Entertainment
‘The Pitt’s Most Talked-About Scene: Dana’s Forgiveness of Langdon
In Season 2 of The Pitt, Dr. Langdon (Patrick Ball) returns and Robby (Noah Wyle) isn’t happy about it. July 4th marks Langdon’s first day back on the job after rehab and while Robby attempts to keep him at a distance by assigning him to triage, the two cross paths in Episode 5 and their dynamic further confirms that Robby is nowhere near ready to accept an apology from Langdon. But what about Katherine LaNasa‘s Dana?
Episode 6, “12:00 PM,” finally offers up a quiet one-on-one between the two, with Langdon continuing his apology tour. He lays things out one by one — he’s having a rough first day back, no one from the ER reached out while he was gone, his wife could have taken the kids and left. Dana says exactly what one might assume Langdon would want to hear in those moments. He lost one patient and had another with a “septic bounce back?” Dana tells him neither were his fault. No one from the ER called him while he was away? She gives him a soft “sorry.” He’s shocked his wife stuck with him? Dana says it’s because he deserved a second chance. Even when Langdon launches into his 12-step apology to make amends, she cuts him off and assures him, “You can check me off your list, kid. We’re good.”
But are they really? If you simply took Dana at her word, the scene might demand a revisit because it’s actually loaded with subtext.
This Was the Most-Discussed Scene of ‘The Pitt’ Before Filming
“He said something to me that I had a hard time understanding, and I really had to let it simmer.”
While on Collider Ladies Night to revisit her journey to The Pitt and to discuss what Dana’s experienced through Season 2, Episode 6, LaNasa zeroed in on what made this scene one-of-a-kind. “It was probably one of the most talked-about-beforehand scenes that I’ve ever done on The Pitt.” She recalled:
“Noah was directing, and he and Patrick had talked about it, and I think he had come to me and said, ‘You’re gonna kind of patch him up and get him on his way.’ Then he came and he said, ‘You know, I’m thinking this now. I want you to be mad and to take down this donut sign.’ He said something to me that I had a hard time understanding, and I really had to let it simmer to really understand it. But at the end of the day, kind of what he was saying was, ‘You don’t have time for this today.’ It was a little bit the theme of the one before, but he wanted him to feel uncomfortable. He wanted me to not entirely be able to take care of him. So, maybe behind, ‘You didn’t call me,’ when I’m like, ‘Sorry.’ I got to a place where it’s unspoken.”
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Does Dana Really Forgive Langdon?
This is a mess Langdon created for himself. “I didn’t choose my punch in my face.”
LaNasa insists she actually does forgive Langdon. “I do forgive him because I, myself, have a child the same age as Patrick.” She gets who he is and where he’s coming from. However, she also knows her own truth, and there’s a big difference between what she went through during their last shift together and the position he found himself in.
“Underneath, it was like, ‘I know you can’t think about this because you’re a young man and you only think about yourself, but I got punched in the face.’ You know what I mean? I got punched in the face. It caused me to have an existential crisis of my own. I’m still fucking upset about it. Yeah, I’m sorry I didn’t call you after you stole drugs and were sent to rehab, and now have to repeat your year in a mess that you chose for yourself. I didn’t choose my punch in my face. I think he actually wanted me to bring my own weight and to be not really willing to take care of him.”
The lasting impact of the punch isn’t the only thing on Dana’s mind at that moment. She’s also working to keep the ED up and running during yet another hectic shift. “I think some of the, ‘Look, you don’t have to apologize to me,’ was in part because I need Langdon to just get out there, just put his nose down, and get his job done.”
Another piece of this puzzle Dana wants him to be mindful of? Get his job done and “look good for Robby.”
“That’s basically what I’m saying. ‘Why don’t you just leave him alone today? Just come back. Do a good job. Things will sort out in time.’ Like that older wisdom. Whereas a kid’s like, ‘I want to make an apology. I want to make it alright right away,’ and just her not really having the time for that today.”
Looking for even more from LaNasa on what’s gone down in The Pitt Season 2 thus far, like the meaning of Dana’s bell pin, the importance of serving as a mentor to (Laetitia Hollard), and then some? Be sure to watch her full Collider Ladies Night interview in the video near the top of this article.
