England will consider bringing in leg-spinner Rehan Ahmed for the T20 World Cup Super 8s match against New Zealand in Colombo.

England, who are already through to the semi-finals, will wait for another look at the pitch on Friday before naming their XI.

The match will be played on the same surface as New Zealand beat Sri Lanka on Wednesday, when 10 of the 15 wickets fell to spin, and England are keen to cover all options.

Bowling coach Tim Southee said he expects a “pretty scrappy” wicket.

“We’ve seen spin play such a big part here,” Southee said.

“It’s such a big ground. That doesn’t mean seamers can’t still have an impact – like [New Zealand seamer] Matt Henry last night.”

Ahmed, 21, has been a regular around England squads but has not played a T20 since the tour of Ireland last September, nor has he featured at a World Cup.

He played in the three one-day internationals against Sri Lanka last month, also held on this ground, and twice filled in as an opener.

The leg-spinner would likely replace a pace bowler if he is selected – possibly Jamie Overton.

New Zealand picked only two pace bowlers in their win over Sri Lanka, in which 30 of the 40 overs were bowled by spinners.

England would still have Jofra Archer and Sam Curran as pace bowlers, plus Adil Rashid, Liam Dawson and Will Jacks.

Jacob Bethell is yet to bowl in the tournament because of a cut on his finger. His availability to bowl would also impact England’s thinking.

The professional dancer has said she and her husband ‘still don’t know’ what the future may look like for them

Amy Dowden has said she and her husband ‘still don’t know’ what the future may look like for them and starting a family after her cancer journey.

The Strictly Come Dancing star was diagnosed with breast cancer in 2023 and subsequently underwent chemotherapy and a mastectomy, and during her treatment, she faced a number of challenges, including a life-threatening battle with sepsis.

Amy was then told in February 2024 that there was “no evidence of disease” but in November, the professional dancer informed fans that she would be going into hospital for a second mastectomy, but made clear it wasn’t to treat a new disease, but the best course of action for her.

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In a new social media post, Amy was reflecting on her diagnosis and that of those she’s met along the way. Mentioning one in particularly, Kelly, having paid her a visit, the professional dancer shared on her Instagram Story: “Do we mourn our old bodies?

“Absolutely. I would do anything in the world to have my old body back. But the reality is I’ve had a double masectomy. It saved my life. I’m grateful to be here. I certainly don’t see it as a free boob job.”

She soon turned her attention to motherhood, as she commented: “If I’m ever lucky enough… it’s something we still don’t know… to become a mum, as you all know I really want to become a mum. I don’t know if that’s possible with having a hormone third cancer still.

“Has chemo destroyed everything? We still don’t know. We’re keeping our options open. “But I will never have the option to breastfeed. And sometimes people online are ready to attack you.” She added: “I will never judge anybody on how they are dealing with their diagnosis. Never.”

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The post on Wednesday (February 25) came as Amy announced that she’d had a room at a breast cancer centre in Kent named after her. The Amy Dowden Room has been opening at The Primrose Centre and the team expressed their delight at Amy allowing them to make the emotional move.

They shared in a social media post: “We are so incredibly grateful to Amy for her time & generosity today. Thank you for allowing us to name The Amy Dowden Room after you – your positivity is a beacon of hope to so many. We were thrilled to be able to show you around our very special support centre. Our volunteers, staff and visitors were so pleased to see you and chat! Thank you and we can’t wait to see you again! Your visit has had a big impact on our small charity!”

Sharing a look into her day officially opening the room named in her honour, Amy shared alongside a video on Instagram: “There are no words to describe how honoured and proud I am. Creating a safe , supportive, loving and understanding space for those who are affected by breast cancer!

“Thank you PRIMROSE CENTRE, you’re incredible! Forever honoured and grateful and will do all I can to help! I’m on a mission now to get more centres like this around the UK! This centre is open to all breast cancer patients #breastcancer #breastcancersupport #primrosecentre #honoured #safespace.”

What is the Motorola Signature?

Motorola has long made some of the most dependable budget smartphones on the market, but recent years have seen it showing signs of greater ambition. The Motorola Signature isn’t so much a new flagship phone as it is a rebranding of the Motorola Edge Ultra line, with a slimmed-down body.

It offers broadly high-end specifications in a distinctively styled, slim body, but with a slightly lower price tag than many rivals. Its starting price of £899.99 undercuts the iPhone Air by £100 – more if you factor in the 512GB of storage that comes as standard.

If Apple’s skinny phone appeals to you for its combination of a svelte form factor and flagship performance, but it feels a little pricey, the Motorola Signature is a worthwhile alternative.

I used the Motorola Signature every day for a week, making calls, sending messages, watching videos, taking pictures and playing games. I check things like performance and battery life. I also ran some popular benchmark tests, which placed definitive numbers on the phone’s CPU (central processing unit) and GPU (graphics processing unit) output to compare with rivals.

