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How to devalue the dollar (a guide for Trump)

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Line chart of DXY dollar index showing DJT lifts DXY

Well, that’s that. Donald Trump will once again be president of the US — and this time fuelled with a desire for “retribution”, a greater popular mandate and at the head of a party now moulded in his image.

That means investors have to contemplate the possibility of a far more radical second term, with many more outlandish policies suddenly becoming at the very least possible. Greenland just got put back into play.

The main “Trump trade” has been to buy the dollar, on the view that Trump’s economic policies will be highly inflationary. This will force the Federal Reserve to shelve its plans for interest rate cuts and buoy the greenback. Higher tariffs dampen overseas purchases and also lift exchange rates, all things being equal.

As Kit Juckes of Société Générale said this morning:

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President Trump would like a weaker dollar, but he isn’t going to get his way if he wants to run accommodative fiscal policy at a time when real GDP growth has averaged almost 3% for the last 5 years (and despite how things looked a few months ago, isn’t showing much sign of slowing at all). Throw in trade tariffs at a time when the unemployment rate is only at 4.1%, and he won’t get a weaker dollar, any more than Ronald Reagan was able to, in the first half of the 1980s.

Line chart of DXY dollar index showing DJT lifts DXY

However, this has always felt a little like a myopic, short-term trade, given Trump’s long-standing view that the dollar’s strength is hurting America. Along with the supposed magic of tariffs it is the closest he has to a firm, constant economic conviction.

As he told Bloomberg this summer:

So we have a big currency problem because the depth of the currency now in terms of strong dollar/weak yen, weak yuan, is massive. And I used to fight them, you know, they wanted it weak all the time. . . . . That’s a tremendous burden on our companies that try and sell tractors and other things to other places outside of this country. It’s a tremendous burden . . . I think you’re going to see some very bad things happen in a little while. I’ve been talking to manufacturers, they say we cannot get, nobody wants to buy our product because it’s too expensive.

Sure, Scott Bessent — a possible pick for a Republican administration Treasury Secretary — has insisted that Trump wants the dollar to keep its reserve status. Indeed, Trump has vowed 100 per cent tariffs on countries that shun the dollar in international trade.

But Republican vice-president candidate JD Vance seems to have Trump’s ear, and he has repeatedly argued that the negatives of the US currency’s reserve status outweigh the positives. Here he is questioning Fed chair Jay Powell last year:

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This isn’t a policy he has flip-flopped on either. As Vance told Politico earlier this year: “‘Devaluing’ of course is a scary word, but what it really means is American exports become cheaper.”

Investors have generally discounted this rhetoric, on the view that presidents can jawbone currencies as much as they like but markets will do what markets will do. However, Trump now looks set to have won re-election with popular mandate and a Republican majority in at least the Senate, opening the possibility for more forceful action.

So here is FTAV’s guide on how the US can devalue the dollar if he really really wanted to.

Severe fiscal retrenchment (no, really!)

Reining in America’s yawning budget deficit would probably be the most orthodox of the radical options available to the Trump administration. It would weigh on economic growth, dampen inflation, send interest rates downward and thus weigh on the dollar.

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As Barclays’ FX analysts Lefteris Farmakis and Themistoklis Fiotakis wrote in a September report on how Trump might engineer a dollar debasement:

Prima facie fiscal retrenchment is not about the dollar. If anything, it is the ‘responsible’ economic policy that the Fed, IMF and most international organisations deem necessary for the US following eight years of extraordinarily loose fiscal policy and mounting government debt.

However, fiscal tightening has direct implications for the dollar via slower economic growth, lower interest rates, and less favourable capital flows. Accordingly, it deserves to be included in the list of weak dollar policy options.

And various Trump hangers-on — like Vivek Ramaswamy and Elon Musk — have advocated for swingeing cuts to the size of the US government. The scale of what they’ve advocated would probably produce a swift recession.

However, nothing about Trump’s business career, his first term or his latest presidential election campaign indicate that he is suddenly about to become a paragon of fiscal rectitude.

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When the Committee for a Responsible Federal Budget scored the policy proposals of Kamala Harris and Trump, it found that the latter would probably increase US government debt by $7.75tn by 2035 — twice what Harris’s budget would do.

