Revered and sometimes worshipped, sports superstars are at the top of the list of celebrities in our culture. Just like their famous counterparts in Hollywood, the music industry, and business, they’ve also had their fair share of biopics made in their likeness. Last year alone, we saw the arrival of David Michôd’s Sydney Sweeney-led feature, Christy, which chronicled the life of female boxing legend Christy Martin, as well as Benny Safdie’s Dwayne Johnson-starrer, The Smashing Machine, which held a lens up to the life of UFC fighter Mark Kerr.

Later this year, filmmaker David O. Russell will pair up with Nicolas Cage and an ensemble that includes Christian Bale and Kathryn Hahn for the John Madden-centered project, Madden, and, down the line, Austin Butler will lace up his cycling shoes and transform into Lance Armstrong. Essentially, to say that sports superstars captivate us would be a gross understatement.

While all of these biopics and heavy-hitting dramas are great in their own right, there’s one classic sports-centered movie that ages like fine wine and centers itself around a truly incredible story. Luckily, A League of Their Own will soon be hitting a homerun onto the free streamer Tubi next month, meaning that audiences can enjoy the heartwarming story of a group of female baseball players beginning on March 1.

What Is ‘A League of Their Own’ About?

The year was 1943 and WWII was raging on with many of America’s men fighting overseas. Meanwhile, back on United States soil, spirits were at an all-time low and sports promoters were trying to find a way to not only lift the hopes of everyday people but also to make an extra buck. Finding a way to do both, the All-American Girls Professional Baseball League was officially founded. A League of Their Own follows one of those teams — albeit a fictionalized version — and features performances from a knock-out ensemble that includes Tom Hanks, Madonna, Bill Pullman, Geena Davis, Lori Petty, David Strathairn, Rosie O’Donnell, Anne Ramsay and more.

Helmed by Penny Marshall, the uplifting, unique, and life-affirming sports-centered film may not have been based on real people, but it took its story from teams just like the one at the heart of A League of Their Own. Critics raved about the production and audiences flocked to cinemas, driving box office figures up to $132.4 million globally against its $40 million production budget. The devotion to the baseball flick went so far that Prime Video greenlit a series of the same name to follow in the steps of the movie that came before it, although it was unceremoniously cancelled after one season.

Head over to Tubi on March 1 to stream A League of Their Own.

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Release Date

July 1, 1992

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Runtime

128 minutes

Director

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Penny Marshall

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Time can prove a cruel mistress to the legacy of some movies. For others, it is the distance that allows a reevaluation from audiences, turning a once-critiqued project into a cult classic. That is what has happened to the genius feminist horror flick Jennifer’s Body, which, thanks to sex-appeal-driven marketing, was not seen for its clever feminist ideology at the time. 17 years on, Karyn Kusama‘s third directorial feature, written by Diablo Cody, has been reframed by a new generation of audience, and seen as one of the best of its kind from the past 25 years.

Starring Megan Fox and Amanda Seyfried as two unlikely best friends, Jennifer’s Body takes place following the demonic possession of the former, as she begins to kill the men around her and consume their flesh to survive. Featuring intelligent direction, memorable performances, and a killer 2000s rock soundtrack, Jennifer’s Body is a true gem of the horror comedy genre, with audiences on review aggregator Rotten Tomatoes calling it an “absolute classic,” and another saying, “Jennifer’s Body is a darkly funny and surprisingly smart horror film that mixes teen drama with sharp satire and killer performances.”

If you are one of the few left to rediscover Jennifer’s Body, you’re in luck, as it is about to debut on a new streamer. As of March 1, 2026, you’ll be able to watch Jennifer’s Body on Starz in the U.S. Made for just $16 million, its relatively small budget was enough to help bypass the negative reviews and make a solid return at the box office. Globally, Jennifer’s Body earned $32 million, split evenly between a domestic haul of $16 million and a further $16 million from overseas markets.

Could a ‘Jennifer’s Body’ Sequel Be on the Cards?

