Connect with us

Business

India denounces ‘stifling’ EU carbon tax on imports

Published

on

Unlock the Editor’s Digest for free

India’s finance minister Nirmala Sitharaman has denounced the EU’s planned carbon tax on imports as an arbitrary “trade barrier” that will hurt the world’s fastest-growing large economy and other industrialising nations.

Sitharaman said the EU Carbon Border Adjustment Mechanism (CBAM), under which tariffs are to be levied from 2026, would impede developing countries’ transition away from fossil fuels by making the change harder to fund.

Advertisement

“They are unilateral and are not helpful,” Sitharaman told the Financial Times’ Energy Transition Summit India in New Delhi. “Absolutely, it is a trade barrier.”

“You are being stifled by steps which are not going to facilitate the green transition,” she added.

The CBAM is intended to penalise embedded carbon emissions from the production of goods imported to the EU such as cement, fertilisers, iron and steel, and chemicals. The tax, which was approved last year, has triggered alarm among India’s fast-growing heavy industries, which fear it could wipe out one of their biggest markets.

A report by the New Delhi-based Centre for Science and Environment estimated the CBAM would result in an additional 25 per cent tax on carbon-intensive goods exported from India to the EU, a burden that at 2022-23 levels would be equivalent to 0.05 per cent of the country’s GDP.

Advertisement

India relies on coal for more than half of its electricity generation and to directly power much of its production of goods such as steel.

New Delhi has also been riled by a controversial EU anti-deforestation law that will block foreign companies from exporting to the bloc if their products are deemed to have contributed to forest loss.

After widespread international criticism of the deforestation law, which was meant to enter into force in December, Brussels last week proposed a one-year delay to its implementation.

Sitharaman said India was on track to be a net zero carbon emitter by 2070, barring “unilateral” external challenges such as the EU carbon tariff and deforestation initiatives.

Advertisement

“That is another one of those steps which can hurt countries like India,” she said of the deforestation rules. “You will have major disruptions in the supply chain, that’s not going to help countries spending a lot on transition costs.”

Under the CBAM, exporters to the EU must register the emissions produced in creating their products, with charges kicking in from 2026. The EU is confident the measure would survive a possible challenge at the World Trade Organization because it applies to domestic producers as well imports.

Sitharaman said India had raised concerns with the EU “several times” and would do so again, but that she did not expect the issue to affect ongoing free trade negotiations with the bloc.

Advertisement

“I’m sure it won’t be escalated to the level of hurting the talks,” the finance minister added. “But our concerns will definitely be voiced.”

Ignacio Garcia Bercero, non-resident fellow at the Breugel think-tank in Brussels, said the EU measures were being taken to meet the global challenge of climate change and damage to nature, not for protectionist reasons.

“We are not going to meet internationally agreed global goals to stop deforestation unless importing countries contribute. Europe does not produce most of these commodities so it is not protectionist,” he said.

On CBAM, Bercero said the EU’s heavy industry was paying more for emissions and without the tariff would simply be forced out of business by cheaper imports from countries without a carbon tax.

Advertisement

Ngozi Okonjo-Iweala, the WTO director-general, told the FT last month that global carbon pricing was necessary, but that poorer countries should pay less.

Source link

Continue Reading
Advertisement
Click to comment

You must be logged in to post a comment Login

Leave a Reply

Travel

The eight most magical Christmas light shows across England in 2024

Published

on

Kew Gardens becomes an ethereal fairytale land at Christmas time

CHRISTMAS is a magical time of year and one of the best ways to get into the festivals spirit is to see a light show. 

There are many stunning light shows across England from Kew Gardens in London to Blenheim Palace in Oxfordshire.

Kew Gardens becomes an ethereal fairytale land at Christmas time

6

Kew Gardens becomes an ethereal fairytale land at Christmas time
Regent Street has some of the most beautiful Christmas lights in the country

6

Advertisement
Regent Street has some of the most beautiful Christmas lights in the country

Some even serve festive treats including mulled wine and gingerbread men to help you get into the fun of the season. 

Here are the eight best Christmas Light shows in England.

Kew Gardens, London

When Christmas arrives, Kew Gardens is lit up with more than a million bulbs.

