Entertainment
You’re Missing Out on the Best Horror Film To Hit Netflix in a Long Time
To say that the Netflix catalog is a hit-or-miss situation is hardly controversial nowadays. As a matter of fact, the same statement can be made about almost all of our giant, non-curated streaming services. It isn’t that rare for amazing movies and TV shows to pop up on these platforms, but quite often they tend to get buried under piles of titles that range from okay at best to horrifyingly bad. If you’re a horror fan, for instance, you might have missed one of the coolest, scariest, most disturbing films to hit Netflix in quite some time, arguably one of the best to hit our screens this year. After all, to finally come across Luis Javier Henaine’s Disappear Completely, one has to dig deep — almost as deep as the movie’s main character in his search for a cure to the curse that threatens to turn him into a kind of living corpse, a karmic punishment for his own misdeeds as a photojournalist specialized in crime scenes.
After premiering in 2022 at Austin’s Fantastic Fest, Disappear Completely debuted on Netflix in April 2024. And while it made its way to the streamer’s Top 10 in its native Mexico, it has struggled to find an audience in other countries where it is readily available. It’s a pity: Henaine’s film has a 100% rating on Rotten Tomatoes, and it is indeed a gem that deserves to be seen. Why it has not conquered audiences worldwide is hard to say. Perhaps Netflix hasn’t marketed it enough, or maybe it’s something to do with that pesky one-inch-tall barrier of subtitles. After all, it isn’t rare for international films — particularly genre films — to be overlooked only to be, years later, included in lists of underrated projects.
What Is ‘Disappear Completely’ About?
As it is so new in the world of streaming, Disappear Completely still has a chance of being recognized in its time. The film, which relies more on psychological horror than on traditional jumpscares, is a character study surrounding a man’s relationship with his profession, and his family. The premise is creative and terrifying from the get-go: Santiago (Harold Torres), a photojournalist who sells pictures of crimes and accidents to tabloids, falls victim to a curse after shooting a particularly gruesome scene featuring a still living, but completely unresponsive politician partly devoured by rats. Unbeknownst to him, Santiago’s camera has captured the presence of a demonic entity that traps him in the same web as the senator (Juan Sahagun) he just photographed. Little by little, Santiago starts to lose all of his five senses.
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These crime thrillers go above and beyond to tell their story.
As Santiago races against time to find a cure for his predicament, going from doctors to shamans to the very demon that has hexed him, his girlfriend, Marce (Tete Espinoza), faces troubles of her own. Pregnant with Santiago’s child, she wishes to have the baby and build a happy family. However, Santiago claims that they are not ready to have a child, and pressures her to have an abortion. This relationship with Marce and his unborn baby ends up being essential to how Santiago deals with his curse, being completely responsible for sealing his fate. By the end of the movie, just as he is about to lose the eyesight that is so dear to him, Santiago refuses to deliver his child’s life to the demon in exchange for everything he has lost and therefore becomes forever locked in a tomb made of his own flesh.Mixing an urban vibe with folk horror, Disappear Completely is a movie that dabbles in witchcraft, superstition, and politics, with the cursed senator having been victimized by a political rival. However, the focus of the plot is Santiago himself. The movie asks us to place ourselves in his shoes, forcing us to wonder what it would feel like to be in such a terrifying predicament. The final scenes make this invitation to identify with the main character all the more obvious: as Santiago is losing his sense of hearing, we can barely understand the sounds around him. Eventually, in the blink of an eye, the whole movie goes quiet. As he loses his sight, the image becomes blurry, until it… disappears completely. Seven long, despair-inducing seconds of dark screen stand between the last image of Marce calling Santiago’s name and the film’s end credits.
‘Disappear Completely’s Director Was Intentional About Creating a Personal Film
Director Luis Javier Henaine was intentional in creating an immersive, realistic experience for the audience while filming Disappear Completely, as he shared during an interview with Eye For Film. Rather than relying on jump scares or musical cues, he aimed to “make a more personal film with more down to earth issues,” while still balancing the element of witchcraft and folk horror. He said:
“Here in Mexico, witchcraft is something that people take very seriously and something very, very real for the majority of our population. And I like to reflect that in a way. So, all the time, I was trying to say, ‘Okay, this has to look real, this has to feel real, this has to be very realistic.’ And that’s how I tried to go throughout the whole film, with the production design and with the cinematography and with everything. Our references were real things, how people behave in these environments. . . ”
Placing the audience in Santiago’s shoes is one of the reasons Disappear Completely is so unnerving – it feels personal. At the heart of the film is Santiago’s struggles with being a potential father and a supportive partner for Marce. When reading the script, Henaine envisioned “a very immersive filmmaking style,” one that would make the audience active participants rather than passive observers of Santiago’s slow descent into a tomb of his own flesh. “I thought it would be great to just when, when he starts losing his sense of hearing, just play slowly with the whole film as well, make it subjective, put the audience in the character’s mind,” Henaine explained.