Image via 20th Century Studios

In the age of sequels and reboots, and considering the newfound love for Jennifer’s Body, a sequel feels like an obvious choice. Excitingly, back in October 2025, director Kusama confirmed that work on a script is underway in an interview, saying, “I know she’s [Diablo Cody] working on it right now, and I’m very excited to hear what comes of it.” She continued, “I know some of the bones of it, so I’m not going to give anything away, but it sounds fun and crazy like the first film. And I have no doubt that Diablo will do something absolutely incredible with it.”

Jennifer’s Body is streaming on Starz this March. Stay tuned to Collider for more streaming stories.

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Release Date

September 18, 2009

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Runtime

107 minutes

Director

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Karyn Kusama

Producers

Brad Van Arragon, Daniel Dubiecki, Jason Reitman

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A chic trench coat is the unsung hero of any well‑curated spring closet. Indeed, this lightweight layering piece is ready for whatever the forecast has in store—and we’re not just talking about the classic beige button-front design we all know and love. Lately, we’re opting for fresh silhouettes that combine weatherproof performance with standout style, proving elegance doesn’t have to disappear all in the name of rainy-day dressing.

In anticipation of those spring showers ahead, we found 17 stylish trench coats from retailers like Amazon, Nordstrom and Quince that deliver equal parts function and fashion. From cinched‑waist classics to colorful alternatives and everything in between, these spring trench coats make rainy-day dressing an absolute breeze!

17 Spring Trench Coats That Have Us Wishing For Rain

1. Surprise Inside: This long, lightweight trench coat is giving major Burberry energy, from its chic plaid lining to its refined, quiet‑luxury presentation.

2. Seasonless Pick: We’re keeping things short and sweet in this cute, cropped design that has the look and feel of an expensive barn coat.

3. Classic Maker: If you’re ready to invest in a trusted classic, a London Fog trench coat is worth the splurge — timeless tailoring and classic British heritage included.

4. Rainbow Bright: In a sea of neutrals, make a bold entrance in this colorful option that comes in pink, blue, red, purple and a kaleidoscope of other eye-catching hues.

5. Go With the Flow: When the weather can’t make up its mind, this bestselling double‑breasted trench lets you manage the drizzle and dryness. Just pop the removable hood on or off as needed.

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6. Two In One: This Chartou’s versatile trench coat is fully reversible, featuring solid green on one side and a green‑and‑blue plaid on the other, giving you double the rainy‑day styling power.

7. Throwback Style: There’s a definite military influence in this gorgeous army‑green, double‑breasted layer. The removable belt and pockets-a-plenty only add to its utility feel.

8. On the Go: If weekend staycations and rain-soaked vacations are on the agenda, don’t overlook this packable trench coat. It comes with a zip storage bag that’s easy to toss in a tote or suitcase.

9. Perfect Definition: This beautiful belted trench coat cinches the waist for a polished, figure‑flattering fit that avoids any unflattering bulk.

10. Plus-Size Pick: Available in green, black and brown and in sizes 12 through 28, this fit-and-flare trench makes it easy to find a flattering plus‑size fit.

11. Trending Pick: Animal print is everywhere right now, which means you’ll want to grab Topshop’s zebra‑print trench coat before it’s gone. The ultra‑long silhouette only adds to its glamour, giving off expensive designer vibes.

12. Rain Don’t Go Away: This glossy, belted rain jacket has Us practically praying for downpour days — it’s that chic. Plus, the drawstring hood will help keep your hair dry.

13. Fits Your Shape: It’s all too easy to get lost in an oversized trench coat, but Quince solves that problem with a cinched waist that defines your shape and subtly slims.

14. Layer to Your Liking: Say goodbye to rigidity and hello to rainy‑day comfort in a stretchy trench that lets you layer with absolute ease.

15. Unexpected Fabric: We never tire of demure denim, which explains why this Gap option slid straight into our spring wardrobe rotation. While it’s not the most practical for staying dry, the high-fashion look and under-$100 price make it an instant add-to-cart.

16. Falls Just Right: Not too long and not too short, Abercrombie’s mid‑length trench is the perfect proportion for all your spring style staples — dresses and denim included.

17. Zip and Go: For an easy, goes-with-everything pick, consider Old Navy’s zip-up trench coat that takes the fuss out of rainy-day dressing but not the fashion.

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Team Spain ski mountaineer Ana Alonso Rodriguez finished her 2026 Winter Olympics journey with two bronze medals mere months after being hit by a car.