- Release Date
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January 9, 2025
- Network
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Max
- Showrunner
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R. Scott Gemmill
- Directors
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Amanda Marsalis
- Writers
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Joe Sachs, Cynthia Adarkwa
-
Noah Wyle
Dr. Michael ‘Robby’ Robinavitch
-
Tracy Ifeachor
Dr. Heather Collins
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Entertainment
“Devil Wears Prada” inspiration Anna Wintour playfully shades Anne Hathaway on Oscars stage: 'Thank you, Emily'
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Wintour and Hathaway took the Oscars stage to present Best Costume Design and Best Makeup and Hairstyling.
Sentimental Value star Renate Reinsve appeared to narrowly avoid a wardrobe malfunction while on stage at the 2026 Oscars.
Reinsve, 38, joined the cast of Sentimental Value on stage after they won the award for Best International Feature Film at the 98th Academy Awards on Sunday, March 15. While listening to director Joachim Trier give his acceptance speech, the actress could be seen holding the front and back of her dress, seemingly to prevent it from falling down due to someone else stepping on the gown’s train.
Reinsve could then be seen giggling as she adjusted her dress while walking off the stage.
Reinsve wore a red custom Louis Vuitton asymmetrical strapless dress with a slit all the way up to her right hip and a long train on the left. She paired the gown with matching Giuseppe Zanotti heels and a silver bracelet. The ensemble was styled by Karla Welch.
The 2026 Oscars brought out major players in the film industry for an unforgettable night. Conan O’Brien hosted the 98th Academy Awards on Sunday, March 15, at the Dolby Theatre at Hollywood & Highland Center in Los Angeles. (O’Brien played a role in one of the films recognized by the Academy this year, Mary Bronstein’s […]
“Hang in it the Louvre 🌹,” Welch captioned a photo of Reinsve’s bare legs as stylists strapped up her shoes.
Reinsve stars in Sentimental Value, a Norwegian drama, as Nora, who reunites with estranged father Gustav (Stellan Skarsgård) alongside her sister, Agnes (Inga Ibsdotter Lilleaas). Elle Fanning also stars in the movie as a famous actress hired to play the lead in Gustav’s new film.
In addition to Best International Feature Film, Sentimental Value was nominated for Best Directing, Best Picture, Best Actress in a Leading Role, Best Actor in a Supporting Role, Best Actress in a Supporting Role, Best Writing (Original Screenplay) and Best Film Editing.
“This film is about a very dysfunctional family, and it’s the opposite of what I felt with this beautiful group behind me,” Trier, 52, said in his acceptance speech on Sunday. “I think I’ve made films to feel at home with people, and I’ve really felt at home with the crew. There’s 1,072 people in these credits, and I love them all and I share this with them. The cast behind me, I’ve never been so proud. Thanks for wanting to work with me.”
The 2026 Oscars red carpet was as glamorous as ever. Thank You! You have successfully subscribed. Subscribe to newsletters Enter your email Please enter a valid email. Subscribe By signing up, I agree to the Terms and Privacy Policy and to receive emails from Us Weekly Deal of the Day Taylor Swift’s Exact Kendra Scott […]
The filmmaker continued, “Because I’m in this category, I feel I represent global filmmakers, and in a moment like this, I just wanna recognize the wonderful films we were nominated together with. Important, beautiful films that reflect our present crisis and the crisis of the past. And I want to end by paraphrasing the wonderful American writer James Baldwin, who makes us remember that all adults are responsible for all children, and let’s not vote for politicians who don’t take this seriously into account.”
Entertainment
Misty Copeland performs in “Sinners ”musical“ ”number at Oscars amid Timothée Chalamet ballet drama
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The ballerina joined Miles Caton and fellow ‘Sinners’ cast members onstage for a performance of “I Lied to You” from the Oscar-nominated film.
Entertainment
Oscars' first new category winner in over 25 years playfully jabs Paul Thomas Anderson: 'I have one before you'
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The first award for Best Casting comes amid the Academy’s initiatives to diversify its voting ranks and competitive brackets.
Entertainment
Sean Penn is a no-show at Oscars as he wins third Academy Award, Kieran Culkin makes playful jab
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The “One Battle After Another” star previously won Oscars for “Mystic River” and “Milk.”
After Timothée Chalamet took aim at the ballet and opera communities, that was pretty much all the 2026 Oscar attendees could speak about.