So if we want realistic crazytown options, this is probably not it.

Tariffs and taxes and subsidies, oh my

Another more obvious way to affect the dollar’s value is to address America’s current account balance by fiddling around with levies on imports, subsidies for exports or even taxing overseas investments.

Tariffs have naturally received most of the attention, given Trump’s frequently-stated love for them (although he still doesn’t seem to grasp who actually pays them)

Here’s what Chris Marsh and Jens Nordvig of Exante Data wrote earlier this week on possible outcomes and scenarios:

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Goods balance: imports. Lowering imports through tariffs intended to reduce demand for foreign traded goods while improving the competitiveness of domestic producers who may be able to fill the demand. Crucially, such a tariff is like a tax on US consumers, contributing to government revenues while reducing real incomes — this lowers domestic demand while increasing saving, thus current account adjustment. Foreign economies may try to lower their nominal exchange rate against USD to raise domestic currency incomes of exporters to offset some loss of export volumes, so having second or third round effects globally. 

Goods balance: exports. Alternatively, boosting exports through subsidies to domestic producers to lower the price to foreigners of US output. This will contribute to higher fiscal deficit in the US which may be offset by higher private saving. So the impact on the current account is ambiguous. Alternatively, de-regulation of closed sectors (such as in energy) opens up competitive US markets to foreign consumers with less fiscal impact — raising domestic incomes and saving.

Service balance: Though net services run a surplus, efforts to improve net tourism or financial services through tax incentives is possible.

Primary income balance: a tax on foreign investment income (Treasury coupons) would generate fiscal revenue and contribute to a lowering external balance assuming no retaliation on US investment income abroad.

Such analysis is inevitably partial equilibrium as, to work out the ultimate impact on the current account and therefore currency of such actions, it is necessary to work through the final impact on incomes and expenditures of US residents as well as foreigners. For example, a tariff on imports will initially lower US real incomes. But this could trigger wage claims to offset lost income, require tighter monetary policy as a result, driving a stronger dollar alongside restored real incomes.

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Tl;dr the impact isn’t as clear-cut as you might think, given the first, second and third derivatives of the various measures. Of course, that might not be enough to deter a Trump administration keener on action than analysis.

Occupy the Fed

Trump has never been a big fan of the Federal Reserve, frequently railing against its interest rate increases in his first term and making it clear that he’d replace Jay Powell when his term as chair ends in 2026. And if Trump really wants to debase the dollar, then occupying the Fed is an obvious way to do so.

The low-key way would simply be to gradually pack the Federal Reserve’s board with vaguely-credible (so they can get confirmed) but ultra-dovish members that will toe Trump’s low-interest-rate line.

Although controversial, this isn’t actually enormously different from what several presidents have done in the past. The point would be to ensure that interest rates stay lower than they really should, and that even a moderate erosion of the Fed’s independence and credibility would might spook international investors and dampen demand for US assets.

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However, Trump could go far beyond what any of his predecessors have done. Given the US Supreme Court’s leanings, it might also be possible for Trump to actively eject sitting governors before their term ends, quickly stamping his mark on the institution.

As JPMorgan’s Michael Feroli has observed:

. . . There is some uncertainty as to whether the president can remove a Fed governor from their position as chair or vice chair. However, most legal scholars believe that even the current Supreme Court — which is often seen as favorably inclined toward executive authority — would respect the “for cause” limitation on the president’s authority to remove a sitting governor.

The administration and its potentates on the Fed board could then supercharge any damage inflicted on the dollar by halting the central bank’s balance sheet shrinkage and restarting a quantitative easing programme to contain the inevitable hit on long-term bonds.

As Farmakis and Fiotakis at Barclays wrote:

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A scenario in which the Fed ends up accommodating yet more fiscal expansion in the absence of a negative output gap — per Trump’s proposed policies — could end up stoking inflation (and putting the stability of expectations at risk). This, in turn, would likely weigh on the dollar, but also keep borrowing costs elevated for much longer, in classic fiscal dominance fashion. What is more, any attempt by the Fed to contain long-term yields via a fresh round of QE would probably only serve to weaken the dollar even more severely.