‘Disappear Completely’ Presents Photography as the Ultimate Horror
Disappear Completely presents us with a kind of horror that would be disturbing no matter who it befell. Still, when we take into consideration Santiago’s profession, the film gains additional layers. At the same time that Henaine and his fellow screenwriter Ricardo Aguado-Fentanes ask us to identify with Santiago in his plight, they also make it pretty clear that he is someone we should despise. Santiago is not a tabloid photographer because that’s the only job he can find. On the contrary, he seems to enjoy taking pictures of mangled bodies and even attempts to make it into a form of high art. The movie shows us that he has fun creating tasteless titles for the stories that will accompany his pictures, and right in the beginning we learn that he is trying to sell some of his photos to art galleries. This is, in itself, terrifying: in a way, the biggest horror in Disappear Completely is becoming the subject of one of Santiago’s photographs.
A Susan Sontag quote that opens the movie gives us the key to interpreting the story in this sense. “Photography converts the whole world into a cemetery. Photographers, wittingly or unwittingly, are the angels of death.” In Disappear Completely, a still picture is not just a tomb in a graveyard because it depicts someone who might already be dead, but because having your picture taken is already a kind of death. You become unmoving, unfeeling, blind, and deaf, all at once. You might say something, of course, in the sense that all works of art say something, but you will never again respond to any stimuli.
When he is cursed, Santiago is doomed to become one of his own photographs. His fate is, in a way, an ironic punishment: he has condemned so many dead people to a living death that he will, himself, become a tomb in the cemetery that is the entire world. Disappear Completely is definitely a movie with something to say, and it turns its eyes specifically to the art of creating images. To an extent, it is even fitting to watch Santiago’s downfall happen in a movie instead of, say, reading about it in a book, for the image is essential for us to understand what is happening to him. As we gaze at Santiago, we wonder if what is happening to him might one day happen to us as well. After all, in the age of smart phones and social media platforms where privacy goes to die, haven’t we all produced our own fair share of images that trap people in a single, unchangeable moment?
‘Disappear Completely’ Also Focuses on Santiago’s Relationship with His Unborn Child
But while photography, particularly Santiago’s kind of predatory photojournalism, and its meanings are at the center of Disappear Completely, Henaine and Aguado-Fentanes also go beyond the professional aspect of their protagonist. Well, in a way. Santiago’s relationship with Marce and their unborn child is marked by his career: it is because he hasn’t yet succeeded as a serious photographer that he believes it isn’t yet time for them to have a baby. When confronted with the opportunity to preserve the one sense that he needs for working in exchange for his child, though, Santiago chooses to let himself disappear completely.
Santiago sacrifices himself for his unborn child and, by extension, for the sake of Marce’s happiness. After all, she is the one who wants to have a child. But will Marce still want that baby now that her life has been upended so completely, now that she doesn’t have Santiago by her side anymore? What he does is completely remove himself from Marce’s life, thus leaving her alone to make a decision about her pregnancy and deal with the consequences. It is a selfish choice, but the reality is that there is no decision that Santiago could make that would not be selfish, as trading his baby’s life for his senses would prove tragic for both him and Marce. Either way, the demon forces Santiago to wallow in the selfishness that has ruined his life.
Disappear Completely ultimately wraps up with a fitting conclusion for Santiago. In his infinite suffering, he decides that the world would be a better place without him, for there is no answer that would satisfyingly end his suffering. He has already done too much to be forgiven. He’s already drowned in hubris, having been a man who mocked the death of others and who refused the happiness of the woman who lived with him. He turns the world into a cemetery and thus deserves to be buried alive. Is it a sad conclusion? You bet it is. But, quite often, the best horror stories have a tinge of tragedy to them.
‘Disappear Completely’ Is One of the Best Horror Movies to Hit Our Screens in 2024
With all of that in mind, it is no stretch to call Disappear Completely one of the best horror movies of 2024, despite having started its festival run all the way back in 2022. After all, what counts is when a movie is made available to general audiences, and, even in Mexico, Disappear Completely only managed to get itself a proper theatrical release in February of this year. And, well, considering how divisive the year has been for its horror releases, to watch a movie that isn’t particularly revolutionary, but that does the basics so well can feel like a breath of fresh air. Sure, movies like Longlegs and The Substance have won over hearts and minds all around the world, but they have garnered equally large legions of detractors. As for Disappear Completely; well, it’s not the kind of film that will change your conceptions about what horror can be, but it will definitely scare you and make you think about the themes being laid out on screen.
This should by no means be construed as negative criticism of the film. Simple and straightforward doesn’t mean mediocre. You don’t have to purport to change the genre to create something truly sublime. Sure, a The Bear-like meal at a Michelin-starred restaurant might be life-changing, but a good, old bowl of mac ‘n cheese can be just as tasty and satisfying. From Huesera: The Bone Woman to When Evil Lurks, Latin America has been producing some incredible horror films over this past decade, many of which are available on Prime Video, Netflix, and other streaming services. Thus, why stop at one amazing work of art? After you finish this beautiful, tragic, and terrifying film, take a few days to expand your spooky horizons. Results may vary, of course, but you certainly won’t regret such a rich meal.
- Release Date
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February 29, 2024
- Runtime
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106 Minutes
- Director
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Luis Javier Henaine
- Writers
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Ricardo Aguado-Fentanes, Luis Javier Henaine
Entertainment
Timothée Chalamet Takes Cover After Awkward Oscars Defeat
Timothée Chalamet seems to be making a conscious effort to stay away from the spotlight.
After going home empty-handed from the Oscars on Sunday night, the actor is trying to avoid the media frenzy surrounding his loss and comments during interviews at the event. The swift rise of internet scruity seemingly prompted his decision to lay low till the awards wave sweeps over.