On Saturday, February 21, Rodriguez, 31, and her teammate Oriol Cardona Coll clinched a bronze medal in the Milan and Cortina, Italy, ski mountaineering mixed relay event, finishing behind France’s gold medal winners Emily Harrop and Thibault Anselmet and silver medalists, Marianne Fatton and Jon Kistler, of Switzerland. Rodriguez had previously won bronze in the women’s sprint event earlier in the week.

Two podium placements for Rodriguez was a particularly astounding result since she survived being struck by a car last October. Rodriguez said her “risky” decision to compete in the Olympics so soon after her injuries payed off, despite her decision to avoid having surgery for her torn ACL and separated shoulder.

“I made a very risky decision, which was not to have surgery on my knee or shoulder, and many people thought I was crazy, but in the end it wasn’t so crazy, and I won as many medals as I thought I could,” she told Reuters on Saturday.

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Rodriguez added, “I feel very proud that I didn’t give up and gave it my all until the end and believed in myself so much because it was very difficult. I think I’ve managed to find a strength that even I didn’t know I had.”

In October 2025, Rodriguez posted a look at the aftermath of a devastating accident that occurred during training.

In a series of slides via Instagram, Rodriguez showcased the moments after the crash as she lay in the street below an SUV with a cracked windshield. A selfie shot later in the gym showcased the athlete with her left arm in a sling and her left knee protected by a heavy brace as she used a crutch to stand upright.

“A few days ago, while I was training on my road bike, a car hit me. At the last moment, when I saw there was no way out, I was able to tense my body and brace for the impact… and I’m convinced that’s what prevented something much worse,” she wrote.

At the time, Rodriguez admitted her future in ski mountaineering was uncertain because of a litany of injuries, including ACL and MCL ligament tears, a broken ankle, a separated shoulder and bone edema in her knee.

“All things considered, I’m here (which is what matters most), in one piece and more determined than ever to move forward,” she wrote. “I know the road ahead won’t be easy. There will be gray days—days of pain, doubt, and exhaustion… but I also know those are the days that make you truly appreciate it when the sun shines again.”

Rodriguez went on, “It’s not the first time I’ve had to get back up. Even though this time the hill is steeper and I have to climb it faster—you already know I’ve never liked the easy paths. I’m putting my fighter suit back on and going for it, surrounded by the best professional and human team I could possibly have.”

Rodriguez admitted that the roadside collision was an unexpected twist on her quest for glory in Milan and Cortina.

“Just 7 months ago, I fulfilled a dream [to qualify for the Olympics] that was born when I was 7 years old,” she wrote. “I don’t believe life brought me there just to leave me here. This isn’t an ending—it’s just a new challenge to climb with determination, faith, and a lot of passion.”

She concluded, “From the bottom of my heart, thank you to everyone who has been and continues to be there. Feeling so much trust, love, and support is my engine, my drive, and my strength to achieve this. There aren’t enough words to express all my gratitude. I am fortunate—now more than ever 🥹🙏🏻This is for you—for those who never doubted for a moment; and for those who are no longer here, but whom I feel with me in every step.”

Rodriguez’s dedication paid off when she hit the slopes in Milan and Cortina. Earlier in the week, the ski mountaineer told the Associated Press that it was “so emotional” to have triumphed in the face of such adversity.

“I couldn’t believe it [that I won a bronze medal] … Trying to believe that I achieved this medal, it was a beautiful moment for me,” she added.

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Rodriguez stressed that her only goal coming into Milan and Cortina was simply to compete since even that possibility seemed remote only a few months ago.

“I wanted to focus on myself and be proud of my performance, no matter the result,” she said. “So I only wanted to cross the finish line being happy with my performance.”

The “Watergate scandal” involving the administration of President Richard Nixon has been one of the most well-documented moments in American history. In addition to films like All the President’s Men and Dick that were about the break-in itself, Watergate has also been an essential part of biopics of the President, including Nixon, Frost/Nixon, and Secret Honor. The implications of Watergate also inspired several conspiracy thrillers that created similar scenarios, including The Conversation, The Parallax View, and Capricorn One. However, in all these studies of Watergate, attention was rarely paid to those who actually performed the break-in, and why they were motivated to act on behalf of President Nixon. White House Plumbers is a quirky, enlightening HBO series that shines a spotlight on the colorful characters involved in a major incident that shaped the next few decades of American politics.

