Connect with us

Entertainment

Olympic Store Sells Out of T-Shirt Promoting Adolf Hitler’s 1936 Games

Published

on

A controversial shirt depicting the 1936 Berlin Games, used by former Nazi party leader Adolf Hitler to promote white supremacy, has sold out from the official 2026 Winter Olympics store.

“While we of course acknowledge the historical issues of ‘Nazi propaganda’ related to the Berlin 1936 Olympic Games, we must also remember that the Games in Berlin saw 4,483 athletes from 49 countries compete in 149 medal events,” an International Olympic Committee (IOC) spokesperson told The Athletic in an interview published on Friday, February 13.

“Many of them stunned the world with their athletic achievements, including [American sprinter] Jesse Owens,” the spokesperson continued, confirming that the t-shirt depicting the Olympic rings and an overly-muscular man wearing a wreath on his head had sold out and was not just pulled from the proverbial shelves.

“The historical context of these Games is further explained at the Olympic Museum in Lausanne,” the spokesperson added. “For the 1936 edition, the number of T-shirts produced and sold by the IOC is limited, which is why they are currently sold out.”

Advertisement
Team United States Welcome Experience At Milan-Cortina 2026 Olympics


Related: USA Skier Says It’s ‘Hard’ Representing Country With ‘Everything’ Going On

Team USA freestyle skier Hunter Hess didn’t mince words when talking about representing the United States in the midst of the country’s current political climate. “It brings up mixed emotions to represent the U.S. right now,” Hess said at a press conference on Friday, February 6, before the Olympic Winter Games opening ceremony. “It’s a […]

The official 1936 Berlin Games shirt is emboldened with the event’s official poster featuring the rings and male figure, available for $47. As The Athletic notes, the Games were used by Hitler and the Nazis to “promote their antisemitic and racist regime.”

Advertisement

“While it is true that Owens winning four gold medals is one of the 1936 Games’ most important stories, it’s most obvious legacy is a warning as to what can happen if you let dictators use the major sporting events to promote hateful political ideologies, such as the Nazi myth of Aryan racial superiority,” The Athletic’s Matt Slater wrote on Friday.

GettyImages-3046695 adolf hitler olympics

General view of the Brandenburge Gate as Germany hosts the XI Olympic Games in August of 1936 in Berlin, Germany.
Getty Images

The controversy surrounding the t-shirt comes amid a rise in antisemitism, fascism and violent acts of white supremacy. According to the Anti-Defamation League (ADL), antisemitic incidents in the U.S. rose by 361 percent following the October 7 terrorist attack in Israel. According to the February 2025 State of Antisemitism in America 2024 report, 33 percent of American Jews said they have been the personal target of antisemitism, in-person or virtually, at least once over the past year.

The 2026 Winter Olympics, held in Milan, Italy, has not been untouched by controversy as athletes from around the world compete for gold, silver and bronze. Vladyslav Heraskevych, a Ukrainian skeleton competitor, was disqualified from competition after he refused to change his helmet. (The athlete’s helmet highlighted fellow athletes who have died during Russia’s ongoing war in Ukraine.)

Heraskevych appealed the decision, which was ultimately denied by the Court of Arbitration for Sport (CAS).

After French ice dancers Laurence Fournier Beaudry and Guillame Cizeron won the gold over Americans Madison Chock and Evan Bates, fans called for an investigation into French judge Jezebel Dabouis, who favorited Beaudry, 33, and Cizeron, 31, in the free dance competition by a margin so high it made the difference between gold and silver.

Advertisement

Because Dabouis’ scores differed so greatly from her fellow judges, speculation quickly grew that she was not capable of being objective while scoring the competition.

“It is normal for there to be a range of scores given by different judges in any panel and a number of mechanisms are used to mitigate these variations,” the International Skating Union, figure skating’s governing body, said in a statement released on Thursday, February 12, sticking by Dabouis. “The ISU has full confidence in the scores given and remains completely committed to fairness.”

Several athletes have also come under fire for publicly admitting that it feels “complicated” to represent the United States during the country’s political turmoil.