“Security is extremely tight tonight,” host Conan O’Brien opened his Sunday, March 15, monologue. “I’m told there’s concerns about a tax from both the opera and ballet communities.”
Chalamet, nominated for leading actor for his role in Marty Supreme, recently proclaimed that he wasn’t interested in either art form.
“Some people want to be entertained quickly. I’m really right in the middle because I admire people [saying], ‘Hey, we gotta keep movie theaters alive. We gotta keep this genre alive,’” Chalamet told Variety in February. “I don’t want to be working in ballet or opera where it’s like, ‘Hey, keep this thing alive, even though no one cares about this anymore.”
The 2026 Oscars red carpet was as glamorous as ever. Thank You! You have successfully subscribed. Subscribe to newsletters Enter your email Please enter a valid email. Subscribe By signing up, I agree to the Terms and Privacy Policy and to receive emails from Us Weekly Deal of the Day Taylor Swift’s Exact Kendra Scott […]
Chalamet, whose grandmother and mother are retired ballerinas, quickly walked back his comments and gave “all respect to the ballet and opera people out there.”
“Damn, I just took shots for no reason,” the actor quipped.
Chalamet didn’t further address the controversy in the lead-up to the Oscars or at the ceremony itself.
Keep scrolling for a guide to all the ballet and opera mentions at the 2026 Academy Awards:
Conan O’Brien’s Monologue
Oscars host Conan O’Brien couldn’t resist adding in a joke about Timothée Chalamet’s comments in his monologue.
“Security is extremely tight tonight. I just got to mention that,” O’Brien said. “I’m told there’s concerns about a tax from both the opera and ballet communities.”
O’Brien paused as the camera panned over to Chalamet, who coyly laughed off the reference.
“They’re just mad you left out jazz,” O’Brien added.
A Ballet Pioneer
During the Sinners musical tribute, the cast was accompanied by Misty Copeland for its rendition of “I Lied To You.” (Copeland was the first Black principal at the American Ballet Theatre before her retirement in 2025.)
“That’s definitely how it seems, but it was not at all,” Copeland told Vogue ahead of Sunday’s performance, denying her performance was a rebuttal to Timothée Chalamet. “I had agreed to do this before any of this stuff was happening and had blown up the way that it has.”
Ballet and Opera Can Change the World
The Best Live Action Short Film was awarded to The Singers and Two People Exchanging Saliva. During the latter’s acceptance speech, Alexandre Singh touched on the two art forms.
“We believe that art can change people’s souls,” Singh said in his speech. “Maybe it takes 10 years time but we can change society through art, through creativity [and] through theater and ballet … and also cinema.”
Kevin O’Leary Is Still All-In on Timothee Chalamet
Timothee Chalamet. Julian Hamilton/Getty Images
On the red carpet, Shark Tank star Kevin O’Leary speculated that Timothée Chalamet’s comment wouldn’t have an impact on his chances at winning an Oscar.
“I just put 1,000 bucks on [betting app] Kalshi walking in here that he’s gonna win,” O’Leary told Variety. “Because I know the voting stopped long before that controversy happened. He’s a really great guy, his mother’s really nice. The kid is a great kid. He took a bum rap on that. By the way, he gave a lot of promo to opera houses and ballet.”
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The two-time host isn’t holding back tonight.
Entertainment
‘Hamnet’s Jessie Buckley Wins Best Actress in a Leading Role at the 2026 Academy Awards
Jessie Buckley has officially won Best Actress at the 2026 Academy Awards for her work in Hamnet, turning one of the most acclaimed performances of the season into an Oscar win and giving Chloé Zhao’s literary drama one of the biggest victories of the night. The win caps off a major awards run for Buckley, who had already emerged as a frontrunner throughout the season. Reports had framed her as the outstanding favorite heading into Oscar night, with Hamnet also positioned as a major contender in several top categories, but it’s still satisfying to see the favorite deliver.
That makes tonight feel less like a surprise than a coronation — but it is still a huge deal. Buckley’s performance as Agnes has been the emotional centerpiece of Hamnet’s entire awards story, with critics and awards voters rallying around her work in a film that reimagines the grief and private life surrounding Shakespeare’s family. The film was directed by Zhao, who also co-wrote the screenplay with Maggie O’Farrell, adapting O’Farrell’s bestselling 2020 novel. The cast is led by Buckley as Agnes and Paul Mescal as William Shakespeare, with Emily Watson, Joe Alwyn, Jacobi Jupe, and Noah Jupe in supporting roles.
