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The Sony Spider-Man Universe, or SSU, is effectively dead. It went out, not with a bang, but with a bomb. Or rather, a whimpering dud of a bomb with the release of Kraven the Hunter. Despite the financial success of the Venom trilogy, the SSU could not survive the multiple failures of Morbius, Madame Web, and Kraven the Hunter in such quick succession. And apparently, that was not enough because Sony Pictures Chairman Tom Rothman recently revealed on The Town Podcast that Sony Pictures is planning a “fresh reboot” of its cinematic Spider-Man Universe with “new people.” All of this just mere weeks before the MCU revealed their first trailer for Spider-Man: Brand New Day, boosting excitement for the world of Peter Parker once more. If Sony Pictures is serious about making a new Spider-Man Universe, they cannot commit the same grievous mistakes again, and they need a completely different approach.
The SSU was a byproduct of the overwhelming success of the Marvel Cinematic Universe (MCU). Sony Pictures clearly wanted to mimic Marvel Studios’ success, and they already had the rights to Spider-Man and his supporting cast. Spider-Man is undoubtedly one of Marvel’s most popular characters, but the executives at Sony believed they could simply make badly conceived and plotted spin-offs of Spider-Man that were only loosely connected, if at all, to the new MCU version of Spider-Man, starring Tom Holland. Not to mention, it seemed fairly obvious that Marvel Studios President Kevin Feige wanted nothing to do with the SSU. Case in point, that tease at the end of Venom: Let There Be Carnage, and it’s an utterly disappointing payoff.
The lack of interconnectivity was a big problem, as that is a major selling point of the MCU — that it’s all intertwined as a singular cohesive motion picture franchise across movies and television. The other major problem consisted of the spin-offs of obscure characters or key villains in Spider-Man’s rogues gallery, resulting in awful movies like Morbius and Kraven the Hunter. Kraven is one of Spider-Man’s greatest villains, and he does not warrant his own movie. He should appear in a Spider-Man movie where he targets Spider-Man, adapting a seminal comic book storyline like Kraven’s Last Hunt. Forcing the character into such a half-baked plot where Kraven is transformed into an anti-poacher vigilante who tangles with The Rhino, another iconic Spider-Man rogue, was utterly disappointing.
Madame Web was an utter disaster with its attempt to slot a square peg into a round hole, showcasing a contrived, convoluted storyline that attempts to connect Cassandra Webb (Dakota Johnson) to other Spider-Heroes, who are marginalized in the movie, and an unnamed infant Peter Parker. Additionally, Madame Web is another character who is not strong enough to warrant her own spin-off. She’s literally like a soothsayer and a Spider Oracle in the comics and certainly not a superhero who deserves her own cinematic origin story.
If Sony Pictures is serious about pushing forward with the SSU, they have to take a completely new and fresh approach, avoiding the past failed attempts, meaning villain spin-off movies are off the table for now. Instead, it’s time to make some movies about the other Spider-Heroes. The next natural step is staring Sony right in the face: Spider-Man 2099. The Spider-Verse animated movies have already proven that Spider-Man 2099, aka Miguel O’Hara (voiced by Oscar Isaac in the Spider-Verse movies), can work on the big screen. The easy answer: make a live-action Spider-Man 2099 movie that is set in the far future, so the character is far removed from the present timeline. That eliminates any worries about connectivity and continuity, so the creatives can instead focus on Miguel O’Hara’s story.
Elsewhere, a strong multitude of Spider-Heroes can lead their own movies and beyond. Consider Scarlet Spider, aka Ben Reilly, Ghost Spider/Spider-Woman (popularly known as Spider-Gwen, aka Gwen Stacy), and of course, Peter Parker’s successor, Miles Morales. Sony Pictures should focus on these heroes instead of trying to turn Spidey’s villains into lame antiheroes. Have them fight villains like Morbius, Kraven, and The Rhino rather than crafting obscure minor characters in their own cinematic entries, where they likely won’t even meet or interact with Spider-Man. The new SSU needs to start with the big guns before moving on to obscure characters, attempting and failing to make Hypno Hustler, Rocket Racer, Silver Sable, Cardiac, and The Prowler into their own movies. See the failed attempt at making El Muerto, starring Bad Bunny, for reference.