Of course, all this isn’t costless either. Aggressive monetary easing would probably stir up inflation a bit, and even Trump can’t be blind to the fact that inflation is a major reason why he will soon be back in the White House.

But the Fed is almost certainly in for a bumpy ride, and the idea that Trump will be afraid of more radical action seems . . . optimistic.

A Mar-a-Lago Accord

The favoured approach by the dwindling number of American multilateralists would be something like the Plaza Accord of 1985, when the US browbeat its major trading partners into helping engineer a dollar devaluation.

This worked wonders at the time, with the DXY dollar index nearly halving from its 1985 peak by the end of the decade.

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Line chart of DXY dollar index showing The post-Plaza plunge

Naturally, analysts have dubbed a potential sequel “Mar-a-Lago Accord”, after Trump’s Florida abode. Marsh and Nordvig think this is the most viable solution:

The set-up is similar to today in that there is a wide fiscal deficit (so low US saving) with the potential for trading partners to acknowledge the need for nominal exchange rate adjustment under pressure of tariffs. 

Such coordinated policy includes a fiscal consolidation by the US (raising domestic saving) associated with a managed appreciation of the currencies of trading partners. Today, this could include measures by China to improve transfers to households and support domestic demand.

Unlike the above, this approach has the benefit of being general equilibrium and simultaneously working on spending and income decisions in the US and trading partners, intended to switch spending patterns while sustaining overall demand.

The problem of course is that this is not the 1980s, when almost every country was suffering from a long and persistent bout of inflation that the strength of the dollar was clearly exacerbating.

And as you can see from the chart above, the dollar’s strength versus its main international peers was far more extreme and out of sync with the economic fundamentals in the 1980s than it is today. Most analysts today reckon the dollar is pretty fairly valued, given the strength of the US economy.

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Moreover, a crucial component of the Plaza Accord was the US agreeing to get its fiscal house in order — which Trump is unlikely to do. Nor are China, Europe, Japan or other countries likely to be receptive to an engineered dollar devaluation, given how crucial trade is to their economies. They might be more willing to swallow the tariffs, Barclays notes:

In the 1980s, manufacturing accounted for as large a share of the US economy as in Germany and Japan today, while in China, it is as large today as Japan’s and Germany’s in the 1980s. Absent the inflationary cost and given domestic deleveraging policies in Europe and China, the bar is arguably higher for them to agree to coordinated dollar depreciation. Indicatively, trade has been a key source of growth in the eurozone in the past two years

Direct, aggressive and unilateral FX intervention

Now we’re cooking with gas.

The US actually has something called the Exchange Stabilization Fund, controlled by the US Treasury Secretary, who has “considerable discretion” in the use of its $211bn of assets to intervene in exchange rates.

The problem is that the ESF is puny compared to the size of the FX markets. Japan alone has $1.3tn of foreign currency reserves. The ESF could issue government bonds and use the extra firepower to buy foreign currencies, but this debt would naturally fall on the sovereign balance sheet, and thus face the old Congressional debt ceiling issue.

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However, if the Trump administration enjoys de facto control over the House and installs a bevy of supine Federal Reserve governors, you could see many possible levers that they might push and pull. After all, engineering a currency devaluation is a lot easier than an appreciation — it just requires you to issue enough currency. A Fed brought to heel could do so.

This is obviously not without many complications — practical, political, legal and technical — but for Trump the optical benefit might also be to build a “sovereign wealth fund” in the process.

The Swiss National Bank’s assets ballooned from SFr85bn at the end 2007 to over SFr1tn by the end of 2021 — invested in everything from gold and German bonds to US equities — as it fought the Swiss franc’s appreciation.

Could this happen? These days, what can’t happen? ¯_ (ツ)_/¯

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A Question of Freedom theatre review — harrowing play about modern slavery in Sudan and London

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One of the awful ironies of this harrowing play about the Sudanese human rights activist Mende Nazer’s experience of modern slavery is that it wouldn’t exist had she not had the courage to try and escape — and had a couple of brave people not helped her. Being an enslaved person in today’s world means being invisible and voiceless. When Nazer broke free in 2000, it was from a home in north-west London: her plight had gone shockingly unnoticed in contemporary Britain.