Strap on Your Hockey Masks; It’s Friday the 13th — The Collider Movie Quiz!
Because today is Friday the 13th, let’s march our way through the iconic slasher franchise. Ch-ch-ch-ch. Ha-ha-ha-ha.
How Good Is ‘Hamnet’?
Collider’s review by Ross Bonaime stated that Buckley’s portrayal is remarkable not only in the film’s most emotional moments but in the quiet details. A hesitant touch. A hand reaching for someone who is no longer there. A confused glance at a world that suddenly feels unrecognizable. Buckley makes Agnes’ grief feel deeply physical, as if the loss has fundamentally altered the way she moves through life.
“Both Buckley and Mescal are incredible in Hamnet, showing an unflinching emotional rawness. The complete and utter destruction of one’s soul is exactly what Buckley is portraying, and it’s nothing short of magnificent what she’s able to pull off here. Not only is she heartbreaking in the major moments, but it’s in her smaller touches that her role of Agnes has a remarkable amount of power. Even just reaching out a hand at the right moment or the utter confusion of who she is now that her son is gone make for some of the most powerful scenes in Hamnet. It’s a gorgeous performance that will burrow itself into your heart.”
Stay tuned to Collider for more coverage of the Academy Awards.
- Release Date
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November 26, 2025
- Runtime
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126 minutes
- Director
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Chloé Zhao
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No, the “French Connection” star wasn’t snubbed.
For months, One Battle After Another looked like the movie to beat. It had the reviews, the momentum, the pedigree, and the kind of across-the-board support that usually signals a Best Picture winner before envelopes are even opened, and now it is official.
One Battle After Another has won Best Picture at the 2026 Academy Awards, giving Paul Thomas Anderson the night’s biggest prize and closing out one of the strongest awards runs of the season. Written and directed by Anderson, the film stars Leonardo DiCaprio as a former political radical and single father, with a cast that also includes Regina Hall, Sean Penn, Teyana Taylor, Benicio del Toro, and Chase Infiniti.
The film entered the ceremony with 13 Oscar nominations, making it the second-most-nominated movie of the year, behind only Sinners. It was widely seen as one of the top contenders all season long, with major outlets and prediction-market coverage all pointing to it as a major frontrunner heading into Oscar night. By the time the Oscars arrived, the movie had already solidified itself as a consensus prestige heavyweight, with outlets repeatedly describing the Best Picture race as essentially a showdown between Anderson’s film and Sinners.
Strap on Your Hockey Masks; It’s Friday the 13th — The Collider Movie Quiz!
Because today is Friday the 13th, let’s march our way through the iconic slasher franchise. Ch-ch-ch-ch. Ha-ha-ha-ha.
How Good Is ‘One Battle After Another’?
Collider’s review stated that One Battle After Another finds Paul Thomas Anderson working on his largest canvas yet — and proving that even at blockbuster scale, his filmmaking instincts remain as sharp as ever. Known for ambitious, character-driven films like Boogie Nights, Magnolia, There Will Be Blood, and Licorice Pizza, Anderson has spent decades refining a style that blends humor, emotional depth, and sweeping storytelling. With this sprawling new project, loosely inspired by Thomas Pynchon’s novel Vineland, he delivers something unexpected: a politically charged action film that still feels unmistakably like a Paul Thomas Anderson movie, as Ross Bonaime opined.
“Anderson has executed an unbelievably rare feat: a big-budget studio action film that maintains his specific tone and style, with a film that feels essential to our troubled modern times. One Battle After Another is the type of film that only comes along a few times a generation, a masterfully crafted work that speaks to our present as a defining work of what it was like to live in our present era. Anderson does that with humor, tension, fear, and care, in a film that’s both one of the director’s and 2025’s best.”
One Battle After Another is streaming now on HBO Max. Stay tuned for more updates.
- Release Date
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September 26, 2025
- Runtime
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162 minutes
- Director
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Paul Thomas Anderson
- Writers
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Paul Thomas Anderson, Thomas Pynchon
- Producers
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Adam Somner, Paul Thomas Anderson, Sara Murphy
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