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Filmmaker Coralie Fargeat On The Shocking Truths Of ‘The Substance’

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Filmmaker Coralie Fargeat On The Shocking Truths Of ‘The Substance’


And what better way to illustrate the challenges of societal pressure and self-worth than through a female actor? Influenced by body-horror titans like David Cronenberg and John Carpenter, Fargeat’s film delves into themes of rebirth and hypersexualisation. “At every age, we can find something wrong with ourselves, which can make us feel like monsters,” the French filmmaker says. “Your image defines you and your self-worth. But I thought that if I could create something meaningful about these issues, it could also serve as a form of liberation.”

Here, Fargeat speaks to Vogue about her process. Note: This interview contains spoilers.

The Substance’s themes have been with you for a long time, but I’m curious when you actually wrote the script, because the injected substance almost feels like Ozempic.

It was maybe five years ago. Ozempic wasn’t around, but we had many other Ozempics in the past. In France, we had other medical products used to suppress your appetite and make you lose weight. Women took amphetamines to stay thin or drank powders that were supposed to be some magic diet replacement. Ozempic is just a new incarnation of something that’s been around since the beginning. The fact that the movie has any resonance is great – but, at the same time, tells me that, unfortunately, the issue is still very much around.

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I read that Demi Moore had never heard of body horror before signing onto this film. How did you prepare her for the role, since the movie is not shy in that respect?

We had many preliminary conversations before starting work on the film because, in addition to the usual preparation for her performance, we needed to consider the extensive level of prosthetics for the body-horror element. Basically, there are a lot of constraints during shooting because prosthetics are so time-consuming and don’t always make for the most logical or rational approach to acting. It’s super important to make sure actors know that so they can adapt.

And of course, we discussed the level of nudity that the movie required. The script was quite explicit, and I wrote every shot in detail, so I wanted to make sure we talked through everything in advance – especially the meaning behind each scene so nothing felt gratuitous. Most important, for me and her, was grasping the purpose of these scenes – how and why the nudity was serving what the movie was all about, how it’s a way to show our vulnerability with our own bodies, and how the way we look at the flesh can be so different when you’re alone in your bathroom or you’re Sue in front of the camera and everyone is looking at your ass.



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