Let’s remember how the MCU took off. In Phase 1, Marvel Studios took the time to build out its universe. It focused on the heavy hitters first, the legendary Big 3 with Iron Man, Captain America: The First Avenger, and Thor, who eventually coalesced into The Avengers in 2012. That succeeded because Marvel Studios laid the foundation for the MCU and built equity and audience trust, allowing the studio to eventually attempt Guardians of the Galaxy in 2014—a big risk that paid off. Sony Pictures failed to build out its universe at first, especially considering that it is extremely limited in its corner of the Marvel Universe.
Additionally, if the new SSU moves forward, Sony might want to consider making the movies completely standalone rather than an interconnected shared cinematic universe. The interconnectivity of the old SSU was not well executed anyway, so it would be easier to jettison that aspect completely. Sony Pictures cannot simply view the new SSU as IP that they can will into success because of a loose association with Spider-Man. If the Sony executives repeat past mistakes, except this time with different characters like The Grizzly, The Kangaroo, and Boomerang, the new SSU is destined for another embarrassing failure.
Venom is available to stream on Disney+ in the U.S.
September 28, 2018
112 minutes
Ruben Fleischer
Jeff Pinkner, Scott Rosenberg, Kelly Marcel, David Michelinie, Todd McFarlane
Avi Arad, Matt Tolmach, Amy Pascal
As one of the most powerful figures in modern TV, Ryan Murphy has created a slate of genre-defining shows that consistently dominate both ratings and the cultural conversation. This year alone has already seen the release of the sci-fi body horror The Beauty and the biographical romance anthology Love Story, both of which have earned generally favorable responses from critics and audiences alike. That’s not all from Murphy in 2026, however, as his biggest fantasy series is set to return this fall after a lengthy wait, much to the excitement of longtime fans.
Having last aired in 2024, American Horror Story is back in production in New York City with some fan-favorites confirmed to return for the show’s 13th run. While primarily described as a horror anthology, the series has long incorporated elements of fantasy and the supernatural, including witchcraft, demons, vampires, and ghosts. The new season was originally expected to premiere on Halloween, October 31, 2026; however, as Murphy recently teased on Instagram, American Horror Story Season 13 may arrive sooner than anticipated.
The 13th installment of the iconic horror series turns its gaze back to Miss Robichaux’s Academy for Exceptional Young Ladies. About 24 hours ago, Murphy made the announcement, revealing the show’s return window and confirming Sarah Paulson‘s return as Cordelia Goode. “AHS 13,” the iconic director wrote. “The Return of @mssarahcatharinepaulson as Cordelia Goode. The Supreme Rises. And yes, we have rebuilt the entire Robichaux Academy. Coming this September.”
Last Halloween, Murphy revealed the cast list for the highly anticipated Season 13 on Instagram, and, as American Horror Story fans know, it is similar to that of the Coven and Apocalypse seasons. The cast list includes Paulson, Evan Peters, Angela Bassett, Kathy Bates, Emma Roberts, Billie Lourd, Gabourey Sidibe, Leslie Grossman, new addition Ariana Grande, and, surprisingly, Jessica Lange. Lange, in a February 2025 interview, claimed she would not return to the series; however, on April 6, 2026, Murphy posted first-look photos of the actress dolled up like Constance Langdon, standing in front of the window of her beloved Murder House. The Instagram post’s caption read: “American Horror Story, Season 13. Day One. The return of Jessica Lange!”
American Horror Story returns this year with Season 13. You can see the first look image of Paulson above and the other posts with Roberts and Lange on Ryan Murphy’s official Instagram page. Stick with Collider for the latest entertainment updates.