Inspired by a non-fiction novel by Egil Krogh and Matthew Krogh, White House Plumbers explores the bizarre true story of two self-proclaimed patriots within Nixon’s White House who were convinced to stage the Watergate break-in, and ultimately end up taking the fall for it. Howard Hunt (Woody Harrelson) was a longstanding member of the CIA who worked alongside the bumbling White House lawyer G. Gordon Liddy (Justin Theroux) to serve as a covert organization known as the “White House Plumbers,” who were tasked by the attorney John Dean (Domhnall Gleeson) with fixing any “leaks” that may have come from Nixon and his allies. However, this isn’t a typical HBO drama about the “best and brightest” members of an espionage crew; the misadventures that Hunt and Liddy get into result in a hilarious satire about who actually has the power to shape the actions of a nation.

HBO’s ‘White House Plumbers’ Spoofed One of America’s Greatest Scandals

White House Plumbers is unique among recreations of the Nixon administration because the series is focused on the actual minutia of how the break-in happened, and not just about its ramifications. Although Watergate would become a stand-in for many political films of the 1970s, the scandal escalated because of the way that the Nixon administration doubled-down on their obstruction of justice. The actual burglary was a relatively minor incident, which makes it so funny that Liddy and Hunt treat it as an important moral duty that they have on behalf of their nation.

The show explores how the desire for power and legacy is enough to convince people to take elaborate risks that they can’t justify. Hunt at least seems to be aware that what they are doing could have severe consequences, but he sees performing a dangerous activity as a means to possibly gain the favor of senior members of Nixon’s inner circle. Of course, most of the powerful Republicans at the time had no idea who Liddy and Hunt were, which is made clear within a particularly amusing scene with John Caroll Lynch as Attorney General John N. Mitchell.

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Even ignoring the pointed commentary on who actually ends up shaping history, White House Plumbers is a great buddy comedy with two actors who have finally been able to sink their teeth into comedic roles. Harrelson has done so many serious television and film roles recently that it’s easy to forget that he was once a comedy icon with White Men Can’t Jump, Kingpin, and Wag the Dog. Similarly, Theroux had been doing more serious work with The Leftovers and The Mosquito Coast, and White House Plumbers gave him the opportunity to be just as colorful and idiosyncratic as he was with his animated voice work. One of the standout moments of the scene is a painfully awkward dinner party in which Liddy and Hunt introduce each other to their respective wives; Hunt and his wife Dorothy (Lena Headey) quickly learn that Liddy and his wife Fran (Judy Greer) are eccentrics who shouldn’t be given any degree of influence.

HBO’s ‘White House Plumbers’ Is a Relevant Piece of Satire

White House Plumbers finds it comedy in showing the escalation of the situation and how poorly managed it was from the beginning. Liddy and Hunt were clearly ill-fitted for the responsibility of infiltrating Democratic headquarters, but they ultimately couldn’t be blamed for a heist for which there was little planning. It was due to the vast ignorance of the other conspirators that everyone else ended up being prosecuted, as no one would ever believe that Liddy and Hunt were the “masterminds” behind it all.

It’s a scathing takedown of how scapegoating works in conspiracies, but also an ironic reflection on how history is written. Even though Liddy and Hunt were involved in a failed plot that resulted in a changing-of-the-guard within the White House, they won’t be remembered in history textbooks the same way that the more prominent conspirators were. Given that HBO has a knack for historical miniseries like Band of Brothers and John Adams, White House Plumbers was a nice change of pace because it wasn’t afraid to poke fun at the self-importance of people who tried to avoid culpability. Looking back at the past in White House Plumbers wasn’t just revelatory, but successful in putting history into perspective.

If there’s any genre that perfectly lends itself to high ambitions, it has to be science fiction. Throughout the entire history of sci-fi television, there have been countless shows that have aimed for the stars—whether they met those aspirations or not. From big chapters in huge multimedia franchises to entirely original series that changed the game, these sci-fi shows are proof of the heights that the genre can reach when done with enough passion.