Advertisement
Biggest Olympics Scandals Ever


Related: Look Back at the Biggest Olympics Scandals Ever

The Olympics may be an event that is all about athletics, but that doesn’t mean that the most shocking things happen during the tournaments. Throughout the years, incidents from doping scandals to terrorist attacks have made headlines for the Olympics beyond the Games. Perhaps one of the most famous scandals came out of the 1994 […]

“U.S. Olympic Skier, Hunter Hess, a real Loser, says he doesn’t represent his Country in the current WInter Olympics,” President Donald Trump wrote via social media on Sunday, February 8. “If that’s the case, he shouldn’t have tried out for the Team, and it’s too bad he’s on it. Very hard to root for someone like this, MAKE AMERICA GREAT AGAIN!”

Hess, an American freestyle halfpipe skier, admitted during a February 6 press conference that he has “mixed emotions” representing “the U.S. right now.”

Advertisement

“It’s a little hard,” he continued. “There’s obviously a lot going on that I’m not the biggest fan of. … Just because I’m wearing the flag doesn’t mean I represent everything that’s going on in the U.S.”

Figure skater Amber Glenn revealed she received death threats after voicing her political beliefs while competing at the Games.

Advertisement

“When I chose to utilize one of the amazing things about the United States of America (freedom of Speech) to convey how I feel as an athlete competing for Team USA in a troubling time for many Americans, I am not receiving a scary amount of hate/threats for simply using my voice when asked about how I feel,” Glenn, 26, wrote via Instagram on February 7. “I did anticipate this, but I am disappointed by it.”

Source link

Advertisement
Continue Reading
Click to comment

Leave a Reply

Your email address will not be published. Required fields are marked *

Entertainment

Oscars' first new category winner in over 25 years playfully jabs Paul Thomas Anderson: 'I have one before you'

Published

on


The first award for Best Casting comes amid the Academy’s initiatives to diversify its voting ranks and competitive brackets.

Source link

Continue Reading

Entertainment

Sean Penn is a no-show at Oscars as he wins third Academy Award, Kieran Culkin makes playful jab

Published

on


The “One Battle After Another” star previously won Oscars for “Mystic River” and “Milk.”

Source link

Continue Reading

Entertainment

2026 Oscars Nods to Ballet, Opera After Timothee Chalamet Diss

Published

on

After Timothée Chalamet took aim at the ballet and opera communities, that was pretty much all the 2026 Oscar attendees could speak about.

“Security is extremely tight tonight,” host Conan O’Brien opened his Sunday, March 15, monologue. “I’m told there’s concerns about a tax from both the opera and ballet communities.”

Chalamet, nominated for leading actor for his role in Marty Supreme, recently proclaimed that he wasn’t interested in either art form.

“Some people want to be entertained quickly. I’m really right in the middle because I admire people [saying], ‘Hey, we gotta keep movie theaters alive. We gotta keep this genre alive,’” Chalamet told Variety in February. “I don’t want to be working in ballet or opera where it’s like, ‘Hey, keep this thing alive, even though no one cares about this anymore.”

Advertisement
oscars red carpet 98th Academy Awards Oscars 2026


Related: 2026 Oscars Red Carpet Arrivals: Stars Bring Their Fashion A-Game

The 2026 Oscars red carpet was as glamorous as ever. Thank You! You have successfully subscribed. Subscribe to newsletters Enter your email Please enter a valid email. Subscribe By signing up, I agree to the Terms and Privacy Policy and to receive emails from Us Weekly Deal of the Day Taylor Swift’s Exact Kendra Scott […]

Chalamet, whose grandmother and mother are retired ballerinas, quickly walked back his comments and gave “all respect to the ballet and opera people out there.”

Advertisement

“Damn, I just took shots for no reason,” the actor quipped.

Chalamet didn’t further address the controversy in the lead-up to the Oscars or at the ceremony itself.

Keep scrolling for a guide to all the ballet and opera mentions at the 2026 Academy Awards:

Conan O’Brien’s Monologue

Oscars host Conan O’Brien couldn’t resist adding in a joke about Timothée Chalamet’s comments in his monologue.

Advertisement

“Security is extremely tight tonight. I just got to mention that,” O’Brien said. “I’m told there’s concerns about a tax from both the opera and ballet communities.”

O’Brien paused as the camera panned over to Chalamet, who coyly laughed off the reference.

“They’re just mad you left out jazz,” O’Brien added.

A Ballet Pioneer

Misty-Copeland-Oscars-inline-GettyImages-2266299086
Patrick T. Fallon / AFP

During the Sinners musical tribute, the cast was accompanied by Misty Copeland for its rendition of “I Lied To You.” (Copeland was the first Black principal at the American Ballet Theatre before her retirement in 2025.)