October 5, 2011
Alfonso Gomez-Rejon, Jennifer Lynch, Michael Uppendahl, Loni Peristere, Gwyneth Horder-Payton, Ryan Murphy, David Semel, Howard Deutch, Michael Lehmann, Angela Bassett, Jeremy Podeswa, Max Winkler, Michael Rymer, Paris Barclay, Axelle Carolyn, Anthony Hemingway, Craig Zisk, Elodie Keene, Jennifer Arnold, Jessica Yu, John Scott, Laura Belsey, Liz Friedlander, Maggie Kiley
Halley Feiffer, Ned Martel, Crystal Liu, Charlie Carver, Kristen Reidel, Adam Penn, Douglas Petrie, Todd Kubrak, Reilly Smith, Jay Beattie, Dan Dworkin, Joshua A. Green, Akela Cooper, Asha Michelle Wilson
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The streamer features shows with versions of the future filled with space tourism, cannibalism, and cultural collapse.
Of all the characters that deserve the chance of a second adaptation in HBO’s upcoming Harry Potter series, Sirius Black is high on many people’s lists. It will be at least two years until we first see how the series chooses to reinvent one of the most intricate characters in the novels, with the movies unable to dedicate enough time to his brief, three-book run. Of course, Black was played in the movies by the great Gary Oldman, and remains one of his more memorable cinematic performances.
However, the peak of Oldman’s career came after his time in the Wizarding World, when he finally took home the Academy Award for Best Actor for his portrayal of British wartime prime minister Winston Churchill in director Joe Wright‘s Darkest Hour. One of six nominations the film earned at the 90th Academy Awards, Darkest Hour also picked up a second prize for Best Makeup and Hairstyling, awarded to Kazuhiro Tsuji, David Malinowski, and Lucy Sibbick. Set in the early days of World War II, the film follows Oldman’s newly appointed prime minister as he faces the tough decision to either negotiate with the opposition or forge a legacy for himself that will be remembered forever.
At the box office, Darkest Hour was a huge success, no doubt thanks to the positive discourse around Oldman’s lead performance. Against a reported budget of $30 million, the movie grossed a huge $150 million worldwide, split between a $56 million domestic haul and $94 million from overseas markets. Almost a decade since the film’s theatrical debut, anyone looking to watch this WWII biopic will have to hurry, as Darkest Hour is officially leaving Netflix on May 1, 2026.
The years since its Academy Awards success haven’t been kind to Darkest Hour, due mainly to many thinking it was chosen to win Oscars in the place of more deserving nominees. However, at the time it was released, Darkest Hour was nothing short of a critical darling. Scoring a “certified fresh” rating of 84% on review aggregator Rotten Tomatoes, the consensus from critics on the site reads, “Darkest Hour is held together by Gary Oldman’s electrifying performance, which brings Winston Churchill to life even when the movie’s narrative falters.”
Darkest Hour is set to leave Netflix on May 1, 2026. Make sure to stay tuned to Collider for all the latest streaming stories.
November 22, 2017
125minutes
Joe Wright
Anthony McCarten
Paulina Porizkova is showing off her stunning figure in a vibrant red bikini ahead of her 61st birthday.
Taking to Instagram on Thursday, April 9, Porizkova flaunted her abs in the swimwear as she shared an empowering message about aging.
“I’m trying on this new super cute summer bikini and I’m reminded how far I’ve traveled in self-acceptance. I will be 61 tomorrow,” she said via the social media clip. “And I understand that this might sound crazy to you, but 40 years ago when I was 21 and when I was at the height of my career and supermodel-dom, that was when I felt the most insecure.”
Porizkova explained that there were several factors in her younger years that caused her to be insecure.
“[It was] partly because [of] the endless comparisons to other models by the people who employed me. I never seemed to be good enough,” she explained. “And of course, partly because my self-worth was entirely tied to my looks.”
Porizkova said she was leaving behind the insecurities to embrace her current age.
“So today I’m trying on this cute summer bikini and I flex muscles that I’ve been working my cellulite butt off for. And not necessarily so I can look best in this bikini, but to feel my best in this sixth decade,” she said.