Timothée Chalamet was nominated for Best Actor for his role in “Marty Supreme.” The trophy went to Michael B. Jordan instead, leaving him obviously disappointed.
Timothée Chalamet Sits Out His Recent Movie Launch

Chalamet was unequivocally absent from a trailer launch for his new movie “Dune: Part Three” on Tuesday in Los Angeles. The star-studded event was graced with a number of his co-stars for the movie, including Zendaya, Javier Bardem, and Robert Pattinson. The stars gathered at the AMC Century City to share snippets of the sci-fi picture.
Although the trailer launch was just two days after the Academy Awards, for which the star was in town, he did not attend the event in person; instead, he sent in a pre-recorded video message. “After two impactful films with an in-development process that started in the [mid-2010s], a production process that started in 2018, and over 150 production days across the three films at large, today we are debuting the trailer to Dune: Part Three,” he said in the recording.
Chalamet then praised the director Denis Villeneuve, calling him the master of cinema and hailing him for achieving the true act of cinema with the movie. The actor concluded his message by saying he hoped viewers enjoyed the sneak peek into the upcoming movie. “I’m not alone in saying thank you to Denis for his dedication in bringing the Dune films to life and now the Dune trilogy to life. I hope you enjoy this first sneak peek at Dune: Part Three.”
What Happened At The 2026 Oscars?

The “Call Me by Your Name” star was up for the best actor, along with other talented stars in the industry. His role as Marty in “Mart Supreme,” which, according to The Daily Mail, is a picture based on the life of a real underground ping-pong player in New York in the 1950s, was well applauded by many.
Ultimately, the star did not go home with the trophy but lost to Jordan for his outstanding role in “Sinners.” Chalamet reportedly could not conceal his disappointment all night, even though he managed to clap for the winner of his category. The heat from the media came after the 30-year-old movie star made a comment about ballet, which raised eyebrows as both his mom and sister were trained in the performing art.
“No one cares about opera and ballet,” he said, apparently adding fuel to the fire and igniting backlash from viewers. Exclusive sources have revealed that his behavior, words, and tone during the interviews have helped the public paint an opinion of him in a different light. Reportedly, a “Stop Timmy” campaign against the actor has already been in the works.
Timothée Chalamet Tried To Keep His Head Held High

Chalamet attended the Academy Awards with his long-time girlfriend, Kylie Jenner. After the ceremony, the pair attended the Vanity Fair Oscars Party and tried to hide their disappointment of going home without a single award for themselves or the movie amid nine nominations. The Blast reported that one time, the cameras caught a moment between the movie star and Kris Jenner, who was also present at the event.
They were seen to be in a deep conversation where Kris appeared to offer her daughter’s partner some form of reassurance. An insider shared their thoughts on the moment, they said, “I am sure she put the loss in perspective… I am sure she told him he is super young and he will get his Oscar later.” Kylie and the actor tried to maintain smiles as they had the cameras in their faces, which she found uncomfortable.
Another source shared that the weight of this loss rested heavily on his shoulders, and as such, he was going to take some time off. “He would have loved to have won, so he’s going to take this time to lay low,” the source shared. “He is going to enjoy the next few days away from it all to decompress.”
More Awkward Interactions Went Down At The Event
Fans’ eyes caught at the chances of an awkward interaction between Chalamet and his girlfriend’s ex, Travis Scott, at the Vanity Fair Oscars party. More noticeably, the movie star’s sister, Pauline Chalamet, reportedly gave Kylie the cold shoulder.
A viral video showed the brother and sister hugging before the event began and exchanging pleasantries. At the time, Kylie had already gone to take her seat, but when she saw Pauline, she smiled widely and tried to hug her. Pauline was hesitant about the hug gesture and brought it in after the “Keeping Up With The Kardashians” star rose from her seat.
A body language expert, Susan Constantine, analyzed the video, stating the “impersonal,” “disingenuous,” and “nonverbal smug” in Pauline’s physical reactions. The expert also pointed out that the hug lacked warmth and how the actor’s sister quickly dismissed Kylie after the “faux hug.”
Timothée Chalamet Reportedly Thinks He’s Caught ‘The Kardashian Curse’

Insiders claim that the actor is blaming his partner and her family for his loss at the recent Academy Awards. Tensions are rising between the lovebirds who have been together for almost three years, as “Timothée believes the Kardashian circus cost him the Oscar.”
As a result, Kylie is reportedly angry at the actor for blaming her family for his defeat, and the couple is already facing friction in their relationship. According to Reality Tea, the pair have been at the verge of calling it quits for months now, with swirling rumors that Chalamet was just using the internet sensation’s name for attention.
A lip reader suggests that at one point in the evening, Timothée whispered to Kylie, “I hate this.” The Kylie Cosmetics founder has also been telling friends that her lover’s loss had nothing to do with her, while he allegedly thinks his ties to the Kardashian-Jenner clan have hurt his image with older voters.
Entertainment
The 2nd Longest-Running British Mystery Series Ever Just Received a Major Filming Update
Fans of cozy crime dramas ended last year on a high note thanks to the milestone 25th season of Midsomer Murders. Arguably British TV’s best-loved crime procedural, the return of DCI Barnaby (Neil Dudgeon), DS Winter (Nick Hendrix, Captain America: The First Avenger), and Ted Lasso alum Annette Badland‘s pathologist, Dr. Fleur Perkins, delivered plenty of twisting puzzles to Acorn TV, ranging from death by javelin to a fatal cuckoo clock. Across four gripping episodes, fans in the U.S. were reassured that, even after almost three decades, there are still many more innovative murders to be solved in the cursed village of Midsomer.
