Related: Brooklyn Beckham’s Wedding DJ Addresses Victoria’s ‘Inappropriate’ Dance
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Gordon Ramsay is hitting back at claims Victoria Beckham danced “inappropriately” with her son Brooklyn Peltz Beckham at his wedding to Nicola Peltz Beckham.
Speaking to The Sun on Friday, February 13, the celebrity chef, who attended the nuptials, hosed down Brooklyn’s public allegations against his mother.
“We were there at the wedding. There was nothing salacious, nothing inappropriate, everyone was having fun,” Ramsay, 59, told the outlet.
When asked directly whether Victoria, 51, was grinding on Brooklyn, 26, during the wedding dance, Ramsay responded, “No! Nothing of the sort.” He insisted it was all just innocent “fun.”
During the interview, Ramsay also confirmed “Victoria is upset – and [has] every right to be upset” about Brooklyn’s bad blood with herself and his dad David.
In a scathing statement posted via his Instagram Stories on January 19, Brooklyn claimed, among other things, that Victoria had danced “inappropriately” with him.
“My mum hijacked my first dance with my wife, which had been planned weeks in advance to a romantic love song,” he alleged in the posts. “In front of our 500 wedding guests, Marc Anthony called me to the stage, where in the schedule my romantic dance with my wife but instead my mum was waiting to dance with me instead. She danced very inappropriately on me in front of everyone. I’ve never felt more uncomfortable or humiliated in my entire life. We wanted to renew our vows so we could create new memories of our wedding day that bring us joy and happiness, not anxiety and embarrassment.”

Brooklyn and Victoria Beckham. (Photo by Victor Boyko/Getty Images for YouTube)
The post caused a stir and was the catalyst behind a huge number of memes being made to mock Victoria over the situation.
Ramsay claimed that he hadn’t seen the memes but encouraged Brooklyn to look inward to sort out the relationship with his parents – and appeared to take a subtle jab at the Peltz family.
“Victoria’s got a great sense of humor. She can bat that sh*t away in a heartbeat,” Ramsay continued. “I just want Brooklyn to just a moment to yourself and just remember, you’re half mom and half dad and you’re an amazing man but boy, they’ve done more for you than anyone will do in your entire life. [Including] any father-in-law, let me tell you.”
In his Instagram post, Brooklyn said he had no intention of reconnecting with his family, which also includes brothers Romeo, 23, and Cruz, 20, and sister Harper, 14.
“I do not want to reconcile with my family,” he wrote. “I’m not being controlled, I’m standing up for myself for the first time in my life.”
For his part, Ramsay told The Sun that he believed Brooklyn would eventually reconcile with his family.
“It’s hard when you enter that age in life when you join with another family. There’s a different dynamic going on and so there was bound to be some form of clash, he said. “But the relationship with David and Brooklyn is very, very deep and I know how much David loves Brooklyn and I think it’s only going to be a matter of time before Brooklyn takes a good look at himself and understands just what they mean.”
Ramsay continued: “It’s easy to get up on that rollercoaster isn’t it, and get carried away but it will come back because I know. I know how many times they’ve pulled him out of the sh*t. I know how many times they’ve absolutely stood by him through thick and thin. David’s an amazing dad and he will absolutely get that back online. Time. Time’s going to be the best healer.”
Sentimental Value star Renate Reinsve appeared to narrowly avoid a wardrobe malfunction while on stage at the 2026 Oscars.
Reinsve, 38, joined the cast of Sentimental Value on stage after they won the award for Best International Feature Film at the 98th Academy Awards on Sunday, March 15. While listening to director Joachim Trier give his acceptance speech, the actress could be seen holding the front and back of her dress, seemingly to prevent it from falling down due to someone else stepping on the gown’s train.
Reinsve could then be seen giggling as she adjusted her dress while walking off the stage.
Reinsve wore a red custom Louis Vuitton asymmetrical strapless dress with a slit all the way up to her right hip and a long train on the left. She paired the gown with matching Giuseppe Zanotti heels and a silver bracelet. The ensemble was styled by Karla Welch.
“Hang in it the Louvre 🌹,” Welch captioned a photo of Reinsve’s bare legs as stylists strapped up her shoes.
Reinsve stars in Sentimental Value, a Norwegian drama, as Nora, who reunites with estranged father Gustav (Stellan Skarsgård) alongside her sister, Agnes (Inga Ibsdotter Lilleaas). Elle Fanning also stars in the movie as a famous actress hired to play the lead in Gustav’s new film.