“That’s definitely how it seems, but it was not at all,” Copeland told Vogue ahead of Sunday’s performance, denying her performance was a rebuttal to Timothée Chalamet. “I had agreed to do this before any of this stuff was happening and had blown up the way that it has.”

Advertisement

Ballet and Opera Can Change the World

The Best Live Action Short Film was awarded to The Singers and Two People Exchanging Saliva. During the latter’s acceptance speech, Alexandre Singh touched on the two art forms.

“We believe that art can change people’s souls,” Singh said in his speech. “Maybe it takes 10 years time but we can change society through art, through creativity [and] through theater and ballet … and also cinema.”

Advertisement

Kevin O’Leary Is Still All-In on Timothee Chalamet

Timothee-Chalamet-Oscars-Ballet-inline-GettyImages-2266708837

Timothee Chalamet.
Julian Hamilton/Getty Images

On the red carpet, Shark Tank star Kevin O’Leary speculated that Timothée Chalamet’s comment wouldn’t have an impact on his chances at winning an Oscar.

“I just put 1,000 bucks on [betting app] Kalshi walking in here that he’s gonna win,” O’Leary told Variety. “Because I know the voting stopped long before that controversy happened. He’s a really great guy, his mother’s really nice. The kid is a great kid. He took a bum rap on that. By the way, he gave a lot of promo to opera houses and ballet.”

Source link

Advertisement
Continue Reading

Entertainment

Conan O'Brien makes jabs at Donald Trump, American pedophiles at 2026 Oscars

Published

on


The two-time host isn’t holding back tonight.

Source link

Continue Reading

Entertainment

‘Hamnet’s Jessie Buckley Wins Best Actress in a Leading Role at the 2026 Academy Awards

Published

on

Jessie Buckley clasping her hands and leaning on the stage with the crowd in Hamnet

Jessie Buckley has officially won Best Actress at the 2026 Academy Awards for her work in Hamnet, turning one of the most acclaimed performances of the season into an Oscar win and giving Chloé Zhao’s literary drama one of the biggest victories of the night. The win caps off a major awards run for Buckley, who had already emerged as a frontrunner throughout the season. Reports had framed her as the outstanding favorite heading into Oscar night, with Hamnet also positioned as a major contender in several top categories, but it’s still satisfying to see the favorite deliver.

That makes tonight feel less like a surprise than a coronation — but it is still a huge deal. Buckley’s performance as Agnes has been the emotional centerpiece of Hamnet’s entire awards story, with critics and awards voters rallying around her work in a film that reimagines the grief and private life surrounding Shakespeare’s family. The film was directed by Zhao, who also co-wrote the screenplay with Maggie O’Farrell, adapting O’Farrell’s bestselling 2020 novel. The cast is led by Buckley as Agnes and Paul Mescal as William Shakespeare, with Emily Watson, Joe Alwyn, Jacobi Jupe, and Noah Jupe in supporting roles.

Advertisement































































Advertisement
Collider Exclusive · Oscar Best Picture Quiz
Which Oscar Best Picture
Is Your Perfect Movie?

Parasite · Everything Everywhere · Oppenheimer · Birdman · No Country

Five Oscar Best Picture winners. Five completely different visions of what cinema can be — and what it can do to you. One of them is the film that was made for the way your mind works. Ten questions will figure out which one.

🪜Parasite

🌀Everything Everywhere

☢️Oppenheimer

Advertisement

🐦Birdman

🪙No Country for Old Men

Advertisement

01

What kind of film experience do you actually want?
The best movies don’t just entertain — they leave something behind.





Advertisement

02

Which idea grabs you most in a film?
Great films are driven by a central obsession. What’s yours?





Advertisement

03

How do you like your story told?
Form is content. The way a story is shaped changes what it means.





Advertisement

04

What makes a truly great antagonist?
The opposition defines the protagonist. What kind of opposition fascinates you?





Advertisement

05

What do you want from a film’s ending?
The final note is the one that lingers. What do you want it to sound like?





Advertisement

06

Which setting pulls you in most?
Where a film takes place shapes everything — mood, stakes, what’s even possible.





Advertisement

07

What cinematic craft impresses you most?
Every great film has a signature — a technical or artistic element that makes it unmistakable.





Advertisement

08

What kind of main character do you root for?
The protagonist is the lens. Who you choose to follow says something about you.





Advertisement

09

How do you feel about a film that takes its time?
Pace is a choice. Some films sprint; others let tension accumulate slowly, deliberately.