Almost three months after the final episode of Season 25 debuted, Midsomer Murders fans have been rewarded with the news they were anticipating, as it has been confirmed that production on Season 26 has officially begun. In a post to the ITV Instagram account showing Barnaby and Winter holding a clapperboard, the caption reads, “DCI Barnaby and DS Winter are officially back on the case! Filming for Series 26 of Midsomer Murders has officially begun, starting with a brand-new mystery.”
ITV’s Drama Commissioner Huw Kennair Jones said of the Season 26 renewal, “We’re thrilled to be returning to Midsomer with Barnaby and Winter. Series 26 promises to deliver four brilliant brand new cases for the legion of Midsomer Murders fans to enjoy.” Executive producer Michele Buck added, “We are so pleased to be able to bring viewers more tales from the fascinating world of Midsomer Murders with this series 26 commission.”
The Fighting Irishman — The Collider Movie Quiz!
It’s St. Patrick’s Day; the perfect opportunity to hit the Notre Dame gridiron with Martin Scorsese. Rudy meets The Irishman today.
What is ‘Midsomer Murders’ Season 26 About?
Boasting four new exciting mysteries to solve, the upcoming 26th season of Midsomer Murders will take the long-running show‘s episode count to 148, with ITV dubbing Barnaby as “the most hard-working TV detective.” Although exact plot details are yet to be announced, a vague tease for the upcoming season via ITV reads, “Series 26 will invite viewers back to the picturesque yet surprisingly lethal English countryside for four new feature-length mysteries. Starring Neil Dudgeon as DCI Barnaby and Nick Hendrix as his trusted sidekick DS Winter, the series will also see the return of Annette Badland as pathologist Dr Fleur Perkins and Fiona Dolman as Barnaby’s wife Sarah.”
Midsomer Murders Season 26 will be available on Acorn TV. Make sure to stay tuned to Collider for the latest updates.
- Release Date
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March 23, 1997
- Network
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ITV1
- Directors
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Peter Smith, Sarah Hellings, Richard Holthouse, Renny Rye, Jeremy Silberston, Alex Pillai, David Tucker, Roberto Bangura, Paul Gibson, Matt Carter, Gill Wilkinson, Moira Armstrong, Baz Taylor, Audrey Cooke, Simon Langton, Nick Laughland, Toby Frow, Leon Lopez, Peter Cregeen, Charles Palmer, Luke Watson
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Caroline Harker
Tamsin Proctor
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Christopher Timothy
Ned Barnaby
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Claudia Harrison
Eleanor Preston
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Entertainment
Lisa Kudrow calls “Survivor” winner 'despicable,' horrified by reality TV behavior: 'The end of civilization'
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“The Comeback” and “Friends” actress recalled her first brush with reality TV ahead of creating beloved character Valerie Cherish.
Entertainment
Fans Slam ‘Vile’ Taylor Frankie Paul Following Domestic Dispute Allegations
“Bachelor” and “Secret Lives of Mormon Wives” fans seem to have had it with the show’s star, Taylor Frankie Paul. Following allegations of another domestic dispute involving her child’s father, Dakota Mortensen, netizens have begun slamming the reality star, insisting that she’s the cause of her own demise.
As previously reported by The Blast, production on season 5 of “The Secret Lives of Mormon Wives” has been paused following the alleged altercation. The news of the dispute also comes days before the season premiere of “The Bachelorette,” in which Paul is the leading lady.
Taylor Frankie Paul Breaks Silence After Alleged Dispute With Her Child’s Father, Dakota Mortensen
Paul, who was thrust into the spotlight as the breakout star from Hulu’s “SLOMW” in 2024, recently broke her silence following her alleged domestic dispute with Mortensen.
Speaking with PEOPLE, Paul said that it hurts her “heart” to be in the middle of controversy amid what was supposed to be an exciting time. “Just the timing is hard, and it’s a big deal,” she stated.
Paul explained that “every premiere” she’s experienced has been clouded by controversy. “I’ve never enjoyed fully, so this is another one… it’s extremely hard, and it took everything to get me here today,” she said.
Taylor Frankie Paul Calls The Ongoing Drama With Mortensen ‘Heavy’

The mother of three went on to call the situation extremely “heavy,” adding that she’s “struggling” to keep moving forward following the alleged encounter.
“… but also at the same time I feel like if I don’t show up, then I’m just giving these opportunities away and not enjoying what we’ve worked on and something super exciting that’s coming. I just feel like it was the right thing to do… show up even though it’s hard,” she said.
According to a previous report from The Blast, production on season 5 of “SLOMW” has been paused following the allegations. A source shared that the remaining cast members have voiced their concerns about working with Paul.
“They are not filming,” the insider reported. “Taylor [Frankie Paul] has some pretty serious stuff happening regarding her past, and they will see what happens. Until that resolves, they are off.”
Social Media Users Are Not Here For Taylor Frankie Paul Or Her Apology

While emotional, social media users don’t seem to be moved by Paul’s statement. On Reddit, one user called Paul a “victim of her own actions,” while another said she is “vile and disgusting.”