In addition to Best International Feature Film, Sentimental Value was nominated for Best Directing, Best Picture, Best Actress in a Leading Role, Best Actor in a Supporting Role, Best Actress in a Supporting Role, Best Writing (Original Screenplay) and Best Film Editing.

“This film is about a very dysfunctional family, and it’s the opposite of what I felt with this beautiful group behind me,” Trier, 52, said in his acceptance speech on Sunday. “I think I’ve made films to feel at home with people, and I’ve really felt at home with the crew. There’s 1,072 people in these credits, and I love them all and I share this with them. The cast behind me, I’ve never been so proud. Thanks for wanting to work with me.”
The filmmaker continued, “Because I’m in this category, I feel I represent global filmmakers, and in a moment like this, I just wanna recognize the wonderful films we were nominated together with. Important, beautiful films that reflect our present crisis and the crisis of the past. And I want to end by paraphrasing the wonderful American writer James Baldwin, who makes us remember that all adults are responsible for all children, and let’s not vote for politicians who don’t take this seriously into account.”
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The ballerina joined Miles Caton and fellow ‘Sinners’ cast members onstage for a performance of “I Lied to You” from the Oscar-nominated film.
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The first award for Best Casting comes amid the Academy’s initiatives to diversify its voting ranks and competitive brackets.
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The “One Battle After Another” star previously won Oscars for “Mystic River” and “Milk.”
After Timothée Chalamet took aim at the ballet and opera communities, that was pretty much all the 2026 Oscar attendees could speak about.
“Security is extremely tight tonight,” host Conan O’Brien opened his Sunday, March 15, monologue. “I’m told there’s concerns about a tax from both the opera and ballet communities.”
Chalamet, nominated for leading actor for his role in Marty Supreme, recently proclaimed that he wasn’t interested in either art form.
“Some people want to be entertained quickly. I’m really right in the middle because I admire people [saying], ‘Hey, we gotta keep movie theaters alive. We gotta keep this genre alive,’” Chalamet told Variety in February. “I don’t want to be working in ballet or opera where it’s like, ‘Hey, keep this thing alive, even though no one cares about this anymore.”
Chalamet, whose grandmother and mother are retired ballerinas, quickly walked back his comments and gave “all respect to the ballet and opera people out there.”
“Damn, I just took shots for no reason,” the actor quipped.
Chalamet didn’t further address the controversy in the lead-up to the Oscars or at the ceremony itself.
Keep scrolling for a guide to all the ballet and opera mentions at the 2026 Academy Awards:
Oscars host Conan O’Brien couldn’t resist adding in a joke about Timothée Chalamet’s comments in his monologue.
“Security is extremely tight tonight. I just got to mention that,” O’Brien said. “I’m told there’s concerns about a tax from both the opera and ballet communities.”
O’Brien paused as the camera panned over to Chalamet, who coyly laughed off the reference.
“They’re just mad you left out jazz,” O’Brien added.

During the Sinners musical tribute, the cast was accompanied by Misty Copeland for its rendition of “I Lied To You.” (Copeland was the first Black principal at the American Ballet Theatre before her retirement in 2025.)
“That’s definitely how it seems, but it was not at all,” Copeland told Vogue ahead of Sunday’s performance, denying her performance was a rebuttal to Timothée Chalamet. “I had agreed to do this before any of this stuff was happening and had blown up the way that it has.”
The Best Live Action Short Film was awarded to The Singers and Two People Exchanging Saliva. During the latter’s acceptance speech, Alexandre Singh touched on the two art forms.
“We believe that art can change people’s souls,” Singh said in his speech. “Maybe it takes 10 years time but we can change society through art, through creativity [and] through theater and ballet … and also cinema.”

On the red carpet, Shark Tank star Kevin O’Leary speculated that Timothée Chalamet’s comment wouldn’t have an impact on his chances at winning an Oscar.
“I just put 1,000 bucks on [betting app] Kalshi walking in here that he’s gonna win,” O’Leary told Variety. “Because I know the voting stopped long before that controversy happened. He’s a really great guy, his mother’s really nice. The kid is a great kid. He took a bum rap on that. By the way, he gave a lot of promo to opera houses and ballet.”
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The two-time host isn’t holding back tonight.
Jessie Buckley has officially won Best Actress at the 2026 Academy Awards for her work in Hamnet, turning one of the most acclaimed performances of the season into an Oscar win and giving Chloé Zhao’s literary drama one of the biggest victories of the night. The win caps off a major awards run for Buckley, who had already emerged as a frontrunner throughout the season. Reports had framed her as the outstanding favorite heading into Oscar night, with Hamnet also positioned as a major contender in several top categories, but it’s still satisfying to see the favorite deliver.