She then joked, “You know, actually? Who am I kidding? I kicked my workout up like 10 notches because I do want to look my best this summer, but not necessarily in a bikini… in a wedding dress.”
Porizkova has often been candid about aging, beauty and body positivity via her social media posts.
Last month, Porizkova stripped down to lingerie for a shoot she shared via her Instagram, telling her followers that “good light and posing” is the secret to looking great.
“Smoke and mirrors, folks. That’s how you make it look good for a moment,” the model captioned the March 12 post. “The truth is, gravity takes its toll. But! Gravity has also built your strength so you can hold your head higher than ever.”
In July 2025, Porizkova shared another sizzling lingerie snap via her Instagram and spoke about the effort she’d put in to maintain her figure.
“This is 60 years of sometimes healthy eating, sometimes not,” she captioned the post. “60 years of sometimes working out, sometimes not. 60 years of doing the right things followed by doing the wrong things and over again and again.”
Porizkova added that she’s still learning things in life, even when she thinks she’s “figured” everything out.
She continued, “The beauty of 60 is that now I understand the importance is IN the lesson, not passing the exam.”
Mick Fleetwood is celebrating love once again, as he marries for the fifth time. The Fleetwood Mac drummer has been married four times before to three different women, with his last divorce finalized in 2015. Now, he appears to have found happiness again, embracing a new chapter with his longtime partner, Elizabeth Jordan.
Mick Fleetwood is celebrating his marriage to Elizabeth Jordan, sharing the news on social media. On March 28, the 78-year-old drummer took to Instagram to share a few snapshots, writing that he was enjoying his honeymoon in the South Pacific.
One of the photos shows the couple, who appeared to be dressed in their wedding attire, posing for a snapshot with Fleetwood concealing their faces from the camera with his fedora. In another photo, the newlyweds were captured mid-kiss, with Jordan’s back facing the camera. Two other photos showed the musician enjoying the view and the crystal blue waters.
It isn’t known when the wedding occurred, but as musician Mike Lawson revealed on Threads last year, as reported by the Daily Mail, they were engaged in March 2025. “Mick Fleetwood just texted and said he is marrying his girlfriend of five years, Elizabeth. How cool, finding love and making that commitment is beautiful. Congrats!” Lawson wrote.

According to reports, Fleetwood and Jordan have been together since 2023, making their relationship public at the Grammy Awards, where the drummer performed a tribute to her late Fleetwood Mac bandmate, Christine McVie, who died of a stroke in 2022.
Jordan is a licensed realtor based in Hawaii and owns a property management company with properties in New York, California, and Maui. Moreover, she serves as the director for the Mick Fleetwood Foundation, a non-profit organization that Fleetwood launched in 2023 to promote and fund music education in schools.

Fleetwood has had a well-documented romantic history, with the latest union with Jordan marking his fifth marriage.
His first wife was Jenny Boyd, whom he married in 1970 and divorced six years later. However, the couple reconciled briefly, marrying for a second time in 1977 and divorcing again in 1978. They share two daughters, Amy and Lucy.
Fleetwood had an affair with bandmate Stevie Nicks while he was married to Boyd, with the drummer describing that time as “very bright and crazy” in his 2014 memoir “Play On: Now, Then, and Fleetwood Mac.” Nicks also acknowledged the affair publicly, admitting that the song “Sara” was about Fleetwood.
In 1988, Fleetwood tied the knot with Sara Recor, who was one of Nicks’ closest friends. The drummer had an affair with Recor while he was with Nicks, which strained the friendship. However, the two later reconciled. Fleetwood and Recor divorced in 1995.
Fleetwood’s third wife was Lynn Frankel, marking his fourth marriage. They married in 1995 and welcomed twin daughters, Tessa and Ruby, in 2002. They separated in 2013, and their divorce was finalized in 2015.
Many fans were surprised to hear about Fleetwood’s marriage and expressed their reactions on social media.
“I don’t think there’s a reasonable limit for rock stars,” one wrote, noting the drummer’s fifth time getting married. “People who marry that many times are the ultimate optimists. Congrats to them,” another added. “Still a good looking man and she is very pretty. Best of luck to both of them,” one wrote.