Whether it’s The Mandalorian bringing Star Wars to the world of live-action television or The Leftovers proving that sci-fi and the world of prestige TV can get along wonderfully, these series have shown that determination and big ideas can be all a show in this genre needs to be great. Ambition doesn’t always equal greatness, but in these shows’ case, that’s certainly what it ended up amounting to.

10

‘WandaVision’ (2021)

Image via Disney+

Proving that a new formula for shows properly and fully connected to the Marvel Cinematic Universe, after the downfall of Netflix’s street-level side of the franchise, could work; paying homage to different eras of the American sitcom format through complex and varied visual tones; delivering a metafictional, genre-bending narrative that prioritized character work over traditional superhero action (most of the time, at least). Those are but a few of the things that make WandaVision ambitious.

Had this series not worked, who knows whether the franchise would have built up the confidence to make the jump to more TV series? But as one of the most perfect sci-fi miniseries ever, WandaVision clearly did work, despite an underwhelming finale. Its aesthetics were the cherry on top of what was already one of the MCU’s most ambitious projects to date, and it all paid off wonderfully.

9

‘Andor’ (2022–2025)

Image via Disney+

A show centered on the deuteragonist of a prequel spin-off where he dies at the end, returning to the focus on space politics that made so many people dislike George Lucas‘ prequel trilogy, leveraging a high budget to deliver a gritty, grounded, mature political thriller that prioritizes complex character study over fan service. Those are but a few of the things that make Andor ambitious.

It’s one of the highest-rated prequel shows on IMDb, and for good reason. It’s Star Wars at its best: Politically charged and refreshingly nuanced, packed with thrilling action sequences, and full of emotionally satisfying character arcs that aren’t without their occasional bits of tragedy. It might just be the best that the franchise has been since the ’80s.

8

‘The Leftovers’ (2014–2017)

Image via HBO

Ever-so-subtle uses of science fiction that keep its plot grounded in reality and character work; refusing to ever fully explain its mysterious central premise, instead focusing on the emotional and philosophical effects that it has on the characters and their world; touching on aspects of the human condition so intellectually challenging that most shows wouldn’t dare touch them with a ten-foot pole. Those are but a few of the things that make The Leftovers ambitious.

The best thing about the series is that all of its philosophical, intellectual, and narrative ambitions pay off. It’s one of the best sci-fi shows with zero filler episodes, an engrossing and emotionally raw drama with some of the most intricate thematic work of any HBO show. It’s a modern classic that sometimes doesn’t get nearly as much love as it deserves, and though it may not be all that technically ambitious, its narrative aspirations are sky-high.

7

‘The Last of Us’ (2023–Present)

Image via HBO

Adapting both one of the most acclaimed video games in history and its sequel, one of the most divisive video games of all time; expanding the games’ lore and changing key aspects, trying not to upset fans in the process (sometimes successfully, sometimes not); and translating the many ambitions of both of its pieces of source material into a televisual language. Those are but a few of the things that make The Last of Us ambitious.

For the longest time, video game adaptations on both the big and small screens had a track record bordering on embarrassing. At some point during this century, though, creatives seemed to start figuring things out. By this point, video game adaptations seem to have found in television their ideal home, and few shows prove that better than The Last of Us. It can be scary, it can be exciting, it can be emotionally devastating, and it never fails to be entertaining. Even in the face of a disappointing second season, fans are still hoping for a return to form, so this will likely continue being one of the most-watched HBO shows ever.

6

‘Star Trek: Deep Space Nine’ (1993–1999)

Image via Paramount Television

Constantly breaking the established Star Trek formula to deliver a more serialized, morally grey story; bringing Gene Roddenberry‘s romantic and optimistic view of humanity into question throughout its whole run; making it so that all actions had far more permanent consequences than in any show the franchise had seen before. Those are but a few of the things that make Star Trek: Deep Space Nine ambitious.

The Star Trek franchise as a whole is one of the most ambitious multimedia sci-fi franchises in history, and all of its television installments have made sure to aim for the stars. But even though it may not be the most popular Trek show, Deep Space Nine is one of the only installments in the franchise mainly known precisely for being ambitious. Its commitment to giving the Star Trek franchise and all the traditions it had built up a refreshing spin remains admirable almost three decades after its conclusion, and it always made it so that this was one of those sci-fi shows that gets better every season.