Advertisement

10

What do you want to feel walking out of the cinema?
The best films leave a mark. What kind of mark do you want?





Advertisement

The Academy Has Decided
Your Perfect Film Is…

Your answers have pointed to one Oscar Best Picture winner above all others. This is the film that was made for the way your mind works.

Advertisement

Parasite

You are drawn to films that operate on multiple levels simultaneously — that begin in one genre and quietly, brilliantly migrate into another. Bong Joon-ho’s Parasite is a film about class, desire, and the architecture of inequality that manages to be darkly funny, deeply suspenseful, and genuinely shocking across a single extraordinary running time. Your instinct is for cinema that hides its true intentions until the moment it’s ready to reveal them. Parasite is exactly that — a film that rewards close attention and punishes assumptions, right up to its devastating final image.

Advertisement

Everything Everywhere All at Once

You want it all — and this film gives you all of it. The Daniels’ Everything Everywhere All at Once is one of the most maximalist films ever made: action comedy, multiverse sci-fi, family drama, existential crisis, and a genuinely earned emotional core that sneaks up on you amid the chaos. You are someone who responds to ambition, who doesn’t want cinema to choose between being entertaining and being meaningful. This film refuses that choice entirely. It is overwhelming by design, and its overwhelming nature is precisely the point — because the feeling of being crushed by infinite possibility is exactly what it’s about.

Advertisement

Oppenheimer

You are drawn to cinema on a grand scale — films that understand history not as a backdrop but as a force, and that place their characters inside that force and watch what happens. Christopher Nolan’s Oppenheimer is a film about the terrifying gap between what we can do and what we should do, told with the full weight of one of the most consequential moments in human history behind it. You want your films to feel important without feeling self-important — to earn their ambition through sheer craft and the gravity of their subject. Oppenheimer does exactly that. It is enormous, complicated, and refuses easy comfort.

Advertisement

Birdman

You are drawn to films that foreground their own construction — that make the how of the filmmaking part of the what it’s about. Alejandro González Iñárritu’s Birdman, shot to appear as a single continuous take, is cinema examining itself through the cracked mirror of a fading actor’s ego. You respond to formal daring, to the feeling that a film is doing something that probably shouldn’t be possible. Michael Keaton’s performance and Emmanuel Lubezki’s restless camera create something genuinely unlike anything else — a film that is simultaneously about creativity, relevance, self-destruction, and the impossibility of ever truly knowing if your work means anything at all.

Advertisement

No Country for Old Men

You are drawn to cinema that trusts silence, that refuses to explain itself, and that treats dread as a form of meaning. The Coen Brothers’ No Country for Old Men is a film about the arrival of a new kind of evil — implacable, arbitrary, and utterly indifferent to the moral frameworks we use to make sense of the world. It is one of the most formally controlled films ever made, and its controlled restraint is what makes it so terrifying. You want your films to haunt you, not comfort you. You are not interested in resolution if resolution would be dishonest. No Country for Old Men is honest in a way that most cinema never dares to be.

Advertisement

friday-the-13th-collider-quiz


Strap on Your Hockey Masks; It’s Friday the 13th — The Collider Movie Quiz!

Because today is Friday the 13th, let’s march our way through the iconic slasher franchise. Ch-ch-ch-ch. Ha-ha-ha-ha.

Advertisement

How Good Is ‘Hamnet’?

Collider’s review by Ross Bonaime stated that Buckley’s portrayal is remarkable not only in the film’s most emotional moments but in the quiet details. A hesitant touch. A hand reaching for someone who is no longer there. A confused glance at a world that suddenly feels unrecognizable. Buckley makes Agnes’ grief feel deeply physical, as if the loss has fundamentally altered the way she moves through life.

Advertisement

Both Buckley and Mescal are incredible in Hamnet, showing an unflinching emotional rawness. The complete and utter destruction of one’s soul is exactly what Buckley is portraying, and it’s nothing short of magnificent what she’s able to pull off here. Not only is she heartbreaking in the major moments, but it’s in her smaller touches that her role of Agnes has a remarkable amount of power. Even just reaching out a hand at the right moment or the utter confusion of who she is now that her son is gone make for some of the most powerful scenes in Hamnet. It’s a gorgeous performance that will burrow itself into your heart.”

Stay tuned to Collider for more coverage of the Academy Awards.