It’s an entirely new way to see the 320 acre attraction which is home to over 16,000 species of plants. 

Advertisement

The Gardens are bathed in warm, colourful light and the trail is lined with thousands of candles, holographic laser beams and canopies of fairy lights. 

Visiting Kew Gardens doesn’t have to break the bank either, as ticket prices range from £21.50 for members at off-peak times to £26 at peak times. 

For non-members, it is a little bit more expensive with off-peak tickets costing £25.50 and peak tickets costing £32. 

Blenheim Palace is used as a set in big Hollywood productions

6

Advertisement
Blenheim Palace is used as a set in big Hollywood productions

Blenhein Palace, Oxfordshire

The grounds at Blenhein Palace are already so beautiful that they have been used in Harry Potter, James Bond and Indiana Jones, but Christmas there is really something special.

There are thousands of illuminated lights transforming the historic building and grounds into a winter wonderland.

Kids will love the Neverland in the palace experience, which gives them the opportunity to explore the sparkling State rooms, complete with a model London skyline

Also, £1 will be added at basket stage for each Everland in the Palace ticket to Great Ormond Street Hospital Children’s Charity. 

Advertisement

Longleat, Bristol

Bristol is home to the beautiful Longleat House which opens its gates for visitors to welcome them to its annual Festival of Light. 

The grounds, which are home to one of the UK’s most exciting safari parks, will turn back the clock and take visitors on a journey from the dawn of man to the present day. 

But that’s not all because this light show has a Santa train to meet Father Christmas and his elves.

The festival of light runs from November 9, 2024 to January 5, 2025.

Advertisement
Oxford Street is one of the busiest streets in Europe

6

Oxford Street is one of the busiest streets in Europe

Oxford Street and Regent Street

Oxford Street and Regent Street are some of the busiest streets in Europe and they are both home to some of England’s best light displays every Christmas.

Both streets have over 300,000 LED lights which provide great photo opportunities while you do some Christmas shopping. 

Regent Street has huge angels of light spanning across the entire street and Oxford Street is draped in over 5000 white stars. 

Advertisement

Oxford Street will be lighting up from November 5, 2024, and Regent Street will follow suit just two days later. 

Killerton, Exeter

Christmas at Killerton will feature a traditional Christmas experience that includes an enchanted decorated house, which has green garlands, warming fireplaces and lush trees to make you feel cosy.

There is more fun to be had in the garden, which has an outdoor trail for the kid’s to enjoy.

The gardens and Chapel grounds will be covered in Christmas lights, making it the best location for a Christmas family photo so dress to impress.

Advertisement

Christmas at Killerton will run from November 26, 2024 to January 2, 2025.

Bedgebury, Kent

Bedgebury is home to a one-mile magical winter trail which has fields of light and giant luminous seed pods.

Then, you’ll walk through sparkling tunnels of light and the forest is drenched in all of the colours of the rainbow.

It’s perfect for a little Christmas warmth on a cold December day.

Advertisement

Christmas at Bedgebury runs from November 14, 2024 to December 31, 2024.

The Twilight Trail turns Mayfield Park into a winter wonderland

6

The Twilight Trail turns Mayfield Park into a winter wonderland

Mayfield park, Manchester

The Twilight Trail transforms Mayfield Park into a 6.5 acre Christmas extravaganza with 50,000 lights.

From hot chocolate to toasted marshmellows, there is plenty to eat and drink as they wander through the winter wonderland.

Advertisement

Tickets are now on sale. Adult tickets priced at £14 and child tickets are £9, with under two-year-old’s gaining free entry.

The Twilight Trail runs from November 14, 2024 to December 31, 2024.

Liverpool Cathedral is the largest Cathedral in Britain

6

Liverpool Cathedral is the largest Cathedral in Britain

Liverpool Cathedral

The Light Before Christmas 2024: Starlight is an immersive sound and light installation by the acclaimed artistic collective Luxmuralis, in one of the most historic cities in England.

Advertisement

The cathedral will become a stunning display of sound, light and story telling but it only runs for one day so you’ll need to hurry to get tickets.

Head on to Liverpool to catch The Light Before Christmas when takes place on November 30, 2024.