Since Kevin Fegan’s play (drawn from Nazer’s 2002 autobiography, Slave, co-written with journalist Damien Lewis) was first staged in 2010, the UK has introduced the Modern Slavery Act. Yet there are currently an estimated 49.6mn enslaved people across the world, according to the Global Slavery Index, and an estimated 130,000 in the UK, according to Anti-Slavery International. Those grim statistics hang over Caroline Clegg’s revival for Feelgood theatre company.

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In 1994, as a young girl, Nazer was snatched by mujahideen raiders, who torched her village in the remote Nuba mountains in Sudan, killed many of the inhabitants, and kidnapped and raped her. The traumatised 12-year-old was then sold to a wealthy family in Khartoum, where she was beaten, brutalised and bullied into submission. About six years later, she was trafficked to relatives of her “master” in London, where a chance encounter finally offered a way out. Even then she was initially refused asylum by the UK government; it would take a vigorous campaign to save her from deportation back to Sudan.

Fegan’s play offers a straightforward, episodic account of events, staged by a versatile ensemble in Clegg’s production, who deploy rich traditional music and dance to whisk us into Nazer’s early childhood and contrast that easy warmth and freedom with the later horrors of enslavement. It’s not a particularly innovative show in style or structure. But that’s not the point of this drama, which is more about conveying the naked facts of modern slavery and its impact.

Watching the excellent Yolanda Ovide, as Nazer, transform from an open-faced, hopeful little girl into a shrunken, cowed young woman is awful. There’s a wonderful performance too from Ebony Feare as her friend, Kheko. That they represent real people, and that their experiences are common to many, is what really hits you. This is theatre as educator and campaigner, admirably shining a light on this most hideous and shameful of trades.

★★★★☆

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To November 9, riversidestudios.co.uk

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Post-Budget gilt rise takes toll on the housebuilding industry

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Post-Budget gilt rise takes toll on the housebuilding industry

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Via Negativa album review — a retro-futuristic ode to analogue synth-pop

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This year is the 60th anniversary of the Moog modular, the first commercial synthesiser. It was invented in the US by the engineer Robert Moog and the composer Herb Deutsch, who wrote the earliest piece of Moog music, a groovy avant-jazz instrumental in which the synthesiser is an otherworldly electronic companion to piano and trumpet. “I was looking for where a new sound could be,” Deutsch has said of the instrument’s creation.

Over the decades his new sound has become an old sound. Analogue synths such as the Moog are no longer redolent of the future but the past. They are prized for their warm, faintly distorted resonance, a product of their appealingly imperfect circuitry.

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According to Sean McBride of electronic music duo Xeno & Oaklander, the peak years for analogue synthesisers came between 1978 and 1984, before digital ones took over. His partnership with Liz Wendelbo inhabits that era with unswerving commitment. They formed in New York in 2004 and were leaders of a scene reviving European cold wave, the post-punk electronic music of the late 1970s and early 1980s. That Brooklyn-centred scene has retreated into obscurity, but the pair march on doggedly with their retro-futuristic synth-pop.

Via Negativa (In the Doorway Light) is the eighth Xeno & Oaklander album. Its title alludes to the split states running through their work, in which the negative and positive terminals of electric circuitry are echoed in their female and male voices, as well as their backgrounds: McBride’s in the US and Wendelbo’s in Europe. There is also a temporal split: the notion of an idealised past being reactivated.

The eight songs use a connoisseur’s collection of drum machines and sequencers. They move briskly through grid-like beats. Minimalism is offset by richly hued textures. Rubbery basslines absorb the push and shove of chunky riffs. Quavering notes aspire towards an electronic sublime. Both vocalists occupy narrow ranges. McBride chants in a low monotone, while Wendelbo sings at a breathy pitch, partly in French. The world ushered into being by the Moog is evoked with a pleasurable hint of Kraftwerkian playfulness.

★★★★☆

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‘Via Negativa (In the Doorway Light)’ is released by Dais

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Stock markets rally after Trump wins US election

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Stock markets rally after Trump wins US election

Stock markets in the UK and across Europe have rallied after Donald Trump won the US presidential election race.