“He will never break the chain,” one user commented, referencing Fleetwood Mac’s classic song, “The Chain.” “Fifth time lucky!” said another.
Fleetwood Mac was formed in London in 1967, with the original lineup consisting of founder and vocalist Peter Green, drummer Mick Fleetwood, guitarist Jeremy Spencer, and bassist John McVie. Green left the band in 1970, and McVie’s wife, Christine McVie, joined as a keyboardist.
Fleetwood Mac moved to the U.S. in 1974, and Stevie Nicks and Lindsey Buckingham joined that same year. With the latest additions, the band found a new voice. Their 1977 album “Rumours,” which was a massive commercial and critical success, remains one of the best-selling albums in history.
Fleetwood Mac was inducted into the Rock & Roll Hall of Fame in 2012, cementing their status as one of the defining bands of their generation.
At a time when Netflix wasn’t taking risks, Altered Carbon had the makings of a sci-fi classic. Adapted from Richard Morgan’s book of the same name, the series showcases a cyberpunk future where the rich have become so powerful that not even death can stop them. This dark sci-fi series shows the worst-case scenario of how bodily autonomy can be disregarded — bodies are just flesh vessels to be used and discarded. Altered Carbon had a lot of potential, like so many Netflix series, but faded into purgatory. However, another show is just as relevant thematically while somehow being an even darker depiction of sci-fi.
Pivoting off the success of CD Projekt Red’s video game, Cyberpunk 2077, Netflix released an anime set in the same world. Cyberpunk: Edgerunners ran for 10 episodes and maintains all the hallmarks of the most emotionally traumatizing anime. With the use of animation, the series plumbs the depths of darkness that Altered Carbon could only dream of.
Just as Altered Carbon demonstrates the dangers of the uber-rich, Cyberpunk: Edgerunners wastes no time in showing the dystopian landscape of a world controlled by corporations. This is established early on in Cyberpunk 2077 when the protagonist V saves a woman wealthy enough to pay for the privatized Trauma Team, while others cannot. Even so, viewers don’t need to have played the game to understand Edgerunners, and in many ways, it hammers home the themes even better.
Edgerunners follows David Martinez, a poor teenager in Night City, a city run by corporations. His mother, Gloria, works as a paramedic, but that isn’t enough to help her son pull himself up by his bootstraps. David is looked down on at his private school because he can’t afford the upgrades to his school software. Things take a turn for the worse when Gloria is killed in a drive-by shooting, and their lack of funds directly impacts her quality of care.
In a thinly veiled criticism of capitalism, David’s only recourse is to become an Edgerunner. Arming himself with cybernetic upgrades, he becomes a mercenary for hire in a world that doesn’t accept anything but the ultrarich. As David tries to make his way in the world, he falls in with a found family, including Lucy, a netrunner.
David finds his place, but Night City is still unforgiving. Edgerunners makes no secret about its disdain for corporations and demonstrates how capitalism victimizes everyone. The series is a 10/10 when it comes to storytelling, but its animation is where the series really shines. Edgerunners benefits from the mesmerizing animation style as David goes through love, loss, and sacrifice. The visual beauty of the series accompanies the futile actions of the characters. As viewers fall in love with these nuanced people, they are all subjected to the inhumanity of living in Night City.
Edgerunners takes the fascinating lore of ripperdocs, cybernetic implants, and cyberpsychosis, elevating it beyond its original form. The first season is short and sweet, but viewers can catch it on Netflix before the release of Season 2.
2022 – 2022
Netflix
Mike Pondsmith, Yoshiki Usa, Masahiko Otsuka
Cyberpunk
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There’s no doubt about it: Pants are beyond versatile and can look effortlessly stylish — but a tight, restricting silhouette can quickly erase those benefits. So, when I saw lululemon’s new sweatpant-like jean, my heart skipped a beat. Can there really be a pant style that is both chic and comfortable? Yes.