“God, don’t you hate it when your reality tv premiere is overshadowed by your domestic violence case,” another wrote, while a fourth shared, “That quote in the article is f-cking insane.”
“This chick is constantly going through self-inflicted ‘heavy times,’” someone else posted, prompting another to share, “She definitely has the Lindsay Lohan syndrome of the ’90s where she loves chaos.”
‘Bachelor’ Producers Reportedly Cut Corners To Cast Paul As The Show’s Next Leading Lady

Another report from The Blast states that producers of the “Bachelorette” were surprised to learn Paul had been in another alleged dispute with Mortensen.
According to a source close to the show, the producers wanted Paul as the show’s next lead so badly that they allegedly “cut corners” to cast her, reportedly bypassing several crucial steps in the vetting process.
The drama surrounding Paul has also had serious implications for both of her shows, according to Entertainment Tonight. A spokesperson from Cinnabon recently revealed that the company was cutting ties with both series due to the seriousness of the claims.
“Recent developments and allegations surrounding the lead cast member led us to reassess this collaboration as it no longer aligns with our brand values,” they stated.
Paul Has Been Arrested Before

This wouldn’t be the first time that Paul has been involved in an alleged domestic dispute. Per CBS News, the TV personality was charged with two felony counts of domestic violence and one felony count of aggravated assault in 2023.
The charges stem from an alleged altercation Paul had with Mortensen, during which she reportedly struck him, choked him, and hit him with “heavy metal chairs.”
“Ms. Paul’s status as a social media influencer has no bearing or impact on the investigation or outcome of this case,” the Herriman Police Department said at the time. “All allegations of domestic violence are investigated thoroughly and in accordance with state law and established criminal justice best practices to protect victims and ensure accountability.”
Entertainment
SPIDER-MAN: BRAND NEW DAY – Official Trailer (HD) : Coastal House Media
Marvel fans have spent the last few weeks dissecting every frame of the mysterious footage tied to Avengers: Doomsday, but according to the filmmakers behind the project, viewers may be approaching it all wrong.
“What you’ve been watching for the last four weeks… are not teasers. Or trailers. They are stories. They are clues… Pay attention.”
In recent comments, Russo Brothers made it clear that what fans are calling trailers are not trailers at all. Instead, they described the footage as intentional clues designed to spark speculation, reward close viewing, and quietly set the stage for what is shaping up to be one of Marvel’s most ambitious chapters yet.
Rather than traditional marketing beats that outline plot, characters, or tone, the Russos say these videos are closer to puzzle pieces. Every image, sound cue, and edit is meant to be questioned.
Chris Evans, Avengers: Doomsday [credit: Marvel Studios]
Not a Trailer. A Warning.
According to the brothers, Avengers: Doomsday is being positioned differently than past Marvel releases. They want audiences thinking long before opening night. That means misdirection, symbolism, and information that may not make sense until much later.
The Russos emphasized that fans should not expect clear answers right now. If anything, the confusion is the point. The footage is meant to provoke theories rather than confirm them.
That approach lines up with how Marvel has quietly shifted its promotional strategy in the multiverse era. Instead of spelling things out, the studio is leaning into fan engagement, online debate, and long burn mystery.
The Clues Are in the Details
The directors encouraged viewers to look past surface level moments and focus on smaller details. Background imagery. Color choices. Dialogue fragments that seem out of place. Even what is missing from the footage may be just as important as what is shown.
Chris Hemsworth and India Rose Hemsworth [credit: Marvel Studios]
Fans have already begun connecting these clues to past MCU events, alternate timelines, and unresolved storylines from earlier phases. Some believe the footage hints at fractured realities colliding. Others think it is teasing a darker moral conflict at the heart of the film.
The Russos have not confirmed any theories, but they did say that attentive fans are already closer to the truth than they realize.
A Different Kind of Marvel Build Up
This cryptic rollout also reflects the scale of what Marvel is attempting. Avengers: Doomsday is expected to redefine the MCU moving forward, much like Infinity War and Endgame did before it. The Russos seem intent on recreating that sense of anticipation, but with a more cerebral twist.
Instead of hype driven spectacle, they are inviting fans into a conversation. One where speculation, rewatches, and theory threads are part of the experience.
As the Russos put it, the story has already started. It just isn’t being told in the usual way.
And if they are right, every so called trailer so far is less about selling tickets and more about asking a question.
What do you think Marvel is really trying to tell us?
One thing is certain. When Marvel Studios finally pulls the curtain back, fans who paid attention early may be the ones saying they saw it coming.
Entertainment
Vote in our poll: Do the “Survivor” Loved Ones visits make you cry?
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It’s been 10 seasons since the last Loved Ones visit.
Entertainment
Why Brian Austin Green Was Fired From NBC’s My Two Dads
Before Brian Austin Green found fame as David Silver on Beverly Hills, 90210, he was fired from a popular sitcom.
During an interview for the Monday, March 16, episode of the “Pod Meets World” podcast, hosted by former Boy Meets World stars Rider Strong, Danielle Fishel and Will Friedle, Green, 52, revealed he was let go from NBC’s My Two Dads which aired from 1987 to 1990.
