. Through a mixture of dramatized scenes and archival footage, the film traces his journey from basic training to the eve of the Normandy landings. A sense of inevitability hangs over him the whole way through. From early on, it feels as though Tom’s fate is already sealed.

The film’s style reinforces this unsettling mood. The fusion of news clips and a fictional plot is effective, reminding us that these events were very real. While Tom himself is a creation by the writers, he’s an everyman character, serving as a stand-in for countless young troops who were thrust into this war. Through him, Overlord examines World War II from a more meditative, philosophical perspective than one normally sees, less concerned with action than emotion.

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‘Play Dirty’ (1969)

Michael Caine dressed as a soldier in Play Dirty Image via United Artists

“In war, truth is the first casualty.” Michael Caine leads this one as Captain Douglas, a cynical British officer assigned to lead a group of misfit commandos on a dangerous mission behind enemy lines in North Africa during World War II. Their objective is to destroy German fuel depots, but internal rivalries and shifting loyalties threaten the operation from within. In particular, Douglas clashes with the rough, pragmatic Captain Cyril Leech (Nigel Davenport), a man with very different views on discipline and honor.

This setup becomes a tense men-on-a-mission movie in the vein of The Dirty Dozen, but with some class politics and social tensions thrown in. Indeed, Play Dirty is very much a genre movie, but one that frequently subverts audience expectations. It gets unusually bleak as it rolls along, and the characters are a little more complex than one might expect. Caine, as always, elevates his part, convincingly playing someone whose idealism is eroding in contact with reality.

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‘My Way Home’ (1965)

A soldier holding a statue's face in my way home Image via MAFILM Stúdió 4

“I don’t understand what you’re saying.” My Way Home is a lyrical Hungarian drama about a young boy (András Kozák) who escapes from a prisoner-of-war camp and attempts to make his way home across a war-torn countryside. Along the way, he forms a fragile, wordless connection with a Russian soldier (Sergei Nikonenko), despite the fact that they cannot understand each other’s language. Their bond becomes a quiet act of defiance against division.

Indeed, the film’s focus is on the possibility of human connection, even across the widest cultural and ideological chasms. It’s an anti-war movie that offers a few glimmers of hope. By removing traditional elements like battles and action, director Miklós Jancsó highlights the loneliness, fear, and randomness that often define the wartime experience. However, even in this grim environment, friendship is possible. The storytelling is fittingly minimalist: dialogue is obviously sparse, and much of the narrative unfolds through movement, silence, and observation.

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‘Lacombe, Lucien’ (1974)

A man and a woman in lacombe, luciien Image via 20th Century Studios

“I didn’t choose anything. It just happened.” This war drama was directed by Louis Malle, the filmmaker behind Au revoir les enfants and My Dinner with Andre. The title character (Pierre Blaise) is a bored and directionless French teenager living in rural France during the Nazi occupation. After being rejected by the local Resistance, he impulsively falls in with a group of collaborators working with the German authorities. From there, he becomes increasingly involved in their activities, not out of ideology, but out of convenience, curiosity, and a desire for belonging.

Blaise does a fine job in his role, fleshing the character out and making him feel strikingly real. He and Malle lean into Lucien’s messiness and complexity, as well as his ordinariness. He is passive and often morally indifferent, making some of his actions later in the film all the more disturbing. Through him, the movie raises uncomfortable questions around apathy and how easy it is to participate in oppressive systems.

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‘Fires on the Plain’ (1959)

Gun pointed at unknown person in Fires on the Plain
Gun pointed at unknown person in Fires on the Plain
Image via Daiei Film

“I have nothing left to eat.” This Japanese film follows Private Tamura (Eiji Funakoshi), a soldier wandering through the Philippines during the final stages of World War II. Sick, starving, and abandoned by his unit, Tamura is left to fend for himself in a landscape where survival becomes increasingly desperate. He searches for food while encountering other soldiers who have been reduced to the same wretched state. What follows is a deeply grim study of war’s ugliest elements.

The realism is unflinchingFires on the Plain shows us corpses, abandoned villages, and starving men, all of it disturbingly convincing. However, there are also occasional poetic moments amid the bleakness, and certain objects (like salt and a grenade) take on symbolic weight. This anti-war movie is psychologically intense, too. As Tamura’s condition worsens, the line between sanity and madness begins to blur. His journey becomes not just physical but existential, raising questions about what it means to remain human in extreme conditions.