Source link

Advertisement
Continue Reading

Business

Hurricane Milton could cost $60bn in insurance losses

Published

on

Unlock the Editor’s Digest for free

Hurricane Milton could trigger insurance losses of up to $60bn if it stays on its current path, with analysts warning the US’s 2024 hurricane season will “dent” insurers’ profitability.

The National Hurricane Center forecasts that the storm, which is heading towards Florida, will make landfall about 40 miles south of the city of Tampa as “an extremely dangerous major hurricane” on Wednesday night. It is currently a category 4 storm, with winds of up to 155 miles per hour.

Advertisement

Credit rating agency Morningstar DBRS estimates that a change of course leading to a direct hit on Tampa could trigger losses of up to $100bn, which would be on a par with those of Hurricane Katrina, and would make it one of the costliest natural disasters in US history.

Milton is the second major hurricane to hit the US in a fortnight. It comes after Hurricane Helene wreaked havoc across several south-eastern states, killing more than 225 people and destroying roads across western North Carolina.

Morningstar warned that accumulation of losses over the 2024 hurricane season, which runs until the end of November, would “likely make a dent in insurers’ profitability”, particularly for those with “significant exposures to personal lines in Florida”.

On Wednesday, the Securities and Exchange Commission, the US financial regulator, said it was “closely monitoring” the impact of Hurricane Milton on investors and capital markets, and would consider offering relief from filing deadlines for those affected by the storm. 

Advertisement

Florida governor Ron DeSantis said 6,000 members of the Florida National Guard and 3,000 from other states were standing ready to respond to the aftermath of the hurricane.

People arriving to shelter at a school ahead of Hurricane Miton’s expected landfall in Florida, US on October 9 2024
Evacuees arriving to shelter at a school © AFP via Getty Images
Flood protection barriers outside Tampa hospital in Florida, US on October 9 2024
Flood protection barriers outside Tampa hospital © Reuters

“This is the largest Florida National Guard search and rescue mobilisation in the entire history of the state of Florida,” he told reporters on Wednesday. 

DeSantis also tried to reassure Florida residents about the availability of fuel, following reports that some petrol stations had run dry because of panic buying. Highway patrol cars were escorting tankers through traffic to replenish supplies at petrol stations, he said.

Map showing predicted path of Hurricane Milton which is predicted to make landfall in Florida as a Category 4 storm

In the Tampa Bay area, officials were sending text messages and calling people to warn them of the dangers of failing to evacuate their homes. In Pinellas County, which sits on the peninsula that forms Tampa Bay, officials warned people to “get out now”. 

Emergency management director Cathie Perkins said 13 public shelters were open for people with no other options to escape the hurricane, and warned bridges across to Tampa would soon close. “Everybody in Tampa Bay should assume we are going to be ground zero,” she said.

Map showing the forecast accumulated rainfall from Hurrican Milton between October 8 and 10. More than 300mm (12 inches) of rain is expected in parts of Florida

Meanwhile, an independent group of climate scientists said human-caused climate change had boosted Hurricane Helene’s devastating rainfall by about 10 per cent and intensified its winds by about 11 per cent. 

Global warming from the burning of fossil fuels had made the high sea temperatures that fuelled the storm 200 to 500 times more likely, the World Weather Attribution group found in a new report

Advertisement

Climate Capital

Where climate change meets business, markets and politics. Explore the FT’s coverage here.

Are you curious about the FT’s environmental sustainability commitments? Find out more about our science-based targets here

Source link

Continue Reading

Money

Arc & Co secures £25m from Coutts for Ability Hotels

Published

on

Arc & Co secures £25m from Coutts for Ability Hotels

Don’t want full access? REGISTER NOW for limited access and to subscribe to our newsletters.

Source link

Advertisement
Continue Reading

Business

The best thing about sci-fi films? The corridors

Published

on

Unlock the Editor’s Digest for free

In the cinema of science-fiction, corridors take a lead role. It’s within those interstitial spaces that the action and beauty unfold, from intense moments of peril to the panning of backlit walls configured to look infinite in scale. Each possible future has its own design. There are the hexagonal passages of the Death Star in Star Wars circa 1977, and the octagonal ones in Alien: Romulus. The corridor is a sci-fi trope – and the extreme nature of these spaces gives interior designers something to draw from. 