I captured more than 100 photographs across its four cameras, from night time street photography to day time urban shots and close-up portraits.

I have used most of the Motorola Signature’s key rivals, so I was able to make like-for-like comparisons. I previously tested the phone’s predecessor, the Motorola Edge 50 Ultra, so was able to judge how much Motorola had managed to refine its flagship formula in the two years (give or take) since the latter phone was released.

Score: 4.5/5

They were arrested outside Camp Beagle

Two people have been arrested outside an animal rights protest camp in Cambridgeshire. A man and a woman were arrested on Tuesday, February 24, at Camp Beagle for allegedly stopping vehicles entering a site.

The woman, 22, and man, 29, both of no address, were arrested just after 2pm on Tuesday on suspicion of interference with the use of public infrastructure. Both have been released on bail until May 24 pending further enquiries.

A spokesperson for Cambridgeshire Police said: “A 22-year-old woman and a 29-year-old man, both of no known address, were arrested at just after 2pm on 24 February on suspicion of interference with the use of public infrastructure (stopping vehicles entering the site). Both have been released on bail until 24 May pending further enquiries.”

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The makers of Demon Turf return with a full sequel that has some of the best 3D platforming action outside of a Super Mario game.

It’s 2026 and it doesn’t look like 3D platformers are ever going to be a big deal again. Genres go in and out of fashion all the time but except for a brief spell in the late 90s and early 2000s 3D platformers have had very little time in the sun. Even Nintendo won’t announce a new 3D Mario at the moment, and there’s still no new Astro Bot, and so it is that, as usual, indie developers have to pick up the slack.

Fabraz has already emerged as a champion of the genre, with 2021’s Demon Turf and its pint-sized follow-up Neon Splash. They’re currently working on a revival of Bubsy, which seems something of a poisoned chalice, but in the meantime they have this, a larger scale sequel to Demon Turf.

In Demon Turf, protagonist Beebz – a demon girl who wanted to unite all the turfs in Demon World to dethrone the Demon King – was just a 2D sprite but this time round everyone is a proper 3D character, in a game with considerably larger scope and ambitions.

The setting for Demon Tides is an implausibly diverse archipelago called Ragnar’s Rock, with Beebz on a visit to see her estranged father, before she and her friends get mixed up in a what is essentially a civil war between the ruling class, led by her dad, and the downtrodden proletariat. Beebz decides to side against her father, which leads to… a lot of platforming across an impressively large area.

Ragnar’s Rock is made up of dozens of different locations, divided up into three different sections of ocean, which you’re able to visit in any order you like. The game’s whole ethos is based on player choice and customisation, as while Beebz has a wide range of typical platforming moves she also has a number of demonic transformations, from a drill to the more obviously useful bat and sea snake.

You can only transform once, before hitting the ground again (unless you have special crystals to negate that) which means you’re constantly trying to plan out your movements ahead of time, sizing up the obstacles ahead of you in terms of which transformation will be most useful and when.

Almost all paths through a level have multiple ways you can tackle them, when it comes to both the route you take and the moves you use, which lends the game a great air of experimentation. It also creates a sort of organic difficulty system, since most platform layouts allow you to take them piecemeal or all in one combo style leap.

Your skillset is expanded further by collecting special talismans, which allow you to modify existing abilities, like adding a double jump for the snake form or tweaking how the drill works. There’re also special areas where you’re given specific abilities and power boosts just for that section.

Other talismans imbue Beebz with entirely new abilities, such as a Zelda style hand-glider or a pair of roller-skates. The range of options, and the fact that few of them are mandatory at any point, is hugely freeing and it’s very impressive that the game’s level design can accommodate everything.

This is all building on elements from the earlier games but while Demon Turf could be pretty tough for those unfamiliar with the genre, Demon Tides is a notably more forgiving experience – not least because you’re able to set-up your own checkpoints wherever you want. There are still plenty of difficult sections, especially off the beaten path, but the majority of the game is navigable by anyone.

That said, if you prefer a structured experience, and find more open-ended games too unfocused, Demon Tides’ charms may be less appealing. There are still some linear levels, and the game will always tell you where the nearest collectible is, but while it’s clearly taking a lot of notes from Super Mario Odyssey, it’s so loosely tied together it can feel rather random and empty, even if you do appreciate the freedom.

Some unremarkable boss battles and a lack of set pieces mean there’s less palette cleansing available, beyond just platforming. Combat is simplified from the original, to the point where most normal enemies succumb after just one hit, which makes that side of things feel very perfunctory. It’s so incidental that melee attacks end up using the same button as the dash move, but that only means you end up triggering the wrong one by mistake.

