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Outpost VFX to launch in London, Matchett at helm

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Outpost VFX to launch in London, Matchett at helm


Bournemouth-based Outpost VFX is to launch a London studio and has announced former MPC Film head of production Rachel Matchett as Head of Studio, UK.

Matchett joins from Technicolor where she spent over five years as Global Head of Production at MPC Film. She will split her time between Outpost’s Bournemouth office and its new studio space in London.

Outpost’s London studio will be its fourth physical facility to date, following the launches of Montreal in 2019 and Los Angeles earlier in 2021. The London studio will host artists and production teams to work in tandem with Outpost’s Bournemouth facility on UK-incentivised productions.

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Matchett said: “I’m very excited to be joining such a vibrant and dynamic studio, particularly at a time of substantial growth. I want to be instrumental in bringing Outpost’s values and culture to life in London. The ambitious plans of the studio are also felt through the artists who are not only talented and passionate, but genuinely want to come into work every day.

“I want to come in and futureproof the company’s processes, but also its culture as it continues to expand. My ambition is to help scale the team, propagate the Outpost culture and provide good structures that will marry happily with Outpost’s values as it continues to be a positive force in the VFX industry.”

Over a long career in visual effects Matchett has been instrumental in leading large teams delivering triple-A productions, including most recently as Co-President of Ghost VFX. At Outpost, Matchett will oversee UK operations while working closely in tandem with teams in Montreal, Los Angeles and Asia to enhance Outpost’s approach to global production and will focus on offering in-person client service in London.

Matchett’s appointment comes following a significant growth period for Outpost during which it has expanded to over 300 people.

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Gez Hixson, COO of Outpost, said: “Rachel is the perfect example of an experienced leader who sees immense value in what we’re trying to achieve, both in our ambition to create the most balanced and supportive environment in VFX and also our creative aspirations. We couldn’t be happier to welcome her to the team and can feel her positive influence already.

“In the last nine months we’ve tripled in size, so it’s important that as we grow, we introduce experienced and empathetic leaders like Rachel across our facilities to help us to stay true to our values and simultaneously deliver seamless work globally. We look forward to bringing our approach to London and its vibrant VFX community”

 

Jon Creamer

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بث مباشر | قناة المغاربية Almagharibia TV Live Stream

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بث مباشر | قناة المغاربية Almagharibia TV Live Stream



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Strictly Come Dancing’s winning brand of chaos overshadows months of scandal

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Strictly Come Dancing’s winning brand of chaos overshadows months of scandal


In the lead up to the first Strictly Come Dancing live show of the season, there was a huge question mark hanging over the dance competition. How would the show address the months of scandal that have threatened to tarnish Strictly’s primetime sparkle, with allegations of backstage bullying?

Would we see behind the scenes footage of chaperones sitting in on rehearsals (each couple now has a member of staff present during all practices)? Would Tess and Claudia solemnly refer to the new welfare measures, just as they assiduously reminded us about social distancing when the show aired during Covid? Would Shirley Ballas make a speech? In the end, none of that happened. Instead, Strictly returned to doing what it does best – giving us a dose of glitzy, escapist chaos that played out like a surrealist fever dream, but with mahogany fake tans. It was a (slightly unhinged) business as usual approach that paid off.

Host Claudia Winkleman seemed to be channeling Princess Leia as she sauntered onto the ballroom floor wearing a white dress with a high neck and flowing sleeves (although over on Instagram, she hinted that she’d actually been inspired by the Greek crooner and kaftan aficionado Demis Roussos). Her out-there sartorial choices seemed to set the tone for an episode that really leaned into Strictly’s camp, larger-than-life character.

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Soon, DIY SOS’s Nick Knowles was prancing around dressed like an intergalactic Bob the Builder, wearing a glitzy hi-vis vest, before he had some cake thrown in his face by pro dancer Carlos Gu. Miranda star Sarah Hadland was trying to teach her dance partner Vito Coppola how to make a decent cup of tea. And Pete Wicks, he of almost every reality show you can name, came down from the ceiling on a rope to perform a stompy Paso Doble. If the producers were hoping to distract viewers from the previous bad PR by just throwing weirder and weirder spectacles in front of us, they succeeded. Do we really need hand wringing when we can have the Dave Arch band gamely trying to cover The Prodigy?

Most baffling of all? Paul Merson and Karen Hauer’s American Smooth routine, performed to, wait for it, “Vindaloo” by Fat Les, a song that doesn’t exactly lend itself to well, smooth moves. Merson, who has been called up to fill the requisite “woefully bad footballer” slot previously occupied by his former Arsenal teammate Tony Adams, stomped around the floor, kicked a massive football and kept jumping up while clutching the air, as if clinging on to an imaginary space hopper. Was it entertaining or just plain stupid? Who knows, but arguing the case either way was pretty fun.

Two left feet: Paul Merson and Karen Hauer plodded through an American Smooth

Two left feet: Paul Merson and Karen Hauer plodded through an American Smooth (BBC/Guy Levy)

Even the judges seemed to be embracing the sense of chaos in the air. Head judge Shirley Ballas kept getting up to do miniature performances, showing exactly how each move could be perfected; at one point she kissed a bemused Motsi Mabuse on the lips. The newly bearded Craig Revel Horwood said one dancer looked more like they were strolling round a steelworks than performing (why a steelworks, Craig?) And Anton du Beke said what everyone was thinking when he pointed out that pro dancer Gorka Marquez (who is paired this year with Morning Live GP Dr Punam Krishan) never misses an opportunity to show off his abs. Going a bit off piste like this felt much truer to Strictly spirit than trying to rake over old scandals.