Set designer Gary Card created the original and recently refreshed interior for the LN-CC store in London, with its much-photographed octagonal corridor. “It has a definite retrofuturism to it,” Card says of the bright-orange wood tunnel. “I liked the idea of making something futuristic out of an economical, simple material and seeing how far we could push it. When we saw its parallels with 2001: A Space Odyssey, we leaned into that feeling further. Something I’ve learnt with corridors is that they’re a good way to envelop an audience as well as anchoring a space.”

Advertisement
The octagonal corridor in LN-CC’s London store
The octagonal corridor in LN-CC’s London store © Ben Benoliel

The corridors of the future take disparate visual paths. Some look like an intergalactic take on Gaudí, as in the David Lynch version of Dune; others are chillingly reductive, like the warren of whitewashed underground halls in Westworld, where Yul Brynner’s rogue cowboy android pursues the last surviving guest of the theme park. 

Norma Kamali’s New York penthouse in the Herzog & de Meuron 160 Leroy building in New York is all white, including the bare internal corridors, where shadows cast by doorways change during the day. It’s a bold, deliberate choice. “I want things as simple as possible,” says Kamali of the design. “It works creatively for me, so I still feel that there’s another idea coming tomorrow. I hate looking back.”

The influence of sci-fi design on the psyche has become an obsession for many. Between 2012 and 2015, the artist Serafín Álvarez assembled an online archive – scificorridorarchive.com – collecting stills of hundreds of scenes set in connecting halls on film. The process itself was the artwork, as Álvarez brought various worlds together on the blog, inviting you to imagine connections between them. But you can also enjoy the graphic arrangements.

Nerds of all kinds are fixated on sci-fi sets, from the obsessives who can tell you that Clara in Matt Smith-era Doctor Who walks through the same distorted, honeycomb corridors in “The Name of the Doctor” as she does in “Journey to the Centre of the Tardis”, to the architects who have made it their career goal to turn fiction into reality. The Zaha Hadid signature is sci-fi – the corridors and staircases of the 520 West 28th building in Manhattan that she designed shortly before her death have amorphous apertures, windows and bends, and her studio still creates similar silhouettes. 

Marc Newson’s design for the bar in Madrid’s Hotel Puerto América
Marc Newson’s design for the bar in Madrid’s Hotel Puerto América © Rafael Vargas
A scene from the first Star Wars film
A scene from the first Star Wars film © Lucasfilm/Walt Disney/Alamy

Marc Newson has created numerous projects with poured floors, seamless curves and dramatic sheen that’s a universe away from traditional tongue and groove in architecture. What could be sexier than a reflective floor in a material you can’t quite identify? Think of Darth Vader’s menacing walk, at pace, on those shiny black Imperial surfaces. Likewise, backlighting of walls in sci-fi corridors lends a celestial glamour. Some sci-fi is purposely grubby – Andrei Tarkovsky’s art direction was the work of genius but has a dank, dripping vérité. But most sci-fi is pure gloss. The tube-shaped corridors in Gattaca look like a series of ring lights around a runway and feel very Prada.

“I have always been obsessed with hallways and giving them a feeling of ‘no gravity’ or an illusion of the information age,” says New York-based designer Karim Rashid, who has created numerous projects with hyper-real graphics in carpets and walls, including the Magic Hotels in Norway and the Prizeotel chain. “I want to transport people from public to private. It creates a mood shift. I was brought up with science fiction, watching 2001, Logan’s Run, Solaris and Blade Runner. Sturgeon’s Law [90 per cent of everything is crap] applies to corridors – 90 per cent are badly designed. But lighting and technology now afford us Tron-like spaces with long lines of LEDs. For example, the hallways at the Nobu hotel in Warsaw and the Belgium Nhow hotel.” 