01880373_poster_w780.jpg
Advertisement


Release Date
Advertisement

November 26, 2025

Runtime

126 minutes

Advertisement

Director

Chloé Zhao

Advertisement

Advertisement


Advertisement

Source link

Advertisement
Continue Reading

Entertainment

Why Gene Hackman wasn't featured in the 'In Memoriam' segment at the 2026 Oscars

Published

on


No, the “French Connection” star wasn’t snubbed.

Source link

Continue Reading

Entertainment

‘One Battle After Another’ Is the 2026 Best Picture Winner at the Academy Awards

Published

on

friday-the-13th-collider-quiz

For months, One Battle After Another looked like the movie to beat. It had the reviews, the momentum, the pedigree, and the kind of across-the-board support that usually signals a Best Picture winner before envelopes are even opened, and now it is official.

One Battle After Another has won Best Picture at the 2026 Academy Awards, giving Paul Thomas Anderson the night’s biggest prize and closing out one of the strongest awards runs of the season. Written and directed by Anderson, the film stars Leonardo DiCaprio as a former political radical and single father, with a cast that also includes Regina Hall, Sean Penn, Teyana Taylor, Benicio del Toro, and Chase Infiniti.

The film entered the ceremony with 13 Oscar nominations, making it the second-most-nominated movie of the year, behind only Sinners. It was widely seen as one of the top contenders all season long, with major outlets and prediction-market coverage all pointing to it as a major frontrunner heading into Oscar night. By the time the Oscars arrived, the movie had already solidified itself as a consensus prestige heavyweight, with outlets repeatedly describing the Best Picture race as essentially a showdown between Anderson’s film and Sinners.

Advertisement































































Advertisement
Collider Exclusive · Oscar Best Picture Quiz
Which Oscar Best Picture
Is Your Perfect Movie?

Parasite · Everything Everywhere · Oppenheimer · Birdman · No Country

Five Oscar Best Picture winners. Five completely different visions of what cinema can be — and what it can do to you. One of them is the film that was made for the way your mind works. Ten questions will figure out which one.

🪜Parasite

🌀Everything Everywhere

☢️Oppenheimer

Advertisement

🐦Birdman

🪙No Country for Old Men

Advertisement

01

What kind of film experience do you actually want?
The best movies don’t just entertain — they leave something behind.





Advertisement

02

Which idea grabs you most in a film?
Great films are driven by a central obsession. What’s yours?





Advertisement

03

How do you like your story told?
Form is content. The way a story is shaped changes what it means.





Advertisement

04

What makes a truly great antagonist?
The opposition defines the protagonist. What kind of opposition fascinates you?





Advertisement

05

What do you want from a film’s ending?
The final note is the one that lingers. What do you want it to sound like?





Advertisement

06

Which setting pulls you in most?
Where a film takes place shapes everything — mood, stakes, what’s even possible.





Advertisement

07

What cinematic craft impresses you most?
Every great film has a signature — a technical or artistic element that makes it unmistakable.





Advertisement

08

What kind of main character do you root for?
The protagonist is the lens. Who you choose to follow says something about you.





Advertisement

09

How do you feel about a film that takes its time?
Pace is a choice. Some films sprint; others let tension accumulate slowly, deliberately.





Advertisement

10

What do you want to feel walking out of the cinema?
The best films leave a mark. What kind of mark do you want?





Advertisement

The Academy Has Decided
Your Perfect Film Is…

Your answers have pointed to one Oscar Best Picture winner above all others. This is the film that was made for the way your mind works.

Advertisement

Parasite

You are drawn to films that operate on multiple levels simultaneously — that begin in one genre and quietly, brilliantly migrate into another. Bong Joon-ho’s Parasite is a film about class, desire, and the architecture of inequality that manages to be darkly funny, deeply suspenseful, and genuinely shocking across a single extraordinary running time. Your instinct is for cinema that hides its true intentions until the moment it’s ready to reveal them. Parasite is exactly that — a film that rewards close attention and punishes assumptions, right up to its devastating final image.

Advertisement

Everything Everywhere All at Once

You want it all — and this film gives you all of it. The Daniels’ Everything Everywhere All at Once is one of the most maximalist films ever made: action comedy, multiverse sci-fi, family drama, existential crisis, and a genuinely earned emotional core that sneaks up on you amid the chaos. You are someone who responds to ambition, who doesn’t want cinema to choose between being entertaining and being meaningful. This film refuses that choice entirely. It is overwhelming by design, and its overwhelming nature is precisely the point — because the feeling of being crushed by infinite possibility is exactly what it’s about.