“I was on one episode of My Two Dads and it was the only time that I was ever fired,” Green said on the podcast. “We had been rehearsing, and then we did a run-through, and I had a scene sitting at a table with Staci Keanan, who was on that show, and there was somebody else and I was really new to sitcoms and I just didn’t completely understand the timing of it and … they were like, ‘We’re going to have to recast.’”
My Two Dads was created by Michael Jacobs, who also created and produced Boy Meets World, the ABC coming-of-age series that ran for seven seasons from 1993 to 2000.
After detailing his abrupt exit from My Two Dads, Green said the ousting left him concerned about one particular thing at the time. “I was so young, I was like, ‘OK, I still get paid for this day, right?’ That’s all I really cared about at that point,” he recalled.
As the “Pod Meets World” hosts began to speculate whether or not the person who signed off on Green’s exit was Jacobs, 70, Fishel, 44, offered Green some words of support. “If there’s one gift I can give you, I would just like for you to know, it wasn’t you,” she told her guest, who admitted that it “felt like me” when the dismissal went down.
“I’m not saying you didn’t feel like it was you,” Fishel, who played Topanga Lawrence on Boy Meets World, responded. “You were definitely told it was you. But I do just want you to know. [Jacobs] threatened to fire me after my first day and I was already replacing someone who had been fired.”
After Fishel’s reassurance, Green admitted that it was “good to know now” and detailed that Jacobs was the person who approached him the day he was fired.
“It was very specific,” Green began. “He came out and we were sitting in a restaurant, doing a scene sitting at a table, and he kept giving me these line readings of exactly what he wanted and I couldn’t do it exactly that way, and that was it.”
Green then joked, “It’s affected me for a long time. I can’t wait to tell my therapist.”
Entertainment
Farrah Franklin Sets Record Straight On Beyoncé Story
A surprising story involving Terrence Howard and Beyoncé has sparked fresh conversation, but it’s Farrah Franklin who is now setting the record straight.
After Howard revisited a decades-old moment involving Destiny’s Child, speculation quickly followed about who he may have been referring to.
Franklin, a former member of the group, has now addressed the claims directly, offering her own version of events while keeping her focus firmly on the future.
Terrence Howard Revisits Past Interaction With Destiny’s Child
Howard recently stirred attention during an appearance on the “PBD Podcast,” where he reflected on a missed romantic opportunity involving Beyoncé.
According to the actor, he once had the chance to pursue something with the singer but ultimately shifted his attention elsewhere within the group.
“You know, I had a chance to date Beyoncé early on,” he said, adding that after their interaction, he ended up connecting with “the other girl inside of, you know, Destiny [’s Child]. The girl with the blue eyes.”
Although he didn’t mention a name, the comment quickly sparked curiosity among fans familiar with the group’s lineup over the years.
The original Destiny’s Child roster included Beyoncé, Kelly Rowland, LeToya Luckett, and LaTavia Roberson, before later changes brought in Michelle Williams and Farrah Franklin.
Howard’s remarks didn’t stop there. He also recalled a moment at the 2005 BET Awards, suggesting Beyoncé may have singled him out during a performance.
“I remember Beyoncé looking over at me, and I think that’s why she picked me to do that dance, when she did the kind of strip tease dance that we did at BET or whatever, to show me what I had lost,” he recalled.
Howard’s Comments Prompt Farrah Franklin’s Response
As speculation grew about who Terrence Howard meant, Franklin stepped in to clarify her role in the story.
Speaking publicly, she addressed the assumptions head-on while correcting key details.
“I’m Farrah with the natural green eyes (not Blue lol), and I can confirm that Terrence and I had a few friendly outings — nothing romantic,” she told PEOPLE.
Franklin explained that their connection was casual and professional rather than anything serious. “We went to the studio a few times, and I will say that Terrence is super talented!” she added.
Rather than fueling further speculation, the singer made it clear she had no intention of expanding on Howard’s version of events.
She said, “I won’t speculate on anything else that was said, and as always, I wish everyone well and remain focused on my own journey.”
Terrence Howard’s Story Brings Back Destiny’s Child History
Howard’s comments also reignited interest in Destiny’s Child’s evolving lineup during its peak years.
Franklin joined the group alongside Michelle Williams after Luckett and Roberson exited, though her time with the group was brief.
Following her departure, the trio of Beyoncé, Rowland, and Williams went on to define the group’s most successful era, releasing hits like “Cater 2 U,” which was famously performed at the 2005 BET Awards.
During that performance, Beyoncé was paired with Howard, while Rowland and Williams were matched with Nelly and Magic Johnson, respectively.
The moment has since become a memorable part of the group’s live show history, adding context to Howard’s recollection.
Meanwhile, Beyoncé’s life moved forward in a very different direction. She married Jay-Z in 2008, and the couple now shares three children: Blue Ivy and twins Rumi and Sir.
Howard also noted that the interaction he described happened “very, very long ago,” reinforcing that the story belongs firmly in the past.
Howard Opens Up About Personal Past In Same Interview

Beyond the Destiny’s Child revelation, Terrence Howard also used the podcast to share deeply personal details about his upbringing.
As The Blast reported, the actor described early sexual experiences that shaped his understanding of relationships, revealing he had been exposed to inappropriate situations as a child.
When asked about the first time he had a sexual encounter with a girl, Howard replied, “I was four and it was the older girls that were watching me…and we did that every day until I was like 13. Had more sex then than I’ve had in my adult life.”