US stocks markets hit record highs this afternoon (6 November) after the historic result, which is being labelled as the “great comeback in political history”.

Markets jumped more than 3% at the news – opening at 42,221.88 before hitting a record 43,514.85.

The US dollar also surged, while the FTSE 100 jumped by 1.5% when markets opened on Wednesday.

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It stayed 1.2% higher when the  was declared that Donald Trump had won the election.

In Europe, initial rises have started to subside due to threats of high tariffs from the incoming Trump administration.

Some economists have warned Trump’s tariff plans would come as a “shock” to the UK economy.

Richard de Lisle, manager of the VT De Lisle America Fund, who has more than 40 years’ experience investing in the US, said: “Donald Trump’s victory is expected to be better for the stock market than for the bond market because of his liberalism.

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“It is estimated that Trump’s economic plans would add a cumulative $7.8 trillion to the national debt over his term, as he cuts taxes and increases deficit spending.

“Such measures are likely to maintain current government infrastructure spending plans, sustain consumption and keep the US economy strong.

“Combined with his fierce threats of tariffs, these measures should benefit domestically focused manufacturers and industrials.

“Trump is also likely to break with Presidential impartiality and proactively encourage the Fed to press ahead with interest rate cuts despite big spending plans.

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“This combination could keep the economy going while stoking slightly higher inflation, which would be good for commodity related companies that can pass on their costs.

“Finally, Trump’s rhetoric around both protectionism and de-regulation will be positive for smaller companies that have more US revenue exposure and that are advantaged by reduced regulatory burdens, allowing them to grow faster.”

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Ancient English forest that starred in two Disney films has roaming deer and unique attraction reopening next year

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Bluebells flower in the Ashridge Estate in the Spring, with Dockey Wood being one of the best places to see the flowers

THE Ashridge Estate in Hertfordshire has been used as a backdrop for several blockbuster films thanks to its ancient woodland.

Managed by The National Trust since 1926, the Ashridge Estate is part of the Chiltern Hills, an Area of Outstanding Natural Beauty.

Bluebells flower in the Ashridge Estate in the Spring, with Dockey Wood being one of the best places to see the flowers

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Bluebells flower in the Ashridge Estate in the Spring, with Dockey Wood being one of the best places to see the flowersCredit: Alamy
Deer were first introduced in Ashridge in the 13th century, with the woodland creatures now roaming freely on the site

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Deer were first introduced in Ashridge in the 13th century, with the woodland creatures now roaming freely on the siteCredit: Alamy

The National Trust still uses livestock to help maintain the diverse habitats, with foresters felling timber to keep the woodland healthy.

With its beech and oak woodlands, fields of bluebells in the spring, and roaming fallow deer, the 5,000-acre site has proved a master in conjuring up wonderful settings.

Disney films such as Angelina Jolie‘s Maleficent and the musical fantasy Into the Woods, starring Meryl Streep, Emily Blunt and James Corden, were all shot in the ancient woodland.

Fantasy movies like Stardust and Harry Potter and the Goblet of Fire were also filmed in the forest.

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And if Ashridge Estate is good enough for Hollywood stars and big-name productions, then it is certainly somewhere Brits should visit for a day out.

This National Trust walk gives some of the best of the autumn colours in the less-trodden areas of the beautiful Ashridge Estate in Hertfordshire.

The 5,000-acre site is home to over 80 miles of pathways, with navigation website Komoot listing 19 different walks – although there are probably many more.

One of those is the Ashridge Estate Boundary Trail – North, a circular walk through the northern half of the site where ramblers pass through Ivinghoe Beacon and Incombe Hole.

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A huge draw for visitors is the deer that roam on the historic estate.

The deer were introduced in the 13th century by Edmund Earl of Cornwall who founded a monastery on the site where Ashridge House now stands.

WOW- National parks roadtrip

A deer park was created next to the monastery, with the woodland creatures remaining on the site for hundreds of years.

Nowadays, deer roam freely on the huge site, with three different species on the site, including Fallow deer, Muntjac deer and Red deer.