Demon Tides has some issues, but the core platforming is excellent and the freedom it allows is invigorating. What’s especially encouraging is that Fabraz is getting better with every game. Although that creates the seemingly impossible scenario where the next Bubsy game could end up being the best non-Nintendo 3D platformer of the generation. That would be quite the evolution but if Fabraz can pull it off then more power to them.

Formats: PC (reviewed) and Nintendo Switch
Price: £20.99
Publisher: Fabraz
Developer: Fabraz
Release Date: 19th February 2026 (Switch TBA)
Age Rating: N/A

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A poorly-timed tweet has caught the attention of PlayStation fans.

Bungie, the developer of the original Halo games and Destiny 2, is set to release its latest shooter project ‘Marathon’ into the world next week – but it looks like it might be in for a rough ride with PlayStation fans turning against it ahead of this weekend’s server slam.

Last Thursday, Sony made the decision to close down Bluepoint Games, the studio known for bringing remakes of classic titles such as Demon’s Souls and Shadow of the Colossus to PlayStation consoles.

Around the same time as the announcement, a poorly timed tweet from the official PlayStation X account promoted Marathon’s upcoming release date and server slam – and fans didn’t hold back on letting the publisher know how they feel.

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Replying to the tweet, one response reads: “Could you disband the Marathon team and rehire Bluepoint to make a Bloodborne remake? Thanks.”

Another adds: “Close this studio down instead. Sacrificing bluepoint for live service trash is a bad look.”

Meanwhile, a third writes: “Refunded! I’m not going to support any GaaS from PlayStation after closing down BluePoint Games.”

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The boycott response appears to be in response to Sony seemingly prioritizing live service games over single player experiences. It was widely hoped that Bluepoint would eventually work on a remake of Bloodborne for the PlayStation 5 following its excellent work on Demon’s Souls in 2020.

However, it appears that Bluepoint was actually working on a live service God of War game shortly before its closure, although this ended up getting scrapped.

Meanwhile, Marathon is set to be an extraction shooter with a slightly reduced price tag, but with the expectation that players will purchase seasonal battle passes for ongoing content updates.

Marathon’s server slam weekend will be available to play for free across PlayStation 5, Xbox Series X|S and PC this weekend, starting from February 26 and running until March 2.

Bizarrely, Sony will also be hosting a free playtest weekend for Horizon Hunters Gathering at the same time. That’s another new live service game based in the world of Guerilla Games’ Horizon series.

Despite a bountiful number of live service games coming to PlayStation this month, single player experiences do still remain a big pillar of the console’s upcoming catalogue.

Insomniac’s Wolverine game just got a release date of September 15, 2026, while Saros is set to land at the end of April.

We’ll have to see how Marathon’s server slam goes this weekend, but it does appear to have an uphill battle against it. With most extraction shooter fans quite happy playing ARC Raiders and gamers particularly skeptical of new live service titles – see Concord and Highguard – it will need to do a lot to break through to the masses.

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Bridgerton season four ended with a title card that paid tribute to a crucial member of the show’s team

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Bridgerton season four has now concluded on Netflix with the final four episodes determining the destinies of Sophie Baek (played by Yerin Ha) and Benedict Bridgerton (Luke Thompson). As fans were absorbing the major revelations at the end of the season, they were caught off guard by a title card that surfaced at the season’s close.

The title card read: “In loving memory of Tony Cooper” and viewers have been eager to discover more about his involvement in the show. Tony served as a cast driver on Bridgerton, as well as its prequel Queen Charlotte: A Bridgerton Story.

He has some remarkable credits to his name, having transported the stars around on set for films like Mission Impossible: The Final Reckoning, Atlas and Downton Abbey: A New Era. He also contributed to the sets of Ghostbusters: Frozen Empire, Damsel and The Batman.

Tony collaborated closely with Netflix for many years, with one of his earlier credits being the historical drama, The Crown. Some of his earliest contributions were on the final three Harry Potter films. He fulfilled a vital role in some enormous franchises over the years, from Marvel to Disney.

Tony was not the sole crew member to have been acknowledged in season four of Bridgerton, as the final episode also paid tribute to Nicholas Braimbridge. Nicholas served as a set decorator for the series, as well as its prequel.

A fundraising page was established in his honour, explaining that he was an “expert faux finisher well known for his exquisite marbling and wood grain finishes, the knowledge of which was built up over years working with very top end interior designers and latterly within the film and TV industries”.

He predominantly worked in the fine decorative painting of large residential properties in London and overseas, before transferring his talents to the film and television industry, working across the art department, set decoration and set design. Title cards serve as a poignant means of acknowledging those who have played a vital role in the production of a film or series, yet have not necessarily appeared on screen.