The “Empire” star explained that a lack of supervision during his childhood contributed to those experiences, which he now recognizes as harmful.
Reflecting on the long-term impact, he admitted, “I wish I had never done that. I would have been a completely different person.”
He also acknowledged how those early experiences influenced his behavior later in life, noting, “I kept thinking that everybody was promiscuous like that.”
His comments sparked widespread discussion online, with reactions ranging from sympathy to debate about whether such experiences should be shared publicly.
Terrence Howard’s Reflections Shape His Life And Parenting Today

Howard’s candid revelations also shed light on how his past continues to influence his present.
The 57-year-old, who is a father of five, said those experiences have made him extremely protective of his children.
“My kids are never alone. They are never alone without at least two people watching them,” he explained, emphasizing his commitment to ensuring they never face similar situations.
He described his approach as rooted in a desire to protect, saying he is “overly protective” because of what he endured growing up. Looking at his sons, he admitted, “I look at my sons, nine and ten now, and I can’t imagine them getting involved in that. I lost my innocence.”
Howard’s reflections also connect to broader conversations around childhood trauma and its long-term effects.
Experts often stress that early experiences can shape emotional development and relationships, highlighting the importance of awareness and support.
Entertainment
Kevin Hart Reacts to Wax Figure That Shocks Fans
Kevin Hart is used to making people laugh, but this time, the joke wasn’t his. The comedian found himself at the center of viral chaos after a wax figure meant to honor him left fans doing double takes.
Instead of applause, the unveiling sparked confusion, memes, and nonstop reactions online.
Even Hart couldn’t believe what he was seeing, turning the moment into a full-blown internet spectacle that quickly took on a life of its own.
Kevin Hart Reacts To Wax Figure That Left Him Shocked
Kevin Hart didn’t hold back after seeing his new wax figure unveiled at a museum in Tennessee.
The statue, dressed in a black T-shirt, leather jacket, and gold chain, was meant to capture his signature look, but the final result told a different story.
Instead of recognizing himself, the comedian was clearly stunned by what he saw. In a now-viral reaction, he captioned the Instagram post, “WTTTTFFFFF …. What did I do to these people,” before doubling down with, “This is an attack…. Who in the f*ck is this??????”
The differences were hard to ignore. The statue appeared to have a lighter complexion, fuller hair, and sharper facial features than the comedian is known for. For Hart, the mismatch wasn’t just funny, it was personal.
“At this point these museums are just trying to make me cry,” he added, before demanding, “I demand a redo damn it!!!!!!!”
Hart’s Viral Moment Sends Fans Into Frenzy

The internet wasted no time reacting to Kevin Hart’s post.
The clip, set to the playful “Frolic” theme from “Curb Your Enthusiasm,” showed a full view of the statue, with text that read, “I know this ain’t Kevin Hart.”
Within hours, the video racked up millions of views and tens of thousands of comments. Fans flooded the replies with jokes, confusion, and disbelief over the resemblance.
Some comments were blunt, with one user writing, “Lololol who is that supposed to be because NO!”
A second person added, “When you order your wax figure off Temu,” while a third shared, “This is the worst I’ve seen of anyone.”
Others got more creative, comparing the statue to completely different celebrities. One fan joked, “You asked for Kevin Hart and got Kevin The Weeknd,” while another added, “Jason Derulo as Kevin Hart.”
Another user quipped, “You may be entitled to compensation.”
Still, not everyone agreed with the criticism. Dwayne Johnson jumped into the conversation with a mix of humor and sarcasm, writing, “It’s PERFECT, Don’t change a thing.”
Kevin Hart Joins Long List Of Celebrities With Controversial Wax Figures

Hart’s experience is far from unique. Wax figures have long been a source of online debate, with fans quick to point out when a likeness feels off.
Earlier this year, Zendaya faced similar scrutiny after her wax figure debuted in New York.
Inspired by her “Dune: Part Two” appearance in Mexico City, the statue featured a sleek outfit with leather textures and bold accessories.
While the museum framed it as a tribute to her influence, reactions were mixed.
Some viewers felt the likeness didn’t fully capture her look, while others defended the effort.
According to PEOPLE, one person noted it was “realistically not that bad,” while another pointed out that these figures don’t always get it right.
Hart Gets Roasted Again, This Time At The Super Bowl

Even beyond the wax figure drama, Kevin Hart found himself the target of jokes in another high-profile setting.
As The Blast reported, Tom Brady couldn’t resist poking fun at his longtime friend during the 2025 Super Bowl broadcast.
Spotting the actor on camera, Brady quipped, “Kevin Hart’s here?” before adding, “How do the cameras find Kevin Hart?”
The playful jab continued with commentary about visibility, turning Hart into an unexpected punchline during the game.
Brady later made it clear the teasing was all in good fun, adding, “Kevin, I love you. You took so many shots at me in May. I’m coming right at you.”
The moment was a callback to Hart’s earlier roast of Brady during the Netflix special “Greatest Roast of All Time: Tom Brady,” where the comedian joked, “Gisele gave you an ultimatum. She said you have to retire or you’re done. But when you have a chance to go 8-9 you gotta do it.”
Kevin Hart Reflects On Comedy, Criticism, And Public Moments

Despite the jokes and viral moments, Hart has been open about how comedy and public perception intersect.