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Ashridge Estate is also known for its bluebells, with the flowering attracting large numbers of visitors each year.

The blooming date for bluebells varies depending on the weather, but they’re usually visible in April and May.

Dockey Wood is the best place to view bluebells in Ashridge Estate, with visitors charged a small entry fee of £3.50 to visit last year.

Bridgewater Monument, which is currently closed for conservation works, is set to reopen in Spring 2025.

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Before its closure, 15,000 visitors would climb its 172 steps to the viewing platform every year.

From the viewing platform, visitors can see Wembley Stadium and Canary Wharf on a clear day.

Bridgewater Monument (pictured) will reopen next spring following a renovation project

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Bridgewater Monument (pictured) will reopen next spring following a renovation projectCredit: Alamy

Pitstone Windmill is another top attraction to visit in the woodland.

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It’s thought to be one of the oldest post mills in Britain, with visitors able to explore its inside and learn how it works.

Pitstone Windmill is set to reopen in May for the summer season.

There’s also a visitor centre on-site, with a plant shop and a second-hand bookshop, and a cafe on the site.

Ashridge Estate has a 4.5/5 star rating on TripAdvisor from hundreds of reviews.

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One person wrote: “The Ashridge Estate covers a large area, and there are plenty of walks to explore.”

“There is some really beautiful scenery to enjoy so have your phone or camera ready to capture what you see”

Another person added: “Stunning gardens and a lovely tea room. There is so much to explore that you would want to spend a day here if the weather is good.”

Ashridge Estate is free to enter, with the ancient forest open throughout the year.

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It’s a 90-minute drive from London.

Inside the UK’s free ‘indoor rainforest’

Exploring the Amazon rainforest or going on an adventure in the jungles of Borneo might seem like impossible dreams for some.

But at the heart of a UK city there’s a huge rainforest-like attraction, with hundreds of exotic plant species, that can be visited for free.

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The Barbican conservatory in London is described as both a “utopia” and “a favourite” place for those living in the capital.

The indoor garden is the second largest conservatory in the city, but it doesn’t cost anything to enter, with guests able to meander around its walkways and paths at their leisure.

Small terrapins and exotic fish can be seen swimming in ponds inside, adding to the feeling that you’re in a tropical landscape.

Meanwhile, these camping etiquette mistakes will make other campers hate you.

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And these are the best campsites to visit in the UK.

Ashridge Estate is a 5,000-acre site in Hertfordshire, with more than 80 miles worth of pathways

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Ashridge Estate is a 5,000-acre site in Hertfordshire, with more than 80 miles worth of pathwaysCredit: Alamy

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The Prince of the Pagodas album review — Benjamin Britten’s only full-length ballet score gets brilliant rendition

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Unusually for him, Benjamin Britten suffered from a bout of writer’s block while he was composing The Prince of the Pagodas. The solution came by chance when he heard the haunting, complex music of the gamelan in Bali during a world tour and immediately declared his problems solved.

Britten did indeed go on to complete his only full-length score for ballet, but he never had much affection for it. The work turns up in the theatre from time to time, but the music has become most familiar in the form of a suite that he extracted from the full score.

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This release is only the full ballet’s second complete recording, as Britten’s own cuts 20 minutes of music. As his longest work for orchestra, The Prince of the Pagodas deserves attention and this fine recording will now be the place to go.

In designing his two-hour-plus score, Britten looked for inspiration to the master-composer of ballet, Tchaikovsky. He similarly divides up the music into danceable, bite-sized numbers, guaranteeing fast-moving musical variety, but the deeper emotional pull of Tchaikovsky’s ballets is missing.

The score’s strongest suit is its use of the orchestra. With its biting woodwind, growling brass and orchestral clarity, The Prince of the Pagodas is Britten through and through, and the gamelan-like sounds in the “Kingdom of the Pagodas” scene show the big influence the trip to Bali was to have on his music. The Hallé, under its new principal conductor Kahchun Wong, plays superbly and the recording on the Hallé’s own label brilliantly captures Britten’s coruscating sounds.

★★★★☆

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‘Britten: The Prince of the Pagodas’ is released by Hallé Concerts Society

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