Bridgerton has paid tribute to many of its cherished crew members throughout the years. Bridgerton’s second series was dedicated to Carole Prentice and Marc Pilcher, with Marc having served as a hair and makeup designer on the show. Carole worked as Covid production manager, ensuring regulations were followed so that filming could proceed safely.

Title card tributes are typically on-screen text graphics that honour actors, crew members, or producers at the beginning or end of a film or television episode. They act as an enduring and respectful acknowledgement of an individual’s contribution to the project. The title cards are especially fitting given the themes explored in the latter half of the season.

Title cards can also be employed to honour individuals not directly connected with production, as was illustrated in Bridgerton’s prequel, Queen Charlotte. The opening episode of Queen Charlotte: A Bridgerton Story was dedicated to the memory of Jacqueline Avant, who was shot and killed in December 2021.

She was the mother-in-law of Netflix co-CEO Ted Sarandos, who had a keen interest in Queen Charlotte. Her fascination is what inspired Sarandos to initially approach creator and showrunner Shonda Rhimes about the Bridgerton prequel.

Bridgerton has been renewed for season five as each of the Bridgerton siblings are set to have their love stories told on-screen. There may well be more title cards to come in upcoming seasons.

Bridgerton season 4 is on Netflix

​North Yorkshire Council is currently considering the future of a ban on parking motorhomes overnight on parts of the coast following an “overwhelming” number of objections.

​An Experimental Traffic Regulation Order (ETRO) was introduced to restrict overnight parking at Sandsend, Royal Albert Drive, and Cayton Bay after NYC said the number of motorhomes had reached an “unacceptable level”.

​However, the council will only be able to use data gathered from two locations – Sandsend and Royal Albert Drive – as signs at Cayton Bay were subjected to vandalism.

​Cayton Bay, with its wide sweeping bay, a year-round dog-friendly beach, clean water, and affordable parking is “a magnet for holidaymakers and is a beautiful place to explore, no matter what time of the year you decide to visit”, North Yorkshire’s tourism website promises.

​According to a council report, not all visitors attracted to the ‘magnet for holidaymakers’ were impressed by the ban on overnight parking.

​“Members will note that the original ETRO included a third site at Cayton Bay south of Scarborough.

​“Unfortunately, due to episodes of vandalism to the signage, we were unable to obtain an appropriate period with the regulation in place to have a meaningful trial of the prohibition here,” a report presented to councillors states.

​The report goes on to state that “as mentioned above, we were unable to commence the ETRO in Cayton Bay due to persistent external factors”.

​Ahead of the order expiring in May, the council has been carrying out consultations to find a way forward.

​Since its introduction, thousands of residents have reportedly also complained about the “displacement effects” of the order and a decision on its future will be made this spring.

​The council’s report stated that “motor caravans are as welcome at seafront parking locations as any other vehicle in the daytime, but extended stays, which usually include overnight parking, restrict the ability of other visitors to find suitable parking when visiting the area for recreation”.

​Fire safety concerns have also been a key consideration, according to the council, which noted that the Fire Authority “has received a number of complaints and attended incidents on the Marine Drive and Royal Albert Drive, and has concerns with regard to fire spread”.

​Members of the Scarborough and Whitby Area Committee are set to discuss the issue at a meeting in Whitby on Monday, March 2.

Chippies across York and North Yorkshire were celebrated at the 38th Annual Fish and Chip Awards, a ceremony held last night (February 25) which aims to celebrate fish friers across the nation.

The National Federation of Fish Friers (NFFF), the body which organises the awards, hosts 14 different awards with eateries around North Yorkshire taking the crown in a number of the most prestigious categories.

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In the highly competitive Takeaway of the Year award, The Scrap Box in Dunnington was deemed the best chippy in the country – taking the number one spot from a shortlist of ten exceptional chippies, including two other North Yorkshire chippies: Mister C’s in Selby and The Fish Bank in Sherburn-in-Elmet.

They also received an award for their marketing initiative.

Elsewhere in the county, Trenchers in Whitby was voted Restaurant of the Year – beating out competition from Bristol, Rotherham, and Devon to be crowned the best in the nation.

In York itself, Haxby Fish and Chips were recognised by the judges in two categories with Abigail Baker named as the runner up for Drywite Young Fish Frier of the Year and owner David Miller given an award for Outstanding Contributions to the industry.

At the time that the shortlists were revealed in November, Andrew Crook, president of the National Federation of Fish Friers which organises the awards, said: “The 38th instalment of the National Fish & Chip Awards is one of the most amazing competitions we’ve had the pleasure of running.

“Fish and chips is a national treasure, and the skill, passion, resilience and desire to serve communities with the best food shown by the takeaways we’ve announced today is a great representation of what makes our industry so special. We can’t wait to reveal the winner in a few months’ time.”