Advertisement
Norma Kamali’s New York penthouse
Norma Kamali’s New York penthouse © Mark C O’Flaherty
A striped rug from Paddy Pike’s Cresco Collection in a doorway
A striped rug from Paddy Pike’s Cresco Collection in a doorway © Paddy Pike Studio
Alicia Vikander in Ex Machina
Alicia Vikander in Ex Machina © Cinematic/Alamy Stock Photo

The interlocking fabric Clouds tiles by the Bouroullec brothers could easily be used to create an astounding fractal tunnel, while recent designs by Paddy Pike – who cites the film Ex Machina as an inspiration  – include polished-steel portals and the striped rugs of his Cresco Collection, which he has shown installed as arches to pass through from room to room, like a kind of trompe-l’œil 1970s starship corridor. “My recent focus has been on doorways,” he says. “I’m drawn to creating pieces that dominate a room, offering a sense of transformation as you move through the space.”

Many public and private spaces take their cues from sci-fi corridors. Most of Tadao Ando’s buildings on the art island of Naoshima in Japan feature concrete corridors that recall the work of set designer Ken Adam (most notably the beautiful but abysmal Moonraker). Australian design practice Wood Marsh has created fabulous spaces with concrete curves that are wonderfully Ken Adam too. In the same vein is the concrete walled gallery and private penthouse of the Boros Bunker in Berlin, which was also home to Cate Blanchett’s eponymous character in Tár. Speaking to the FT in 2017, owner Christian Boros talked of his fascination with 007, which helped shape the penthouse. 

When architects George Yabu and Glenn Pushelberg moved into their Richard Meier-designed apartment overlooking the Hudson River, they left most of the walls and columns gallery-white, but panelled one corridor with smooth wood from a single log sourced from India. This is backlit at each corner with a disorienting concave Anish Kapoor lacquer dish hung at the end of the hall, where the axis of each line of light meets. The effect is totally sci-fi but also quietly sensual. To play against it, a Napoleonic French chair sits midway down the corridor.  

The hallway of the Yabu Pushelberg Residence, New York
The hallway of the Yabu Pushelberg Residence, New York © Mark C.O’Flaherty
A detail from Do Ho Suh’s Passage/s installation, 2017
A detail from Do Ho Suh’s Passage/s installation, 2017 © Thierry Ba/Do Ho Suh, courtesy of the artist, Lehmann Maupin and Victoria Miro

Next May, Tate Modern opens a survey of work by Do Ho Suh entitled The Genesis Exhibition, including installations featuring coloured translucent corridors. The artist is not the first to explore internal spaces. In 1959, utopian architect Frederick Kiesler created “Model for the Endless House”, a cement sculpture in the permanent collection of the Whitney. Each space meets another in a never-ending loop, like the corridors that sci‑fi characters run through on repeat. 

Elongated transitional spaces can be emotive and dramatic. Back in 1987, Foster + Partners created a store for Katharine Hamnett on Brompton Road that was revolutionary – a white tunnel that led from the street into the industrial store incorporating a 35m glass bridge, lit from below, with a gentle arch. It created a sense of awe and mystery. Its most recent reincarnation was as a now-closed restaurant, festooned with fake foliage and Chesterfields and serving bottomless brunch. The world will change again. The only way is forward, whichever corridor you choose. 

Source link

Continue Reading

Money

Adviser-client digital experience ‘compromised by crap technology’

Published

on

Adviser-client digital experience ‘compromised by crap technology’

The chief executive of Seccl has claimed that “crap technology” has compromised the adviser-client digital experience.

David Ferguson said most of the technology in the advice sector “is quite old” and not “built for connectivity”.

He said: “We now talk about API, but if you look at the end-to-end thing, the adviser client digital experience has been compromised by crap technology and their business efficiency has been constrained by that as well.”

Ferguson made his comments at Money Marketing Interactive in London yesterday (8 October).

Advertisement

He was speaking as part of an industry panel for advisers on how they can choose the right systems and tech stack for their business.

He noted that though technology has grown in leaps and bounds over the last 20 years, the advice sector technology still lags in several areas, including integration.

Ferguson said the issue is affecting adviser businesses.

“One thing that troubles me is a lot of the cost in adviser businesses is [because] they are dealing with providers that can’t do the job properly.                                                                                                                                                                      “And that’s technology not speaking to each other even in the inside of these provider companies. The idea that they’re going to magically speak together outside with other systems – that’s just completely nuts,” Ferguson said.