5

‘Dark’ (2017–2020)

Image via Netflix

Diving deep into a tale about time travel and parallel universes in a way so layered that viewers practically need a notebook to keep up; telling a pre-planned three-season story while always remaining true to the original thematic and tonal vision; having to pay far more meticulous attention to detail than most sci-fi series, lest a plot hole seep in through the cracks and bring the whole house of cards crashing down. Those are but a few of the things that make Dark ambitious.

For the mere fact that it was Netflix’s first-ever German-language show alone, Dark could have already been labeled ambitious. But on top of that, there’s everything that makes it one of the most nearly-perfect sci-fi shows ever: Profoundly intricate plotting, several jaw-dropping twists, satisfying character arcs, and flawless production values. It’s an entirely unique masterpiece of a show.

4

‘The Mandalorian’ (2019–Present)

Image via Disney+

Being the very first live-action TV show in Star Wars history, after 42 years of the franchise’s existence; bridging the gap between the beloved original trilogy and the divisive sequel trilogy; giving fans Easter eggs to be excited by while establishing new characters (some of which ended up being among the best Star Wars TV show characters ever); and revolutionizing the visual effects industry with the introduction of StageCraft, a.k.a. “The Volume.” Those are but a few of the things that make The Mandalorian ambitious.

Underwhelming third season notwithstanding, The Mandalorian ended up being one of the best things that Disney has done for Star Wars since their purchase of Lucasfilm, expanding the lore and world-building of the galaxy far, far away in all sorts of thrilling ways. It would have been very easy for the House of Mouse to just haphazardly put a cash-grab together and call it a day, but instead, they allowed Jon Favreau and Dave Filoni to aim as high as they wanted.

3

‘Lost’ (2004–2010)

Image via ABC

Breaking the conventions of network television by blending a high-budget cinematic aesthetic with a complex, serialized mystery structure, having an ensemble of more characters than one can count, while giving each one of them their fair share of time under the spotlight, and constantly aiming higher and higher with its fractured narrative structure and “mystery box” storytelling. Those are but a few of the things that make Lost ambitious.

Throughout the show’s run, it felt like everyone and their grandmother were watching Lost and talking about it. And if its divisive finale achieved anything, it was at least ensuring that the series would remain a part of the pop-culture conversation for many more years. It’s one of the most ambitious drama shows ever, and regardless of whether it stuck the landing in the end or not, the fact that it never stopped swinging for the fences is worthy of props.

2

‘Doctor Who’ (1963–Present)

Image via BBC

Constantly refreshing itself by allowing its main character to change their appearance and personality every time they die; finding ways not to run out of creative ideas after over 60 years on the air (hiatus not counted); transforming itself as society has changed over the years since 1963. Those are but a few of the things that make Doctor Who ambitious.

Technically, Doctor Who consists of the original show and two revivals, all three shows having different pages on IMDb; but with the series holding a Guinness World Record as the longest-running sci-fi TV show ever, it can all be considered a single iconic show. There has probably never been a television series better at reinventing itself than Doctor Who, which was originally devised as an educational show for children, but has since evolved into one of the biggest pillars of sci-fi pop culture ever. It’s one of the best sci-fi shows with over five seasons, perfect for fans of the genre looking for a long commitment.

1

‘Babylon 5’ (1993–1998)

Image via Warner Bros. Television

Revolutionizing American broadcast television by telling a serialized pre-planned five-year story arc at a time when such a thing was virtually unprecedented; being the first-ever TV show to use CGI as its primary method for VFX; covering a wide range of themes far more complex than what most sci-fi shows were tackling at the time; and doing all this with a fraction of the budget of most of its contemporaries. Those are but a few of the things that make Babylon 5 the most ambitious sci-fi show in television history.

Saying that Babylon 5 broke the mold would be an understatement. Sci-fi television would probably not be what it is today without it, and the world certainly would be a far sadder place. Not all of its elements have aged gracefully, as can be expected from a mid-budget ’90s sci-fi show, but that has never been a problem for fans. Babylon 5 was, and still is, utterly historic.