That makes tonight feel less like a surprise than a coronation — but it is still a huge deal. Buckley’s performance as Agnes has been the emotional centerpiece of Hamnet’s entire awards story, with critics and awards voters rallying around her work in a film that reimagines the grief and private life surrounding Shakespeare’s family. The film was directed by Zhao, who also co-wrote the screenplay with Maggie O’Farrell, adapting O’Farrell’s bestselling 2020 novel. The cast is led by Buckley as Agnes and Paul Mescal as William Shakespeare, with Emily Watson, Joe Alwyn, Jacobi Jupe, and Noah Jupe in supporting roles.
Strap on Your Hockey Masks; It’s Friday the 13th — The Collider Movie Quiz!
Because today is Friday the 13th, let’s march our way through the iconic slasher franchise. Ch-ch-ch-ch. Ha-ha-ha-ha.
Collider’s review by Ross Bonaime stated that Buckley’s portrayal is remarkable not only in the film’s most emotional moments but in the quiet details. A hesitant touch. A hand reaching for someone who is no longer there. A confused glance at a world that suddenly feels unrecognizable. Buckley makes Agnes’ grief feel deeply physical, as if the loss has fundamentally altered the way she moves through life.
“Both Buckley and Mescal are incredible in Hamnet, showing an unflinching emotional rawness. The complete and utter destruction of one’s soul is exactly what Buckley is portraying, and it’s nothing short of magnificent what she’s able to pull off here. Not only is she heartbreaking in the major moments, but it’s in her smaller touches that her role of Agnes has a remarkable amount of power. Even just reaching out a hand at the right moment or the utter confusion of who she is now that her son is gone make for some of the most powerful scenes in Hamnet. It’s a gorgeous performance that will burrow itself into your heart.”
Stay tuned to Collider for more coverage of the Academy Awards.
November 26, 2025
126 minutes
Chloé Zhao
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No, the “French Connection” star wasn’t snubbed.
For months, One Battle After Another looked like the movie to beat. It had the reviews, the momentum, the pedigree, and the kind of across-the-board support that usually signals a Best Picture winner before envelopes are even opened, and now it is official.
One Battle After Another has won Best Picture at the 2026 Academy Awards, giving Paul Thomas Anderson the night’s biggest prize and closing out one of the strongest awards runs of the season. Written and directed by Anderson, the film stars Leonardo DiCaprio as a former political radical and single father, with a cast that also includes Regina Hall, Sean Penn, Teyana Taylor, Benicio del Toro, and Chase Infiniti.
The film entered the ceremony with 13 Oscar nominations, making it the second-most-nominated movie of the year, behind only Sinners. It was widely seen as one of the top contenders all season long, with major outlets and prediction-market coverage all pointing to it as a major frontrunner heading into Oscar night. By the time the Oscars arrived, the movie had already solidified itself as a consensus prestige heavyweight, with outlets repeatedly describing the Best Picture race as essentially a showdown between Anderson’s film and Sinners.
Strap on Your Hockey Masks; It’s Friday the 13th — The Collider Movie Quiz!
Because today is Friday the 13th, let’s march our way through the iconic slasher franchise. Ch-ch-ch-ch. Ha-ha-ha-ha.
Collider’s review stated that One Battle After Another finds Paul Thomas Anderson working on his largest canvas yet — and proving that even at blockbuster scale, his filmmaking instincts remain as sharp as ever. Known for ambitious, character-driven films like Boogie Nights, Magnolia, There Will Be Blood, and Licorice Pizza, Anderson has spent decades refining a style that blends humor, emotional depth, and sweeping storytelling. With this sprawling new project, loosely inspired by Thomas Pynchon’s novel Vineland, he delivers something unexpected: a politically charged action film that still feels unmistakably like a Paul Thomas Anderson movie, as Ross Bonaime opined.
“Anderson has executed an unbelievably rare feat: a big-budget studio action film that maintains his specific tone and style, with a film that feels essential to our troubled modern times. One Battle After Another is the type of film that only comes along a few times a generation, a masterfully crafted work that speaks to our present as a defining work of what it was like to live in our present era. Anderson does that with humor, tension, fear, and care, in a film that’s both one of the director’s and 2025’s best.”
One Battle After Another is streaming now on HBO Max. Stay tuned for more updates.
September 26, 2025
162 minutes
Paul Thomas Anderson
Paul Thomas Anderson, Thomas Pynchon
Adam Somner, Paul Thomas Anderson, Sara Murphy
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The telecast cut off the “Two People Exchanging Saliva” honorees midway through their acceptance of Best Live-Action Short — which resulted in a tie.
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