Following the roast controversy, Brady admitted he regretted participating in the special, saying he “didn’t like the way that affected my kids.”
Hart, however, defended the nature of the event, calling it “necessary” while also acknowledging the complexities involved.
He explained that he could understand Brady’s reaction, noting the importance of family and how public jokes can land differently in today’s climate.
At the same time, the 46-year-old emphasized the value of humor, suggesting that moments like the roast help remind people that “a joke being a joke” still has a place.
Entertainment
5 Great Documentaries from the True/False Film Fest 2026
Celebrating its 23rd year in March 2026, and hosted by the college town of Columbia, Missouri, the True/False Film Fest has a mission to represent the best in international non-fiction filmmaking. This year’s line-up showcased over 30 new feature films and 25 shorts across 114 screenings.
Columbia puts a lot of care and pride into True/False, which is a regional highlight that attracts international filmmakers, press, and audience members every year. Hosted by the Ragtag Film Society, the festival takes over downtown for nearly a week, with the screenings accompanied by music performances, art installations and even a parade. Collider was on the ground at this year’s festival, and the following documentaries are among True/False 2026’s best.
5
‘Remake’
The best documentary at True/False this year is a gut-wrenching and entirely engrossing story of parental loss. Ross McElwee is a decorated veteran of the medium, best known for his 1986 doc Sherman’s March, a movie that was intended to be about Southern U.S. history, but ultimately became about his own love life. Sherman’s March won the Grand Jury Prize at 1987 Sundance, and is preserved in the National Film Registry.
Many docs and associated critics prizes followed for the filmmaker in the years since, with McElwee often using his family members as subjects. Echoing the basis of Sherman’s March, Remake was originally intended to be a look at McElwee struggling with Hollywood producers over an increasingly dumbed-down attempt to adapt the doc to a narrative film, then eventually to a 22-minute sitcom. In the background of all of this, though, McElwee loses his son, Adrian, to a years-long struggle with drug addiction.
Remake makes an unexpected, inspired pairing with last year’s critical darling Hamnet, in that it’s about the unthinkable process of grieving a child and how that could tie in to the creative process. Many will likely find the way McElwee films his son throughout personal and upsetting to be at least a little alarming, but the filmmaker himself addresses the ethics, and his uncertainty about them, throughout. Remake documents Adrian’s young, often happy and funny childhood, a drawn-out and brutal divorce, and ultimately years of secrecy and spiraling. The effect is shattering and impossible to forget. That may sound like a cliché, but it’s true; Remake couldn’t be more vivid.
4
‘The Great Experiment’
Stephen Maing and Eric Daniel Metzgar‘s The Great Experiment has the ambitious objective of exploring deep division and polarization in the U.S., specifically in Trump’s first term, all in around 90 minutes. The Great Experiment was likely the best-looking movie at True/False, with black-and-white photography that’s never less than stunning, even as it explores social situations that are nothing short of ugly.
Certain scenes may play out like a political Rorshach test: among the people we spend time with are “Gays for Trump” and utterly nihilistic self-proclaimed members of Antifa, and which of these folks seems more problematic and detached from reality may be up for interpretation. The Great Experiment is sometimes funny in a way that feels like Borat without the man himself, and the quality of the filmmaking here is simply undeniable.
3
‘Pinball’
On a more hopeful beat, perhaps surprisingly, is this documentary about American refugees of the Iraq War, following years of their uprooted lives in Louisville, Kentucky. Directed by Naveen Chaubal and produced by Bryn Silverman, Pinball documents several international years in the lives of Mohammed Al Windawi, his wife and children Yosef and Azraa (now both young adults).
The younger generation is the chief focus here, and it’s a pleasure to be around them. Yosef is more hilarious, handsome and screen-commanding than many if not most leads I saw in Hollywood movies last year. Pinball is extremely effective in the way it explores the youths’ conflicted and ever-evolving relationship with the pull of their homeland.
2
‘How to Clean a House in Ten Easy Steps’
A blend of fiction and non-fiction, animation and live-action, with elements of outright fantasy and a musical number, How to Clean a House in Ten Easy Steps is Carolina Gonzalez Valencia‘s tribute to mother Beatriz, a Colombian-born domestic worker who came to the U.S. with aspirations of prosperity through hard work and determination.
How to Clean a House in Ten Easy Steps recasts and reimagines Beatriz as a bestselling author of a book of the same name. The real-life story of Beatriz’s professional, family and romantic life is glimpsed in the film as well. It’s more complicated, in the life tends to be, and likely more compelling, but How to Clean a House in Ten Easy Steps‘ blend of genres and storytelling techniques received an enthusiastic audience response across multiple screenings at True/False.
1
‘Landscapes of Memory’
In Landscapes of Memory, Jewish American filmmaker Leah Galant explores generations of trauma and, well, memory, as a descendant of Holocaust survivors. The film is as much about family as it is about memory, with much of the screen time dedicated to Galant’s father, who has ALS.
Landscapes of Memory draws considerable parallels between the horrors of the Holocaust and present-day Palestine, with Galant’s firm thesis expressing that traumas of the past are being utilized to justify those in present day. This is obviously very heavy subject matter that we’re all too aware of presently, but Landscapes of Memory is effective in its intimacy.
The True/False documentary film festival runs annually in Columbia, Missouri. For more information, visit truefalse.org
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