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‘The Train’ (1964)

An explosion sees from above in The Train Image via United Artists

“Art belongs to France.” The Train is an action-thriller directed by John Frankenheimer, best known for The Manchurian Candidate and Ronin. During the final days of World War II in Nazi-occupied France, a German officer (Paul Scofield) is obsessed with transporting stolen French art treasures back to Germany before the Allies arrive. Opposing him is our protagonist, a reluctant French Resistance railway inspector (Burt Lancaster), who is drawn into a dangerous mission to stop the train.

Both lead actors are strong here, and their dynamic is compelling. The German officer, in particular, is more interesting than your average baddie, driven by a genuine desire to preserve art, though one that takes twisted and pathological forms. On the directing side, Frankenheimer keeps the pace brisk and the tension high, serving up several killer set pieces using real locomotives and practical effects. The train crashes, explosions, and sabotage operations feel tangible, which is a key reason the movie works.

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‘The Hill’ (1965)

The Hill - 1965
Sean Connery in The Hill, directed by Sidney Lumet
Image via Metro-Goldwyn-Mayer

“This place breaks men.” The great Sidney Lumet made this one, though it’s not as well-remembered as his classics like 12 Angry Men or Dog Day Afternoon. The Hill unfolds inside a brutal British military prison camp in North Africa during World War II. There, soldiers who have committed disciplinary offenses endure harsh punishments at the hands of sadistic officers. Cruelest of all, they are forced to repeatedly climb a man-made hill under the scorching sun, a Sisyphean task meant to break their spirits.

At the center of all this is Joe Roberts (Sean Connery), a defiant prisoner who resists the authority of the guards. The focus here is very much on psychology. The central conflict is not between opposing armies, but between individuals and an oppressive authority structure. Lumet does a great job of conveying the emotional strain the characters are under, leaning into close-ups, stark lighting, and claustrophobic framing. The atmosphere is harsh but immersive.

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‘Cross of Iron’ (1977)

James Coburn as Feldwebel Rolf Steiner in Cross of Iron
James Coburn as Feldwebel Rolf Steiner in Cross of Iron
Image via Constantin Films

“We’re here to kill Russians.” This lean, mean movie from Sam Peckinpah, the master of brutal cinema, bucks convention by having German soldiers as its main characters. Set on the Eastern Front, Cross of Iron follows a unit of German soldiers fighting against overwhelming Soviet forces. They include Sergeant Rolf Steiner (James Coburn), a hardened and pragmatic soldier who cares deeply about the men under his command. He clashes with Captain Stransky (Maximilian Schell), an ambitious officer obsessed with winning the Iron Cross for personal glory.

The film is intense and hardcore, with disorienting action sequences defined by mud, confusion, and deafening explosions. These scenes are frequently absurd, as well, with Peckinpah often juxtaposing moments of brutality with images that highlight its futility. Finally, on the thematic side, Cross of Iron is surprisingly ambiguous and intelligent. It avoids simple notions of good versus evil and instead highlights the shared suffering of individuals caught in a destructive system.

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‘The Steel Helmet’ (1951)

A soldier behind the trenches in The Steel Helmet Image via Lippert Pictures

“War isn’t what you think it is.” Sergeant Zack (Gene Evans) is an American soldier during the Korean War who survives an ambush and joins a small group of soldiers attempting to reach safety. Along the way, they must contend with enemy forces, unreadable civilians, internal tensions, and tough moral dilemmas. The movie was made on a low budget and tight schedule, which actually works to its benefit, giving everything a raw and urgent feel. At times, it almost seems like a documentary.

Plus, The Steel Helmet deserves credit for being thematically bold at a time when the Korean War was still underway. For instance, the film doesn’t hold back when it comes to critiquing ideological contradictions or racial tensions within the military. This approach was a break with most war movies of the 1950s, which tended to be patriotic and fundamentally upbeat. All in all, The Steel Helmet is a tense, smart movie that has aged well.


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The Steel Helmet

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Release Date

February 2, 1951

Runtime
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85 Minutes

Director

Samuel Fuller

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Stephen Colbert Lands Surprising Gig After End Of Late Night

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An Evening With Stephen Colbert And Tony Gilroy: Andor Season 2

Stephen Colbert is showing that the end of one chapter can spark an even bigger beginning of another! 