Advertisement

Oppenheimer

You are drawn to cinema on a grand scale — films that understand history not as a backdrop but as a force, and that place their characters inside that force and watch what happens. Christopher Nolan’s Oppenheimer is a film about the terrifying gap between what we can do and what we should do, told with the full weight of one of the most consequential moments in human history behind it. You want your films to feel important without feeling self-important — to earn their ambition through sheer craft and the gravity of their subject. Oppenheimer does exactly that. It is enormous, complicated, and refuses easy comfort.

Advertisement

Birdman

You are drawn to films that foreground their own construction — that make the how of the filmmaking part of the what it’s about. Alejandro González Iñárritu’s Birdman, shot to appear as a single continuous take, is cinema examining itself through the cracked mirror of a fading actor’s ego. You respond to formal daring, to the feeling that a film is doing something that probably shouldn’t be possible. Michael Keaton’s performance and Emmanuel Lubezki’s restless camera create something genuinely unlike anything else — a film that is simultaneously about creativity, relevance, self-destruction, and the impossibility of ever truly knowing if your work means anything at all.

Advertisement

No Country for Old Men

You are drawn to cinema that trusts silence, that refuses to explain itself, and that treats dread as a form of meaning. The Coen Brothers’ No Country for Old Men is a film about the arrival of a new kind of evil — implacable, arbitrary, and utterly indifferent to the moral frameworks we use to make sense of the world. It is one of the most formally controlled films ever made, and its controlled restraint is what makes it so terrifying. You want your films to haunt you, not comfort you. You are not interested in resolution if resolution would be dishonest. No Country for Old Men is honest in a way that most cinema never dares to be.

Advertisement

friday-the-13th-collider-quiz


Strap on Your Hockey Masks; It’s Friday the 13th — The Collider Movie Quiz!

Because today is Friday the 13th, let’s march our way through the iconic slasher franchise. Ch-ch-ch-ch. Ha-ha-ha-ha.

Advertisement

How Good Is ‘One Battle After Another’?

Collider’s review stated that One Battle After Another finds Paul Thomas Anderson working on his largest canvas yet — and proving that even at blockbuster scale, his filmmaking instincts remain as sharp as ever. Known for ambitious, character-driven films like Boogie Nights, Magnolia, There Will Be Blood, and Licorice Pizza, Anderson has spent decades refining a style that blends humor, emotional depth, and sweeping storytelling. With this sprawling new project, loosely inspired by Thomas Pynchon’s novel Vineland, he delivers something unexpected: a politically charged action film that still feels unmistakably like a Paul Thomas Anderson movie, as Ross Bonaime opined.

Advertisement

“Anderson has executed an unbelievably rare feat: a big-budget studio action film that maintains his specific tone and style, with a film that feels essential to our troubled modern times. One Battle After Another is the type of film that only comes along a few times a generation, a masterfully crafted work that speaks to our present as a defining work of what it was like to live in our present era. Anderson does that with humor, tension, fear, and care, in a film that’s both one of the director’s and 2025’s best.”

One Battle After Another is streaming now on HBO Max. Stay tuned for more updates.


imgi_1_m1jfoahebeqxtx4zart2fkdbnij.jpeg
Advertisement


Release Date
Advertisement

September 26, 2025

Runtime

162 minutes

Advertisement

Director

Paul Thomas Anderson

Writers
Advertisement

Paul Thomas Anderson, Thomas Pynchon

Producers

Adam Somner, Paul Thomas Anderson, Sara Murphy

Advertisement

Advertisement

Advertisement


Advertisement

Source link

Continue Reading

Entertainment

Oscars host Conan O'Brien calls out show for cutting off winner's speech, retracting microphone

Published

on


The telecast cut off the “Two People Exchanging Saliva” honorees midway through their acceptance of Best Live-Action Short — which resulted in a tie.

Source link

Continue Reading

Entertainment

“Dark Winds ”recap: Leaphorn and Manuelito team up with some unexpected allies

Published

on


Meanwhile, Chee goes further undercover.

Source link

Continue Reading

Entertainment

“Bridesmaids” cast reunites at 2026 Oscars for film's 15th anniversary

Published

on


The Paul Feig-directed comedy picked up two nominations at the 2012 award ceremony, losing both.

Source link

Continue Reading

Trending

Copyright © 2025