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And then, to finish things off? Wynne Evans, aka that singing bloke from the “Go Compare” advert, burst out from under a silver dish wearing a chef’s hat and started singing along to a Tom Jones track (he’s Welsh, don’t you know?) before samba-ing around the floor with his partner, the ever-patient Katya Jones. The biggest surprise of all? For all of the strange buffet-themed props, he was actually quite good – perhaps there’s scope for him to do a Bill Bailey and go from wild card to potential winner.

History making: Chris McCausland is the show’s first blind contestant

History making: Chris McCausland is the show’s first blind contestant (BBC/Guy Levy)

There were also moments that remind us of just how powerful Strictly can be, too, like when comedian Chris McCausland, the show’s first ever blind contestant, took to the dance floor to perform a routine to “Twist and Shout” with partner Dianne Buswell. It was a truly impressive feat. And Amy Dowden’s return with new partner JB Gill, after taking a year off from the show to undergo treatment for cancer, received a worthy standing ovation.

Glimmers of emotion like these in amongst the panto-worthy pandemonium made tonight’s show classic Strictly. It was a big, mad sparkly riposte to all the naysayers who said that the show couldn’t go on (and yes, I was among them) – proof that there’s plenty of charm left in this format.

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Strictly Come Dancing continues on Saturday 28 September on BBC One



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রাখালের ভালোবাসা । Love Story । Bangla Natok । Riyaj & Tuhina । Moner Moto TV

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রাখালের ভালোবাসা । Love Story । Bangla Natok । Agunk & Tuhina । Moner Moto TV
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Strictly Come Dancing: Shirley Ballas kisses Motsi Mabuse during first live show

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Strictly Come Dancing: Shirley Ballas kisses Motsi Mabuse during first live show


Strictly Come Dancing judge Shirley Ballas surprised viewers when she kissed Motsi Mabuse on the first live show of the 2024 series.

The dancer and TV judge, 63, was giving feedback to the Olympic swimmer Tom Dean and his professional partner Nadiya Bychkova on their tango when the unexpected moment occurred.

Ballas asked Mabuse to stand up behind the judges’ table to demonstrate a tango hold to Dean, telling the sportsman: “It’s all in the posture.”

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As Ballas took Mabuse by the hand, Anton Du Beke praised the two women and could be heard repeatedly saying “go on girls”.

In the middle of the demonstration, Ballas pecked Mabuse on the mouth, causing the former Strictly professional dancer to widen her eyes in surprise.

Strictly viewers were quick to comment on the kiss on X/Twitter, with one fan writing: “Motsi and Shirley kissing live on Strictly to give us the same sex representation we’re missing this series lmao [laughing my a** off].”

Meanwhile, another fan joked: “Omg the lesbian Motsi and Shirley. I’m shaking at all this gayness.”

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Shirley Ballas kisses Motsi Mabuse on ‘Strictly Come Dancing’

Shirley Ballas kisses Motsi Mabuse on ‘Strictly Come Dancing’ (BBC)

It comes shortly after Ballas revealed that she has suffered a cancer scare after being encouraged by her Strictly Come Dancing colleague Amy Dowden to attend a routine mammogram.

Ballas explained that doctors discovered lumpy tissue in her left breast after a routine examination, and she has been feeling emotional as she awaits news of the biopsy.

“I’m worried I’ve worked myself to death,” she told The Sun. “It’s been terrifying, to have the needle go in your body to numb it before the biopsy.

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“I feel very emotional. I’m not the same at work at the moment, so I’m teaching, but it’s constantly on my mind.”

Craig Revel Horwood, Mabuse, Ballas and Anton Du Beke on ‘Strictly Come Dancing’

Craig Revel Horwood, Mabuse, Ballas and Anton Du Beke on ‘Strictly Come Dancing’ (BBC/Guy Levy)

Ballas, who has judged on the hit BBC dance competition since 2017, then noted the impact of professional dancer Amy Dowden on her decision to attend her scheduled mammogram.

Dowden made a triumphant return to Strictly following a mastectomy, chemotherapy, fertility treatment and hospital care for sepsis on Saturday night (21 September).

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“You are back home,” Ballas told the professional dancer after she took to the floor.

Dowden later told the show’s presenter Claudia Winkleman: “I’m so happy I could burst.”

Follow the Strictly Come Dancing live blog here.



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Evolution of Television (TV) | 1927 ~ 2023

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Watch: Amy Dowden responds to suggestion she’s ‘back home’ on Strictly | Culture

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Amy Dowden’s Five-word Response To Suggestion She Is ‘Back Home’ On Strictly



Amy Dowden said she was “so happy I could burst” as she made an emotional return to Strictly Come Dancing on Saturday night (21 September).

The 34-year-old Welsh ballroom dancer, who first joined the cast of Strictly in 2017, was too ill to compete in last year’s series as she recovered from treatment for stage three breast cancer.

Dowden has been paired with JLS singer JB Gill for this year’s series.

“I’m so happy I could burst,” she said after her first performance, responding to Shirley Ballas’s suggestion that she is “back home” on Strictly.

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The couple were awarded 31 points during the first live show, securing their high score after they waltzed to “When I Need You” by singer Leo Sayer.



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