When CBS announced they were pulling the plug on “The Late Show with Stephen Colbert,” with the final episode set for May this year, it signaled the close of Colbert’s late-night era. 

However, as that curtain falls, Colbert is opening a new one, being a screenwriter alongside his son, on a major fantasy film. 

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Stephen Colbert Lands Surprising Movie Gig as He Retires From Late-Night 

An Evening With Stephen Colbert And Tony Gilroy: Andor Season 2
ZUMAPRESS.com / MEGA

The 62-year-old host is leaping into blockbuster filmmaking, co-writing a new installment in “The Lord of the Rings” franchise with his son, Peter McGee, and longtime collaborator Philippa Boyens.

Warner Bros. shared the announcement on social media, posting a video of Colbert discussing the project with director Peter Jackson.

Colbert said that he had been a big fan of J.R.R Tolkien’s books but found parts from “The Fellowship of the Ring” that never made it into the original trilogy.

“I thought, Oh wait, maybe that could be its own story that could fit into the larger story,” Colbert said, per the Daily Mail. “Could we make something that was completely faithful to the books while also being completely faithful to the movies that you guys had already made?”

He added that he spoke with his son and they developed a story and summoned the courage to pitch it to the director, who ultimately embraced the idea. The film is called “Shadow of the Past,” and it follows Sam, Merry, Pippin, and Sam’s daughter Elanor as they uncover hidden secrets about the War of the Ring.

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The Comedian Had Previously Teased a Career Shift

CBS has cancelled the Late Show with Stephen Colbert. Seen here in October 2022 in NYC
Eric Kowalsky / MEGA

News of Colbert’s new film venture arrives months after he jokingly hinted at exploring a different path while preparing to exit late-night television.

As The Blast reported, last July, Colbert appeared on the “La Culturistas” podcast hosted by Bowen Yang and Matt Rogers, where he playfully challenged them to convince him to try podcasting.

Yang and Rogers teased that if he ever made the change, he would likely surpass their show and dominate Time Magazine’s list of top podcasts. They even pitched ideas, with Yang suggesting a relatable concept centered on dates, co-hosted with Colbert’s wife, Evie McGee.

Colbert first revealed his show’s cancellation during a July 17 broadcast, with CBS later clarifying that the decision was driven purely by financial considerations and not based on ratings.

Donald Trump Mocked Stephen Colbert’s Show Cancellation 

Donald Trump on the South Lawn
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After CBS’s confirmation, Trump was first in line to react, taking to his Truth Social platform to mock Colbert. 

“I absolutely love that Colbert got fired. His talent was even less than his ratings. I hear Jimmy Kimmel is next,” the U.S president wrote, according to The Blast

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Trump’s remark comes after years of on-air criticism from Colbert. One of such times was when the former “Comedy Central” anchor speculated about the billionaire mogul’s appearance after noticing his hands appeared to be covered with concealer during a public outing.

Stephen Colbert’s Comeback at Trump Earned Him Backlash From MAGA Supporters 

2019 PaleyFest LA - CBS's 'An Evening with Stephen Colbert'
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Colbert didn’t hold back in his response to Trump. During a subsequent episode, he quoted Trump’s comment before firing back.

“How dare you, sir? Would an untalented man be able to compose the following satirical witticism? Go f-ck yourself!” the Grammy Winner said. 

However, Colbert’s reply did not land well with social media users, as they slammed him for reportedly incurring losses for the network company. 

Per The Blast, one critic commented, “What a sore loser. He had a staff of over 200 people, a budget of over $100 million, and was paid over $16 million a year. All the while the show was losing $40 million a year!”

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Colbert Turns His Exit Into Comedy Material

Stephen Colbert at New York Comic Con Day 2
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Despite the show’s impending end, Colbert has continued to find humor in the situation. The Blast reported that at the 2025 Emmy Awards, where he took home a win, he delivered a heartfelt acceptance speech while poking fun at his television career.

He thanked CBS for allowing him to be part of the late-night tradition and expressed hope that it would continue beyond his tenure. Later, while presenting the award for Best Actor in a Comedy Series, the TV personality became the butt of his own jokes. 

Colbert asked if anyone was hiring and then pulled out an old headshot from his early career, quipping that it still “works,” before asking Harrison Ford to deliver it to Steven Spielberg.

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