The EasyFive Wide-Leg Pant doesn’t make you choose between elegance and ease, offering a trendy low-rise waist and flattering design. But the real standout star is the fabric. The cotton-blend offers a hint of stretch, resulting in an unrestricting, billowy feel. The result? A silhouette that moves with you — and one that’s undoubtedly coming after your yoga pants.
Get the EasyFive Low-Rise Classic Wide-Leg Pant for $148 at lululemon! Please note, prices are accurate as of the publishing date but are subject to change.
Petite and tall shoppers will also be pleased to know that the cut comes in three lengths, delivering the perfect fit. Four colors — navy, ivory, tan and black — also allow for peak wardrobe versatility. Plus, five carefully-placed pockets keep all of your belongings safe and secure.
Thanks to the unfussy design, the lululemon pants are simple to dress up or down. Style the bottoms with tennis shoes and a baseball cap for a laid-back look, or reach for strappy kitten heels and a tube top for something more elevated.
The pants’ fabric, fit and versatility aren’t just winning me over; reviewers are just as obsessed. “Best pants ever,” raved one shopper. “Rip to my wallet when I buy every color.” Another fan said, “These pants are amazing . . . ‘I love them’ is an understatement.”
The lululemon EasyFive Wide-Leg Pant is officially one of the hottest styles on the market — case closed. If you don’t want to miss out, snag a pair ASAP. After all, who wouldn’t want sleek, stretchy, do-it-all pants?
Get the EasyFive Low-Rise Classic Wide-Leg Pant for $148 at lululemon! Please note, prices are accurate as of the publishing date but are subject to change.
Looking for something else? Explore more pants here and don’t forget to check out all of lululemon’s best sellers for more great finds!
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“It is the honor of an entire lifetime to host a night celebrating the literal hardest working people in showbiz,” the singer shared in a statement.
In the popular consciousness, John Wayne is primarily viewed as a cultural figure first and foremost, and an actor second. Wayne, despite winning a late-career Academy Award for True Grit, relied on familiar beats and recurring character archetypes as an actor, a formula that certainly won’t impress audiences raised on transformative method acting and naturalism in the modern age.
His best performances, including his refreshingly tender and wistful turn as a boxer acclimating himself to his Irish roots in The Quiet Man, see him subverting his unabashed patriotism and mighty heroism, which are routinely deployed in countless Westerns and war epics. No director utilized Wayne’s prodigious stature better than John Ford, and the director’s most ingenious casting of the star was in his St. Patrick’s Day classic.
Separating the art from the artist is a tricky act of compartmentalization when chronicling the filmography of John Wayne, whose staunch nationalist politics were often inextricable from his portrayal of American excellence. The harshest reflection of Wayne’s notorious history of racism is in his Westerns, which frequently demonize the existence and minimize the plight of Native Americans. Still, no matter how self-conscious he was about maintaining a squeaky-clean, government-approved image, Wayne’s most trusted collaborators knew how to imbue his persona with darkness and complexity. Howard Hawks and John Ford operated within the familiar Western genre, but films such as Red River and The Searchers were biting deconstructions of Western protagonists that plunged into the dark psyche of America’s core regarding violence and racism.
With The Quiet Man from 1951, Ford stripped away Wayne’s unflinching poise and fortitude, despite his character, Sean Thornton, being a retired professional boxer. Born in Ireland but raised in America, Sean returns to his birthplace, Inisfree, to purchase his family’s old farm. However, his return home is not entirely festive, as he encounters the cutthroat politics of the local land barons and the domineering presence of Will Danaher (Victor McLaglen), over his free-spirited sister and love interest to Sean, Mary Kate (Maureen O’Hara). The film, which earned Ford his fourth Academy Award for Best Director, is a visual feast, with Winton Hoch’s photography of the Irish countryside and the luscious green fields representing the apex of Technicolor. Ford became the poet laureate of the American West, but his Irish roots were rarely explored with such passion as in The Quiet Man, which embraces the rambunctiousness and elegiac beauty of the culture.