Advertisement

Speaking on the same panel as Ferguson, Timeline founder and CEO Abraham Okunsanya, dispelled the myth about a ‘best of breed’ technology stack.

He said: “This idea of best of breed versus all in one doesn’t exist.

“There aren’t many technology stacks in the market today that will do everything you want and equally the idea that you bring together all these various tools, and you will get the same level of efficiency or effectiveness as you do with an all-in-one [system] is just not true.

“Ultimately you have to figure out what you want to achieve with your business and try to find the technology solution that does that.

Advertisement

“I would argue that the direction of travel is that we’re moving towards more joined up technology, more integrated ecosystem than multiple tools that just don’t talk to each other.”

Zerokey co-founder and CEO, Joseph Williams, said that advisers should have the choice of the technology solutions they want to adopt.

“They shouldn’t be faced with the compromise of choosing best of breed [and] the inefficiencies that it brings.

“If they wish to use an all-in-one solution and that’s what they believe is best for them and their clients, then that’s the route they should go down,” Williams said.

Advertisement

He said that whatever route advisers chose, their tech stacks should “talk to one another”.

“There are ways that we can solve this solution other than the traditional approach to integration that we’ve always forged and clearly it hasn’t worked,” he added.

Williams cited the Lang Cat report, published five years ago, that showed 85% of advisers blamed lack of integration for major cause of inefficiency.

The figure has risen to 94% in Intelliflo’s latest adviser efficiency survey.

Advertisement

On addressing the integration question, Okunsaya said he believes the sector needs to address the trust issue between institutions and regulated entities.

“Unless we can remove the lack of trust between regulated entities, we’re always going to find ourselves in this position,” he said.

“This is why I gave up hope on this idea of multiple third-party integration being the primary way that we drive efficiencies within financial planning firms.

“I strongly believe that the solution is you have an integrated ecosystem being probably 70, maybe 80% of what you want as a firm and then you plug one or two other things on top of that.”

Advertisement

Benchmark Capital CEO, Ed Dymott, said the problem is due to too many players in the advice space trying to outcompete each other.”

He said: “When I look at the adviser ecosystem, there are too many people trying to be in the same space. I think that’s not a trust thing. I think that’s everyone trying to compete in the same area. I think that’s a big challenge.

Dymott blamed regulation, particularly the Consumer Duty, for not addressing this issue.

“The Consumer Duty should have mandated better service levels and better access to providers,” he said.

Advertisement

Source link

Continue Reading

Business

North review — Daniil Trifonov’s latest album bristles with virtuosity

Published

on

Unlock the Editor’s Digest for free

The journey that Daniil Trifonov has made in his life is also reflected in his music. Born in Russia, he started out as a star performer of the great Russian piano concertos. Now resident in the US, he has taken up American piano music in all its open-minded variety.

His latest album, My American Story: North, ranges across concertos, jazz and swing, film soundtracks, modernism and minimalism. With a nod towards his young, Russo-Latino family, he is also promising a second volume, My American Story: South, which will showcase Latin American music.

Advertisement

A pair of concertos, both with Yannick Nézet-Séguin conducting the Philadelphia Orchestra, form the backbone of this first release. Gershwin’s Concerto in F, most popular of all American piano concertos, gets an electric performance, less bluesy than some, but bristling with virtuosity.

Trifonov gave the premiere of Mason Bates’s Piano Concerto in 2022 and a live recording of that performance is included here. Although the concerto goes through some thin and disjointed passages, it is packed with vivid and individual ideas freed from any stylistic expectations. It is American music through and through.

The solo works include Aaron Copland’s terse Piano Variations, John Adams’s delicately minimalist China Gates and John Corigliano’s intriguing Fantasia on an Ostinato. Throw in film-score themes, several short jazz numbers, some dazzling finger-work in an Art Tatum arrangement, and John Cage’s iconic 4’33”, and the range of how much has been fitted in here is a marvel.

★★★★★

Advertisement

‘My American Story: North’ is released by DG

Source link

Continue Reading

Trending

Copyright © 2024 WordupNews.com