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Netflix’s Masterpiece Sci-Fi Series Is Basically ’Black Mirror’s Game-Changing Twin

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Netflix’s Masterpiece Sci-Fi Series Is Basically ’Black Mirror’s Game-Changing Twin

Osmosis arrived on Netflix quietly in 2019, but the French sci-fi drama has everything viewers expect from the streamer’s best genre work: Sleek world-building, ethical minefields, and a premise sharp enough to hook you in seconds. Created by Audrey Fouché, the series imagines a near-future Paris where a new dating technology promises something far more potent than perfectly filtered profile pictures. Instead of swiping, users swallow a tiny implant packed with nanotech that can map the brain’s most private data. The device doesn’t guess — you’re told exactly who your “true” partner is, down to their face and where to find them.

The show centers on siblings Paul (Hugo Becker) and Esther Vanhove (Agathe Bonitzer), the minds behind the startup Osmosis, who believe unlocking the brain’s pathways can solve the chaos of modern romance. But, naturally, the deeper their invention digs, the more tangled the consequences become. As Paul pushes ahead with public rollout and Esther wrestles with the line between innovation and violation, their creation begins to expose secrets no one is prepared to face. The series takes a familiar sci-fi question—“Should technology make choices for us?” — and gives it an unsettlingly intimate spin.

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A Perfect Match for Fans of Black Mirror’s Most Human Episodes

Esther (Agathe Bonitzer) in 'Osmosis.'
Esther (Agathe Bonitzer) in ‘Osmosis.’
Image via Netflix

Anyone who loved the emotional undercurrent of Black Mirror’s “Hang the DJ” will immediately recognize Osmosis’ sweet spot: A story perched at the intersection of high-concept tech and raw human longing. Osmosis, however, quickly becomes its own entity. Whereas many of Black Mirror‘s episodes seem to build toward greater horror, Osmosis takes the opposite approach, focusing more on character development (the hopes, wounds, and blind spots that render individuals vulnerable to the idea of finding a “soulmate”).

In addition to the futuristic technologies, the pilot episode also features Virtual Reality Lounges (VR lounges), Memory Devices, AI Assistants, and Implants. But the show never treats these as flashy props. Instead, the technology functions like another character—one with the power to comfort, manipulate, and betray. The sci-fi elements are dense, yet the drama hinges on very grounded conflicts. Esther, the quiet genius behind the tech, sees the app as a path to authentic connection. Paul, its more brazen counterpart, is convinced that pushing boundaries is worth the price. Their rift drives the entire season, turning a story about algorithms into a charged family drama.

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The test subjects enrolled in the beta program add even more emotional weight. Each volunteer arrives hoping the implant will fix something in their lives — loneliness, heartbreak, self-doubt — and the show never mocks their desperation. Instead, it asks what happens when a device knows you better than you know yourself. Osmosis doesn’t rely on jump scares or shock twists; its unease comes from the creeping realization that surrendering your mind for the promise of love might feel disturbingly reasonable.

Why Osmosis Deserves a Second Look From Sci-Fi Fans

Esther (Agathe Bonitzer) using a virtual headset to glimpse Paul's (Hugo Becker) memories in 'Osmosis.'
Esther (Agathe Bonitzer) using a virtual headset to glimpse Paul’s (Hugo Becker) memories in ‘Osmosis.’
Image via Netflix

Despite a strong critical reception, Osmosis slipped under the mainstream’s radar and was canceled after one season. But its limited run works surprisingly well. The eight episodes move at a tight pace, blending techno-thriller energy with introspective character work. Every subplot feeds into the central question of whether technology can enhance human connection or only mimic it.

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The show also stands out in the current sci-fi landscape for its tone. Many near-future dramas lean into apocalypse, corporate domination, or violent revolution. Osmosis instead gives viewers a world that feels polished, functional, and strangely hopeful—until you start noticing the cracks. People zip around Paris on bikes or in sleek cars, VR worlds offer escape on demand, and digital life appears seamless. Underneath that shine, however, the pursuit of emotional perfection becomes the series’ quiet horror. Its ethical dilemmas aren’t hypothetical—they’re built from pressures that already exist in modern dating culture, just stretched a step into tomorrow.

Gugu Mbatha-Raw and Mackenzie Davis in Black Mirror's


I Don’t Care If You Hate Sci-Fi, This Dystopian Netflix Series Will Change Your Mind

It’ll make you question everything.

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The romance is complicated, the power plays are subtle, and the moral lines blur fast. And unlike so many shows where tech is a metaphor for evil, Osmosis treats its device as something far trickier: a shortcut that works a little too well. When the characters finally meet the person the implant claims is their ideal match, the moment is both thrilling and unnerving. Is this destiny or a kind of emotional programming? The series never offers easy answers, and that ambiguity gives it staying power.

For viewers hungry for speculative storytelling that balances style with substance, Osmosis is an overlooked triumph. It captures everything compelling about Netflix’s best sci-fi offerings — intelligent futurism, moral tension, and a willingness to poke at uncomfortable truths. What makes the series memorable isn’t just its gadgets or dystopian hints, but the way it treats love as something both universal and dangerously quantifiable. When a machine claims to decode your heart, how much of yourself do you give it?

Osmosis may have flown under the radar, but it remains one of Netflix’s most thoughtful looks at technology’s promise and peril. For fans of Black Mirror, Sense8, The OA, or anyone fascinated by the idea of perfect love engineered through science, this short-lived series is more than worth the dive.


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Osmosis
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Release Date

2019 – 2019

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Network

Netflix

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Directors

Pierre Aknine, Mona Achache

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