Sean Thornton can brawl his way out of any skirmish, as displayed in the rollicking, extended climactic fistfight with Will throughout town. His burly stature is intimidating to the Irish natives, but he is no match for the fiery spunk of Mary Kate, the rare female character to upend the prowess of her male counterpart in a Ford movie. The Quiet Man is Ford’s utopia of a tight-knit community that’s unafraid to indulge in booze, pick a fight, but still love each other altogether. Frequent stock company player Maureen O’Hara symbolizes Ford’s ideal woman: a plucky redhead whose enigmatic aura makes her autonomous from all her surroundings. Wayne allows Sean to be openly smitten and hesitant around Mary Kate, making this perhaps Wayne’s most vulnerable and relatable performance. The actor’s subtle gestures and restraint embody the feeling of being unable to quit someone, even if you know they only bring turbulence.
After a series of Westerns like Stagecoach and Fort Apache, Ford dropped Wayne into uncharted territory in this romantic dramedy about societal etiquette and strict tradition. Between his distinct voice and gait, Wayne was a portrait of life unto himself, but in The Quiet Man, he never felt smaller. In various interactions with eccentric locals and priests, Sean is on his heels, oblivious to the otherworldly nature of a place of heritage that he thought he understood. This quality taps into Wayne’s effortless ability to appear aloof, a quality that always complements his lanky build. Rather than exerting brute force, the Duke was much easier to romanticize when he allowed himself to be naive and bumbling.
No one understood John Wayne’s strengths and vices better than John Ford, who fleshed out his worldview in the actor’s most soulful role. Radiating charm throughout The Quiet Man, a traditional viewing experience on St. Patrick’s Day, Sean Thornton is an avatar for Ford’s vision of the modern man — one defined by hard-nosed masculinity and wistful romanticism.
Of all the exciting returning shows in 2026, few were as hotly anticipated as The Boys. Prime Video’s gory superhero satire has been stunning audiences since it first arrived in 2019, and has picked up a total of four Primetime Emmys, alongside many other awards and nominations. A blood-soaked disassembly of modern American attitudes to celebrity worship, the series finally returned for its final season this past Wednesday, hoping to bounce back from a divisive fourth season.
And bounce back it has, with Season 5’s opening episode earning a huge 9.1/10 on IMDb. On review aggregator Rotten Tomatoes, Season 5 has already earned a near-perfect 98% score, although that is subject to change as more opinions are submitted. The consensus on the site reads, “The Boys stays true to its form and completes its mission with ample panache, narrative pay-off, and an excess of blood and guts to deviously glorious effect.”
Perhaps the most unsurprising of all The Boys Season 5’s early success comes on the streaming charts, where it has already flown straight to #2 in the global and U.S. Prime Video ranks. However, another superhero series stands between The Boys and the top spot, with Robert Kirkman‘s violent animated series Invincible continuing its impressive run at the summit. A synopsis for Season 5 reads:
“In the fifth and final season, it’s Homelander’s world, completely subject to his erratic, egomaniacal whims. Hughie, Mother’s Milk, and Frenchie are imprisoned in a “Freedom Camp.” Annie struggles to mount a resistance against the overwhelming Supe force. Kimiko is nowhere to be found. But when Butcher reappears, ready and willing to use a virus that will wipe all Supes off the map, he sets in motion a chain of events that will forever change the world and everyone in it. It’s the climax, people. Big stuff’s gonna happen.”
In Nate Richard‘s review of The Boys Season 5 for Collider, he agreed with most that the show has returned to form for its final outing. “Prime Video has been holding the series finale back for now, which makes perfect sense, but if the last episode can maintain the quality of the previous seven, The Boys Season 5 may just be one of the show’s best,” Richard wrote, adding, “It has all the gore, dark comedy, action, and vulgarity that you would expect, while also never veering too far out of control ahead of the final hour. In the words of Billy Butcher, Season 5 is bloody diabolical.”
The Boys is available to stream on Prime Video. Stay tuned to Collider for more streaming stories.
2019 – 2026-00-00
Eric Kripke
Eric Kripke
The Boys
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